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Gary M. Kramer
(page 11)
Gary M. Kramer is a writer and film critic based in Philadelphia. Follow him on
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Olivia Colman is magnificent in the mysterious “Lost Daughter,” which hooks you and doesn’t let go
Gary M. Kramer
The worst film performances of 2021
Gary M. Kramer
“Jockey” star Clifton Collins Jr. on “catching the magic” working with horses despite phantom pains
Gary M. Kramer
Denzel Washington is commanding in Joel Coen’s bloody, bold and resolute “Tragedy of Macbeth”
Gary M. Kramer
“Don’t Look Up,” sheeple! Adam McKay’s comedy, about a comet that will destroy Earth, fails to hit
Gary M. Kramer
In George Clooney’s coming-of-age flick “The Tender Bar,” Ben Affleck provides the gooey center
Gary M. Kramer
“The King’s Man”: Come for the goofy revisionist history, but stay for scenery-chewing Rasputin
Gary M. Kramer
Jokes aside, Nicole Kidman is commendable in Aaron Sorkin’s mostly watchable “Being the Ricardos”
Gary M. Kramer
Guillermo del Toro’s rapturous “Nightmare Alley” seduces with its stylish & twisty grift
Gary M. Kramer
“You Mean Everything to Me” star Morgan Saylor on this seductive cautionary tale: “I love bleakness”
Gary M. Kramer
Despite a steely performance, Sandra Bullock’s dreary film of life after prison is “Unforgivable”
Gary M. Kramer
“France” director Bruno Dumont on Léa Seydoux, digital media and how the “fake can generate truth”
Gary M. Kramer
Simon Rex on playing a washed-up porn star in “Red Rocket”: “He’s an aging narcissist”
Gary M. Kramer
“I never set out to be an action star”: Dolph Lundgren on his career and the toll taken on his body
Gary M. Kramer
Kenny G on his new doc & not paying attention to critics: “Miles Davis liked what I was doing”
Gary M. Kramer
Benedict Cumberbatch is intimidating in Jane Campion’s exquisite and potent “Power of the Dog”
Gary M. Kramer
HBO’s Adrienne Shelly doc is a loving, wistful tribute to the filmmaker whose life was cut short
Gary M. Kramer
“14 Peaks” and “Torn” deliver intense, brutal yet ultimately rewarding mountain-climbing experiences
Gary M. Kramer
A superb ensemble anchors “The Humans,” showcasing an anguished, claustrophobic Thanksgiving dinner
Gary M. Kramer
“Drive My Car” director says conversing in vehicles “makes it easier to reveal parts of yourself”
Gary M. Kramer
Jonathan Rhys Meyers on being a bold boy playing amoral men: “Nobility can be a little bit tedious”
Gary M. Kramer
Making “Bad Luck Banging or Loony Porn” required a “banal” sex tape to test how we police each other
Gary M. Kramer
In Netflix’s captivating “Prayers for the Stolen,” life goes on as one digs a grave to stay safe
Gary M. Kramer
In the PBS doc “Storm Lake,” a tiny Iowa paper fights for the future of high-quality local news
Gary M. Kramer
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