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Sonia Saraiya (page 16)

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Charlie Day and Wade Boggs in "It's Always Sunny in Philadelphia" (FX)

“It’s Always Sunny” and “Man Seeking Woman”: Why this is the most mismatched back-to-back lineup on TV

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Ilana Glazer and Abbi Jacobson in "Broad City" (Comedy Central)

Abbi and Ilana are back: Why “Broad City” is more a state of mind than a TV show

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(AP/Paul Drinkwater)

Margaret Cho’s squeamish Globes cameo: Why her North Korean bit was so weird to watch

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(Jordan Strauss/invision/ap)

“I put the pills in the people”: Why Tina and Amy’s Cosby jokes were just what we needed

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Abby Ryder Fortson, Mark Duplass and Melanie Lynskey in "Togetherness" (HBO/Melissa Moseley)

HBO’s brilliant “Togetherness”: The Duplass brothers’ new show refuses to make marriage predictable

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Andrew Rannells and Lena Dunham in "Girls" (HBO/Craig Blankenhorn)

“Girls'” tortured coming-of-age: Why it’s so hard for these characters to grow up

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Carrie Brownstein and Fred Armisen in "Portlandia" (IFC)

“Portlandia” and “Archer” grow up: How the cool kids’ shows got even better

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(Fox/Chuck Hodes)

“Empire” state of mind: Lee Daniels’ new show is like “Game of Thrones” for the hip-hop world

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Elizabeth McGovern, Michelle Dockery and Laura Carmichael of "Downton Abbey" (Carnival Films)

America’s long obsession with “Downton Abbey”: How the show became a satire of Britishness

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The best, worst and weirdest ads of 2014

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The best TV moments of 2014

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The best episodes of 2014: Top critics on their favorite TV of the year

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"Dear White People" (Roadside Attractions)

The year in hair: How afros, wigs, and extensions took over pop culture

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(Reuters/Mario Anzuoni)

2014: The year without Rihanna

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(Showtime/David Bloomer)

“Homeland” and “The Affair’s” disastrous finales: Why shows should never force a worn-out premise

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Ashraf Barhom in "Tyrant," Dylan McDermott in "Stalker" (FX/CBS/Salon)

From “I Want to Marry Harry” to the entire Lifetime network: The worst TV of 2014

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(Comedy Central)

Colbert’s pitch-perfect finale: “Stephen Colbert” breaks character at last

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"True Detective," "Looking" (HBO)

The year in TV: How the shows of 2014 remade “masculinity” on television

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Lorenzo Richelmy as Marco Polo in "Marco Polo" (Netflix)

Netflix’s orgy bonanza: “Marco Polo” gives a lesson in how not to write about other cultures

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"Rudolph the Red Nosed Reindeer" (CBS)

From “A Royal Christmas” to “Merry Inkmas”: Your guide to the hellscape of Christmas-themed programming

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Cristela Alonzo in "Cristela" (ABC/Adam Taylor)

“These kids are really rich AND they get to fly”: Cristela Alonzo on “Peter Pan,” her immigrant upbringing, and being a Latina in the TV biz

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(Reuters/Suzanne Plunkett)

Listless, leggy dolls: How the Victoria’s Secret Fashion Show desexualizes sex

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Thomas Sadoski in "The Newsroom" (HBO/Melissa Moseley)

Last night’s disastrous “Newsroom” rape plot: How Aaron Sorkin is losing the fight with himself

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Iggy Azalea (AP/Jon Furniss)

Iggy Azalea’s strange year: What her latest Twitter feud reveals about the character she’s created

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