Neal Pollack

MTV’s spontaneous night of crazy fun

Two hours into the Video Music Awards -- watching Madonna tongue-kiss Britney, Christina ape Cher, Eminem beat up a puppet -- I entertain a dark thought: Could this all just be an excuse for entertainers to shill their products?

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Welcome, friends. For the next five hours, I’m going to be watching the 20th Annual MTV Video Music Awards so you don’t have to. From the first screaming minute of the despicable red-carpet ceremony to the last moment of spontaneous yet somehow pre-scripted narcissistic pop-star mayhem, I’ll be here, in front of the TV, brain leaking out of my ears. Don’t expect any meaningful pronouncements about The Way We Live Now. Don’t expect me to examine the shifting contours of celebrity worship. I’m just going to try to endure. And now we begin.

5:32 p.m.
I’m informed that this is the longest red carpet in the history of the world, 336 feet. I try not to have grumpy thoughts about wasteful spending during a near-depression. This is made more difficult when Ashanti tells Soo-Jun Park and Kurt Loder that she’s wearing $3 million earrings. Then one of the guys from Good Charlotte says he went to the ATM today and got out 40 bucks, which means a lot to him, because, you know, Good Charlotte’s had a hard road. Another Good Charlotte guy tells the red-carpet interview guy that he loves his suit. It doesn’t take much to poke holes into the punk-rock claims of Good Charlotte. Predictably, the five Queer Eyes for the Straight Guy show up. Carson Kressley hogs the camera, instructing the host how to button his jacket. Great. Six weeks ago, “Queer Eye for the Straight Guy” was a delightful surprise. Now for the rest of our lives we’ll be forced to endure Mr. Blackwell version 2.0.

5:46 p.m.
The Olsen Twins are interviewed. They claim to have been offended by the pictures in their recent Rolling Stone cover story that declared them “America’s Fantasy.” Soo-Jun Park assures them that the pictures were beautiful.

Ashley says the VMAs are “very crazy but lots of fun.”

Mary-Kate informs us that “anything can happen” at the VMAs.

5:59 p.m.
Christina Aguilera has decided to go with a dress made entirely of pink feathers. She breathlessly informs us that big surprises are in store. The host says that MTV is pulling for her in every way. Another of the endless stream of red-carpet reporters speaks with the monstrous Nelly, who informs us that he’s pimpin’ a new energy drink, whose name I can’t quite make out. “It keep me up all night,” Nelly says. “I need it. I need it.”

Mya, with whom I must admit I’m not familiar, says that her stylist e-mailed her pictures of her Dolce Gabbana dress while she was in Canada. “Thank god for my stylist,” Mya says.

6:09 p.m.
A taped feature appears to inform us that Eminem and 50 Cent are up against each other for four awards, and that this competition is going to be bigger than “Bush vs. Saddam.”

“That’s big, yo,” the narrator says.

Carson Kressley, Kim Cattrall, Simon Cowell and a funny cartoon baby named Stewie handicap the race amusingly but also annoyingly. 50 Cent shows up live on the red carpet wearing the baddest-ass pinstriped silver suit I’ve ever seen. He’s with Vivica A. Fox, and is definitely winning this game called life. “50 Cent, two years ago, you were recovering from nine bullet wounds, and now you’re up for four awards,” the host says. Oh. I feel so small and alone.

6:24 p.m.
Beyoncé appears and is beautiful, laid-back and charming, in direct contrast to Pamela Anderson, who wears a tank top promoting the upcoming “Scary Movie 3.” There’s also Snoop Dogg, backed by his ridiculous consort, the king of Pimp Chic, Bishop Magic Juan. In another life, Bishop Magic Juan was an actual pimp in Chicago, as opposed to a wacky pimp-advice “character,” and he hung out with actual murderers, as opposed to entertainers with a somewhat dangerous past. Black Eyed Peas perform. I’ve always liked Black Eyed Peas. Then again, I’m a white guy with a soft spot for message rap.

6:38 p.m.
Apparently, Duran Duran is back, looking pretty good for a bunch of withered Eurofags. Their new album will be out next year sometime, delayed from this fall. I feel relieved. That’s slightly less competition for the Neal Pollack Invasion’s new album, “Never Mind the Pollacks,” to be released Oct. 7 by the Telegraph Company. I’m really excited. It’s great to be here at the 2004 VMAs. Last year at this time, I was covering the awards from home for Salon, but now I’m on the red carpet and it’s so amazing! I really want to meet Mary J. Blige.

Sorry. Daydream.

6:44 p.m.
John Nichols interviews Justin Timberlake and the lead singer of Coldplay at the same time. Neither of them is particularly annoying. “It’s an ass-kissing contest!” Nichols says.

7 p.m.
Britney Spears opens the show on top of a wedding cake, wearing a bridal veil, and a dress like Madonna’s from the 1984 awards while singing “Like a Virgin.” Did you know that Britney does 500 sit-ups a day? Christina Aguilera emerges wearing an identical costume and sings even worse. Then, amazingly, Madonna rises from the top of the same cake. She’s wearing a top hat and one of Liza Minnelli’s outfits from “Cabaret.” After much pose-striking, she begins to sing her unctuous radio hit “Hollywood.” The camera shows Carson Kressley having too much fun. May I attempt a Carson-style line? “Madonna, honey, you look like Shania Twain meets Dorian Gray.”

