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How to make an El Presidente, a Cuban drink with a rich history

Times of struggle — whether personal or collective, political or existential, or all of the above — can be humbling. We can orient our entire lives around action and results and still run up against the hard reality of that which we cannot control.

Even something as banal as summer heat can suck the life right out of a person. Railing against August weather expends energy and ends in frustration. The patience to accept what’s happening in the present, while knowing the season will turn eventually, can create peace of mind, at least.

Some days, I try leaning into the humidity, letting myself grow still inside it. The right cocktail can help. One thing that’s easy-going in a world of inflexible circumstances is the classic Cuban rum cocktail El Presidente, which can be adapted gracefully to your own individual taste. 

According to cocktail historian David Wondrich’s “Imbibe!”, the original recipe by legendary bartender Constantino “Constante” Ribalaigua, of Havana’s Bar La Florida (El Floridita), was published in 1915 in “an impossibly rare little volume” written by John B. Escalante and lifted up from the archives by French cocktail historian Fernando Castellon: 1 part Bacardí rum, 2 parts vermouth de Chambéry, 1 barspoon curaçao, 1/2 barspoon grenadine and a few dashes of Angostura bitters. By the 1930s, Constante — “the Cocktail King of Cuba” who invented Hemingway’s daiquiri — had tweaked the recipe to call for equal parts rum and vermouth, and lost the grenadine and bitters. (To that, I and other maximalists say, why not both?)

Some contemporary recipes call for a greater proportion of rum and lesser, equal parts curaçao and vermouth, while some stair-step it (mostly rum, less vermouth, even less orange); some omit or change the bitters; and some go heavy on the rum with a whisper of everything else. When I’m mixing this drink at home, I prefer the balanced proportions of rum and vermouth, with a touch of curaçao, a lighter touch of grenadine and a dash of chocolate bitters to finish.

There was my answer. 


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A note on ingredients that aren’t rum: Dolin Blanc is a widely available vermouth blanc. Just don’t confuse it with Dolin Dry — the white vermouth martini drinkers reach for. You can sub in an Italian bianco — I do — which are inspired by the French Chambéry style but add a kind of vanilla-tinged softness. (Bonus: The easy-to-find Martini & Rossi Bianco is even on the shelf at the small neighborhood shop I frequent.)

As for rum, the other main event of this drink? Tastes vary; genuine Cuban rum can be difficult to source. Some suggestions: Banks 7, Bacardí Ocho, Don Q Reserva 7, Havana Club Añejo Classico, Diplomático Mantuano (see variations below).

While I’m usually a fan of substituting whatever you have on hand, reconsider reaching for that leftover bottom-shelf bottle of Triple Sec in the back of the cabinet. A quality curaçao is worth it — a dry one if you aren’t into sweeter cocktails. (I like Copper & Kings’ Intense Orange Curaçao from their Destillaré line — floral with just a touch of honey, it’s just lovely.) Some grenadines use higher-quality ingredients than others; read your labels if that matters to you.

Here’s a basic El Presidente recipe to get you started. Remix until you find your perfect sip.

Ingredients:

Serving size: one drink

  • 1 1/2 oz. gold or aged rum
  • 1 1/2 oz. vermouth blanc
  • 1/4 oz. curaçao
  • Barspoon of grenadine (about a half a teaspoon)
  • Dash of Angostura (or chocolate) bitters
  • Cocktail cherry and/or orange twist for garnish

Gear:

You don’t need any specialty equipment to mix a simple cocktail. But here’s what I keep at hand:

Instructions:

Stir in a cocktail mixing glass with ice for 30 seconds, then strain neat into a chilled cocktail glass and garnish.

Variations:

Jose Luis Ballesteros, brand ambassador for Diplomático Rum (and a fourth-generation spirits professional), suggests adding a splash of sparkling wine (his picks: J. Cuvée 20 or La Marca prosecco) for a festive variation or swapping out the grenadine for a raspberry gum syrup. Another option: 3/4 oz. each of Diplomático Mantuano Rum, sherry and dry curaçao, finished with a dash each of flavored liqueur and the gum or cane syrup of your choosing.

More Oracle Pour:

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The chameleonic history of malted milk powder

The typical person is said to change careers between three and seven times in their life. The reinvention of the individual is commonplace, but this kind of rebranding often happens in the world of ingredients, too. Consider malted milk powder, for one.

Malted milk powder’s story begins in the mid-1800s. British food manufacturers and brother duo James and William Horlick created malted milk powder as a nutritional supplement marketed for “infants and invalids.” The broader process of malting refers to the germination of grains through soaking them in water, followed by dehydrating with hot air to halt further sprouting. Such grains can be used in alcohol production, as with whiskey, but by grinding a barley-wheat blend then combining it with evaporated whole milk, the Horlicks concocted a more virtuous elixir.

The idea was for malted milk powder to be mixed with hot water and consumed to combat health issues like malnutrition and poor digestion. The powder also happened to be entirely shelf-stable, unlike fresh milk, which helped expand its appeal for use in emergency survival situations, to everyone from soldiers to Arctic explorers. Generally, medicinal drinks get a bad rap for taste; nevertheless, a cup of Horlicks (which by the 1880s had relocated to Wisconsin, but is presently based in its home country) departed from the norm, tasting less like a treatment and more like a treat.

It wasn’t long until drugstore soda fountain counters in the U.S. started selling drinks chock-full of milk, chocolate syrup, and the malted powder, since it was not only palatable but nonalcoholic and considered healthful — a perfect solution for folks participating in the Temperance Movement of the time. This was just the beginning. “What if I added two big scoops of vanilla ice cream?” a fountain clerk named Ivar “Pop” Coulson posited (if not in those specific words) on a hot summer day in 1922. And in that little Chicago drugstore called Walgreens, the malted milkshake was born. Smart man.

Coulson’s creation shot to nationwide popularity, so much so that by the 1930s, neighborhood soda fountains were better known as “malt shops”. From Archie and Jughead to the Pink Ladies, malt shops represented a safe space for wholesome American teens — in pop culture and real life — to hang out without getting into trouble.

* * *

The drink mix soon transitioned from drugstore and diner counters into the kitchen toolkit of dessert enthusiasts. It wasn’t entirely new: The notion of sweetening candy with malt goes back to the 1930s, with the invention of chocolate-coated malted milk balls called Giants, which eventually became Whoppers. ​While there was no evidence-based nutrition boost, as was the Horlicks’ original intention, the candy helped further fortify a general fondness for malted milk’s sweet side. If it worked in milkshakes and candy, why stop there?

Not many published recipes including malted milk in baked goods are readily found from the early 20th century, yet some archives allude to its use by the home baker throughout the 1900s. One early editorial recipe featuring malted milk powder in a baking application comes from a 2001 issue of Martha Stewart Living magazine for Chocolate-Malt Sandwiches. These luscious sandwich cookies mark a malted movement in modern baking.

Stella Parks, recipe developer and author of “BraveTart: Iconic American Desserts,” deems the powder the “umami bomb of dessert,” including it in a number of her published recipes. Parks adores malted milk on a granular level: how its high lactose concentration yields a golden-brown color, while salt and baking soda (ingredients in most malted milk powders today) proffer up “a savory edge to the whole shebang, tempering the sweetness.”

Edd Kimber, great British baker (he literally was the first winner of the TV competition!) and author of “One Tin Bakes,” takes a slightly different approach when baking with the ingredient, incorporating store-bought malted biscuits into his Malted Chocolate Tiffin recipe. “These biscuits are something I loved as a child,” he tells me. “I would dip them in tea, soaking up a bit of the liquid before eating. In this recipe, the biscuits are there for texture and for a subtle hint of malt, which goes great with the chocolate elements.”

Notes of malted milk are commonly paired with chocolate and vanilla, for good reason. According to Kimber, “it has a real affinity with vanilla, so a seemingly simple pound cake actually ends up wonderfully rich.”

“Chocolate alone can sometimes be a bit one-note, so I find malted milk powder adds an extra dimension of flavor, without being too dominant,” adds Manhattan-based baker Stephanie Loo. When the roasty-toasty notes of Carnation or Ovaltine merge with classic dessert flavors, your senses are taken on a voyage to otherworldly malted cakescream pies, and brownies—even buttercream frosting, a personal favorite for Loo, benefits from a couple spoonfuls of the powder.

The limit to combination possibilities simply does not exist. Pastry chef Helen Jo Leach, who has actively experimented with malted milk powder throughout her career, recalls first baking with it while conducting recipe development for Milk Bar, where she was a founding team member. The ingredient’s flavor brought a touch of old-fashioned malt shop flair to the bakery’s modern birthday cakes. Now, as the executive pastry chef for The Town Company, a restaurant in Kansas City, the powder often finds a place in Leach’s creations. Most recently, in the form of a malted miso butterscotch woven through her Gachi cookie, a take on the quintessential chocolate chip cookie. “I put this cookie together really fast because I just looked into my pantry and asked, ‘What do I identify with as an Asian American pastry chef?'” In went chocolate, rice cereal, ground ginger, miso paste, and, of course, malted milk powder, for that “bitter, nutty balance” she enjoys. When seeking texture, Leach informed me she will also implement a low-and-slow baking technique to transform the sugar within the powder into a crunchy streusel topping for muffins. Similarly, at Detroit’s Sister Pie (and in the bakery’s cookbook), pastry chef Lisa Ludwinski piles malted graham crumbles onto puckery citrus filling for their malted lime pie. Simply packed with warming spice, food stylist and recipe developer Susan Spungen‘s Dirty Chai Earthquake Cookies make room for a tablespoon of malty magic.

