Toronto: The devastating, dystopian “Never Let Me Go”
Andrew O'Hehir“The Romantics”: A “Big Chill” for this decade?
Andrew O'Hehir“Going the Distance”: Can Drew Barrymore save the rom-com?
Andrew O'HehirWhy my kids are pop-culture illiterate
Andrew O'Hehir“Change of Plans”: Dinner for cheaters
Andrew O'Hehir“The Last Exorcism”: Satan makes a fake documentary
Andrew O'Hehir“Centurion”: Trapped in the Roman Empire’s Vietnam
Andrew O'Hehir“Army of Crime”: Real inglorious bastards of the Resistance
Andrew O'Hehir“A Film Unfinished”: A Nazi movie, uncovered
Andrew O'Hehir“Camp Hell”: The devil goes to Jesus camp
Andrew O'Hehir“Animal Kingdom”: Granny’s evil crime empire
Andrew O'Hehir“Eat, Pray, Love”: A phenomenon goes bust
Andrew O'HehirIsrael’s “Lebanon generation” — in the movies
Andrew O'Hehir“The Other Guys”: A late-summer cop-comedy surprise
Andrew O'Hehir“Middle Men”: Heroes of the Internet-porn revolution
Andrew O'Hehir“Twelve”: On the intoxicating badness of Joel Schumacher
Andrew O'Hehir“Smash His Camera”: The man who stalked Jackie O.
Andrew O'Hehir“Hugh Hefner” and the creation of American manhood
Andrew O'Hehir“Dinner for Schmucks”: Steve Carell’s greatest nerd role?
Andrew O'Hehir“The Extra Man”: Kevin Kline’s magnificent oddness
Andrew O'Hehir
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