Britney and Christina and Madonna — 20 years of slutty pop iconography! — dance together somewhat suggestively and sludge through “Hollywood,” which ends with a complaint about how the radio plays all the same songs all the time. I don’t have to explain the hypocrisy. Missy Elliott busts out of a “Wedding Chapel” rapping that stupid “Work It” song. The four of them gallivant around for a while. Everyone else is going to make a big deal of the fact that Madonna tongue-kisses Christina and Britney, but to me it just reeks of desperation. Tatu is hotter, ladies.

Chris Rock appears and does a stand-up act that’s funnier than anything I’m writing here. Then high-priced NBA chattel LeBron James comes out, shills for Sprite, and drools over Ashanti. They gave the best hip-hop video award to Elliott, in a true stunner.

7:29 p.m.
Good Charlotte, you are so not punk rock! You think you’re so hot with your red Mohawks and your backward baseball caps and your lame tattoos! But you suck, Good Charlotte! A real punk-rock band does not beat-box into the microphone! Oh, my, you destroyed your drum set and kicked over the amps! How dangerous! Like you had to pay for them.

“Good Charlotte,” says Chris Rock. “More like a mediocre Green Day.” Thank you, Chris Rock.

7:34 p.m.
Beyoncé wins best R&B video for “Crazy in Love,” which plays 75 times an hour on BET. I must admit that I think that “Crazy in Love” is one of the catchiest songs of all time. I can’t say the same about the video, which, three-quarters of the way through, takes a ridiculous turn when a car explodes and Beyoncé starts strutting around Jay-Z in a fur coat. Just inexplicable. But then Beyoncé gets drenched under a waterfall for about 30 seconds, and all is well again.

7:52 p.m.
Nelly comes out with some hip-hop fellow whose name I didn’t catch. Nelly says that “every female should have an apple bottom. You know, a fine ass.” If she can sing, Nelly says, “that’s a plus.” Christina Aguilera emerges from the floor as an anti-exemplar of Nelly’s type, standing astride a jungle gym full of whirring fans. She proceeds to Perform As Cher, another notch in her Evolution As An Artist.

Next, Iggy Pop and Outkast, who in my dreams are so stoned they can barely function, read their stupid lines as they promote their upcoming albums. My god, I realize. This show is nothing more than an excuse for entertainers to promote their new products! Why, it’s not crazy and spontaneous at all! My modest illusions are further shattered when Iggy, or, as he’s known in my book, God, presents the MTV2 award, the only one of the night that vaguely celebrates musical talent. Fittingly, the award goes to AFI, the worst band nominated.

8:09 p.m.
P. Diddy makes his Christ-like appearance wearing a “Remember Barry White” T-shirt, but rather than doing anything mockable, he pays tribute to Barry White, Gregory Hines and Jam Master Jay. Curse you, P. Diddy! The surviving members of Run DMC (did I just write that phrase?) award the best rap video to 50 Cent. In a classy, prescripted move, Eminem joins 50 Cent on stage. 50 Cent thanks the people from retail and radio and “everyone who purchased my CD.”

8:23 p.m.
Coldplay wins the best group video award over the White Stripes. When will the true genius of the White Stripes be recognized? Justin Timberlake — the camera loves him — stands alone and applauds Coldplay’s very modest acceptance speech. Take a humility memo, Justin.

8:24 p.m.
Eminem, on his third costume change that I can see, appears in a funny skit about violence with one of the puppets from Crank Yankers. Dude! Did you see Eminem beat up that puppet? That shit was crazy, dog! 50 Cent comes out and sings his enlightened hit about being a P-I-M-P.

Chris Rock says, “Today is the anniversary of Martin Luther King’s ‘I Have a Dream’ speech. Isn’t it wonderful that his dream came true?” Really, Chris Rock gives me all my best tag lines.

8:36 p.m.
The “Gay Beatles” do a runway walk and babble nonsensically with Jimmy Fallon about … You know what? I’m about done making fun of “Queer Eye.” But I will say this: My first job was as a part-time reporter at a community newspaper in Chicago. Ted Allen, Mr. Food and Wine, was one of my co-workers. We used to hang out, really, me and Ted, with all our friends in Chicago! He’s a great guy, and he looks fabulous! Ted. What’s Beyoncé really like? It’s been too long. Call me!

8:46 p.m.
Hey, guess what? I’m drunk. Which is good, because Fred Durst, who, according to Chris Rock, is the proof that “rap metal is affirmative action for white people,” introduces Jack Black, who then proceeds to be “funny,” but not as funny as the fact that my dog just ate a bloody bandage out of the garbage can. Look, people. Linkin Park just beat out the White Stripes for an award. I can write whatever I want.

8:54 p.m.
Mary J. Blige! Showin’ us how it’s done!

