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Johnny Cash, Spike Jonze top list of 100 best music videos

NME heralds the launch of its new site with a (semi) definitive list of the best clips ever made

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Johnny Cash, Spike Jonze top list of 100 best music videosJohnny Cash in "Hurt."

To launch of their new video site today, NME.com has made a list of their Top 100 music videos. In order.

You know that producing a definitive piece like this is every music nerd’s biggest dream, and that he or she already has that list ready and waiting to go, so I just imagine the conference room of NME probably looked like a battlefield of broken bottle glasses and mangled EPs. How all the editors got together and finally found their 100 picks is beyond me, but you can’t deny that their number one pick – Johnny Cash covering the Nine Inch Nail’s “Hurt” – is a solid choice. It’s not too fringe, it was the last song Cash filmed (and the one he made right after his wife died, though she appears in the video), and it’s filled with some of the rawest emotion ever caught on tape from the Man in Black.

Spike Jonze had eight entries on the list, including “Sabotage” by the Beastie Boys, and “Buddy Holly” by Weezer (coming in at 8 and 7, respectively), though it’s a pity that NMEVideo had to launch today. If they had waited until later in the month, they could have included Jonze’s newest collaboration with The Beastie Boys, for their single “Don’t Play No Game That I Can’t Win….” (which the band announced on Tumblr last Friday).

Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrew.

“Jersey Shore” cast gets the boot after Season 5 wrapup

Update: MTV denies rumors of any shake-up

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Peace out, homies.

[UPDATED BELOW]

I guess that Italy really did put a curse on the cast of “Jersey Shore.” Not only have more than half the self-proclaimed Guidos been injured during the filming abroad, but now MTV is putting the kibosh on the kids after they finish up shooting the fifth season back in New Jersey.

To the rest of us, this tragicomic experiment has already gone on too long. Why do these poster children for bad ideas need another 13 episodes back on the shore once they’ve returned from their failed European vacation? Although the jury is still out on whether car accidents, fistfights and carpal tunnel syndrome count in the “con” column to MTV producers, the fact is that any real dramatic tension on the show is usually leaked months ahead of time by the paparazzi, and Italy has been relatively quiet on that front. Not a good sign about the narrative arc this season.

Despite your personal feelings toward the show, the ratings on the “Shore” have inexplicably remained near the top of their time slot all three seasons … including the most recent incarnation last fall where literally nothing happened beyond Ronnie and Sammi Sweetheart toeing the line on domestic violence charges.

So while it’s tempting to ask why MTV hasn’t pulled the plug sooner on the show, a better question would be, “Where are they going to find new personalities big enough to fill the oompa-loompa-shaped hole left by Snooki?” A cash cow like “Shore” doesn’t stop running just because the players have started Derek Jetering their way into larger paychecks; it just attempts to stop the bleed-out. After salary disputes that have to be renegotiated every season, MTV is just letting go of the entire team — from Vinny to JWOWW and everyone in between — and hiring a new crop of eager young idiots who will work for peanuts compared to the millions Michael “the Situation” Sorrentino currently makes.

Although, if it’s a money issue, it seems a strange move on MTV’s part to give half of the original “Jersey Shore” cast their own spinoff shows — the Situation, Snooki, JWOWW and Pauly D. have already been signed by the network for their own programs. Again, though, the logic underneath this move is actually quite clever: MTV gets to trim the deadweight like Deena, Ronnie, Sammi and Vinny while keeping the break-out “stars” of the show to spawn even better ratings in four different time slots. It’s what the network does with “16 and Pregnant,” where the most “interesting” girls from each season get to go on to the next stage of reality show fame with “Teen Mom.”

And thus the circle of life continues. Hakuna matata, keep on trucking, and don’t forget to set your DVRs for “Pauly D.’s DJ Party,” coming next fall to a purgatory near you.

Update: MTV has denied the rumors of switching the current lineup: “We love the present cast, and their summer adventures have just begun. We currently have no plans to recast the show.”

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrew.

Today’s must-see viral videos

Watch: Britney Spears' new clip, "Footloose" remake trailer, Tom Hanks' strange TV appearance, and more

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Today's must-see viral videosCharlie Day on "Jimmy Fallon"

1. Tom Hanks stops by Univision to dance with Spanish weather girl 

Fun bonus fact: Outside of America, Chet Haze is kind of a big deal.


Tom Hanks en Univision ‘Despierta America’ (34)… by jenpokro

2. Britney Spears is a comedian now

The singer brings the gift of laughter (along with auto-tune) to her latest single “I Wanna Go.“  I’d tell her not to quit her day job, but she doesn’t have one.

