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Andrew O’Hehir (page 29)

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Andrew O'Hehir is executive editor of Salon, and has been a writer and editor at the pioneering online news site since 1997, including many years as a film and cultural critic. He was previously an editor at SPIN magazine and was editor of the award-winning SF Weekly in the mid-1990s. He has also written for the New York Times, the Washington Post, Nautilus, Sight and Sound, Elle China, the Times (U.K.) and other publications.

“Nightcrawler”: Jake Gyllenhaal knows what you want to watch

Andrew O'Hehir
(Wikimedia/U.S. Coast Guard)

“The Great Invisible”: The BP oil disaster and our fossil-fuel addiction

Andrew O'Hehir

“Goodbye to Language”: Jean-Luc Godard’s dazzling, provocative 3-D mind trip

Andrew O'Hehir
Jeremy Renner as Gary Webb in "Kill the Messenger" (Focus Features)

From Gary Webb to James Risen: The struggle for the soul of journalism

Andrew O'Hehir
Kristofer Hivju in "Force Majeure" (Magnolia Pictures)

“Force Majeure”: Gripping tale of a near-disaster and an imploding marriage

Andrew O'Hehir

Indie award nominations boost Oscar chances for “Birdman,” “Boyhood,” “Grand Budapest”

Andrew O'Hehir
Laura Poitras (AP/Charles Sykes)

Laura Poitras: “I knew this was going to piss off the most powerful people in the world”

Andrew O'Hehir
(AP/Reuters/Salon)

Yeah, the GOP is evil and will win — but the midterms are meaningless

Andrew O'Hehir

“Birdman”: Michael Keaton heads an all-star cast in a crackling showbiz satire

Andrew O'Hehir
Elisabeth Moss and Jason Schwartzman in "Listen Up Philip" (Tribeca Film)

“Listen Up Philip”: Jason Schwartzman and Elisabeth Moss star in a brilliant, bristly Philip Roth knock-off

Andrew O'Hehir
Brad Pitt in "Fury" (Sony Pictures)

“Fury”: Brad Pitt brings the macho back to WWII in this relentless battle flick

Andrew O'Hehir
(Radius TWC)

“Citizenfour”: Laura Poitras’ secret Snowden documentary is electric

Andrew O'Hehir
(HBO)

Atheism, Islam and liberalism: This is what we are really fighting about

Andrew O'Hehir
Miles Teller and J.K. Simmons in "Whiplash" (Sony Pictures Classics/Daniel Mcfadden)

“Whiplash” examines the line between education and abuse

Andrew O'Hehir

“The Overnighters”: The haunting true story of a 21st-century boomtown

Andrew O'Hehir
Bill Murray and Jaeden Lieberher in "St. Vincent" (The Weinstein Company)

Bill Murray and Robert Downey Jr.: Great actors trapped in dumb fables

Andrew O'Hehir
Joaquin Phoenix in "Inherent Vice"

“Inherent Vice”: A first look at Paul Thomas Anderson’s loopy Pynchon movie

Andrew O'Hehir
Nowa Paye, 9, is taken to an ambulance after showing signs of the Ebola infection in the village of Freeman Reserve, Liberia, Sept. 30, 2014. (AP/Jerome Delay)

Ebola, the “heart of darkness” and the epidemic of fear

Andrew O'Hehir
Heinrich Himmler and his family, in an undated photograph from "The Decent One."

Heinrich Himmler, family man: Why “The Decent One” is the most haunting documentary I’ve ever seen

Andrew O'Hehir
Léa Drucker and Mathieu Amalric in "The Blue Room."

“The Blue Room”: French star Mathieu Amalric in a crafty remix of “Gone Girl”

Andrew O'Hehir
Kaitlyn Dever and Jennifer Garner in "Men, Women & Children" (Paramount Pictures)

“Men, Women & Children”: Hollywood’s Internet lameness reaches new lows

Andrew O'Hehir
Rosamund Pike and Ben Affleck in "Gone Girl" (Twentieth Century Fox)

“Gone Girl”: A dark marriage drama becomes a “battle-of-the-sexes” debate

Andrew O'Hehir
Ray Rice (AP/Nick Wass)

Rape, domestic violence and football: The last battle for American masculinity

Andrew O'Hehir
Denzel Washington in "The Equalizer" (Sony Pictures)

“The Equalizer”: Denzel Washington redeems American manhood

Andrew O'Hehir
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