9:02 p.m.
A seemingly austistic Kelly Osbourne pushes Avril Lavigne out of the limelight and decries the supreme injustice that Duran Duran has never won a VMA award. Duran Duran appear sheepishly. The crowd rises as one as Duran Duran receive their lifetime achievement award for iconographic nostalgia. The band suspects that it’s been “Punk’d,” ha, ha. Simon LeBon says the band’s current reunion really “kicks ass.”

9:16 p.m.
The lead singer of Coldplay has written “Make Trade Fair” in chalk on his moody piano. Yes. And also, we should End Racism Now. Then Justin Timberlake wins best male video over Johnny Cash. “My grandfather raised me on Johnny Cash,” Justin Timberlake says. “In some cool way, I share this award with him.” Actually, Justin, you don’t. But thank you for following your publicists’ advice and calling it a “travesty” anyway.

9:32 p.m.
Beyoncé, hanging by her feet, drops from the ceiling, lies on a red velvet divan and is sexually molested by Mummenschanz. Five minutes later, the Super Bowl halftime show ends. My erection subsides.

9:42 p.m.
The headlines on the AP wire: “North Korea: Official Vows to Test Nukes;” “U.S. Struggles to Get More Help in Iraq.” Meanwhile, Good Charlotte wins the “viewer’s choice” award, which shows that I’m the only person in the world watching this who’s not a 12-year-old girl. The leader singer of Good Charlotte, ever classy, says, “I just shit my pants.”

9:54 p.m.
Snoop Dogg and Adam Sandler play Ubby Dubby while Bishop Magic Juan lurks darkly in the background. In the only truly spontaneous moment of the evening, Snoop Dogg’s nephew runs onstage and babbles incoherently. “Slide over to the left, nephew,” says Snoop. Missy Elliott beats Johnny Cash for video of the year. Not a travesty to her, apparently.

Metallica then performs a limp show-tunes medley of MTV’s greatest rock hits. I picked out “Seven Nation Army,” “Smells Like Teen Spirit,” and “Beat It.” Metallica plays one of its own songs, to slightly greater effect, but cannot undo the fact that they’ve just killed rock ‘n’ roll. The hall fills with silvery confetti. I take a deep breath and a slug of wine. And then I am free.

Lounge Axed

Good rock clubs die every month, but Chicago's finest was better than any of them.

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Saturday night saw the last concert at Lounge Ax, a sooty firetrap that was, by far, Chicago’s best and most famous rock club. For 12 years it hosted just about every indie act of consequence, bands like Tortoise, Pavement, Guided By Voices, Yo La Tengo, Wilco and any number of local three-chord wonders who played, pasted their stickers to the bathroom wall and were never heard again.

Over the last two weeks, Lounge Ax scheduled a series of shows that crammed the club every night, culminating with a reunion of the defunct lounge band the Coctails on Saturday. I attended several nights, and each was rife with what regulars call Lounge Ax moments. A guy passed out from heat exhaustion and had to be dragged outside by his friends. The roof over the stage developed a leak. Fans waited for hours in lines that stretched into the alley half a block away.

Still, most of the people who got in were in a mood to reminisce. One young woman remembered how she’d conned her way into a label party at age 17 by pretending to be a magician’s assistant. Someone else recalled how he’d thrown up on his wife’s shoes during a Nashville Pussy show. Then there was the tattoo artist from Madison who’d never been to Lounge Ax until closing night. Meanwhile, a small throng waiting outside in the cold was coveting his spot. “I just thought I’d come down and check it out,” he said.

Rock fans loved Lounge Ax, but to an outsider, it’s hard to explain precisely why. The sight lines were terrible, there was no air and it was nearly impossible to find a place to sit. A lot of local musicians hung out there, which sometimes made it seem annoyingly clubby. As a friend of mine put it, “Whenever I come here, it’s like I’m at someone else’s office party.”

When it came to actually seeing a show, however, the club permitted no privilege. Last Tuesday night’s bill featured the Tucson Americana outfit Calexico. As they began their set, Julia Adams, the club’s co-owner with Sue Miller, sat on a stool in the back of the bar and surveyed the great lake of bobbing heads in front of her. “This is like my favorite band in the whole world,” she said, “but there’s no way I’m going up there. It’s too crowded.”

Lounge Ax’s closing is a familiar Chicago story these days. Neighborhood bars, once the mainstay of the city’s social life, have been shuttered by the hundreds in the last five years, victims of a booming real-estate market and a particularly draconian Liquor Commission.

Beginning in 1996, when a new condo-owning neighbor began complaining about noise, Lounge Ax struggled with the city’s bureaucracy. It never fully recovered from legal fees, incessant ticketing and Kafkaesque days in court. Other clubs in hipper neighborhoods began to draw the top bookings, and Lounge Ax began its twilight.

When a 26-year-old mortgage banker bought the building in December and told the club it had six weeks to live, everyone was shocked, but no one was really surprised. Chicago, like so many American cities, is quickly gentrifying, and a club like Lounge Ax doesn’t always fit into the urban scheme.

