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SEC vs Celebrity Crypto Promoters
‘Dark’ Personalities Drawn to BTC
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Gary M. Kramer
(page 19)
Gary M. Kramer is a writer and film critic based in Philadelphia. Follow him on
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In “Bull,” actor Rob Morgan continues the long history of the black American cowboy
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Inside Chris Hemworth’s intense, 12-minute action sequence in Netflix’s “Extraction”
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Shailene Woodley on her “empowering” new movie in which she plays a woman caught between two men
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Isolate or infect humanity? In “Sea Fever,” a captain faces a dilemma eerily like our own
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“He is a terrible man”: Michiel Huisman on playing a cult leader in horror flick “The Other Lamb”
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In the thrilling “Workforce,” an exploited construction worker takes the ultimate revenge
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“They are not victims”: Director Ken Loach on his working-class heroes in “Sorry We Missed You”
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“Greed,” a satire about the filthy rich, is as subtle as Steve Coogan’s blindingly white teeth
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In “Life in Synchro,” this hyperfeminist sport empowers women to work together
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“The Ringmaster”: When a documentary about the world’s best onion rings serves up a sobering twist
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Why Margot Robbie could be a dark horse for the Best Supporting Actress Oscar
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In nimble spy thriller “The Rhythm Section,” Blake Lively misses a beat
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Oscar live-action short film spotlight: From voyeurism to a donkey with headphones
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Oscar documentary shorts: A guide to “St. Louis Superman” and “Walk Run Cha-Cha”
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Guy Ritchie’s “The Gentlemen” is so crass and cringe-worthy, it’s criminal
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Tommy Chong waxes philosophical about his stoner persona, jazz music, and dealing with Trump
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“Little America” star: “Gay marriage is evolution”
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Alfre Woodard is devastating in the beautifully bleak death-penalty drama “Clemency”
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“1917” is a luminous, ferociously intense “single-take” wartime experience
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In “Just Mercy,” Michael B. Jordan brings dignity to the story of a real-life Atticus Finch
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The wildest, most poignant, or unforgettable movie scenes of 2019
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“Uncut Gems” is a merciless, nail-biting crime thriller that lets Adam Sandler shine
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“Bombshell” takes down Roger Ailes, but some audiences don’t want to see Fox News women humanized
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