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Max Cea
(page 2)
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Jake Gyllenhaal’s Boston bombing movie “Stronger” tries to join divided America
Max Cea
Low Emmys ratings: No, Kellyanne, it’s not because of Trump jokes
Max Cea
“Brad’s Status” feels like a movie about America in 2017, but it’s more timeless
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Rotten Tomatoes must die!
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Revealing the mystery behind “Twin Peaks: The Return”’s new mysteries
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“Room 104” is both incubator and stage for filmmakers you should know
Max Cea
The Out-of-Season Oscars: Rewarding the films soon to be forgotten
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A summer of drive-by listening
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The power of David Lynch’s name: a long leash, a different kind of viewing
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What the Safdie brothers’ crime caper “Good Time” says about America in 2017
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Wilco has a stark message for fearful white America
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Why the humble “Logan Lucky” is the most important film of the year
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Fall movie preview: The 10 films we’re most excited for
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Kendrick Lamar’s radical reconfiguration of the self
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Where is the YouTube left? There, elsewhere and unfocused
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Destin Daniel Cretton makes another sincere beauty with “The Glass Castle”
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“Twin Peaks: The Return” makes tragedy out of sequels
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In “Wind River,” Taylor Sheridan makes another new-looking western with a traditional spirit
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British bookmaker offers more odds on Trump’s remaining term
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Prestige television post anti-hero is a world of pure good and evil
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Cinema is dead, don’t bother me with the facts
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Arcade Fire: Content kings or killed by content?
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Early stage idiocracy: Trump won’t be the last celebrity-turned-politician
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With “Confederate,” “Game of Thrones” creators have a lot more at stake than you
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