Lounge Ax went out with an excellent party, nearly without sentiment. Occasionally, a kind of muted sorrow oozed up through the floor. Last Sunday night, before breaking into an inevitable round of Johnny Cash covers, local punk hero Jon Langford, head of the Mekons and the Waco Brothers, paused and put his head in his hands. “Oh, no,” he said with a thin coat of irony. “They’re closing the Lounge Ax. Now where are we going to go?”

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Chicago hope

In the wake of two recent police shootings, rhetoric about police reform in the Windy City remains nothing more than hot air.

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Chicago police shot and killed two unarmed people last week. In both cases, the victims were black. So were the police shooters. Terry Hillard, Chicago’s police chief, who is also black, refused to condemn his officers, but that has done little to slow the ever-growing daily rallies at City Hall where white protesters have outnumbered blacks while chanting slogans about “racist” police.

It’s all very strange.

Once again, police brutality is making its way to the front pages of American newspapers. Last week, ministers from Jesse Jackson’s Rainbow/PUSH Coalition sat down with Hillard to discuss the recent shootings, and the U.S. Justice Department is considering launching an investigation.

But this case is notably different from the recent charges of excessive force in New York and California. In February, when four white New York City police officers gunned down Amadou Diallo, an unarmed West African street vendor living in the Bronx, it was easy to frame the incident in terms of race. But these Chicago shootings do not follow any familiar pattern of police racism. The realities are more complex, and in many ways more disturbing. In Chicago, where police always take care of their own and where many politicians are former police officers, achieving justice in such matters is nearly impossible.

The first shooting occurred on the night of June 4. Police on the South Side pursued a car driven by 24-year-old Raymond Smith after he’d tried to “back over” them, according to the officers’ accounts. Smith fled the scene. Cops shouted at his passenger, a 26-year-old computer consultant named LaTanya Haggerty, to get out of the car. Instead, Haggerty reached for her cell phone, which an officer mistook for a gun. She was killed instantly.

A few hours later, at 1 a.m. on June 5, 22-year-old Robert Russ was driving home to visit his family in suburban Calumet City. Police flagged him for “driving erratically.” A five-mile chase resulted. Russ finally spun out of control and stopped on the Dan Ryan Expressway. When he refused to get out of the car, an officer smashed the passenger window with a 9 mm pistol. Russ grabbed the gun, it fired, and he was dead.

Haggerty had no criminal record. Subsequent newspaper accounts of her life portrayed her as almost angelic: She smiled all the time, collected stuffed animals, kept a stash of junk food in her desk, and liked to vacation in Las Vegas with her girlfriends. Russ had previously served 18 months court supervision for assaulting an Evanston police officer who’d tried to break up a fight. But he’d also been an honor student and star football player at Northwestern University. He was supposed to graduate this week.

Though both victims were unarmed, the police department quickly ruled both shootings justifiable, and Chicago Mayor Richard M. Daley quickly rallied to their defense.

Chicago has a well-documented history of mayors named Daley giving the cops carte blanche to patrol the streets however they see fit. The city’s policies on police supervision and review are skewed to benefit cops, and few are ever rebuked or reprimanded.

Police brutality complaints in Chicago are handled by the Office of Professional Standards (OPS), the police department’s internal-review division. On average, OPS concludes some level of wrongdoing in 7 to 10 percent of the hundreds of complaints it receives a year. These findings are labeled as “sustained.”

“To have a sustained finding, you need way beyond a reasonable doubt standard of evidence,” says Mariel Manasi, a Chicago attorney who specializes in brutality cases. “It needs to be overwhelming. It needs to be 90 percent. When there’s a cop’s word versus a civilian’s word, it is never sustained. Ever.”

In the unlikely event that a complaint is sustained, the officer usually receives a short suspension, usually less than a week. The sentence then goes through the department’s “command review channel,” which, despite its Orwellian name, basically means that the officer’s supervisors get to testify that he’s not really a bad guy.

The police chief then reviews the officer’s sentence, and has the power to reduce it, increase it, or drop it altogether. So does the Police Board, a supposedly independent body appointed by Daley, to whom the offending officer can also appeal.

Manasi, who has handled dozens of brutality cases, says she’s never seen an OPS penalty increased by the superintendent or the board. “The Police Board cuts the number of sustained cases in half,” says Manasi, “and the other half goes to legal arbitration, which then cuts that number by about 75 percent. Finally, after all of that, an officer can appeal the case to the circuit court. When it comes down to it, very few cases are ultimately sustained. In ten years, I’ve seen literally a handful of officers, maybe five, fired for excessive force.” Departments nationwide are notorious for protecting their officers under a veil of secrecy, but in Chicago, the problem is particularly acute. The Chicago Police Department refuses to say how many or which officers have been disciplined. Instead, Manasi and other advocates must rely on their own estimates.

This system works very well for certain well-connected officers. In particular, one Peter Dignan was recently implicated, along with fellow detectives, in five incidents of torturing murder suspects. Superintendent Hillard chose to not sustain the cases, perhaps under the influence of John Townsend, the department’s second-in-command (and a former mayoral bodyguard), who happened have been supervising Dignan at the time. Dignan was subsequently rewarded with a promotion to lieutenant.

