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Stephanie Zacharek (page 31)

Stephanie Zacharek has been writing regularly for Salon since January 1996 — almost, but not quite, from its first issue. At that time she was a freelance writer, contributing articles on movies, pop music and books to numerous publications including Rolling Stone, Entertainment Weekly, Interview, the Village Voice and The Boston Phoenix. From 1990 to 1999 she also worked as a fulltime copy editor for Inc. magazine, which at the time was based in Boston. In 1999, she moved to New York and began working for Salon full-time, where she has been ever since. She is a member of the National Society of Film Critics and the New York Film Critics Circle.

“Collateral”

Stephanie Zacharek

“The Village”

Stephanie Zacharek

“The Manchurian Candidate”

Stephanie Zacharek

“Garden State”

Stephanie Zacharek

“A Home at the End of the World”

Stephanie Zacharek

“Catwoman”

Stephanie Zacharek

“I, Robot”

Stephanie Zacharek

“Anchorman: The Legend of Ron Burgundy”

Stephanie Zacharek
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“The Hollywood Dodo” by Geoff Nicholson

Stephanie Zacharek

“King Arthur”

Stephanie Zacharek

“The Clearing”

Stephanie Zacharek

“Love has to be about more than commitment”

Stephanie Zacharek

“Before Sunset”

Stephanie Zacharek

“Two Brothers”

Stephanie Zacharek

“Fahrenheit 9/11”: Nay!

Stephanie Zacharek

“Dodgeball: A True Underdog Story”

Stephanie Zacharek

“I’ll Sleep When I’m Dead”

Stephanie Zacharek

“Around the World in 80 Days”

Stephanie Zacharek

“The Stepford Wives”

Stephanie Zacharek

“Harry Potter and the Prisoner of Azkaban”

Stephanie Zacharek

“The Mother”

Stephanie Zacharek

“Saved!”

Stephanie Zacharek

“The Day After Tomorrow”

Stephanie Zacharek

“The Saddest Music in the World”

Stephanie Zacharek
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