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Stephanie Zacharek (page 38)

Stephanie Zacharek has been writing regularly for Salon since January 1996 — almost, but not quite, from its first issue. At that time she was a freelance writer, contributing articles on movies, pop music and books to numerous publications including Rolling Stone, Entertainment Weekly, Interview, the Village Voice and The Boston Phoenix. From 1990 to 1999 she also worked as a fulltime copy editor for Inc. magazine, which at the time was based in Boston. In 1999, she moved to New York and began working for Salon full-time, where she has been ever since. She is a member of the National Society of Film Critics and the New York Film Critics Circle.

“Chicago”

Stephanie Zacharek

Style with meaning, and vice versa

Stephanie Zacharek

“Gangs of New York”

Stephanie Zacharek

“Morvern Callar”

Stephanie Zacharek

“Adaptation” and the perils of adaptation

Stephanie Zacharek

“Maid in Manhattan”

Stephanie Zacharek

“Empire”

Stephanie Zacharek

“El Crimen del Padre Amaro”

Stephanie Zacharek

“Die Another Day”

Stephanie Zacharek

“Talk to Her”

Stephanie Zacharek

The trouble with Harry

Stephanie Zacharek
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Modern and mythical sexuality in “Buffy the Vampire Slayer”

Stephanie Zacharek

Deconstructing “Buffy”

Stephanie Zacharek

The Marshall Mathers movie

Stephanie Zacharek

“The Weight of Water”

Stephanie Zacharek

“Frida”

Stephanie Zacharek

“Auto Focus”

Stephanie Zacharek

“Swept Away”

Stephanie Zacharek

“White Oleander”

Stephanie Zacharek

“Knockaround Guys”

Stephanie Zacharek

“Tuck Everlasting”

Stephanie Zacharek

“Heaven”

Stephanie Zacharek

“The Man From Elysian Fields”

Stephanie Zacharek

“Red Dragon”

Stephanie Zacharek
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