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SEC vs Celebrity Crypto Promoters
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Gary M. Kramer
(page 10)
Gary M. Kramer is a writer and film critic based in Philadelphia. Follow him on
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Riz Ahmed rapping and a dark comedy about prison: A look at the Oscar-nominated live action shorts
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Mark Rylance is the one reason to try on “The Outfit,” a crime drama that looks better than it feels
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“Flee” director on protecting a refugee’s identity through animation: “He is always having to hide”
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TV on the Radio’s Tunde Adebimpe on using a “weird gaslighting technique” in new film “Ultrasound”
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Zac Efron is worth his weight in “Gold,” a harrowing thriller about greed and survival
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“Who Killed Sara?” star turns producer for “Amalgama”: “I didn’t want to be a commodity”
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A guide to watching the Oscar-nominated animated shorts, from cheeky birds to grisly torture
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Sebastian Stan on the twisted psyche of his “Fresh” role: “What he is seeking is a willing partner”
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Director on “Huda’s Salon” recruiting Palestinian women for Secret Service: This is still happening
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Jacqueline Bisset on her latest film and career typecasting: “They would say I was too pretty”
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Five documentary shorts vying for Oscar, from bullies and the houseless to an amazing ball player
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“Cyrano” director on what Peter Dinklage brings to this enchanting retelling of a classic
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Director on the appeal of “The Automat,” which was “the coolest cafeteria of them all”
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In Amazon’s affable rom-com “I Want You Back” Jenny Slate and Charlie Day charm as meddling exes
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“Indemnity” director on his unique South African action film: “What if trauma can be weaponized?”
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Catherine Breillat, legendary provocateur, on her sexual manifesto on film and why she hates porn
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“Clean” star Adrien Brody talks “Succession” & daily injustice: “There is a lot to be angry about”
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After the tequila boom, “Dos Estaciones” shows how the Mexican communities left behind have changed
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This imposter fooled a Scottish school and became a popular student in fascinating “My Old School”
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Examining “what consent means” for a teenage girl in audacious “Palm Trees and Power Lines”
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“Every Day in Kaimuki” filmmakers on questioning contentment: “Are you happy or is this just easy?”
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Sunrise Movement’s Varshini Prakash on not losing hope on climate change: “I’m still here fighting”
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Asghar Farhadi’s “A Hero” is a devastating portrait of a man damned by a good deed built on a lie
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“The 355” delivers all the glammed-up action you want from a badass women spy flick
Gary M. Kramer
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