The Police Department operates under a tight veil of secrecy about its internal operations. It doesn’t allow anyone, other than attorneys in civil suits, access to an officer’s history of registered brutality complaints. The department repeatedly denies reporters and community activists access to those files, saying they’re part of an officer’s personnel record and therefore not subject to Freedom of Information Act requests.

“There is no system of police accountability in this city,” says Chris Geovanis, a member of Neighbors Against Police Brutality, an advocacy group. “It absolutely doesn’t exist. It is a sham. And a taxpaying Chicago resident who wants information about a brutality complaint can’t get it.”

None of this augurs particularly well for the investigations of the Russ and Haggerty cases.

Mayor Daley said he regretted the latest incidents but pointed out that police often are killed in the line of duty. City council members bashed the police but waffled about when they would hold proper hearings. The police refused to offer any information about the officers involved. Although federal and state authorities have begun their own investigations, real police reform seems a distant dream.

In the next few months, the city will most likely settle with the Russ and Haggerty families in civil suits. That approach has worked well for Chicago in police-abuse cases. For instance, officer Rex Hayes, who has 45 complaints on file, has cost the city $2.5 million in lawsuits, with more cases pending. The city prefers the payout method to firing Hayes, who has never been suspended for more than five days despite a series of offenses that include choking suspects already in custody.

“Over and over again, even in the wake of the two shootings, this mayor telegraphs one message to officers,” Geovanis says. “You’re the boss on the streets. Regardless. He’s given absolutely no indication that he’s willing to look at the core problem of accountability.”

Meanwhile, the department has revealed that police officers have shot 21 people this year, killing eight. But there’s been little word about the circumstances of those shootings, the identities of the officers involved, or whether or not they had a history of abusive behavior. The same goes for those involved in the Haggerty and Russ killings. We may never know what kind of cops these people are.

“It doesn’t really matter whether we’re talking about one out-of-control police officer, or two, or 10,” Manasi says. “The fact is that they’re allowed to continue doing it. There’s no mechanism in place to discipline them. They know they won’t be punished.”

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Rush to defeat

Chicago Mayor Richard Daley is a shoo-in thanks to a weak campaign by a congressman who should have been a contender.

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CHICAGO — Mayoral elections these days in Chicago are more like Super Bowls from the 1980s than actual political contests, with Mayor Richard M. Daley in the San Francisco 49ers role. Daley has all the talent and all the power on his side, and since 1989 he has regularly mowed down his challengers, patsies selected from a weak pool, one after another. He regularly racks up 65 percent of the vote or higher, and rarely has to resort to actual campaigning. He just wins. In this year’s mayoral vote on Tuesday, Daley will demolish his challenger, Rep. Bobby Rush, by at least 20 percentage points. Political observers here, who had hoped for a better game this time, are disappointed. Daley has barely campaigned at all, and Rush has flailed around desperately, swinging at air.

It wasn’t supposed to be this way. Rush is the most serious challenger Daley has faced yet. He nearly ran for mayor in 1995, but at the last minute let Joe Gardner, a longtime city bureaucrat, get served up as sacrifice. He also stood by and watched as Daley handily took care of former Illinois Attorney General Roland Burris, in the general election. Having to run two campaigns became a hassle for Daley, so he managed to get the Legislature to declare municipal elections “nonpartisan.” There would be no more primaries, just one shot, one opposition candidate. For 1999, there was no confusion: Daley’s opponent would be Bobby Rush.

Rush had a distinguished nine-year career as an alderman in a city council that is often a clearinghouse for corrupt buffoonery. His seven years in Congress have been similarly above reproach. He co-founded the Illinois Black Panther Party in 1968, which no one considers a detriment, except perhaps the local chapter of the Fraternal Order of Police. He is well-respected and widely known across the city.

Nevertheless, Rush’s flaws became evident even before he officially declared his candidacy. Last summer, he led a 600-person march on City Hall to protest public-transportation service cuts. Security guards wouldn’t let Rush and his people in, and in a standard trope of Chicago political theater, Rush declaimed that the city’s government was closed to ordinary citizens. But when the service cuts had actually been debated by the Chicago Transit Authority in 1997, Rush had been noticeably absent from the protests. He had also voted in Congress against increasing federal public-transportation subsidies. All that could have been forgiven. But when Rush finally did march on City Hall, this crew included no senior citizens or Latinos — the two populations hardest hit by the transit cuts.

Rush’s biggest sin then was a lack of inclusiveness, and his problems have only grown during this election season. “Campaigns are about addition, not subtraction,” says Rick Garcia, a leading Chicago gay-rights activist, “and Bobby hasn’t added it up right. He’s made all the mistakes of not broadening his base. He doesn’t even play to his base, truth be told. There’s no doubt that the mayor is a formidable obstacle with his money and influence and high favorability numbers, but no individual is immune from criticisms, and I thought the congressman would do much better than he has.”