Such variations on a theme prove one point: Malted milk powder isn’t a show-off, like nutty tahini, zingy preserved lemon, or crunchy flaky sea salt. Its purpose is to elevate surrounding elements to create a more nuanced eating experience.

Today, malted milk powder has expanded into a noteworthy collection of variations. If you’re seeking the luxurious taste of malted milk sans the lactose, look to Map Chocolate Co., a small-batch chocolatier that carries a non-dairy optionMalt biscuits are ideal for tiffins or press-in pie crusts. Say you want to make homemade Whoppers or a batch of cookies studded with an extraordinary mix-in, then you can procure bare malt ball centers. There’s even a Malty Biscuit brew of Yorkshire Tea that, as advertised, “tastes like tea and biscuits.” (Unfortunately, even for a self-proclaimed tea-and-malted-biscuit enthusiast like Kimber, the tea doesn’t do the combination justice: Its “balance of flavors tasted so off, and just ruined an otherwise wonderful cup of tea.”)

It’s clear that baked goods are where malted milk powder shines as an ingredient. Even a small spoonful can deliver a distinct flavor boost to warm pastries and cold confections that will not only melt in your mouth, but in all likelihood your heart, too. And who knows, maybe the Horlick brothers were right, and malted milk actually does improve digestion — I certainly had no trouble going to town on a mega slice of malted lime pie.

Maggie Q returns to action with “The Protégé” despite an injury: “Everyone around me was terrified”

The last project Maggie Q wanted to do was another action film. In a career that’s been built on her physicality – from years modeling in Japan to stunt-filled projects like “Nikita” and “Mission: Impossible” – she’s lately shifted to more character-driven roles.

But she couldn’t deny the draw of the action-thriller “The Protégé,” which is helmed by “Casino Royale” director Martin Campbell and co-stars Samuel L. Jackson and Michael Keaton. In the film, she plays the world’s most skilled contract killer, taught by her mentor (Jackson). This, while facing off with the equally dangerous Rembrandt (Keaton). 

Q appeared on “Salon Talks” to discuss the film and going back into training, despite having major back surgery just two months prior. 

“It was absolutely incredibly risky to go into this when your doctor is telling you to rest for five months and it’s been two months,” she said. “Everyone around me was terrified. Everyone around me didn’t want me to get hurt.”

Q also detailed how she starting out in modeling – “an industry that’s so toxic and gross” – and shared her observations about the powerful men who abuse power in Hollywood. Whether it’s #MeToo or migrant workers, Q also shared her passion for advocating for those whose voices aren’t heard.
 
You can watch the “Salon Talks” interview here or read a full transcript of the conversation below.

The following interview has been lightly edited for clarity and length.

“The Protégé” is an exciting film, lots of fun. You play the world’s most skilled contract killer who gets to avenge the death of her mentor, Sam Jackson, all while matching wits and emotions with the very equally dangerous Michael Keaton. Fans know you for action, thrilling stunts, and of course wit and wits. What drew you to the role of Anna?
This film is really all about these relationships and how they dovetail together, but Anna is a young girl who gets taken in by Sam Jackson’s character and he raises her like a daughter, like an adopted father. And in her upbringing, she becomes an adult and they become partners. This man to her is not just her mentor, her best friend, her father figure, but really the only person in her life. Through their contract, she ends up meeting a rival assassin in Michael Keaton and really ends up being faced with a mirror that she never thought existed. And we go from there. The movie has two pivotal relationships in it, and it’s really about her past, how she confronts it, what her relationships are with these men and where she goes from there.

What made you interested in playing Anna?
The script was awesome. It really was and I was not interested in doing an action film. I explicitly said that to my agents, “If anything comes in and it’s action, I don’t even want to look at it. I’m good.” And because of the elements that were attached to the film, obviously my agent was like, “No, no, no, this is something you have to take a look at because . . . But, but, but Michael [Keaton], Martin [Campbell], Richard Wenk who wrote it.” So I said, “All right, well let me read it.” I was pleasantly surprised just five pages in that it didn’t read it all like the action movies that are always sent over. This genre, it’s not the best written genre in that there’s not a lot of character development, the character arcs are not . . . The relationships don’t matter. It’s entertainment at the end of the day. It’s very shoot ’em up and it’s fun and the action’s big and all that, but the movie in and of itself doesn’t matter, matter to you, not anywhere in here. 

We set out to make something that was very different and it wasn’t until I got onto my first call with Martin about not only what he wanted to do, but more importantly, what he didn’t want to do — the things that we saw in the genre that we just didn’t like, like these movies that are just one-note and you’re not invested in the people. When I heard his take on it, I was so thrilled and it wasn’t just because he was someone I admired. He was a big director, but he could be all those things and still have the wrong take on the movie and it wouldn’t have been a match. We ended up getting along really well and having really the same ideas. And obviously Michael was a huge draw as well, because again, not a genre Michael is present in and not something he would ever take if he didn’t think we could do something special with it.
 
And it is surprising in that way, as you say. Yes, it has all the action and the killing, yet there’s a warmth between you two that we really see, almost like a father-daughter. The film also has lots of martial arts and these terrifying stunts. You are always very invested in doing your own stunts and have training in multiple martial arts disciplines, but two and a half months before you had to be on set you had a major back surgery. I can’t believe you went from that to launching yourself off stuff again so fast and doing almost all of your own stunts again. How did you manage that?
Managed is a very good word. I don’t live with a ton of fear, which is great because I think that there is a powerful manifestation that can happen if you’re always worried. It’s making the thing happen that you don’t want to happen, right? So I try to not spend time in that headspace. Coming on, I was like, “Well, if there’s a boundary to be drawn, you have to draw it. But at the same time, I also know that there are lines that I jump over all the time.” It’s like, “Don’t cross this line, Maggie,” and then I jump over and go, “No, no, no. I’m fine.”

But I think that it’s funny because it’s timing. You have this thing that you have to be mindful of, and then you have this opportunity that does not come along very often, and so you have to weigh the two. I know the risk, but I also know what the reward can be. Sometimes you do have to take risks in this space and it was absolutely incredibly risky to go into this when your doctor is telling you to rest for five months and it’s been two months and you’re like, “Well, I got to jump in and start learning stuff.” 

Everyone around me was terrified. Everyone around me didn’t want me to get hurt and wanted me to self-preserve. I think that I did find the balance. I think that I worked hard, but I think at the same time, I was able to internally go, “Maggie, listen to yourself and listen to your body.” And for what it’s worth, the body let me do things. I don’t know why because I so mean to it for 20 years.

Yay, body!
I know, yay body, who I’ve abused for 20 years in these movies, but at the same time, I mean, yay body is right. I mean, it really is a testament to eating the right things and doing things that you need to do for yourself.

What made you start training in martial arts? And did you have to recommit to your practice to make this film, aside from the training you just described? 
I’m very concentrated on what’s right in front of me. I’m blessed to have a skillset, obviously, a physicality where my muscles have memories and I can move in a certain way, which is great. But from when I started really heavy action on a weekly basis in “Nikita” for four years, it’s been many years since then. It’s not like I’ve been keeping that level up. I keep a level of physicality for sure just because I like to be healthy and strong, but the training for these kinds of things is very specific.

In the beginning, I had no idea. I actually asked a director once in Hong Kong. I said, “Why do people look for me to do action? I don’t even understand this because I’m not a trained martial artist. I’ve never, you know.” And I said, “Where are they getting this from?” And he said, “Maggie, there are a ton of trained martial artists in the world, as you know, and if all it took was that you were a good fighter, you could walk into any dojo in the world and pull someone and they’d be a movie star, and that’s not at all what it is.” There is an internal strength that needs to be recognized by filmmakers in you, which is why they’re choosing you and the rest can be learned. 

Honestly, I was a runner and a swimmer. I couldn’t even touch my toes when I started in movies. I was not flexible, I didn’t have any skills. Everything I had to learn from nothing. And as an adult – because when you’re a kid, you learn stuff, it’s very easy, languages, physicality, all that sort of stuff. Once you’re an adult, it’s sort of like, “How do I stretch my hamstrings to the point where I can actually reach my toes?” And so that’s where I started from. It was incredibly tough to do that, but knowing that there was something that they saw in me, a strength internally that I could build on externally gave me a better understanding of why it was me.
 
The discipline that it takes for you to transition, that is amazing. Speaking of transitions, you and I share a history of modeling. What did the fashion industry teach you? I know it’s a rough business in a lot of ways and I’m wondering how you applied those things to your transition years ago to acting.
I will say very specifically that starting that career in Tokyo taught me about timing. And I know that may sound really small and really nothing, but the Japanese are fanatical about time management. And if you are 30 seconds late to something, they won’t see you. Certainly not at that time. And you’re taking trains and this and that and looking at maps to get places and invariably there are going to be hiccups and this and that, and there was no excuse for that. I remember that being such a harsh reality. I thought it was cool that I could get something out of an industry that’s so toxic and gross and one that I would never recommend anybody go into.

