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Andrew O’Hehir (page 67)

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Andrew O'Hehir is executive editor of Salon, and has been a writer and editor at the pioneering online news site since 1997, including many years as a film and cultural critic. He was previously an editor at SPIN magazine and was editor of the award-winning SF Weekly in the mid-1990s. He has also written for the New York Times, the Washington Post, Nautilus, Sight and Sound, Elle China, the Times (U.K.) and other publications.

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Stills from "Uncle Boonmee" and "The King's Speech"

Why don’t Cannes films win Oscars?

Andrew O'Hehir
Natalie Portman poses backstage with the Oscar for best performance by an actress in a leading role for "Black Swan" at the 83rd Academy Awards on Sunday, Feb. 27, 2011, in the Hollywood section of Los Angeles. (AP Photo/Matt Sayles) (Associated Press)

The Oscars’ black hole of boredom

Andrew O'Hehir
Anna Hathaway and stills from "Exit Through The Gift Shop" and "Social Network"

Your Oscar night primer

Andrew O'Hehir
Stills from "Social Network," "Black Swan," and "The King's Speech"

Great Oscar debate: What is the real best picture?

Andrew O'Hehir, Matt Zoller Seitz

“Of Gods and Men”: Christian monks in a Muslim land

Andrew O'Hehir
(L-r) JASON SUDEIKIS as Fred and OWEN WILSON as Rick in New Line Cinema’s comedy “HALL PASS,” a Warner Bros. Pictures release. PHOTOGRAPHS TO BE USED SOLELY FOR ADVERTISING, PROMOTION, PUBLICITY OR REVIEWS OF THIS SPECIFIC MOTION PICTURE AND TO REMAIN THE PROPERTY OF THE STUDIO. NOT FOR SALE OR REDISTRIBUTION (Peter Iovino)

“Hall Pass”: Suburban dads gone wild!

Andrew O'Hehir
James Franco (127 Hours), Jeff Bridges (True Grit), Colin Firth (The King's Speech)

Great Oscar debate: Why was Franco nominated?

Andrew O'Hehir, Matt Zoller Seitz
Lucy Walker and a still from "Waste Land"

Who really made the Oscar-nominated “Waste Land”?

Andrew O'Hehir
Annette Bening, Natalie Portman and Michelle Williams

Great Oscar debate: Is Natalie Portman overrated?

Andrew O'Hehir, Matt Zoller Seitz
A still from "Putty Hill"

“Putty Hill”: An off-the-radar indie breakthrough

Andrew O'Hehir
Liam Neeson and January Jones in "Unknown."

“Unknown”: The thriller “Inception” wishes it could be

Andrew O'Hehir
Alex Pettyfer and Teresa Palmer in "I Am Number Four"

“I am Number Four” — and I am awful

Andrew O'Hehir

“Orgasm Inc.”: The flawed quest for a “female Viagra”

Andrew O'Hehir
Yun Jung-hee in "Poetry"

“Poetry”: An unlikely masterpiece from Korea

Andrew O'Hehir
A still from "Carancho"

“Carancho”: A bloody, sexy neo-noir from Argentina

Andrew O'Hehir
Jennifer Aniston (left) and Adam Sandler in "Just Go With It"

“Just Go With It”: Adam Sandler, Jennifer Aniston, Nicole Kidman and a sheep

Andrew O'Hehir
Channing Tatum in "The Eagle"

“The Eagle”: Channing Tatum vs. the savage Brits

Andrew O'Hehir
Ed Helms in "Cedar Rapids" (Zade Rosenthal)

“Cedar Rapids”: “The Office” meets “The Hangover” in Iowa’s sin city!

Andrew O'Hehir
A still from "Gasland"

The gas industry attacks an Oscar nominee

Andrew O'Hehir
A still from "Into Eternity"

“Into Eternity”: The quest to make us forget nuclear waste

Andrew O'Hehir
Grigory Dobrygin in "How I Ended This Summer"

“How I Ended This Summer”: A thriller from the Russian Arctic

Andrew O'Hehir
Natalie Portman

“The Other Woman”: Natalie Portman’s other, other starring role

Andrew O'Hehir
Richard Roxburgh in "Sanctum"

“Sanctum”: James Cameron presents an underwater cave thriller

Andrew O'Hehir
Clockwise, top left: "Metropolis,""The Films of Rita Hayworth," "Cronos," "Inspector Bellamy"

DVDs you should have seen — but didn’t: Beat the winter blahs!

Andrew O'Hehir
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