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Andrew O’Hehir (page 31)

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Andrew O'Hehir is executive editor of Salon, and has been a writer and editor at the pioneering online news site since 1997, including many years as a film and cultural critic. He was previously an editor at SPIN magazine and was editor of the award-winning SF Weekly in the mid-1990s. He has also written for the New York Times, the Washington Post, Nautilus, Sight and Sound, Elle China, the Times (U.K.) and other publications.

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Heinrich Himmler and his family, in an undated photograph from "The Decent One."

Heinrich Himmler, family man: Why “The Decent One” is the most haunting documentary I’ve ever seen

Andrew O'Hehir
Léa Drucker and Mathieu Amalric in "The Blue Room."

“The Blue Room”: French star Mathieu Amalric in a crafty remix of “Gone Girl”

Andrew O'Hehir
Kaitlyn Dever and Jennifer Garner in "Men, Women & Children" (Paramount Pictures)

“Men, Women & Children”: Hollywood’s Internet lameness reaches new lows

Andrew O'Hehir
Rosamund Pike and Ben Affleck in "Gone Girl" (Twentieth Century Fox)

“Gone Girl”: A dark marriage drama becomes a “battle-of-the-sexes” debate

Andrew O'Hehir
Ray Rice (AP/Nick Wass)

Rape, domestic violence and football: The last battle for American masculinity

Andrew O'Hehir
Denzel Washington in "The Equalizer" (Sony Pictures)

“The Equalizer”: Denzel Washington redeems American manhood

Andrew O'Hehir
André Benjamin in "Jimi: All Is by My Side"

“Jimi: All Is by My Side”: This is the weirdest rock biopic of all time

Andrew O'Hehir
Viggo Mortensen in "The Two Faces of January" (Magnolia Pictures)

Viggo Mortensen on “Lord of the Rings” — and playing an American at last

Andrew O'Hehir
The Young Torture Killaz, in "Hellaware" (Factory 25)

“Hellaware”: Art-world hipsters vs. rural juggalos in a trippy indie odyssey

Andrew O'Hehir
Barack Obama, Michael Moore (Reuters/Charles Dharapak/Lucas Jackson/photo montage by Salon)

Obama, the slide back to Iraq and the power of the “Deep State”

Andrew O'Hehir
Terry Gilliam, on the set of "The Zero Theorem" (Amplify Releasing)

Terry Gilliam: Hollywood is just “gray, frightened people” holding on for dear life

Andrew O'Hehir
Nick Cave and Kylie Minogue in "20,000 Days on Earth"

Nick Cave’s dark, strange and sometimes hilarious odyssey

Andrew O'Hehir
Tina Fey and Jason Bateman in "This Is Where I Leave You" (Warner Bros. Pictures)

“This Is Where I Leave You”: Terrific cast almost rescues turgid middlebrow crap

Andrew O'Hehir
Dan Stevens in "The Guest" (Picturehouse)

“The Guest”: “Downton Abbey” heartthrob wreaks havoc on America

Andrew O'Hehir
Ray Rice (AP/Nick Wass)

Football, violence and America’s cultural divide

Andrew O'Hehir
(AMC)

The “death of adulthood” is really just capitalism at work

Andrew O'Hehir
James Gandolfini and Tom Hardy in "The Drop"

“The Drop”: A masterful Brooklyn thriller — and James Gandolfini’s terrific final role

Andrew O'Hehir
James McAvoy and Jessica Chastain in "The Disappearance of Eleanor Rigby" (The Weinstein Company)

“The Disappearance of Eleanor Rigby”: A mesmerizing marriage drama — in three different versions

Andrew O'Hehir
Bill Hader and Kristen Wiig in "The Skeleton Twins" (Sundance Institute)

“The Skeleton Twins”: Kristen Wiig and Bill Hader go dark in a potent sibling dramedy

Andrew O'Hehir

From 9/11 to the ISIS videos: The darkness we conjured up

Andrew O'Hehir
Emily Browning in "God Help the Girl" (Amplify Releasing)

“God Help the Girl”: An irresistible pop musical from Belle and Sebastian’s Stuart Murdoch

Andrew O'Hehir

“Last Days in Vietnam”: Is the humiliation of 1975 about to be repeated?

Andrew O'Hehir
Willis Earl Beal in "Memphis"

“Memphis” and the beauty of plotless movies

Andrew O'Hehir
(<a href='http://www.shutterstock.com/gallery-59783p1.html'>ARENA Creative</a>, <a href='http://www.shutterstock.com/gallery-63555p1.html'>Paul Matthew Photography</a> via <a href='http://www.shutterstock.com/'>Shutterstock</a>/Salon)

Why acknowledging white privilege is not surrendering to “white guilt”

Andrew O'Hehir
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