But I think you got to pull what it is that will make you better and stronger and leave the rest behind because the rest of it was . . . I remember the agency that I was with, they had a whiteboard on the wall and with all our names on it and they weighed you every Friday and they put your weight on the wall, but they kept all the previous weights for all the previous weeks on the wall. They kept it there so that people could see if you were yo-yoing, going up and down. It was like a wall of shame. If you gained a pound, everyone knew it and could see it. And it was literally, you walked in the door, it was right there after you walked in the door so that it was on for everyone.

It was intended to shame you into either never eating, having an eating disorder, or feeling really bad about yourself and it’s disgusting. It’s really gross. I’m sure there are experiences in it that are very positive. One of my best friends growing up in Hawaii is a modeling agent now, owns his own agency and he’s a very healthy, honest guy. They’re a gay couple who really care about his girls and he’s very straight with them. He keeps them healthy. He keeps them sane. That did not exist when I was modeling. No, no, no. Awful people. Awful.

I had a friend’s agent who used to take the girls to dinner and then they would watch what you ordered. And if you didn’t order the plain salmon and the lettuce they’d be gone.
Oh, no, no, no. You can’t. Eating was discouraged.

Yes, definitely discouraged.
Well you know what was really funny was that I was their model model because I was always so slim. Two reasons. One, I was an athlete and the second reason was I couldn’t afford food. I remember that, yeah. I was so poor that I actually couldn’t afford food. And I would save up to the end of the week to buy fruit because I loved fruit. I’m from Hawaii. It’s a part of my . . . And if I could afford fruit at the end of the week, if I could skip train rides and skip certain meals and afford four apples at the end of that week, I was winning. But I stayed really slim because I really couldn’t have three meals a day because I couldn’t afford them. And they were like, “Look at Maggie. She’s so awesome because she’s always so skinny.” And I’m like, “Don’t say that to people when I can’t afford food.”

Right. Exactly.
Awful people.

My experience is stone soup. Like, “What can we eat today? Because it has food in it.” Anyway, that resonates a lot and for sure. So you’ve been in the film industry more importantly for a long time now and you’ve become a go-to action star on multiple continents and this means that you’ve lived through lots of eras and changes in the industry, and especially the #MeToo movement. I’m curious, what’s your perspective on the equity and boundary shifts in Hollywood over the past few years have been – if you’ve seen any and I hope that you’ve seen some in the positive?
I mean, pretty remarkable actually. I mean, the fact that there are certain people who can’t get away with things now is just . . . I mean, I remember the days when being in those dinners where the big guy walked into the room and everybody had to kiss his a** in a way that was just really demeaning and awful, and those people are now sitting in jail and it’s really awesome because the abuse was just so rampant and blatant. No one was hiding anything. There are more severe things that were being hidden obviously, but overtly these are not nice people. It’s not like anybody was like, “Oh, what a great guy. What a shock that these abuses were happening that we didn’t know about because . . .” But really in those moments and in that time of these powerhouses that we gave so much power to, individual power to, there was really not much anyone could do.

It wasn’t until people started speaking up in numbers that it became something that was a threat to these people. Because as individuals, you don’t really get that done because they can discredit you or not listen to you or disregard you or whatever it is they want to do. But the more and more and more people have confidence and courage to come forward, it becomes really, truly undeniable. And then what are you going to do? But I just think accountability is awesome. It’s amazing. It needs to happen. There are varying degrees of things that were happening. And although I truly believe in people being held accountable in whatever way they need to for whatever they’ve done, I’m also a very big believer in forgiveness and redemption and I don’t think that everything has to be punitive.

I think that we have to move into the transformative because at the end of the day, unless you’ve literally committed a crime you have to go to jail for, there are people who need to make amends and we need to allow people to do that because people do make mistakes. And so I think there’s two sides of what’s going on and I think that whatever it is that you would want for yourself, you should want for other people as well. And I know that I make mistakes and I want to be forgiven for them. And there are people where things are unforgivable and there are people where it’s like, you know what? Show us you’re different and we’ll welcome you back kind of thing. And so I believe in both. I really do. I think it depends on the case. I think we have to start somewhere and I think we have.

You have spoken out about gender pay equity or the lack thereof. Have there been improvements on that front for women actors in the recent past, and especially in the action genre that’s a front and center issue?
Funnily enough, I have colleagues in the industry who have been much more vocal than I have about that specifically. Where I am vocal about pay equity is for migrant workers and that’s something I’ve been working on a lot. I have a bill right now in the California State Legislator for a garment workers in California. And so for me, okay, yes, those things need to happen. And yes, I’m a big believer and supporter of all those things, and I’ll be vocal about it. I’ll fight for it. At least we have a voice.

For me, my focus has always been on the women who have none, who no one is paying attention to, who can scream into the wind all day long and no one’s going to hear them. So COVID has truly affected and devastated the lives of many, many immigrant women in California. Forty thousand workers we have in downtown LA and they are being screwed in the worst way. And the trickle down has affected them and no one else, of course, because they’re the poorest people. I think that whatever end you fight on, do it. I just want to lend my voice to people who don’t have one.

Activism is really important to you. How do you define activism to that point in your own day-to-day life?
I think there are many forms now, obviously. I think some of my heroes in the human rights world have been people who have been pounding the pavement for many, many years before activism or topics as they were these days are popular. There are things that are popular. People can voice them and jump on the bandwagon because everyone’s supporting it. So it’s totally fine, but the people who have been my mentors and the people that I’ve learned from in my years of activism have been the people who have been fighting way before anything was popular, way before people cared about anything that they were talking about. And so that’s kind of where I get the root of what I do.

For me, it’s less armchair and it’s more about, where can I affect, where the residual effect for the community and for the people at large or animals or the environment, whatever it is, is going to be either regulated or put into law so that on a much bigger scale, we are making that type of difference? I’m on the board of an organization called Social Compassion in Legislation. We did so much work up in Sacramento and some of the laws that we’ve gotten passed, this is not sexy stuff. 

When I’m in Sacramento and I’m lobbying politicians, that’s not what I want to do every day, but it’s something that I’m good at and it’s something that I know I can do because I’m educated and I know how to speak, and I know how to get things done. I’m very behind the scenes when it comes to how I want to affect change. I protest, I do all kinds of things like that, but what I found is most effective is if we can, at the core where our lawmakers live, we need to be affecting them because the truth is, when I’m driving down Melrose and I see a lineup for lip gloss around the corner and I’m at the State Capitol and I don’t see that, it’s devastating to me. It really is because we have so much power in this experiment, democracy that we’re living and we need to exercise that. And if we’re not doing that, we are doing a disservice to this life that we’ve been given, and I do believe that we have so much power to effect change. And that is why in my activism, I hit it from that angle because it may not be out front, it may not be sexy, but it’s effective.

What’s next for you?
I have a new show [“Pivoting”] that I start next month on Fox. We’ve been picked up. We’re mid-season. We come out in January and it’s a comedy. It’s a half hour comedy with Ginnifer Goodwin and Eliza Coupe, and we’re playing three women in our 40s who are not quite sure they made the right life choices. So turning their lives around in their 40s and it’s hysterical. We have such a great creator, great writers, and I’m so excited to dig in. I’m so looking forward to having fun at work in that way.

“The Protégé” is in theaters beginning Aug. 20.

10 surprising facts about Val Kilmer

He’s been Batman, Doc Holliday, and a real genius in 1985’s “Real Genius,” but Val Kilmer’s most evocative onscreen portrait might be the one he’s made of himself. In “Val,” premiering on Amazon Prime on August 6, Kilmer takes audiences through the more than 40 years of footage he has shot over the course of his personal and professional life. It’s a rare chance to see the sprawl of a respected actor’s career before throat cancer complications forced him to devise workarounds. (The documentary is narrated by his son.)

For more on Kilmer, including his aversion to “Top Gun” and his strange connection to David Hasselhoff, keep reading.

1. Val Kilmer was the youngest person to ever be accepted into the Juilliard School’s drama division.

Born December 31, 1959 in Los Angeles, California, to Eugene Kilmer and Gladys Swanette Ekstadt, Kilmer’s grade school stage work developed his appetite for acting—something he was almost preternaturally good at. After attending the Hollywood Professional School, Kilmer enrolled in the prestigious Juilliard School. At 17, he was the youngest student to be accepted into the drama division at the time. (In 2003, actor Seth Numrich supplanted him when he was accepted by Juilliard at age 16.)

The Juilliard training resonated throughout his life. In 2020, Kilmer toldThe New York Times that the vocal exercises he was told to do there helped him communicate when his throat cancer began affecting his speech.

2. Val Kilmer turned down The Outsiders to do Broadway.

After graduating from Juilliard, Kilmer turned to the New York stage. He joined the production of the coming-of-age drama Slab Boys alongside Kevin Bacon and Sean Penn. In order to do the play, Kilmer said in his 2020 book, “I’m Your Huckleberry: A Memoir,” that he turned down a part in director Francis Ford Coppola’s 1983 film “The Outsiders,” based on the 1967 S.E. Hinton novel of the same name. Kilmer said taking the third lead role was not his preference, but the opportunity for Broadway was too great to pass up. “Well, of course I minded, but of course I caved,” he wrote of being billed behind Bacon and Penn.

