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Gary M. Kramer
(page 18)
Gary M. Kramer is a writer and film critic based in Philadelphia. Follow him on
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Why Josh Hartnett became addicted to making indie films: “It just feels more honest”
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Jeff Daniels on theater vs. film and the man who never forgave him for making “Dumb & Dumber”
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“The Painted Bird” is a brutal masterpiece depicting the horrors and inhumanity of war
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Kelly Reichardt’s “First Cow” is a captivating and unhurried look at race & class in 1800s Oregon
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Sigmund Freud offers love advice in the visually stunning but impotent WWII drama “The Tobacconist”
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“It’s a quiet revolt”: Filmmaker on how “The Last Tree” moves between Black and white spaces
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“It’s time for change”: New Orleans’ Big Freedia on working against gun violence in new documentary
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Journalist Maria Ressa, convicted of libel in the Philippines, takes on Duterte in new documentary
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In “Mr. Jones” James Norton plays a journalist who uncovers the truth of the Ukrainian genocide
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“Coded Bias” exposes how facial recognition discriminates based on race, gender, and more
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New doc “9to5” spotlights the women who rose up against sexism and harassment at work in the 1970s
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“Picture a Scientist” examines the hostile, sexist STEM environments that drive women to leave
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In “The Infiltrators,” immigrant activists get willingly detained for a “jail break in reverse”
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Amazon’s “Vast of Night” is a Richard Linklater, sci-fi, “All the President’s Men” thriller mash-up
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“Debt Collectors” star talks brawl that is a “straight rip-off” of “They Live” fight scene
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“Levon didn’t write songs. I gave him credit”: Robbie Robertson on The Band’s disputes and new film
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In juicy thriller “Inheritance,” Lily Collins is a woman who can’t escape her father’s dark legacy
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In “The Painter and the Thief,” an artist paints a portrait of the man who stole her masterpiece
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Kyle MacLachlan on how to make David Lynch laugh and playing doctor to Tom Hardy’s dying “Capone”
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“If it doesn’t scare the cows, who cares?”: Steve Zahn weighs in on gender identity in “Cowboys”
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Comedians remind viewers to “Call Your Mother” in hilarious and heartwarming Mother’s Day special
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Playing a teen rock critic “scared the crap out” of Beanie Feldstein in “How to Build a Girl”
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Inside the opulence and decadence of “Ottolenghi and the Cakes of Versailles”
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In comedy-thriller “12 Hour Shift,” blood and chaos reigns as a murderer terrorizes a hospital
Gary M. Kramer
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