Blockbuster fatigue? A summer alt-movie guide
Andrew O'HehirPick of the week: Haunting, gorgeous “Oslo, August 31st”
Andrew O'Hehir“Moonrise Kingdom”: Wes Anderson’s mid-’60s love story
Andrew O'Hehir“The Intouchables”: Racial comedy, French style
Andrew O'HehirMale grooming: The movie
Andrew O'HehirMaggie Gyllenhaal on sexual liberation
Andrew O'HehirPick of the week: A class-war thriller from Putin’s Russia
Andrew O'Hehir“Battleship”: Dumbest military spectacle ever?
Andrew O'HehirSacha Baron Cohen’s dark political farce
Andrew O'HehirGlobal horror takes a new “Road”
Andrew O'HehirPick of the week: Childhood adventure from a Japanese master
Andrew O'HehirJohnny Depp’s delirious “Dark Shadows”
Andrew O'HehirBobcat Goldthwait: Let’s kill all the mean people!
Andrew O'HehirGorgeous saga, global crisis
Andrew O'HehirPick of the week: An early-’60s hipster time capsule
Andrew O'Hehir“The Avengers” and Hollywood’s gender wars
Andrew O'Hehir“The Avengers”: Will superhero movies never end?
Andrew O'Hehir“Sound of My Voice”: A tense sci-fi puzzler
Andrew O'Hehir“Whores’ Glory”: A riveting, humane prostitution documentary
Andrew O'Hehir“Safe”: Ultra-violent ’70s action flicks are back!
Andrew O'HehirJack Black on his killer role
Andrew O'Hehir“The Day He Arrives”: Slacker cinema, Asian style
Andrew O'HehirPick of the week: The glorious pain of young love
Andrew O'Hehir
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