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Gary M. Kramer
(page 15)
Gary M. Kramer is a writer and film critic based in Philadelphia. Follow him on
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Benedict Cumberbatch is a tense & meticulous spy in Cold War thriller “The Courier”
Gary M. Kramer
“Phobias” horror film stars discuss tapping into fears, playing tortured, and anti-Asian attacks
Gary M. Kramer
In the provocative “Miramar Murders,” a suspect is apprehended but justice still remains in question
Gary M. Kramer
“Lorelei” star Jena Malone: Lower-income stereotypes have always been “stigmatized but romanticized”
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Jack Kesy is a chatty hacker in comic thriller “Dark Web,” in which the truth is loosely defined
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Lou Diamond Phillips: “My entire career has been fighting against those labels”
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“Slalom” director on pushing limits & the abuse of a skier by her coach: “This film is about bodies”
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“The Truffle Hunters” filmmakers on the fungi’s mystique: “Everything about this world is a secret”
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“Crisis” boasts big names – Gary Oldman, Evangeline Lilly, even Armie Hammer! – and fails them all
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Experimental film “Erēmīta” is an inventive & vivid celebration of our pandemic hermitage life
Gary M. Kramer
“I Care a Lot” is a darkly amoral joyride for Rosamund Pike and Peter Dinklage
Gary M. Kramer
With “Me You Madness,” Steve Mnuchin’s wife creates a bold, bipartisan comedy to annoy us all
Gary M. Kramer
How “House of Cards” prepared Robin Wright to direct “Land,” a moving tribute to nature & resilience
Gary M. Kramer
“I wanted to be waterboarded for real,” says “The Mauritanian” star on playing a Guantanamo detainee
Gary M. Kramer
In “At the Ready,” teens’ path to Border Patrol & law enforcement is “akin to military recruitment”
Gary M. Kramer
In “Writing With Fire,” reporters from India’s lowest caste defy the patriarchy to seek justice
Gary M. Kramer
The heartrending “Mass” is a somber and intimate look at the survivors of a horrific crime
Gary M. Kramer
“Faya Dayi” presents a luminous yet hazy day in the life of Ethiopia colored by khat
Gary M. Kramer
In the grueling doc “Try Harder!” Asian American students strive to meet “unreasonable” expectations
Gary M. Kramer
“Wild Indian” filmmaker on repression and how “traumatized people tend to perpetuate trauma”
Gary M. Kramer
Rita Moreno reflects on tenacity, her career and Latinx representation: “Where is our ‘Moonlight’?”
Gary M. Kramer
Why horror flick “The Night” is the first American film to be released in Iran in four decades
Gary M. Kramer
“The White Tiger” is a terrifically cynical tale of an ambitious man who games the system
Gary M. Kramer
Netflix’s gorgeous “Dig” loses sight of its own discoveries in favor of soapy period melodrama
Gary M. Kramer
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