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Andrew O’Hehir (page 71)

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Andrew O'Hehir is executive editor of Salon, and has been a writer and editor at the pioneering online news site since 1997, including many years as a film and cultural critic. He was previously an editor at SPIN magazine and was editor of the award-winning SF Weekly in the mid-1990s. He has also written for the New York Times, the Washington Post, Nautilus, Sight and Sound, Elle China, the Times (U.K.) and other publications.

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A still from "Enter the Void"

“Enter the Void”: Acid-trip freakout movie of the year

Andrew O'Hehir
James Franco as Allen Ginsberg

“Howl”: James Franco soars as legendary Beat poet

Andrew O'Hehir
Jesse Eisenberg as Mark Zuckerberg

“The Social Network”: Gatsby as a hoodie-wearing geek

Andrew O'Hehir

“Waiting for ‘Superman'”: Can public education be saved?

Andrew O'Hehir
Emilio Estevez and Martin Sheen

Talking about God with Martin Sheen

Andrew O'Hehir
Ben Affleck in "The Town"

“The Town”: Ben Affleck’s Boston fantasy

Andrew O'Hehir
Emma Stone in "Easy A"

“Easy A”: The summer’s biggest comedy surprise

Andrew O'Hehir
Michelle Williams in "Meek's Cutoff"

“Meek’s Cutoff”: Michelle Williams’ extraordinary pioneer movie

Andrew O'Hehir
A still from "Julia's Eyes"

Toronto: Guillermo del Toro’s new horror flick

Andrew O'Hehir
A still from "Cave of Forgotten Dreams"

Toronto: Werner Herzog’s 3-D cave movie

Andrew O'Hehir

“Everything Must Go”: Will Ferrell’s dazzling serious role

Andrew O'Hehir
Chloe Moretz in "Let Me In"

“Let Me In”: The American “Let the Right One In” remake

Andrew O'Hehir
James Franco, Kate Mara and Amber Tamblyn in "127 Hours"

Toronto: Trapped with James Franco for “127 Hours”

Andrew O'Hehir
Natalie Portman

“Black Swan”: Aronofsky’s spectacular dance thriller

Andrew O'Hehir
Carey Mulligan, Keira Knightley and Andrew Garfield

Toronto: The devastating, dystopian “Never Let Me Go”

Andrew O'Hehir
Josh Duhamel and Katie Holmes

“The Romantics”: A “Big Chill” for this decade?

Andrew O'Hehir
A still from "A Woman, a Gun and a Noodle Shop"

“A Woman, a Gun and a Noodle Shop”: “Blood Simple,” Hunan-style

Andrew O'Hehir
GTD-05023
DREW BARRYMORE as in New Line Cinema’s romantic comedy “GOING THE DISTANCE,” a Warner Bros. Pictures release. (Jessica Miglio)

“Going the Distance”: Can Drew Barrymore save the rom-com?

Andrew O'Hehir

Why my kids are pop-culture illiterate

Andrew O'Hehir
A still from "Change of Plans"

“Change of Plans”: Dinner for cheaters

Andrew O'Hehir
A still from "The Last Exorcism"

“The Last Exorcism”: Satan makes a fake documentary

Andrew O'Hehir
Michael Fassbender and Olga Kurylenko in "Centurion"

“Centurion”: Trapped in the Roman Empire’s Vietnam

Andrew O'Hehir
A still from "Army of Crime"

“Army of Crime”: Real inglorious bastards of the Resistance

Andrew O'Hehir
A still from "The Tillman Story"

“The Tillman Story”: The surprising saga of a football star at war

Andrew O'Hehir
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