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Annie Zaleski
(page 6)
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Debbie Harry opens up about working with Sia and Blondie’s new album
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For ’90s indie fave Helium, a simple reissue became a second act
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Chris Cornell’s talents transcend the grunge genre he helped create
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“Sgt. Pepper’s” at 50: was it a concept album or an identity crisis?
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Why ’70s soft rock came back, and why it’s not going anywhere
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Brandi Carlile revists “The Story” with Dolly, Pearl Jam and Obama
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20 years later, Hanson’s “Middle of Nowhere” stands the test of time
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Prince’s genius, through the Revolution’s ears: “He took the best bits of Beethoven, the Beatles and James Brown”
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Exclusive World Premiere of Robyn Hitchcock’s “Raymond and the Wires” video
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“He could be brash; he could be harsh. He was very motivated”: The real story behind Fleetwood Mac’s “Tango in the Night”
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“Grabbing hands, grab all they can”: Depeche Mode’s “Spirit” is a reminder of how political the band can be
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Aimee Mann talks about new solo effort “Mental Illness”: “You’re not in a cool rock band — you’re in a cool soft band. Embrace the soft.”
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Blizzard of ’17: Nada Surf’s “Blizzard of ’77” is comforting catharsis in the face of snow day melancholy
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The “Wayne’s World” soundtrack at 25: “Bohemian Rhapsody,” Alice Cooper and how the album became secretly influential
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Mike Doughty finds a better way: See the exclusive premiere of his new video, “Wait! You’ll Find a Better Way”
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“I don’t think as artists we’re supposed to have a very specific mission. . . . We’re supposed to go towards what is meaningless”: Songwriter Ben Folds judges Nat Geo photo competition
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“Because it’s fear, after all, that kills us”: Tori Amos released “Little Earthquakes” 25 years ago today
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“You don’t want to kill the myth”: The feud continues in “Substance: Inside New Order,” a second memoir by New Order bass player Peter Hook
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David Bowie’s “Earthling” is 20 years old today
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1987’s “Document” feels especially applicable to America in 2017
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