“Bobby doesn’t have the knack of dramatizing the issues,” says Leon Despres, a Chicago lawyer who served in the city council from 1955 to 1975. “If I were a mayoral candidate, I would hammer at the police brutality issue, but I would hammer at it so that anyone who would read what I say would feel personally involved. You might go out and be arrested, you might have your door broken in. How would you feel, being tortured for something you didn’t do? Make every listener feel that they are in danger. He [Rush] raises the issue very well, but doesn’t dramatize it, doesn’t make shivers come up and down your spine.”

When Rush has tried to personalize issues, he’s ended up looking silly. He held a press conference in December to speak against Mayor Daley’s “gang loitering” ordinance, which is currently being debated before the Supreme Court. Rush had several teenagers with him on the podium. He said that under the loitering law, any of these kids could be arrested at any time, merely for being young and black. It turned out, however, that most of the teens were related to Rush campaign staffers. When reporters asked them if they’d ever had trouble with police, they all said no.

From there, things only got worse for Rush. The city towed his car as he held a press conference criticizing the Daley administration’s snow-removal techniques. A small group of Muslim fundamentalists booed him off the stage during an event to commemorate the end of Ramadan. When the Chicago Tribune disclosed that he owed $750 in parking tickets, Rush denied owing the money, saying that most of the tickets had been accumulated by his wife. Rush continued to rack up absurdities. In a press conference meant to criticize a rise in police brutality, he instead blamed the mayor for the deaths of 500 elderly people during a 1995 heat wave. In another event, he announced that he was being endorsed by the “Greek-American” community, as represented by Peter Pavilos, one of his few major financial backers. He scheduled Anthony Porter, a recently freed death-row inmate, to appear at his campaign headquarters, but Porter backed out at the last minute, saying he wanted to stay out of politics. When Rush planned a walk-around in an Indian neighborhood, he chose to kick off the event at a Pakistani restaurant whose owner was a fervent Daley supporter, down to having autographed pictures of the mayor on his walls.

Perhaps Rush’s best opportunity to slam Daley came in late January, when the city decided to lock out dozens of homeless people from Lower Wacker Drive, where they’ve slept harmlessly for decades. Appearing on Lower Wacker before an enormous crush of media, Chicago homeless advocates and the legendary Studs Terkel decried the city’s heartless actions. Rush showed up separately, with his own entourage, but he wasn’t talking about homelessness. Instead, he was complaining that someone had spray-painted racist graffiti in the elevator of his campaign headquarters. By then, it was obvious that the Rush campaign was a wasted opportunity.

“This campaign doesn’t represent a reasonable, reusable progressive politics in Chicago,” says Larry Bennett, a political science professor at DePaul University, who wrote some of Rush’s early position papers. “What defines a progressive alternative within the electoral context of Chicago at this point is an effort to recharge the Harold Washington coalition. That is 15 years too late. The man is long dead. God bless him, because he was a terrific individual, and a good mayor. But aside from Rush’s campaign just being a backward evocation of a wonderful moment in history, it’s also not at all cognizant of the realities of the city at the present time.”

After the appearance of the mysterious graffiti, Chicago voters were treated to a series of fresh complaints from the Rush campaign, which, according to polls, now trailed Daley’s juggernaut by 48 percent. According to Rush, his campaign was plagued by bomb threats, phone threats and even street crime, as a campaign photographer broke his leg trying to escape from three “politically motivated” assailants.

“Pretty soon, they’ll be throwing bricks through the windows,” Mayor Daley cynically responded.

Meanwhile, people were still waiting for Rush to release his first position paper. With three weeks to go in the campaign, he finally did. But by then no one was listening.

Not that Daley wanted to help Rush run a credible campaign. When Rush desperately, repeatedly called on the mayor to debate him, Daley declined, saying no debates were part of his “campaign strategy.” But there was plenty to debate. On the surface, Daley is incredibly popular. He’s made a number of cosmetic improvements to the city. Flower boxes and street art abound. Tourists are visiting Chicago like never before. The Department of Cultural Affairs has won numerous awards. It’s a great city to live in, if you’re a middle-class white person.

But Daley’s Chicago is not the urban-renewal paradise that the mayor and his supporters claim. His administration is rife with cronyism and petty corruption. Daley regularly rewards his biggest campaign contributors, many of them old family friends, with enormous construction contracts. There is no effective mechanism in place to punish police officers with histories of brutality. Public transportation is collapsing, and creeping gentrification has created a serious shortage of affordable housing. Poor and working-class people are being increasingly squeezed into smaller and smaller areas of the city. He’s a Democratic version of New York’s Rudy Giuliani, offering a kinder, gentler version of Giuliani’s forbidding urban politics.

“He doesn’t provide leadership on basic issues of poverty, racial discrimination, affordable housing,” Despres says. “Daley has this terrible control of the city council. His father controlled it through patronage. Virtually no alderman dared challenge him. Now this fellow has 20 aldermen he’s appointed. He’s pursued a policy of tying every alderman to him by giving them autocratic authority in their ward.”

