Goodbye, “New Girl”. . . Hello, old dudes!
Melanie McFarlandPBS’ “Little Women” looks thoroughly unfashionable
Melanie McFarland“Patrick Melrose”: Benedict Cumberbatch’s darkness fix
Melanie McFarlandWhat “Roseanne” doesn’t say about race speaks volumes
Melanie McFarlandThe importance of “Vida” outweighs its imperfections
Melanie McFarlandOur TV road to “Atlanta” is one long, strange trip into hyperreality
Melanie McFarland“Sweetbitter” gives us a New York story, done medium well
Melanie McFarlandTwisted history, as told by Camille Cosby
Melanie McFarlandWatch closely: “Dear White People Vol. 2” opens a new chapter on race
Melanie McFarlandThis time it’s too personal: “James Cameron’s Story of Science Fiction”
Melanie McFarland“America Divided”: Gretchen Carlson talks about D.C.’s War on Women
Melanie McFarlandIn “Westworld,” the revolution is being televised
Melanie McFarlandHow Bill Cosby, America’s dad, used TV to betray us
Melanie McFarlandAntonio Banderas and the muddled portraiture of “Genius: Picasso”
Melanie McFarlandWe can’t binge-watch “Brockmire,” and that’s a problem
Melanie McFarland
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