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Andrew O’Hehir (page 33)

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Andrew O'Hehir is executive editor of Salon, and has been a writer and editor at the pioneering online news site since 1997, including many years as a film and cultural critic. He was previously an editor at SPIN magazine and was editor of the award-winning SF Weekly in the mid-1990s. He has also written for the New York Times, the Washington Post, Nautilus, Sight and Sound, Elle China, the Times (U.K.) and other publications.

Roger and Chaz Ebert (AP/Chris Pizzello)

Chaz Ebert and director Steve James on Roger Ebert’s legacy

Andrew O'Hehir
(Jeff Malet, maletphoto.com/Paramount Pictures)

“Transformers”: Robot warriors of the Tea Party attack

Andrew O'Hehir
Chris Evans, Tilda Swinton and Octavia Spencer in "Snowpiercer" (Radius-TWC)

“Snowpiercer”: Movie of the year, at least so far

Andrew O'Hehir
Keira Knightley and Mark Ruffalo in "Begin Again" (The Weinstein Company)

“Begin Again”: A corny attempt to recapture the magic of “Once”

Andrew O'Hehir
(TakePart/Noah Berger)

“The Internet’s Own Boy”: How the government destroyed Aaron Swartz

Andrew O'Hehir
(Reuters/Joshua Roberts/AP/Horst Faas/Salon)

Dick Cheney, Iraq and the ghosts of Vietnam

Andrew O'Hehir

“Jersey Boys”: A surprisingly great summer movie for grown-ups

Andrew O'Hehir
Emily Foxler and Maury Sterling in "Coherence." (Oscilloscope Laboratories)

“Coherence” puts a strange, sci-fi twist on the dinner party movie

Andrew O'Hehir
Ann Druyan, the writer and executive producer of "Cosmos: A Spacetime Odyssey." (Reuters/Kevork Djansezian)

“Why is God telling me to stop asking questions?”: Meet the woman behind Neil deGrasse Tyson’s “Cosmos”

Andrew O'Hehir
James Franco and Olivia Wilde in "Third Person" (Maria Marin)

Director Paul Haggis’ raw, painful confession

Andrew O'Hehir
Eric Cantor, Robert Pattinson (Reuters/Jonathan Ernst/Mario Anzuoni)

A fissure in the dam of political reality: How Eric Cantor’s defeat foreshadows the coming apocalypse

Andrew O'Hehir
(Lauren Logan)

Poor, white and pissed-off in the age of inequality

Andrew O'Hehir
Channing Tatum and Jonah Hill (AP/Chris Pizzello)

“22 Jump Street”: Channing Tatum and Jonah Hill go meta-gay

Andrew O'Hehir
A still from "Evergreen" (First Run Features)

“Evergreen” reveals the weird lessons of Washington’s weed battle

Andrew O'Hehir

“Burning Bush”: HBO tackles the age of Communism

Andrew O'Hehir
(<a href='http://www.shutterstock.com/gallery-84025p1.html'>Mopic</a> via <a href='http://www.shutterstock.com/'>Shutterstock</a>)

Slenderman: Nightmarish info-demon or misunderstood cultural icon?

Andrew O'Hehir
Jan Bijvoet in "Borgman" (Drafthouse Films)

“Borgman” is a deeply disturbing look at the dark side of suburbia

Andrew O'Hehir
Jenny Slate in "Obvious Child."

“Obvious Child”: An abortion rom-com makes history

Andrew O'Hehir
Tom Cruise in "Edge of Tomorrow"

“Edge of Tomorrow” makes a wild spectacle of Tom Cruise’s war fever

Andrew O'Hehir
David Koch in a still from "Citizen Koch"

“Citizen Koch”: The movie about our sick democracy PBS tried to kill

Andrew O'Hehir
Arthur Chu, Elliot Rodger (AP/YouTube)

Hey, guys: Elliot Rodger is our problem

Andrew O'Hehir
Angelina Jolie in "Maleficent" (Disney Enterprises)

“Maleficent”: A reborn Angelina Jolie is the perfect heroine-villain

Andrew O'Hehir
Jesse Eisenberg in "Night Moves"

“Night Moves”: A nail-biting procedural explores the “eco-terror” left

Andrew O'Hehir

“A Million Ways to Die in the West”: How Seth MacFarlane became the new Adam Sandler

Andrew O'Hehir
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