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Sonia Saraiya
(page 12)
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From the Duggars to the Bachelorettes, we’ve made our cynical TV beds — and this damning critique of our “reality” obsession couldn’t come at a better time
Sonia Saraiya
The radical notion that women can pursue their own grand TV destinies: “Halt and Catch Fire” finds its voice by focusing on women in tech
Sonia Saraiya
Stunning, bloody “Hannibal” challenges our senses of beauty and revulsion
Sonia Saraiya
Dying in America: Elegant and humane, “The Lion’s Mouth Opens” is TV’s latest close look at death
Sonia Saraiya
The “Outlander” torture chamber: A shockingly brutal rape transforms a hero into a victim, but at what cost?
Sonia Saraiya
What TLC’s Duggar decision will tell us: Who’s winning the culture war between social justice and Christian “grace”?
Sonia Saraiya
David Oyelowo slowly, brilliantly self-destructs in HBO’s “Nightingale”
Sonia Saraiya
The “Power” of 50 Cent: “People are going to be at the edge of their seats going, “Yo!'”
Sonia Saraiya
The finale kiss: Why it’s so satisfying to fade to black with a perfect, innocent climax
Sonia Saraiya
David Letterman says goodnight with sincere thanks, fond memories and a few final great jokes
Sonia Saraiya
Rape in Westeros: What “Game of Thrones” could learn from “Mad Max: Fury Road”
Sonia Saraiya
“Mad Men” finale recap: “Someday, people are going to brag that they worked with you”
Sonia Saraiya
The 5 stages of TV finale grief: As a beloved show ends, our collective mourning begins
Sonia Saraiya
The 10 best “Mad Men” episodes: A critical ranking of the show’s most memorable moments
Sonia Saraiya
M. Night Shyamalan’s “Wayward Pines”: This “Twin Peaks”-lite thriller aims straight for the middle
Sonia Saraiya
“Mad Men” recap: “It’s been a gift to me, to know when to move on”
Sonia Saraiya
Is “Jane the Virgin” going to stay a virgin forever?
Sonia Saraiya
The magic of “Wolf Hall”: The exquisite (and chilling) details that bring history to life
Sonia Saraiya
Down the “Orphan Black” rabbit hole with its creators: “You’re being kept for days in a dark closet, I think your mind goes into some strange places”
Sonia Saraiya
How the “The Good Wife” went bad: Your comprehensive guide to the many recent fails of a previously-great show
Sonia Saraiya
“Grace and Frankie”: This thin “Transparent” knock-off pits gay men against older women, and nobody wins
Sonia Saraiya
“Mad Men” recap: “Advertising is not a very comfortable place for everyone”
Sonia Saraiya
The strange and magical Victorian wonders of “Penny Dreadful” suffer no sophomore slump
Sonia Saraiya
“Louie” does gender performance, pegging, and contemplating being a woman
Sonia Saraiya
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