3. Val Kilmer did an ABC Afterschool Special that didn’t air after school.

Kilmer got a chance to display his dramatic chops early in a 1985 episode of the “ABC Afterschool Special,” a daytime series that focused on hard-hitting social issues affecting teens of the day. Kilmer appeared with Michelle Pfeiffer in “One Too Many,” which was about underage drinking. ABC actually aired the episode in primetime to reach a wider audience because they felt the topic was important enough to warrant more viewers. As high school boozehound Eric, Kilmer made an impression. The New York Times said that Kilmer was “bursting with ominous energy.”

4. Val Kilmer got pranked on the set of Top Secret!

In 1984’s “Top Secret!,” Val Kilmer played crooner Nick Rivers, who became embroiled in an espionage plot in East Germany. The film was helmed by the “Airplane!” (1980) trio of Jerry Zucker, Jim Abrahams, and David Zucker. The men convinced Kilmer to learn to play the guitar over a four-month period; then, the first day on set, they told Kilmer to just “pretend” to play it. Actual ability wasn’t needed.

5. Val Kilmer didn’t want to make Top Gun.

As Tom “Iceman” Kazansky, the ultra-confident pilot in 1986’s “Top Gun,” Kilmer runs afoul of Pete “Maverick” Mitchell (Tom Cruise) during Naval training. While the movie was a huge hit and went on to become one of Kilmer’s best-known roles, he didn’t want to do it, fearing the movie had a “warmongering” message. (“Frankly, I don’t like this,” he told director Tony Scott.) But Scott was persistent, telling Kilmer it would be a chance to shine opposite rising star Cruise and against the backdrop of incredible aviation footage. Once he was shooting, Kilmer has said that he purposely antagonized both Cruise and co-star Anthony Edwards, remaining aloof off-camera so that the tension between them would be palpable onscreen.

6. Val Kilmer tried to entice director Stanley Kubrick with videotaped auditions.

Kilmer was not a fan of in-person auditions, preferring videotaped footage of himself for directors to evaluate. Hoping to score a role in 1987’s Vietnam drama “Full Metal Jacket,” Kilmer had a friend tape him wearing combat gear and firing live rounds. Kubrick went with Matthew Modine instead.

7. Val Kilmer took The Doors very seriously.

Stories abound of Kilmer’s commitment to embody Jim Morrison in director Oliver Stone’s 1991 film “The Doors,” but it’s hard to overestimate his devotion to the part. Kilmer rented a recording studio and made a tape that he challenged Stone and the original members of the Doors to put up against tapes of Morrison to see if they could tell the difference. According to Kilmer, they couldn’t. After getting the role, Kilmer worked with Doors producer Paul Rothschild and appeared to be so uncannily like Morrison in his speech and mannerisms that Rothschild begged him to stop. He found it too unsettling.

8. Val Kilmer was the voice of K.I.T.T. in Knight Rider.

Among Kilmer’s most surprising projects was the 2008-2009 revival of the 1980s David Hasselhoff action series “Knight Rider.” In the reboot, Mike Tracer (Justin Bruening), the son of Michael Knight (Hasselhoff), takes after his father’s supercar tracks. Kilmer voiced K.I.T.T., the sentient vehicle Tracer drives. The actor was actually a replacement for Will Arnett, who recorded the role but had to withdraw because he was also doing voiceover work for GMC Truck commercials. K.I.T.T. was a Ford Mustang.

9. Val Kilmer has played Mark Twain on stage.

It’s safe to say Mark Twain holds considerable sway over Val Kilmer. The actor has had a lifelong admiration for the writer born Samuel Clemens and currently runs a charity, TwainMania, focused on getting his books into the hands of more students. Kilmer’s highest-profile Twain project was “Citizen Twain,” a one-man stage show Kilmer wrote and directed in which he donned extensive prosthetics to play the author. The 90-minute show premiered in 2012 and eventually toured the country. In 2019, a filmed version of the play, renamed “Cinema Twain,” was released with an introduction from Kilmer.

10. Val Kilmer has a Val Kilmer museum.

Various arcana from Kilmer’s career as well as some of his art are stored at HelMel, a Hollywood art and office space that functions as both an artist’s collaborative and a trip through Kilmer’s past. Among the items: Doc Holliday socks, a Batman figure with a Mark Twin head, and coasters featuring Jim Morrison.

Additional Source: “I’m Your Huckleberry: A Memoir

Fry jarred artichoke hearts until crispy, then toss with lemon vinaigrette

We wanted to feature artichokes in a salad, but we wanted the dish to be easy. So we went straight to the heart of the matter. Raw or braised artichokes required too much prep for a quick meal, but jarred artichokes have been processed already. For textural interest, we tossed the artichoke hearts in cornstarch and fried them till crispy, but juicy. Then we pleased the fried artichokes on a bed of peas and spicy-sweet mizuna leaves Tossed in a lemony dressing, the mizuna complemented the richness of the artichokes and a hint of za’atar added more tartness and some needed crunch. We prefer the flavor and texture of jarred whole baby artichoke hearts here, but you can substitute 18 ounces of frozen artichoke hearts, thawed and patted dry, for the jarred. 

***

Recipe: Crispy artichoke salad with lemon vinaigrette
Serves 4 

Ingredients

  • 3 cups jarred whole baby artichoke hearts, packed in water, halved, rinsed and patted dry
  • 3 tablespoons cornstarch 
  • 1 cup plus 4 teaspoons extra-virgin olive oil, divided
  • 1 tablespoon lemon juice
  • ¾ teaspoon Dijon mustard
  • ¾ teaspoon minced shallot
  • Pinch table salt
  • 2 ounces (2 cups) mizuna or baby arugula
  • ¾ cup frozen peas, thawed
  • 1 teaspoon Za’atar 

Directions 

1. Toss artichokes with cornstarch in a bowl to coat. Heat 1 cup oil in 12-inch skillet over medium heat until shimmering. Shake excess cornstarch from artichokes and add artichokes to skillet. Cook, stirring occasionally, until crispy and golden, 5 to  minutes. Transfer to paper towel-lined plate and let cool slightly. 

2. Whisk lemon juice, mustard, shallot and salt together in bowl. Whisking constantly, slowly drizzle in remaining 4 teaspoons oil until emulsified. 

3. Toss mizuna, peas and, and 2 tablespoons vinaigrette together in large bowl and transfer to platter. Top with artichokes, drizzle with remaining vinaigrette, and sprinkle with za’atar. Serve.

If you like this recipe as much as we do, check out “The Complete Salad Cookbook” by America’s Test Kitchen.

There’s a psychological reason anti-vaccine misinformation is so hard to fight

A January 2021 poll from the Pew Charitable Trust found that 53% of Americans reported that social media was their primary source for news. Given that social media did not exist two decades ago, this is a profound social shift, particularly given that these types of sources have become a primary place for people to promote their personal opinions and “research” regarding the COVID-19 vaccine. Since sources often aren’t vetted or even reported in social media posts, it is often difficult to determine what information is reliable and what is not. As a result, social media spaces have become a hive for the spread of unreliable science and disinformation. Making matters worse, heated disagreement and high engagement with any content online can cause algorithms to privilege controversial posts, sharing them more widely than more neutral content. In a world where we easily consume that which is put before us, this makes for a particularly potent chance that misinformation about the vaccine, shared widely in social media spaces, may encourage vaccine resistance — having a secondary effect on the mental health of Americans who currently face yet another drastic spike in cases.

As a clinical psychologist who studies the impact of technology on our health, I’ve seen how life lived in social media spaces drives a desire to appear powerful. This desire is met by drawing attention to ourselves and having our input recognized. In these spaces, we crave the emotional and physiological reactions that are triggered by likes and follows, comments and shares. When we stir up controversy or emotion, we feel important. When we can control the narrative, elevating our opinions and gathering support for them, we feel justified and right. We take the commotion of applause, disagreements, dissension, and praise and translate them into evidence that our opinions and decisions are valid. We watch the multiplying likes and replies and conclude that our voice is important.

In our social media lives we too often seek intense reaction rather than positive or helpful reactions, leading us to privilege sensationalized content. We want more engagement, not necessarily more grounded facts, so we do what we need to do to garner attention in digital spaces. Unconsciously, this deepens our commitment to the positions we take and reinforces our belief that the behaviors that flow from these positions are righteous and good.

Commitment bias, also known as the escalation of commitment, refers to our tendency to adhere to positions we’ve taken, especially publicly, regardless of information that challenges them. It leaves us sticking with ideas and behaviors long past their usefulness or adherence to our values, simply so that we can appear to be consistent thinkers who never have to face the uncomfortable realization that we can be wrong — often about important things. The loud social media stances which many vaccine-hesitant individuals have powerfully asserted may well be fed by this bias — unconsciously driving them, along with their followers, to maintain a white-knuckle hold on their position, regardless of any evidence to the contrary.


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The sunk cost fallacy may intensify this reality, causing people to maintain adherence to a thought or behavior (e.g. avoiding getting the vaccine) even when the costs of doing so outweigh the benefits. The sunk cost fallacy contributes to why we stay in relationships long past realizing they’re unhealthy or keep working on a failing project because we’ve already spent so much time and energy on it that to leave it feels like a waste. Even though we know, in our guts, that our adherence is based on faulty information, our need to save face keeps us firmly committed to the path we publicly set ourselves on.

