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Andrew O’Hehir (page 60)

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Andrew O'Hehir is executive editor of Salon, and has been a writer and editor at the pioneering online news site since 1997, including many years as a film and cultural critic. He was previously an editor at SPIN magazine and was editor of the award-winning SF Weekly in the mid-1990s. He has also written for the New York Times, the Washington Post, Nautilus, Sight and Sound, Elle China, the Times (U.K.) and other publications.

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Pick of the week: “Hell and Back Again” shows the true cost of war

Andrew O'Hehir
Martin Sheen and Emilio Estevez

“The Way”: On a pilgrimage with Martin Sheen

Andrew O'Hehir
George Clooney in "The Ides of March"

“Ides of March”: Clooney and Gosling’s Oedipal struggle

Andrew O'Hehir
Keira Knightley (AP/Joel Ryan)

Keira Knightley talks about Freud, Jung, Cronenberg and spanking

Andrew O'Hehir
A still from "My Joy"

“My Joy”: Nightmare voyage into the Russian heartland

Andrew O'Hehir
A still from "You Don't Like the Truth"

“You Don’t Like the Truth”: Our first look at a Gitmo interrogation

Andrew O'Hehir
Michael Shannon in "Take Shelter"

Pick of the week: “Take Shelter,” a potent fable of marriage and madness

Andrew O'Hehir
Anna Paquin in "Margaret"

“Margaret”: The great NYC post-9/11 movie that crashed and burned

Andrew O'Hehir
Actress Jessica Chastain of the U.S. poses for photographers as she arrives on the "Wilde Salome" red carpet at the 68th Venice Film Festival September 4, 2011. REUTERS/Alessandro Bianchi (ITALY - Tags: ENTERTAINMENT PROFILE TPX IMAGES OF THE DAY) (Reuters)

Jessica Chastain: The dazzling redhead who's suddenly everywhere

Andrew O'Hehir
Jason Statham

“Killer Elite”: Jason Statham and Clive Owen's dark, stylish thriller

Andrew O'Hehir
Taylor Lautner in "Abduction"

“Abduction”: Taylor Lautner's chest gets a movie

Andrew O'Hehir
Ryan Gosling in "Drive"

The “Drive” backlash: Too violent, too arty or both?

Andrew O'Hehir, Thomas Rogers
Brad Pitt and Jonah Hill in "Moneyball"

“Moneyball”: Brad Pitt’s wonk-friendly Oscar contender

Andrew O'Hehir
Tom Cullen and Chris New in "Weekend"

Does “Weekend” mark a new direction for gay cinema?

Andrew O'Hehir
Clockwise, from top left, scenes from "Think of Me," "The Descendants," "A Dangerous Method," "Moneyball"

Best of Toronto: Oscar candidates and indie breakouts

Andrew O'Hehir

Pick of the week: Ryan Gosling’s dynamite heist thriller

Andrew O'Hehir
A still from "Take This Waltz"

“Take This Waltz”: Michelle Williams’ daring, contemporary love story

Andrew O'Hehir
A still from "The Descendants"

“The Descendants”: Clooney’s Oscar-worthy role as a Hawaiian dad

Andrew O'Hehir
A still from "W.E."

“W.E.”: Madonna’s Wallis Simpson fantasy hits Toronto

Andrew O'Hehir
Michael Fassbender and Carey Mulligan in "Shame"

“Shame”: Michael Fassbender’s full-monty skin flick

Andrew O'Hehir
Ryan Gosling in "The Ides of March."

“The Ides of March”: George Clooney’s dark political vision

Andrew O'Hehir
Keira Knightly in "A Dangerous Method"

Knightley and Fassbender steam up “Dangerous Method”

Andrew O'Hehir

Why Hollywood’s response to 9/11 involved Harry Potter and Spider-Man

Andrew O'Hehir
Kate Winslet in "Contagion"

Pick of the week: A pandemic from which even Gwyneth isn’t safe

Andrew O'Hehir
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