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Topic: Movies
(page 324)
The "Caligula" 20th-anniversary DVD: Celebrating Penthouse's artistic aesthetic
Daniel Kraus
"Toy Story 2": They're back, and better than ever: Buzz and Woody avoid the Death by Sequel Syndrome
Janelle Brown
"Flawless": Tough guy De Niro meets drag queen Philip Seymour Hoffman
Charles Taylor
"Tumbleweeds": Yet another slutty mom, bratty daughter road flick
Stephanie Zacharek
"End of Days": It's a blast
Andrew O'Hehir
"Ride With the Devil": One teen soldier rides away
Andrew O'Hehir
Breaking character: Why Philip Seymour Hoffman ("Boogie Nights," "Happiness") is the right freak for right now
Claire Dederer
"Felicia's Journey": Atom Egoyan's followup to "The Sweet Hereafter" is a dank and claustrophobic thriller
Andrew O'Hehir
"Sleepy Hollow": Johnny Depp and Christina Ricci are a goth's wetdream
Stephanie Zacharek
"All About My Mother": Almodsvar melodrama studded with tragic accidents, charismatic villains and impossible love
Stephanie Zacharek
"The World Is Not Enough": What's the point of casting Denise Richards in a Bond movie if not to make her into a sex fantas
Charles Taylor
"Anywhere But Here": Hugs! Fighting! Tears! Wouldn't you know, it's a chick flick
Mary Elizabeth Williams
"The Messenger: The Story of Joan of Arc": So
this
is what Luc Besson calls a French epic? No wonder Milla left him
Charles Taylor
"Dogma": Kevin Smith's comic-religious fantasy turns out to be the sweetest hot-potato movie imaginable
Charles Taylor
"House on Haunted Hill": I wouldn't see it again for $1 million
Sarah Beach
Joan of ... Hollywood?: Director Luc Besson fans the flames swirling around his own martyr's pyre.
Richard Covington
"American Movie": I'm a loser, baby, so why don't you film me
Andrew O'Hehir
"The Bachelor": Chris O'Donnell bewares the bridal wave
Mary Elizabeth Williams
Mike Wallace is nuts, and I'm an asshole: "60 Minutes" producer Lowell Bergman sets the record straight on the real story i
David Weir
"Portraits Chinois": A sunny Helena Bonham Carter lifts French relationship comedy
Charles Taylor
"The Bone Collector": There's only one good reason to see this thriller, and her name is Angelina Jolie.
Stephanie Zacharek
"The Insider": Michael Mann finds humanity in corporate swine and spineless journalists
Andrew O'Hehir
Living the real "Living in Oblivion": An interview with horror filmmaker and "American Movie" star Mark Borchardt
Dakota Smith
"American Movie" maker shoots and scores: Chris Smith talks about winning the indie-film lottery
Martin Knelman
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