For most of us, being open to radical shifts in our thinking feels risky at best and dangerous at worst. Disclosing such changes in public spaces like social media feels like exposing ourselves as weak in our resolve and unworthy of any social leadership capital we’ve established. Given that the time we’ve invested in these spaces has made us reliant on the emotional and physical highs that social media feedback loops offer, our commitment bias leaves us unable to take in new data in any kind of meaningful way. We know, deep within us, that we’re being watched and judged and our very wellbeing feels tied to maintaining whatever status we’ve achieved there. We know that recanting stances we’ve taken, and received intense feedback for, could leave us looking (and feeling) dumb, less-than, and vulnerable to attack. This is all hard enough in our relatively small real-world social circles, but when you know the attacks will come from strangers across the globe it amplifies the fear in ways that never afflicted earlier generations.

Given the ease with which people can find misinformation and faulty pseudoscientific “evidence” that supports their initial bias against the COVID-19 vaccine, it’s not surprising that a burgeoning community exists to elevate and adulate those who have championed not getting vaccinated as an expression of their “protected freedom.” Every time a person is reinforced with strong (not positive, but, intense) feedback for such a stance, their confirmation bias deepens. Every conflict that they invest in defending their position strengthens their commitment to a sunk cost fallacy way of living in the world. To be open to changing their minds and/or behavior would be akin to being open to losing all esteem and connection in a world that trades on social capital.

If we hope to reach the vaccination levels that will prevent COVID-19 from permanently affecting our way of communal life, we must reimagine the way in which we interact with those whose confirmation bias leads them to reject the science and humanitarian evidence that supports vaccination as the only way to achieve herd immunity. We must stop shaming them and, instead, invite them into spaces where they are safe to step back from the investments they’ve made in their public positions so they can consider new information without it challenging their sense of self or belonging.

This means more private messages and fewer elevated comments in social media spaces, quieter conversations, and, possibly offers of voice-to-voice conversations. It means more calm questions that promote critical thinking in social media spaces and less calling out. Leading these conversations by finding something that you can agree on is a good start. (For instance: “I know we’ve both invested a lot of time in informing and expressing our viewpoints. I know that this subject matters a lot to both of us which is why I’d really like to have a heartfelt conversation rather than a public shamefest.”) It means embracing the motto of “doing no harm,” as well as “taking no shit” as we work toward the freedom for all to live in a world where the openness to change one’s mind is as valued as stirring the social media pot. 

8 gardening tips from Instagram and TikTok

Whether you are a seasoned gardener, or a first-year grower, it’s pretty much guaranteed that during the mid-July to late August season, you’ll have some questions. The weather gets really hot, the rain can come for days on end, and suddenly tomato leaves may look withered when they weren’t just days before. Herbs may turn downcast. Bugs may be stuck underside squash leaves.

And while there are plenty of resources for gardening tips out there (including FoodPrint’s Get Growing guide), these days Instagram, TikTok and other social channels have become a main source of inspiration and guidance. The hashtag #gardeningtips has been used on Instagram nearly 580,000 times and interest in gardening, in part sparked by the pandemic, has turned some gardening enthusiasts into bonafide influencers.

Food writer Kristin Donnelly started her podcast “Plant Out Loud” in April 2021 to share the voices of these gardening enthusiasts. After spending time at Ohio’s Culinary Vegetable Institute while helping to write “The Chef’s Garden” cookbook, Donnelly wanted to learn more about plants. “I think the podcast was a way to indulge my curiosity, number one,” she says, “but also just to share some of the people who were interesting to me throughout the process of [working on] “The Chef’s Garden” and people I had been talking to after that as well.”

Donnelly interviewed a wide range of people on “Plant Out Loud,” including chef and longtime supporter of the farm-to-table movement Peter Hoffman; Linda Shanahan, an herbalist and nurse; and gardening coach and tomato enthusiast Resh Gala. “It’s so fun. It’s endless. It’s like cooking, right?” says Donnelly, who recently wrapped up her first season of the podcast. “I think once you start going down the gardening path it’s never ending.” She hopes to cover native plants, winter gardening and houseplants in the second season.

If you are wondering what to do about pests, how to fertilize your garden without using chemicals, or the best way to mulch, you can turn to the guidance of others, as Donnelly did. Whether you are a first-time gardener, or a seasoned grower, there is always something new to learn. Here are some great gardening tips from our favorite social media influencers.

Don’t be afraid to prune

For gardeners just starting out, pruning can feel like a bit of a mystery. How much do you trim? When do you cut? Can you prune too much? Pruning and thinning helps provide better access to light and air, letting plants reach their maximum potential. Each plant is different, but some general tips do apply. For tomatoes and peppers, as the plants grow, trim the bottom branches to keep leaves off the ground, and thin out middle branches. And when it comes to seedlings, it’s important to thin out your plants: removing some seedlings to make space for the remaining to grow to full maturity.

Houston, Texas-based Timothy Hammond (@bigcitygardener on Instagram and TikTok) recently reminded followers to also prune their herbs. “They will thank you by growing additional leaves for you to harvest,” he recently posted. And if you don’t have a use for the extra plants you trim, Hammond reminds followers that planting extra herbs for pollinators is also a good idea. “Simply letting these herbs flower can provide food for the pollinators.”

Follow Hammond for quick gardening tips, DIY projects, recipes and helpful video tutorials from his backyard gardening adventures and/or sign up for his newsletter.

https://www.instagram.com/p/CNbZYb5n7om/

Learn what works for you (alternatives to tomato cages)

There are a lot of things that you are “supposed to do” when gardening: wait until after the first frost to plant vegetables, don’t overcrowd your seeds. As Megan Gilger, who shares gardening tips from Traverse City, Michigan on Instagram @freshexchange, recently wrote, you need to learn what works for you and in your garden. “What works for one person doesn’t work for others,” she writes “but by sharing our experiences and knowledge we help each other make decisions and choices that are right for you.” More specifically, she’s talking about using tomato cages: “There is no one way in the garden and tomatoes prove that but for the love of your tomatoes and yourself can we all agree the tomato cage is poorly named? It is far better for eggplant, beans and flowers than our tomatoes.”

Megan finds that tomato cages aren’t the best way to support her growing vines; she finds them difficult to work with and unstable. Instead, on her blog and podcast, she gives instructions for creating a lattice framework with twine. Jill McSheehy, who Instagrams and blogs @thebeginnersgarden, tested two different methods one season, homemade cages and a staking method, to find which worked best for her. And some gardeners are pro cages, as long as they are sturdy; another helpful gardening Instagram, Homestead and Chill (@deannacat3) gives DIY instructions for successfully making your own. Check out their advice and tips to help decide what will work best for you.

https://www.instagram.com/p/CRgwrbStwlo/

Add some shade or change up the location

One of the biggest bummers for a new gardener is when a newly-bought seedling or plant withers a day or two after its been planted. The reason could be as simple as location; the light and conditions of your backyard are likely different from the garden store’s. As Houston-based Marcus Bridgewater reminds followers on TikTok (@gardenmarcus), consider your location.

“I hadn’t thought much about how the summer sun would affect the plants until May heated up, but I installed an umbrella over the bromeliads to shade them,” he says. “Gentle reminder: It’s important to adapt as the seasons change, and my bromeliads are much happier now.”

Seed packages and gardening guides can help determine the best place in your yard or garden to place different plants. If your plants aren’t mobile (in a pot), use a shade or umbrella, as Bridgewater suggests. During extremely hot weather, this is especially important. Planting tall plants, like sunflowers or sunchokes, alongside garden beds, is another common way of protecting against afternoon sun and heat in hot summer regions.

https://www.instagram.com/p/CR7IfTPt2qy/

Start mulching with what you have

When temperatures heat up, plant growth may slow down because the moisture levels in the soil reduce. Besides shading, another great way to protect your plants is by mulching. Applying two-to-three inches of mulch around the plants will keep the soil temperatures lower and slow moisture evaporation. Mulching also insulates soil during the cold winter months. Along with its temperature control benefits, mulching helps block out weeds, protects microbes and other soil organisms and provides nutrients to plants.

While mulching materials are sold at gardening stores, Misilla dela Llana (who Instagrams @learntogrow and is on TikTok) suggests using materials you have on hand. “We try to be resourceful as much as possible,” she says, suggesting pine needles, shredded dry needles and dry grass clippings. dela Llana, who has a vegetable gardening book due out next year, also gives several mulching tips: “When laying organic mulch, make sure to keep it away from the main stem of plants and tree trunks. This will prevent rot and harboring pests and disease around that area. I usually place mulch around the plant like a doughnut. For trees: Mulch 12-18 inches away from the trunk. Other plants: 3-6 inches away from [the] main stem.”

https://www.instagram.com/reel/CROw-HklFW0/

Give your plants a boost

As for fertilizer, newbie gardeners tend to either overuse or not use it at all. Some gardening books suggest buying high grade chemical fertilizers (we don’t suggest this) or using commercially available organic fertilizers. Compost and worm casting are also used as fertilizers.

If you follow Marco Thomas on Instagram (@marco_is_growing), you’ll find a slew of gardening tips, along with directions for growing your own organic fertilizer. He uses fermented plant infusions, a technique that has been popularized by JADAM farmers, also known as Korean nature farming. “Want a low cost, clean, and easy way to grow your plants?” Thomas writes. “Start making your own JLF Liquid Fertilizer [JADAM Liquid Fertilizer] today. You need a bucket, plant material, IMO or good soil, and water. Good for every plant! Let the microbes do the work 24 hours a day.”

