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Sonia Saraiya
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Kelly Ripa’s victory: With her masterful return to “Live,” she reminds everyone who’s boss
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“Game of Thrones” wings it: Running out of books was the best thing that could happen to the HBO show
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“Game of Thrones” recap: More like “Game of Crones” — and the show finally discovers its true heroes
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“Game of Thrones” goes to war: The once-radical fantasy is now the establishment—for better and for worse
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Amy Schumer’s missing edge: Has she outgrown her own show already?
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The heartbreak of “Better Call Saul”: Season finale hints the series will be even more devastating than “Breaking Bad”
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“Girls” isn’t the new “Friends” anymore: Finally, the fantasy of enduring closeness unravels
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Imagine there’s no outrage: “Unbreakable Kimmy Schmidt” dreams of a post-identity comedy utopia
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We failed Anita Hill: Decades after Clarence Thomas’ “Confirmation,” we still can’t handle talking about sexual harrassment
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Insurance companies “will happily kill people for profit”: Rob Delaney on the UK’s “empirically better” healthcare, Bernie Sanders and parenting through the filth and joy
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Erotic and empowered: “Outlander” and “The Girlfriend Experience” are turning women on with their “prestige porn”
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The sad evolution of TV’s true crime explosion: From highbrow “Serial” and “The Jinx” to a “Law & Order” Menendez murders miniseries
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James Franco’s lesbian vampires: For prestige drama overload, a self-aware Lifetime spoof could be the campy antidote
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“The Americans” shocker: A beloved character had to die — and it could transform the show
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“The People v. O.J. Simpson”’s stinging verdict: The trial was always about narrative, not truth
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Doubling down on “Game of Thrones”: HBO needs new stories that take risks—and we’re getting a recap show instead
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Caitlyn Jenner to guest on “Transparent”: Lyrical drama gets a glam infusion in this inevitable match-up
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The empty charter school dream: “Togetherness” sides with smug hipster parents and falls apart
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TV’s tokenism tension: “Rush Hour,” “Lopez” and the tricky balancing act of diversifying aging networks
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Jonathan Franzen and Louis C.K. on “Jeopardy!”: Sounds like an “SNL” sketch, but it’s real and it’s going to be fascinating
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Trump’s petulant “Excuse me”: Two little words that signal he’s about to lay it on thick
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“It’s
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Michael Ware’s Iraq War doc doesn’t hold up: “Only The Dead See The End Of War” captures the horror and confusion, but skimps on analysis
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“The Catch” falls flat: Shonda Rhimes’ new show has all the right ingredients, but no sizzle
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