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Gary M. Kramer
(page 17)
Gary M. Kramer is a writer and film critic based in Philadelphia. Follow him on
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Bill Murray is back as a lovable rascal in Sofia Coppola’s poignantly charming “On the Rocks”
Gary M. Kramer
“Aswang” examines the horror of life under Duterte & the extra-judicial killings targeting the poor
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Tilda Swinton mesmerizes as a woman possessed in Pedro Almodóvar striking take on “The Human Voice”
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Democracy, not consumption is “how we will amass power to challenge the corporate behemoth”
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“Female entrepreneurship is key”: “Underplayed” unpacks the massive gender inequity for EDM deejays
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“Antebellum,” Janelle Monae’s cross-dimensional thriller, was literally born from a nightmare
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Idris Elba drama “Concrete Cowboy” brings audience along for a crowd-pleasing ride
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“Enemies of the State” director on the twisty new doc with “too many secrets still in the story”
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Michel Franco’s dystopian drama “New Order” is an electrifying cattle prod to the nether regions
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In Chloe Zhao’s wandering “Nomadland,” Frances McDormand journeys to an Oscar-worthy performance
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“Hard to stomach”: “Buoyancy” director on the horrors of enslaved labor in the Thai fishing industry
Gary M. Kramer
“Jimmy Carter: Rock & Roll President”: A loving relationship to music that “cuts through politics”
Gary M. Kramer
Charlie Kaufman’s exasperating “I’m Thinking of Ending Things” could’ve been a masterpiece
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With “Critical Thinking,” John Leguizamo directs a rousing “Stand and Deliver”-style chess story
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The latest “Bill & Ted” adventure is more bogus than excellent, despite some chuckles
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Keanu Reeves & Alex Winter: Bill & Ted “aren’t playing Van Halen riffs” anymore
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“Havana is . . . the fantasy of Americans”: Filmmaker on capturing the “utopia” of Cuba in new doc
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“Carter was so humane”: “Desert One” filmmaker on examining the Iran hostage crisis 40 years later
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New “Ren & Stimpy” doc perpetuates the problematic myth of the cult cartoon’s bad-boy genius
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“It makes your heart beat faster”: Documentary celebrates the artistic side of Louisville’s West End
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“We are all unreliable witnesses”: Stellan Skarsgård on memory & his new film “Out Stealing Horses”
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“The everyday guy can fight and sometimes win”: ACLU doc goes inside four David & Goliath cases
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Music helped treat her father’s dementia, and that’s why Shohreh Aghdashloo made “The Cuban”
Gary M. Kramer
Netflix’s existential “Shine Your Eyes” searches for a man who “inhabits the world of fiction”
Gary M. Kramer
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