3. “Footloose” remake gets a trailer

After Zac Efron took a pass on the film,  MTV hired unknown Kenny Wormald to fill Kevin Bacon’s loose shoes. His biggest advantage as far as I can tell is looking pretty much exactly like Zac Efron.

 

4. Watching the Internet is bad for the environment

Every time we use our computer, we unleash .2 grams of carbon dioxide into the air, according to this new video. Still less less harmful than cow farts, though.



5. Charlie Day stops by Fallon for “Long Pour” beer challenge

I will literally watch anything Charlie Day is in. This is why I now own two copies of “Going the Distance” and have already pre-ordered my tickets for “Horrible Bosses.”

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrew.

Why MTV canceled “Skins”

Was it the controversy surrounding the MTV remake that killed the show, or the fact that no one wanted to watch it?

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Why MTV canceled "Skins" canceled because it was too provocative...or not provocative enough?

“Skins,” the controversial teen sex/drugs/whatever-the-kids-are-listening-to-these-days (dubstep) scripted dramedy on MTV, has been canceled. America just doesn’t “get” the program the way the U.K. does, where the original “Skins” is about to premiere its 6th season. So what happened?

Some critics are blaming the Parents Television Council for calling the show “child pornography” and scaring off all the advertisers.  Some are claiming that Bryan Elsley’s show was just too racy for American audiences and/or Viacom. Other say it wasn’t racy enough to compete with actual reality television. My contention? The American version of “Skins” just wasn’t good enough to warrant a second season.

You have to remember, “Skins” premiered in America after the most expensive ad campaign in MTV history, which highlighted these unknown non-actors in a series of sweaty sex piles and rave dances. They weren’t trying to bury the sexual aspect of the show, they were trying to play it up. And it worked, in part because of the campaign and partly because the U.K. “Skins” had such a huge fan base over here to begin with. The series premiered to 3.26 million viewers, which is more than the U.K. show ever brought in (about three times as much) and one of the biggest in the network’s history. But a funny thing happened after the first episode: The ratings plummeted. And they kept plummeting.

See, when the British “Skins” had only 877,000 watching the premiere of its third season, that’s still about 5.9 percent of the U.K.’s market share. When the U.S. “Skins” fell below a million viewers, that embodied a much smaller percentage of the population, and was a good indicator it was time to pull the plug. This would have been true if the show was about dogs and ponies and ice cream, or teenagers taking Ecstasy and having graphic sex. Airing in a coveted prime-time spot on Monday nights on a major network, “Skins” needed to do way better in the numbers than its British counterpart. A little indie breakout hit wouldn’t even make waves here if only 877,000 people watched it, and if that’s how many viewers you attract on MTV during prime time? You’re screwed. If the IFC channel or FX had picked up “Skins”  rather than MTV, we might still have a chance for Season 2.

People are saying MTV’s decision to put the TV-MA logo on top of the show (meaning that it was unsuitable for anyone under 18) and the advertising pull-out was the reason the numbers dropped so hard and fast. I’d argue against that, too. It took several episodes for the PTC to start moralizing and for the warning label to show up. And even then, since when has that stopped people from watching something scandalous? And on MTV, the teen-sex network, for crying out loud! Sure, MTV may have mellowed in its old age, but it hasn’t mellowed enough to go from 3.4 million to under 1 million in the course of five weeks. No, what happened was that  people were excited for this new experiment, and it failed.

“Skins” wasn’t a “bad” show, per se, and som see could even argue that it had its merits. But it failed to deliver on the “Kids”-meets-”Gossip Girl” hype that MTV put all its money on, and combined with the controversy from the PTC (which still could have been marketed in the show’s favor, I think), “Skins” was never able to succeed in what its predecessor excelled at: being racy enough to compete with “reality” shows like “Teen Mom” or “Intervention,” while being sexy and sleek enough to compete with scripted teen offerings.

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrew.

Top five moments from the MTV Movie Awards

Watch last night's highlights, from Jason Sudeikis's opening monologue to the Pattinson/Lautner kiss

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Top five moments from the MTV Movie AwardsJason Sudeikis hosting last night's MTV Movie Awards.

From a Schwarzenegger-joke-laden opening monologue and amusing “Hangover II” parody to a surprise “Twilight” kiss and distinctive Jim Carrey performance, here are the highlights from last night’s MTV Movie Awards.

