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Sonia Saraiya
(page 17)
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The boggling mixed signals of “Peter Pan Live!”: Why on earth did NBC decide to do this show?
Sonia Saraiya
The year in TV: How 2014 remade the workplace comedy
Sonia Saraiya
Bravo’s first scripted series knocks it out of the park: “Girlfriends’ Guide to Divorce” is like a more grounded “Sex and the City”
Sonia Saraiya
Netflix’s revolution continues: Why “BoJack Horseman” is like nothing you’ve ever seen
Sonia Saraiya
The year in TV: These two new shows overhauled the idea of the “modern family”
Sonia Saraiya
“Mockingjay”s eerie echoes of Ferguson: Our real dystopian nightmare
Sonia Saraiya
How “Homeland” became an action movie
Sonia Saraiya
“The Good Wife’s” murky moral politics: Why this might be the most ambitious season yet
Sonia Saraiya
“The Comeback” keeps getting better: Tonight’s episode dismantles male privilege in 22 minutes
Sonia Saraiya
“How to Get Away With Murder” and “Scandal” end with a bang: The most riveting power struggles on TV
Sonia Saraiya
The year in TV: How two young, raunchy comedies reinvented the small-screen love story
Sonia Saraiya
NBC’s frankenshow: “State of Affairs” borrows heavily from every other show on TV
Sonia Saraiya
TV’s forgotten continent: Why television refuses to depict the real Africa
Sonia Saraiya
Reality TV is not the “new blackface”: How reality shows became some of our most useful explorations of race in America
Sonia Saraiya
Making viral TV: How “Too Many Cooks” and “Over the Garden Wall” work their hypnotic magic
Sonia Saraiya
TV’s curse of the sophomore slump: Why genre shows like “Sleepy Hollow” and “Reign” go off the rails
Sonia Saraiya
The subtle class politics of “High Maintenance”: Welcome to young, bougie, weed-smoking New York
Sonia Saraiya
Why “Selfie’s” cancellation is a massive shame: This was the most promising interracial couple on TV
Sonia Saraiya
The smuggest superhero show on TV: “The Newsroom” blusters into its final season
Sonia Saraiya
“The Comeback”: HBO airs the sharpest critique ever made of HBO
Sonia Saraiya
Meet the weirdest show on television: Why you need to watch “Fake Off”
Sonia Saraiya
“Kids cut themselves far less than adults”: Inside “MasterChef Junior,” the best cooking show on television
Sonia Saraiya
The sneaky power of “Comedians in Cars Getting Coffee”: How Jerry Seinfeld cracks celebrities open
Sonia Saraiya
The new all-American TV: How “Cristela” is changing the meaning of family television
Sonia Saraiya
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