Thus, the city council routinely passes important bills without debate, often without any opposition votes. Daley’s planning commission pushes through big-ticket development projects with even less dissension. The Police Board is independent of the Police Department only on paper. And while Daley may not have his father’s thousands-strong army of patronage workers, he can still call out the troops when he needs to. Last November, the Hispanic Democratic Organization, made up mostly of city employees, helped knock out Jesus Garcia, a popular Mexican-American state senator and possible future mayoral candidate. The HDO workers told voters that if they elected Garcia, they would lose city services like street repairs, even though Garcia had no power over such matters. Instead, they ended up pushing through their man, Tony Muqoz, a former cop with no political experience.

In this election, the HDO is backing John Pope, a mayoral aide, for alderman of the 10th Ward, an enormous expanse on the city’s southeast side and one of the few parts of the city that Daley doesn’t control. Anyone who supports any of Pope’s nine opponents is in trouble, as a local hardware store owner found out. After he dared to put an opposition sign in his front window, he received an expensive ticket for an “overflowing dumpster” behind his shop. He got the message: Support Daley’s man, or you’ll be punished.

The Chicago Tribune, in a recent interview, asked Daley to describe his political organization. To the paper’s credit, it printed Daley’s nonsensical response verbatim. “I have thousands of volunteers,” Daley said. “That is the key to get the job done. I have volunteers, block clubs, community organizations, you name it. I have people out there, getting the job done in the schools, getting the job done in police, getting the job done at libraries. That is what you provide.”

That’s about as much of an answer as Daley need provide. He’s been mayor for 10 years now, will be mayor for at least 14, and probably for as long as he wishes. Defeating him this time would have been impossible even for the best candidate, and Bobby Rush shouldn’t be ashamed that he’s going to lose. But Rush should be ashamed that he did little or nothing to begin building a coalition that might one day, someday, defeat Daley. The city isn’t better off from this campaign. There is still no credible opposition to Caesar, and one is desperately needed.

“There comes a time when somebody who’s in office a long time gets thrown out,” Despres says. “Daley’s father was approaching that time in 1976, and he died. You build resentments, and finally the resentments accumulate. You also develop fatigue and lose the ability to make people feel enthusiastic about you. Daley’s gotten stronger, and maybe he’ll get even stronger still the next term, but not forever. You’ve gotta look beyond Daley.”

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The trouble with Rudy

Reaction to the killing of an African street vendor by police shows the growing protest power of the city's immigrant communities.

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NEW YORK — Ebrima Jobe, a Gambian immigrant who sells sunglasses and videotapes out of a little glassed-in booth on Fifth Avenue in Brooklyn, heard about the shooting of fellow West African immigrant vendor Amadou Diallo by police almost immediately. He had called one of his suppliers for baseball hats.

“He said he couldn’t come that day. We have somebody die, he say, the African people. They shoot Diallo.”

Jobe immediately knew who Diallo was — the West African community in New York is relatively small — and immediately knew that he had to do something. “I went to protest. I don’t talk about anything, but I hear everybody say they go to City Hall to demand justice from [Mayor Rudy] Giuliani, justice for this guy, because they made a mistake.”

Diallo, a native of Guinea, was gunned down in the vestibule of his Bronx apartment building by four New York police officers just after midnight on Feb. 4. He had been unarmed, yet officers unloaded 41 bullets at him, hitting him 19 times. Public anger built in New York, spontaneously and quickly. Over the weekend, the streets in front of his former home were mobbed with peaceful protesters, many of whom had never been to a political event in their life.

The quick mobilization in response to Diallo’s death is a measure of the killing’s shocking brutality. But it also points up the central role of New York’s immigrants in building opposition to Giuliani. On Tuesday, more than 1,000 people showed up outside the federal courthouse in downtown Manhattan to protest Diallo’s killing. People poured off the subway onto Centre Street, a steady stream from 11 a.m. until well after 2. They were almost entirely African-American or African-born, and very few of them were the usual suspects from anti-police-brutality rallies. For once, the International Socialist Organization, the Free Mumia set, the black Muslim radicals were in the minority.

Instead, people in the crowd were using a different rhetoric, talking about a different kind of politics. “They’re trying to pit us against Archie Bunkers, against pro-cop white bigots,” one woman told me. “But we know they’re not our enemy. It’s the poor and the working people, and they’re pitting us against one another. Little by little, the people are starting to understand.”

The rhetoric of class struggle may have been a little antiquated, or a lot antiquated, but the Diallo rally showed the potential for a new kind of politics. People weren’t shouting the usual slogans or going through the usual motions of street protest. Even the Rev. Al Sharpton, the biggest protest hack of all, put aside his usual race rhetoric and appealed for a more universal system of justice.

The absence of white protesters was noteworthy, and yet predictable. The white left in New York is moribund. Aging Upper East Side intellectuals and Vietnam War protesters never show up at protests in this town anymore, and probably never will again. The political landscape of New York has changed entirely. The white intelligentsia isn’t angry about anything and has little or nothing to offer the political debate. Their dirty little not-so-secret is that they benefit from Giuliani’s repressive policies. Their streets are cleaner, their fear of crime dissipated, their place in the city’s socio-political firmament secured. Many old radicals are comfortable now.