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Emma Mustich is a Salon contributor. Follow her on Twitter: @emustich.

Should Rihanna’s dark revenge fantasy be banned?

The singer shoots a suggested rapist in her latest -- but that doesn't mean it's glorifying murder

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Should Rihanna's dark revenge fantasy be banned?

What will Rihanna do to top herself after this one? After exploring domestic violence in the video for “Love the Way You Lie”  and kink in “S&M,”  the perpetually button-pushing singer finally went and killed a man. What’s that sound? Oh, it must be the inevitable outrage.

The video, “Man Down,” premiered on BET Tuesday night. It clearly takes inspiration from Gaspar Noe’s unnerving “Irreversible,” and begins with an act of violence. In an arresting, music-free prologue, Rihanna coolly waits in a bustling Kingston train station, raises her gun, and fires a fatal shot to the head of a man in the crowd. What unfolds next is the story of how she got there: carefree scenes of “yesterday morning,” a nightclub flirtation that leads to an apparent sexual assault, and an eventual staggering act of retribution.

The Parents Television Council was unsurprisingly swift to condemn the video, with its “implied rape scene with a man whom she later guns down in an act of premeditated murder.” And co-founder of Industry Ears and a former BET music programmer Paul Porter lambasted the video, calling it “an inexcusable, shock-only, shoot-and-kill theme song.” He continued, “In my 30 years of viewing BET, I have never witnessed such a cold, calculated execution of murder in primetime. Viacom’s standards and practices department has reached another new low…. If Chris Brown shot a woman in his new video and BET premiered it, the world would stop. Rihanna should not get a pass and BET should know better. The video is far from broadcast-worthy.” BET has, in the recent past, deemed other controversial videos unsuitable for airing, including Kanye West’s creepy horror opus “Monster.” So why does Rihanna get a pass?

“Man Down” isn’t necessarily the sort of thing you’d want your first grader rocking out to. It’s not, for that matter, a brilliant song. But it’s entirely possible for content to be intended for mature audiences without it being “inexcusable.” Creatively expressing the theme of violence is not the same as promoting it. Music isn’t always about dancing till the break of day; if it were, we’d have no “Stan,” no “Rape Me.” And if you think those songs condone killing your girlfriend or begging for sexual assault, think a little harder. “Man Down” doesn’t, like the Dixie Chicks’s “Goodbye Earl,” take a celebratory view of icing an abuser. Nor does it even depict a warped crime of passion, like Guns n’ Roses’s classic “I Used to Love Her” or Eminem’s notorious “Kim.” Instead, it’s far more in the tradition of “I Shot the Sheriff,” “Bohemian Rhapsody,” “Janie Got a Gun” or “Thin Line Between Love and Hate” — songs that explore the strange horror of one’s own capacity for violence when pushed to the limit. Rihanna sings with both deep remorse and a self-preserving fear of punishment, “I know it wasn’t right … Coulda been somebody’s son, and I took his heart when I pulled out that gun.”

Rihanna, one of the most famous domestic abuse victims in the world, has not gone quietly into survivorship. In the two and a half year since her assault by then-boyfriend Chris Brown, she has gone from pop kewpie to someone who is, at times, downright shocking in her depictions of sex and violence in her music and videos. She knows full well that the world views her through the prism of her past, and she knows how to work it. What unsettles her critics seems to be her refusal to play the fragile, broken butterfly. She doesn’t sing about making it through the rain. Instead, she climbs on a tank.

Melissa Henson, director of communications and public education for the Parents Television Council, said this week that “Rihanna’s personal story and status as a celebrity superstar provided a golden opportunity for the singer to send an important message to female victims of rape and domestic violence. Instead of telling victims they should seek help, Rihanna released a music video that gives retaliation in the form of premeditated murder.” True, but seriously, does anybody think she looks happy about it? That she makes it seem like a good idea?

Rihanna, meanwhile, has her own views on the video. She wrote on Twitter, “Young girls/women all over the world … we are a lot of things! We’re strong innocent fun flirtatious vulnerable, and sometimes our innocence can cause us to be naïve! We always think it could NEVER be us, but in reality, it can happen to ANY of us! So ladies be careful and #listentoyomama! I love you and I care!” That’s not a message to would-be abusers. That’s a tale of caution to girls, and a warning to them about the consequences of revenge. Love it or hate it, “Man Down” isn’t a “shoot and kill theme song.” Look again. It’s a five-minute tragedy.

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Mary Elizabeth Williams

Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedub.

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