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Topic: Movies (page 174)

"The Thing": Loving prequel to a horror classic

Andrew O'Hehir
(Dynamite)

"The Lone Ranger's" obscenely bloated remake

Matt Zoller Seitz
(Jaap Buitendijk/GK Films)

Will Scorsese's "Hugo" redeem 3-D?

Andrew O'Hehir
Martin Sheen and Emilio Estevez

Martin Sheen: "Everything's being ripped away"

Andrew O'Hehir
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Clint Eastwood

Matt Zoller Seitz
A still from "My Joy"

A black-comic odyssey into the Russian heartland

Andrew O'Hehir
A still from "You Don't Like the Truth"

Our first look at a Gitmo interrogation

Andrew O'Hehir
Michael Shannon in "Take Shelter"

Is this thriller the best American movie of 2011?

Andrew O'Hehir
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Brad Pitt and Jonah Hill in "Moneyball"

Brad Pitt's wonk-friendly Oscar contender

Andrew O'Hehir
Tom Cullen and Chris New in "Weekend"

Gay cinema's latest breakthrough?

Andrew O'Hehir
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Emma Mustich
((AP Photo/Paul Sakuma, File))

Barbara Ortutay
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The barbarian movie that's better than "Conan"

Bob Calhoun

Ryan Gosling was not the first "lone wolf"

Odie Henderson
Clockwise, from top left, scenes from "Think of Me," "The Descendants," "A Dangerous Method," "Moneyball"

Toronto: Oscar candidates and indie breakouts

Andrew O'Hehir

"Drive": Ryan Gosling in a dynamite thriller

Andrew O'Hehir
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Sarah Jessica Parker in a still from "I Don't Know How She Does It"

Sarah Jessica Parker's laughless ego trip

Mary Elizabeth Williams
A still from "Take This Waltz"

Michelle Williams' unforgettable romance

Andrew O'Hehir
A still from "Rise of the Planet of the Apes"

Steve Erickson
A still from "The Descendants"

Clooney's best performance ever?

Andrew O'Hehir
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A still from "W.E."

Madonna's strange, narcissistic film

Andrew O'Hehir
Part 2 of Jim Emerson's series about action film editing deconstructs an action sequence from "Salt" (2010), starring Angelina Jolie as a Soviet mole on the run.

"Salt": Better editing than "Dark Knight"?

Matt Zoller Seitz
Michael Fassbender and Carey Mulligan in "Shame"

Michael Fassbender's full-monty skin flick

Andrew O'Hehir
In the video essay series "In the Cut," critic Jim Emerson breaks down a key action scene from "The Dark Knight" (2008), annotating the onscreen action to pick apart director Christopher Nolan's editing choices.

Matt Zoller Seitz
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