In this case, IMO is not the internet slang acronym for “in my opinion,” but stands for Indigenous microorganisms, the beneficial fungi, bacteria and yeasts present in healthy soil. By steeping these materials with certain beneficial plants, natural farmers can help boost plant productivity. Along with Thomas, following the accounts for the JADAM technique’s founder and hashtags like #naturalfarming and #fermentedplantjuice can provide more inspiration and advice for using natural repellents and fertilizers like neem oil, fermented fruit juice and more.

https://www.instagram.com/p/CO1edK_nAnW/

Get rid of weeds and pests (naturally)

Along with feeding your plants the good stuff, gardeners also need to deal with those pesky weeds. Since chemical pesticides are a no-go in our book, we look to advice from account’s like podcast host and horticulturist Chloe Thomson’s (@beantheredugthat) on how to deal with the weeds. Her tips include mulching (which helps smother the weeds), identifying and eating the edible weeds and embracing the art of hand weeding, which she finds therapeutic. Pro tip: Hand weeding is easier after the rain, when the ground is softer.

But her two biggest tips include being proactive and preventive. First, make sure to catch weeds before they flower, spreading new seeds around your garden, casting out more future weeds. And for long term weed control, Thomson suggests “dense plantings – the LESS bare ground you have for weeds to inhabit, the less weeds you will get. So PLANT that garden & cover that bare ground.”

When it comes to pests, one of Kristin Donnelly’s (@kristincdonnelly) biggest gardening tips is planting a diverse garden. “A lot of times, the flowers attract beneficial insects and then those beneficial insects will eat some of the pests like aphids,” she says, recommending the book “Vegetables Love Flowers.” “This is not going to prevent [every bug], I’ve certainly had other pests, but having a biodiverse garden helps.”

Getting rid of blight and leaf spots

Another common issue gardeners tackle are the spots and withered leaves that appear on plants, particularly tomato plants, often in early July. Resh Gala (@reshgala), one of our favorite Instagram accounts to follow for gardening tips, recently shared some great insight on how to tackle these problems.

“Septoria leaf spots, early blight, late blight are all fungal diseases that affect tomato plants (and others too)! It usually occurs due to heavy rains, conditions of high heat and humidity and wet foliage,” she writes. “As July rolls around, many of us can spot these in our veggie gardens!”

To combat the problems, she first prunes the diseased leaves, then cuts bottom leaves and branches to encourage airflow. She then uses an organic fungicide, spraying every five to seven days. Gala recommends Arber’s Bio Fungicide, while Chloe Thomson’s (@beantheredugthat) suggests @ecoorganicgarden products. After pruning, don’t forget to wash your gardening shears with soap and water, then wipe with an alcohol-based cleaner, so the disease isn’t transferred to other plants. Gala also suggests rotating the area where you grow your plants (tomatoes or other nightshades like eggplant or potatoes) the following year.

https://www.instagram.com/reel/CRRUnDOHUO_/

Start planning for fall

Although it may feel as though the summer produce season is just getting into high gear, as Resh Gala recently reminded us, gardeners should also start thinking about their fall planting plans. Using a succession planting plan, also known as successive planting, allows you to extend your harvest by staggering plantings of crops of varieties with staggered maturing dates. You can stagger the same vegetable, spacing out the plantings every two-to-four weeks, or you can plant vegetables with different maturity times, so you always have something to harvest. In the late summer, you can plant cool weather crops to be ready for a fall harvest.

Here are a few things Gala recommends for planting/direct sowing in August for a fall harvest: bush beansbeetscarrotszucchinicucumbers, brassicas (such as cabbage, broccoli and kale), peas and swiss chard.

How Aretha Franklin asserted control over her career, paving the way for female musicians

“I need a change,” Aretha Franklin says at one point in “Respect,” the new film starring Jennifer Hudson as the Queen of Soul. “I want to sing what I want to sing.”

For all her talent, Franklin’s rise to superstardom wasn’t easy. When she left the world of gospel music to try to become a mainstream pop star, it meant a move into a segment of the industry that was dominated by men who had very specific assumptions about how a woman should sing – and what she should sing about.

Franklin’s ability to assert control over her career was a watershed moment for female artists seeking to find and maintain their own artistic voice.

Columbia tries to mold a starlet

Aretha Franklin began her career in Detroit singing gospel under the tutelage of her father, C.L. Franklin. As a teenage mother of two in the mid-1950s, sticking with gospel would have been a sensible path for the young singer.

During the 1950s, a number of gospel singers began successfully transitioning into secular music, including notables such as Sam Cooke and Willie Mae Thornton. The ambitious Franklin followed suit and left Detroit for New York City.

In 1960, Aretha Franklin signed a contract with Columbia Records after being pursued by John Hammond, a talent executive who, earlier in his career, had signed Billie Holiday.

At Columbia, Franklin recorded her first non-gospel album, “Aretha: With the Ray Bryant Combo,” which was released in February 1961. Reviews were mixed. It wasn’t so much the quality of the record as it was the hodgepodge nature of its tracks.

The album opens with “Won’t Be Long,” a song written by John Leslie McFarland, who penned a number of hits for 1950s rockers like Bill Haley and Elvis Presley.

The track is a streamlined piece of R&B with a tinge of rock ‘n’ roll thrown in for good measure. Franklin’s role on the song – and the album – is entirely as a vocalist. The keyboard playing and song arrangements – two of Franklin’s particular strengths – were left to her male backing ensemble and production crew.


“Won’t Be Long” is a peppy song, but it doesn’t exactly showcase Franklin’s talents.

As much as the song rocks, it plays into the same male fantasy of girls pining away for boys who have run off.

“I get so lonesome since the man has been gone,” she sings, echoing a tired trope. Despite the message, it’s Franklin’s voice – jubilant and strong – that takes over. By the end, the meaning no longer matters. What’s left is Franklin, who clearly doesn’t seem all that bothered about the idea of her man staying or leaving.

After “Won’t Be Long,” things get truly odd. The energy of the opening fizzles as Franklin’s cover of “Over the Rainbow” begins. The juxtaposition of these two songs epitomizes the confusing nature of her first album. It’s almost as if the executives at Columbia couldn’t decide which silo of “feminine popular singer” Franklin should occupy, so they tried a bit of everything.

The rest of the album sustains the same random vibe; Franklin covers standards from Gershwin to Meredith Wilson, with an overdose of McFarland tunes in between.

The album didn’t generate much traction, and her career at Columbia can only be described as frustrating, with her artistic impulses continually suppressed by a company that seemingly wanted to mold a starlet rather than an artist.

Setting Franklin free

Franklin became exasperated with a label that didn’t understand or support the music she was trying to create. By 1966, after nine albums, Columbia and Aretha Franklin parted ways.

Enter Jerry Wexler, the R&B pioneer and Atlantic Records executive who’d been closely following Franklin’s career. Now free of Columbia, Franklin signed with Atlantic Records, which was known as one of the best R&B labels in America.

Wexler’s strategy with Franklin was simple. Rather than attempting to adhere to older standards – as Columbia’s producers were prone to do – Wexler would simply stay out of Franklin’s way, giving her a freedom that led to her creating some of the most exciting and forward-thinking soul music of the era.

A key moment came when Wexler arranged a recording session at the legendary FAME studios in Muscle Shoals, Alabama.

That session produced the song “I Never Loved a Man the Way I Loved You,” which was recorded live at the studio. Thematically, “I Never Loved a Man” isn’t all that different from the Columbia release of “Won’t Be Long” – it essentially plays into same male fantasy trope.

But the music is clearly about Franklin.

Utilizing musicians from Muscle Shoals and Memphis’ Stax Records, the song contains a grit and energy that isn’t on the Columbia recordings. With punctuating horns and bluesy guitar fills, the band expertly supports Franklin without overstepping.


“Everything came together for Franklin in Muscle Shoals.”

While “I Never Loved a Man” may have been the first song released and the title of the album, it was the album’s opening track that truly launched Franklin’s star.

Drop the needle on the album, and you’ll hear horns and a spunky guitar riff. As Franklin sets in to the opening lyric – “What you want, baby I got it” – her piano can be heard hitting like a second drum kit, adding a percussive boom to the entire song.

According to Wexler, the idea to cover “Respect” and the arrangement were Franklin’s. Upon hearing the song that many now herald as a feminist anthem – rather than a song about a relationship – Otis Redding, who wrote the tune, infamously told Jerry Wexler, “That little gal done took my song.”

The rest is history.

This is an updated version of an article originally published on August 18, 2018.

Adam Gustafson, Assistant Teaching Professor of Music, Penn State

This article is republished from The Conversation under a Creative Commons license.

Roger Stone plans to sue ABC News for $25 million over Jan. 6 articles

Veteran GOP operative Roger Stone announced on Friday morning that he intends to file a $25 million lawsuit against ABC News over stories written about his actions on Jan. 6 near the Capitol building. 

The self-described “dirty trickster” shared his plans during an interview with the conspiracy theory site Infowars on Friday morning.  

“I got a call telling me that there was a Reuters story,” Stone began. “Reuters, a quite credible national news organization, a step above some of the other corporate outlets, in which a senior FBI official was quoted as saying that they have found no evidence whatsoever that either Roger Stone or Alex Jones were involved in any way in coordinating the so-called insurrection on Jan. 6.”

Stone continued, saying he directed his lawyers to draw up a lawsuit against ABC News president James Goldston and several reporters in their personal capacities.