Instead, the burden of protesting the system has fallen to an odd mishmash of people, most of them immigrants, some African-American — from chestnut vendors to the mothers of Puerto Rican teenagers to cab drivers, who are at the butt end of the new New York City. Like all protest movements, this one suffers from division, from prejudice, from lack of resources. Most of all, the people who are affected by the repressive policies of the Giuliani administration speak dozens of languages and are from every country in the world. They are nearly impossible to organize coherently — but they are organizing nonetheless.

It’s within the city’s growing street-vendor movement that the potential, and the tension, of this mainly immigrant anti-Giuliani force is evident. The city plans to ban street vending on 100 downtown Manhattan blocks, the heart of the Financial District, as well as to establish a “warrant” system for vendors, which would create a high-priced bidding war for coveted street slots. The system, already in place in city parks, has resulted in concessions going for $400,000 or more. ABC Television already owns several vending outlets, and McDonald’s is bidding for others. One T-shirt concession in Battery Park recently went for $525,000. This latest move is igniting growing militancy by vendors, and the Diallo shooting threatened a conflagration.

Robert Lederman, a New York street artist for who has been a key figure in anti-Giuliani protests — the mayor called him “the No. 1 quality-of-life criminal in New York City” — immediately saw the connections between the Diallo shooting and street-vendor repression. Vendors, he says, face shakedowns at the hands of the police every day. West African vendors, like Diallo, often receive the worst treatment, because they’re often unlicensed and recently arrived, and thus most unfamiliar with the system.

“Drug dealers get less harassment than vendors in this city,” he says, “because it’s harder to make a legitimate drug-dealing arrest.”

Some vendors draw connections between the power of the city’s Business Improvement Districts (BIDs) and the power of the police department. The BIDs offer privately funded cleanup and security services that work closely with Giuliani, and they have been instrumental in drafting legislation banning vendors from hundreds of blocks in midtown Manhattan. Robert Loutitt, the Fifth Avenue BID’s vice president in charge of public safety, was a police officer in charge of the city’s peddler squad, which was started under Mayor Ed Koch specifically to rid midtown of unlicensed Senegalese vendors. The Downtown Manhattan BID, which is currently trying to ban vending around Wall Street, is also raising money to build its own police station and train its own private police force. In Lederman’s mind, vendor bans and police brutality are public crimes with the same roots. To him, they represent nothing more than a class struggle for the heart of New York City.

But attempts by Lederman and others to link the Diallo killing to the cause of street vendors fell flat at a rally Wednesday, showing the limits of attempts to mobilize this disparate mass. Just a day after 1,000 people showed up to protest Diallo’s death, a crowd of only 200 showed up to protest the vending ban, smaller than expected. Food vendors complained that street artists didn’t know what it was like to work for a living. Artists complained that food vendors never showed up when their butts were on the line. The police corralled everyone into a barricaded “protest area,” and stood by in case anyone decided to bust out. The vendors listened to a hectoring lecture from Jeff Cicsio of Big Apple Food Vendors, the owner of 500 vending licenses. Cicsio wasn’t talking class struggle, or “Off the Pigs.”

“For the most part, the police are good, hard-working people,” he told the vendors. “There are a few bad eggs, and get them out of the box.” Then Cicsio berated the crowd for passivity.

“Last year you were very successful,” he said to the crowd. “A lot of you came out. We should have had twice as many guys here today. You came to America with a dream: to make a living, to have a better quality of life for your families. They gave you a permit, but now they’re telling you that you can’t use it because they’re closing the sidewalks … They want you out, and you have to realize that. You gotta take a stand … This is America. You have rights. Don’t let anybody push you around … So why aren’t more of you here?”

The Pakistanis, the Chinese, the disabled veterans, listened, but didn’t respond. They hadn’t come to be degraded. An advocate for vendors in Chinatown rolled her eyes. “He’s mistaking their silence for passivity,” she said. “They’re just bored. If they understood that he was talking down to them, they’d be booing him off the stage.”

Lederman took the microphone and did the best he could. Instead of complaining that there weren’t enough vendors, he said, “I’m very glad to see all of you here today. And I want to ask you one question: Are you proud to be vendors?” The biggest cheer of the day went up.

“Are you proud to earn an honest living as a vendor?”

“YEAHHHH!”

“Well, Mayor Giuliani’s been saying some very nasty things about all of you. He says you congest the streets. He says you’re dirty. He says you’re a bunch of criminals. Is that true?”

“Nooooo!”

“Let me tell you what the truth is: Mayor Giuliani is the biggest criminal in New York City!”

The vendors shouted wildly.

It’s obvious that in New York, and in other cities across the country, a movement is building that will eventually take the place of the old left, because the issues at hand, like police brutality, gentrification and sweatshop labor, are of little concern to the old order. It has yet to find its leaders. African-Americans and the labor movement are just beginning to recognize its power. But the reaction to the Diallo killing shows that Giuliani better recognize it, too.

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