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Andrew O’Hehir (page 67)

Facebook: @andrew.ohehir

Andrew O’Hehir is executive editor of Salon. He has been a writer and editor in various roles at the pioneering online news site since 1997, including many years as a film critic and arts reporter, and more recently a columnist on international relations. He was previously an editor at SPIN and was founding editor of the award-winning SF Weekly in the early 1990s. He has written for the New York Times, the Washington Post, Nautilus, Sight and Sound, the Hollywood Reporter and other publications, and is the author of three produced plays and a forthcoming family memoir. Follow him on Bluesky.

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The twisted, stupid brilliance of “Sucker Punch”

Andrew O'Hehir
Elizabeth Taylor in "Butterfield 8"

The short and strange career of Elizabeth Taylor, movie star

Andrew O'Hehir
Rula Jebreal, Julian Schnabel and Freida Pinto

Julian Schnabel on his “anti-Israeli” film

Andrew O'Hehir
A still from "Nostalgia for the Light"

“Nostalgia for the Light”: A spectacular head-trip into Chile’s Atacama Desert

Andrew O'Hehir
Ray Stevenson in "Kill the Irishman" (Unknown)

“Kill the Irishman”: An explosive mobster surprise

Andrew O'Hehir
Matthew McConaughey

Pick of the week: Matthew McConaughey’s terrific legal thriller

Andrew O'Hehir
A still from "Paul"

“Paul”: Kick it with the chillaxed alien, bro

Andrew O'Hehir
Bradley Cooper in "Limitless"

“Limitless”: Take a pill, become a celebrity

Andrew O'Hehir
"Eureka," Astro Boy, "Godzilla"

Japan’s cinema of disaster, from Godzilla to J-horror

Andrew O'Hehir
Juliette Binoche in "Certified Copy"

Juliette Binoche on her new Tuscan-seductress role

Andrew O'Hehir
Michael Fassbender and Mia Wasikowska in "Jane Eyre"

An intense, passionate new “Jane Eyre”

Andrew O'Hehir
Amanda Seyfried in "Red Riding Hood"

“Red Riding Hood”: The “Showgirls” of fairy-tale movies

Andrew O'Hehir
A still from "Battle: Los Angeles"

“Battle: Los Angeles”: Bizarre fantasy of imperial decline

Andrew O'Hehir
Michael Fassbender as Mr. Rochester in "Jane Eyre" (Laurie Sparham)

Michael Fassbender, future superstar

Andrew O'Hehir
A still from "The Human Resources Manager"

“The Human Resources Manager”: A dry, hilarious Israeli “As I Lay Dying”

Andrew O'Hehir
A still from "Happythankyoumoreplease"

“Happythankyoumoreplease”: “How I Met Your Mother” star’s likable film debut

Andrew O'Hehir
Matt Damon and Emily Blunt in "The Adjustment Bureau"

Pick of the week: Can Matt Damon outrun God?

Andrew O'Hehir

“Rango” and the rise of kidult-oriented animation

Andrew O'Hehir
Stills from "Uncle Boonmee" and "The King's Speech"

Why don’t Cannes films win Oscars?

Andrew O'Hehir
Natalie Portman poses backstage with the Oscar for best performance by an actress in a leading role for "Black Swan" at the 83rd Academy Awards on Sunday, Feb. 27, 2011, in the Hollywood section of Los Angeles. (AP Photo/Matt Sayles) (Associated Press)

The Oscars’ black hole of boredom

Andrew O'Hehir
Anna Hathaway and stills from "Exit Through The Gift Shop" and "Social Network"

Your Oscar night primer

Andrew O'Hehir
Stills from "Social Network," "Black Swan," and "The King's Speech"

Great Oscar debate: What is the real best picture?

Andrew O'Hehir, Matt Zoller Seitz

“Of Gods and Men”: Christian monks in a Muslim land

Andrew O'Hehir
(L-r) JASON SUDEIKIS as Fred and OWEN WILSON as Rick in New Line Cinema’s comedy “HALL PASS,” a Warner Bros. Pictures release. PHOTOGRAPHS TO BE USED SOLELY FOR ADVERTISING, PROMOTION, PUBLICITY OR REVIEWS OF THIS SPECIFIC MOTION PICTURE AND TO REMAIN THE PROPERTY OF THE STUDIO. NOT FOR SALE OR REDISTRIBUTION (Peter Iovino)

“Hall Pass”: Suburban dads gone wild!

Andrew O'Hehir
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