“I instructed my lawyers this morning to begin the defamation lawsuit against ABC News,” he continued. “I’m suing the president of ABC News, several reporters there — both personally and in their capacity as ABC News officials — because repeated stories, essentially, claiming that both Alex Jones and I were involved in illegal activity are defamatory.”


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“So I’m suing ABC News for $25 million,” he said. “I can’t wait to have their reporters under oath in a courtroom!”

An ABC News spokesperson didn’t immediately respond to a Saturday request for comment from Salon. 

One of the ABC News stories that has, in particular, gotten under Stone’s skin: a Feb. 5 story, titled “Video surfaces showing Trump ally Roger Stone flanked by Oath Keepers on morning of Jan. 6.”

Stone’s announcement comes as he fights off legal troubles of his own. Authorities continue to zero in on a “shady” condo purchase made by Stone, made while he faces a separate probe over nearly $2 million in alleged back taxes to Uncle Sam — leaving the Biden DOJ to sue Stone for the cash

You can watch the original segment above, via InfoWars.

The dark history of the “Great Replacement”: Tucker Carlson’s racist fantasy has deep roots

In April of this year, Tucker Carlson got into hot water after offering an impassioned expression of the white nationalist conspiracy theory known as the “Great Replacement” during a monologue on his Fox News prime-time show. Anti-Defamation League CEO Jonathan Greenblatt wrote to Fox News in response, citing just a small fragment of Carlson’s long racist record, and noting that “Carlson has suggested that the very idea of white supremacy in the U.S. is a hoax.” Greenblatt concluded, “Carlson’s full-on embrace of the white supremacist replacement theory … and his repeated allusions to racist themes in past segments are a bridge too far. Given his long record of race-baiting, we believe it is time for Carlson to go.”  

Predictably enough, Fox News and its ownership refused to take this seriously. Fox Corporation CEO Lachlan Murdoch responded by falsely claiming that “Mr. Carlson decried and rejected replacement theory.” But the only evidence he offered didn’t sound like rejection, only an attempt to sanitize Carlson’s remarks through denial and reframing: “As Mr. Carlson himself stated during the guest interview: ‘White replacement theory? No, no, this is a voting rights question.'”

It’s worth looking back at that episode now for several reasons. First, Carlson has again been pushing “Great Replacement” discourse more recently, this time by attacking the idea of bringing Afghan refugees to the U.S. in the wake of the Taliban’s lightning conquest of that country. Second, because Fox News’ defense of Carlson has only supported the spread of this racist conspiracy theory. Third, because that theory has a bloody record of inspiring mass murder — not incidentally, but as a logical consequence of its central argument.

“The great replacement is very simple,” its originator, French conspiracy theorist Renaud Camus, has said. “You have one people, and in the space of a generation you have a different people.” In this formulation, immigration is equated with genocide, which logically requires or demands genocidal violence in response.

And then there’s the final reason: Because the “Great Replacement” and a family of similar, almost interchangeable conspiracy theories — claiming that Western culture and civilization are being destroyed by immigration, which is permitted or enabled by weak or malicious cosmopolitan elites, often though not always identified as Jewish — effectively defines a radical shift in conservative ideology over the last few years. Indeed, one could almost call it a great replacement of previous conservative thought. 

Here’s a key portion of what Carlson said in April:

Now I know that the left and all the little gatekeepers on Twitter become literally hysterical if you use the term “replacement,” if you suggest the Democratic Party is trying to replace the current electorate, the voters now casting ballots, with new people, more obedient voters from the Third World. But they become hysterical because that’s what’s happening, actually. Let’s just say it! That’s true.

Renaud Camus could not have said it better. That was no rejection of the theory; if anything, it was an overt embrace. As conservative Washington Post columnist Michael Gerson noted, “Nearly every phrase of Carlson’s statement is the euphemistic expression of white-supremacist replacement doctrine.” It was, Gerson wrote, “what modern, poll-tested, shrink-wrapped, mass-marketed racism looks like.”

In fact, it’s much more than that. For two decades Republicans have been screaming about organized voter fraud, while never producing any evidence. So here is a new and much darker conspiracy theory, so sweeping that it does not rely on hard evidence, but has even more sinister implications. 

This past week, Carlson helped spearhead right-wing opposition to welcoming Afghan refugees who aided the 20-year U.S. war effort. He understood that argument was a tough sell and framed it around a familiar trope, telling his millions of viewers they were being manipulated by unnamed conspiratorial elites: 

You should be happy you live in a country where your neighbors love children and dogs and want to help refugees. We are a generous and empathetic people and we can be proud. Unfortunately, there are many in our ruling class who are anxious to take advantage of our best qualities. They see our decency and weakness and they exploit those things and they do it relentlessly. “Let’s try to save our loyal Afghan interpreters,” we tell them. “Perfect,” they think. “We’ll open the borders and change the demographic balance of the country.” 

There is no evidence for this, of course. It’s pure paranoid fantasy — but not Carlson’s alone. He’s only a transmitter of extremist views into the mainstream. A key source for these views is the notorious 1973 novel “The Camp of the Saints” by French right-wing author Jean Raspail, which argued that mass migration is an invasion that will eventually destroy Western culture and replace Western populations, that Western political elites lack the moral strength to defend their civilization and therefore that the invaders must be physically removed or destroyed. When I interviewed retired intelligence analyst James Scaminaci III last year, he described how the novel’s paranoid vision has inspired an entire worldview:

The main variations within this “Camp of the Saints” worldview are whether the political elites lack moral strength to resist the invasions (“Great Replacement”), enact immoral policies which weaken Western societies to invasion (“demographic winter”) or actively collaborate with the governments of the invading migrants to facilitate the invasion (as in John Tanton’s network). The other variation distinguishes the neo-Nazis from all the other segments: whether or not the Jews are responsible for the destruction of their societies (“white genocide”).

These variations can bleed together. Catchphrases like “great replacement” or “white genocide” easily cross the boundaries Scaminaci describes, as part of their lingua franca. So does the record of terrorism. Here are some examples.

On July 22, 2011, right-wing terrorist Anders Breivik murdered 77 Norwegian citizens (mostly teenagers) and injured an additional 319, at the same time electronically distributing a 1,518-page conspiracist manifesto calling for the deportation of Muslims from Europe, and dividing blame between Muslims themselves and “cultural Marxism,” an alleged Jewish conspiracy to destroy Western culture and civilization by promoting multiculturalism and undermining traditional values. 

The manifesto used the terms “cultural Marxism” or “cultural Marxist” more than 600 times, and plagiarized almost the entirety of William Lind’s 2004 Free Congress Foundation book “‘Political Correctness’: A Short History of an Ideology,” the most significant text promoting the theory, which uses the terms “cultural Marxism,” “political correctness” and “multiculturalism” almost interchangeably. The book disappeared from the FCF website shortly after the massacre. But Breivik was doing exactly what Lind had called for. He just did it a little too quickly.  

On Oct. 27, 2018, Robert Bowers killed 11 people at a Pittsburgh synagogue, the deadliest attack against Jews in American history. Before the attack, he referenced the anti-Semitic variant, “white genocide.” Bowers had a record of posting anti-Semitic comments on Gab attacking the Hebrew Immigrant Aid Society (HIAS). One congregation at the synagogue had participated in HIAS’s National Refugee Shabbat the week before, and Republicans were trying to whip up hysteria about migrant “caravans” during the midterm election campaign. Referencing those, Bowers posted on Gab that “HIAS likes to bring invaders in that kill our people. I can’t sit by and watch my people get slaughtered. Screw your optics, I’m going in.”

On March 2019, Brenton Tarrant live-streamed himself killing 51 people at two mosques in New Zealand. In advance, he released an 74-page online manifesto called “The Great Replacement,” elaborating on Camus’ ideas and citing Breivik as an inspiration. The manifesto included neo-Nazi symbols, although Tarrant denied being a Nazi, calling himself an “ethno-nationalist” and an “eco-fascist.” Equating immigration with genocide, he wrote, “Radical, explosive action is the only desired, and required response  to an attempted genocide,” underscoring the inherently violent nature of this worldview.

On April 27, 2019, the last day of Passover, white supremacist John Earnest killed one person and injured three others at a synagogue in Poway, California. He posted a letter of explanation, which the ADL summarizes:

The letter includes a laundry list of anti-Semitic conspiracy theories, including the longstanding white supremacist assertion that Jews are responsible for non-white immigration, which “threatens” the white race. “Every Jew is responsible for the meticulously planned genocide of the European race,” the letter states, adding “… For these crimes they deserve nothing but hell.” This mirrors the language used by both Bowers and Tarrant prior to their attacks. 

On Aug. 3, 2019, white supremacist Patrick Crusius opened fire at a Walmart store in El Paso, Texas. The final death toll was 23, with almost two dozen others wounded. As the ADL reported, Crusius’ manifesto claimed that his attack was a “response to the Hispanic invasion of Texas,” and that he was merely defending his country from “cultural and ethnic replacement brought on by an invasion.” What’s more, he also claimed that “he did not intend to target the Hispanic community until he read ‘The Great Replacement.'”

