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Andrew O’Hehir (page 67)

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Andrew O'Hehir is executive editor of Salon, and has been a writer and editor at the pioneering online news site since 1997, including many years as a film and cultural critic. He was previously an editor at SPIN magazine and was editor of the award-winning SF Weekly in the mid-1990s. He has also written for the New York Times, the Washington Post, Nautilus, Sight and Sound, Elle China, the Times (U.K.) and other publications.

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"Eureka," Astro Boy, "Godzilla"

Japan’s cinema of disaster, from Godzilla to J-horror

Andrew O'Hehir
Juliette Binoche in "Certified Copy"

Juliette Binoche on her new Tuscan-seductress role

Andrew O'Hehir
Michael Fassbender and Mia Wasikowska in "Jane Eyre"

An intense, passionate new “Jane Eyre”

Andrew O'Hehir
Amanda Seyfried in "Red Riding Hood"

“Red Riding Hood”: The “Showgirls” of fairy-tale movies

Andrew O'Hehir
A still from "Battle: Los Angeles"

“Battle: Los Angeles”: Bizarre fantasy of imperial decline

Andrew O'Hehir
Michael Fassbender as Mr. Rochester in "Jane Eyre" (Laurie Sparham)

Michael Fassbender, future superstar

Andrew O'Hehir
A still from "The Human Resources Manager"

“The Human Resources Manager”: A dry, hilarious Israeli “As I Lay Dying”

Andrew O'Hehir
A still from "Happythankyoumoreplease"

“Happythankyoumoreplease”: “How I Met Your Mother” star’s likable film debut

Andrew O'Hehir
Matt Damon and Emily Blunt in "The Adjustment Bureau"

Pick of the week: Can Matt Damon outrun God?

Andrew O'Hehir

“Rango” and the rise of kidult-oriented animation

Andrew O'Hehir
Stills from "Uncle Boonmee" and "The King's Speech"

Why don’t Cannes films win Oscars?

Andrew O'Hehir
Natalie Portman poses backstage with the Oscar for best performance by an actress in a leading role for "Black Swan" at the 83rd Academy Awards on Sunday, Feb. 27, 2011, in the Hollywood section of Los Angeles. (AP Photo/Matt Sayles) (Associated Press)

The Oscars’ black hole of boredom

Andrew O'Hehir
Anna Hathaway and stills from "Exit Through The Gift Shop" and "Social Network"

Your Oscar night primer

Andrew O'Hehir
Stills from "Social Network," "Black Swan," and "The King's Speech"

Great Oscar debate: What is the real best picture?

Andrew O'Hehir, Matt Zoller Seitz

“Of Gods and Men”: Christian monks in a Muslim land

Andrew O'Hehir
(L-r) JASON SUDEIKIS as Fred and OWEN WILSON as Rick in New Line Cinema’s comedy “HALL PASS,” a Warner Bros. Pictures release. PHOTOGRAPHS TO BE USED SOLELY FOR ADVERTISING, PROMOTION, PUBLICITY OR REVIEWS OF THIS SPECIFIC MOTION PICTURE AND TO REMAIN THE PROPERTY OF THE STUDIO. NOT FOR SALE OR REDISTRIBUTION (Peter Iovino)

“Hall Pass”: Suburban dads gone wild!

Andrew O'Hehir
James Franco (127 Hours), Jeff Bridges (True Grit), Colin Firth (The King's Speech)

Great Oscar debate: Why was Franco nominated?

Andrew O'Hehir, Matt Zoller Seitz
Lucy Walker and a still from "Waste Land"

Who really made the Oscar-nominated “Waste Land”?

Andrew O'Hehir
Annette Bening, Natalie Portman and Michelle Williams

Great Oscar debate: Is Natalie Portman overrated?

Andrew O'Hehir, Matt Zoller Seitz
A still from "Putty Hill"

“Putty Hill”: An off-the-radar indie breakthrough

Andrew O'Hehir
Liam Neeson and January Jones in "Unknown."

“Unknown”: The thriller “Inception” wishes it could be

Andrew O'Hehir
Alex Pettyfer and Teresa Palmer in "I Am Number Four"

“I am Number Four” — and I am awful

Andrew O'Hehir

“Orgasm Inc.”: The flawed quest for a “female Viagra”

Andrew O'Hehir
Yun Jung-hee in "Poetry"

“Poetry”: An unlikely masterpiece from Korea

Andrew O'Hehir
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