This is the conspiracy theory Tucker Carlson is spreading, with Fox’s explicit blessing. More than that, what Scaminaci calls the “Camp of the Saints” worldview “is widespread in right-wing media, think tanks, and political parties.” He continued:

Thus, there is very little difference between the rhetoric of right-wing media and the rhetoric of right-wing terrorists or mass murderers. The manifesto of the El Paso terrorist and nightly broadcasts of Fox News or the tweets of Donald Trump are remarkably similar. Right-wing elites may be “shocked” by these periodic massacres, but they keep priming the pump. In turn, these massacres create new right-wing “heroes” and “martyrs” and spur others to beat their “score” while spreading the conspiracy theory further.

Even more than the massacres noted above, this points to the most frightening aspect of all: a transformation in conservative ideology which promises more such massacres. In 2012, Arun Kundnani shed light on this in “Blind Spot? Security Narratives and Far-Right Violence in Europe,” published by the International Center for Counter-Terrorism at the Hague in the aftermath of Breivik’s attack. 

“Every perception has a blind spot, the area that cannot be seen because it is part of the mechanism of perception itself,” Kundnani writes. “This paper considers whether, since 9/11, the far‐right has been the blind spot of counter‐terrorism, the problem that could not be perceived clearly because it had begun to absorb significant elements from official security narratives themselves.”

This absorption was in fact only one aspect of a longer-term transformational process Kundnani identified. He describes a threefold evolution of far-right ideology in Europe, which has allowed it to move into the mainstream from the fringes. Post-World War II neo-Nazi parties were ostracized for decades, but this began to shift from the 1980s onward, with a focus on culture rather than race, followed by the latest evolution in the wake of 9/11.

“In the ‘counter-jihadist’ narrative, the identity that needs to be defended is no longer a conservative notion of national identity but an idea of liberal values, seen as a civilizational inheritance,” Kundnani explains. “Islam becomes the new threat to this identity, regarded as both an alien culture and an extremist political ideology. Multiculturalism is seen as enabling not just the weakening of national identity but ‘Islamification,’ a process of colonization leading to the rule of sharia law.” 

Summing up, Kundnani writes, “In moving from neo‐Nazism to counter‐jihadism, the underlying structure of the narrative remains the same, but the protagonists have changed: the identity of Western liberal values has been substituted for white racial identity, Muslims have taken the place of blacks and multiculturalists are the new Jews.”

That phrase, “the identity of Western liberal values,” should set off alarm bells, coming from neo-Nazi-affiliated political activists. It’s perhaps best understood in terms of something else promoted by the above-mentioned William Lind, a pioneer of white supremacist ideology, which I’ve written about before: fourth-generation warfare.

In 4GW — to use a shorthand familiar to aficionados — Carl von Clausewitz’s distinctions between the government, the army and the population collapse. There is no clear dividing line between war and peace, combatant and non-combatant, or, as Tucker Carlson may see it, between immigration and invasion — or even genocide. It is, above all, a war of perceptions, a war for legitimacy. So when it comes to defining the identity of Western liberal values, the current Republican obsession with defining freedom as the freedom to infect others with a deadly virus shows just how ludicrous a war of perceptions can become — and still have a legitimate chance of succeeding. 

Scaminaci also told me that Matthew Feldman and Paul Jackson, co-editors of the book “Doublespeak: The Rhetoric of the Far Right Since 1945,” argue that far-right movements have engaged in what they call “fifth-column discourse,” described as a “form of deception and political cunning intended to attack an enemy from within; in this case, by aping the language of liberal democracy.” That’s clearly similar to Kundnani’s argument.

I asked Scaminaci whether racist right-wingers claiming to be defenders of Western values offer a paradigmatic example of fourth-generation warfare, and also whether that helps explain Tucker Carlson’s man-crush on Viktor Orbán, Hungary’s autocratic leader.

He agreed, adding that the version of 4GW articulated in this instance was “extremely clever.” He turned to Kundnani’s description:

This new “identitarian” narrative makes the defense of Western civilization and Enlightenment values from invading Muslims and Islam central to its appeal. The new internal enemy are the multiculturalists instead of the Jews. This is consistent with a larger conservative narrative of the “clash of civilizations.” One consequence of this new narrative is that the Jews and Israel are now potential allies. But this new narrative is entirely consistent with the central argument of the “Camp of the Saints” worldview.

Indeed, support for Israel has a double appeal: First to fight Islam, second, to provide cover for continued anti-Semitism on the right. The older narratives haven’t gone away just because new ones have emerged. For some, “cosmopolitans” may have replaced Jews on their enemies list. For others, that’s just rhetorical code.  

As for Carlson’s bromance with Orbán, Scaminaci said: 

Tucker Carlson is following a well-worn path. Orbán embraced this “Camp of the Saints” worldview and made it the centerpiece of his political strategy. Orbán and [Benjamin] Netanyahu were allies and white nationalists found encouragement in casting Israel as a white-settler enclave worth defending. When Donald Trump went to Poland in July 2017, he delivered a “Camp of the Saints” or “Great Replacement” speech.

There’s another dimension to the story not yet mentioned, the “Eurabia” variation of the “Camp of the Saints” worldview, as explained by Scaminaci:

Trump and Orbán were following the path laid out by Egyptian-Jewish author Bat Ye’or in the 1990s. Ye’or, in her “Eurabia” writings, brought Jews and Christians together to fight against a Muslim invasion of Europe. Ye’or made common cause with proponents of the Serbian genocide in Bosnia and Herzegovina, as did William Lind, the originator of fourth-generation war. This Serbian genocidal policy was then imported into the Republican Party and the Christian right. Tucker Carlson is just the latest in a long line of Bat Ye’or followers.

Kundnani’s description of the evolution of neo-Nazi narratives into “counter-jihadist” narratives was framed in a European context, where multiparty democracies allowed extremists to use existing party structures to claw their ways into the political mainstream. America is locked into a two-party system that presents a different dynamic, and Nazi ideology was never strong in the U.S. So the lines weren’t as clearly drawn and the evolution wasn’t as obvious or direct. But a similar story can be told about American politics as well, Scaminaci said: 

By now everyone is familiar with Lee Atwater’s observation that the Republican Party used sanitized and abstract concepts like taxes rather than more crass and vulgar white supremacist terminology. GOP rhetoric from the 1980s up to Trump used sanitized code words to appeal to … voters feeling their status was being threatened from below or they were being abandoned from above by Democratic Party elites.

Trump dropped the dog whistles [and] never abandoned his central narrative that his key strategist, Steve Bannon, had borrowed and pushed into the conservative media ecosystem, namely, the “Camp of the Saints” worldview. Trump may not be a true card-carrying white nationalist, but he’s close enough that they immediately recognized him as a kindred spirit.

The “Camp of the Saints” worldview provides a new framework for conservatism, an overarching narrative that connects things together more tightly than postwar conservatives ever managed in the past. If “invading hordes of immigrants” are the enemy, and falling white birthrates are key to the problem, then the right’s misogynist agenda and its xenophobic agenda are much more tightly linked than ever before. 

Connections with Christian nationalism — an Old Testament-based worldview fusing Christian and American identities — are similarly strengthened. A 2018 paper, “Make America Christian Again,” which I wrote about here in 2018, explained that “Christian nationalism … draws its roots from ‘Old Testament’ parallels between America and Israel, who was commanded to maintain cultural and blood purity, often through war, conquest, and separatism.” 

In short, all the major electoral facets of American conservatism are more tightly unified by the “Camp of the Saints” worldview than they ever were, or ever could have been, in the days of William F. Buckley or Ronald Reagan. What’s more, the practical need to suppress voters of color becomes a central ingredient. 

As Scaminaci put it: “The underlying motivation of the Great Replacement and voter suppression is the same: Nonwhite voters are inherently illegitimate because they vote for an illegitimate political party that itself poses an existential threat to Western civilization or America or White America or White Americans, because it conspires with external nonwhites to destroy the country.”

So the Great Replacement that has actually taken place is the replacement of the ideas, ideals and mores of conservatism. As debased and depraved as those had already become, they have now been supplanted by much darker principles, which have deadly real-world consequences and pose an existential threat to what remains of American democracy.

“The right wing wants to use the language of liberal democracy and of the Enlightenment,” Scaminaci said in conclusion, “but the right wing is intellectually incoherent”:

It no longer has a governing philosophy. Thus it must make its appeals to resentments, to frustrations, to anger and to fear, using liberal language in defense of Enlightenment values — while their arguments make little or no sense and cannot withstand scrutiny. But there is an underlying logic and that is the logic of the “Camp of the Saints” worldview. And they continue to develop rhetorical and narrative strategies to make that worldview palatable and electable.

Those rhetorical and narrative strategies will necessarily involve doublespeak, of which Tucker Carlson is a master. For example, in June, David Neiwert, author most recently of “Red Pill, Blue Pill: How to Counteract the Conspiracy Theories That Are Killing Us,” called out Carlson for inverting the reality of demographic change in the Mountain West, in a further extension of replacement theory.

Carlson had suggested on his prime-time show that Montana, Idaho and Nevada now face “similar problems” to the demographic change right-wingers view as catastrophic in California: “The affluent liberals who wrecked California aren’t sticking around to see how that ends. They’re running to the pallid hideaways of Boise and Bozeman, distorting local culture and real estate markets as they do it.”

Neiwert responded that as “a fourth-generation Idaho native with family in Montana, I can tell you that this is a complete inversion of the historic demographic reality in those places”:

It could only be accurate if viewed from a very short-term perspective — and even then, it’s wrong. Idaho and Montana have only become deep-red Republican states in the past decade or two. Prior to that, they were classic “purple” states, electing a mix of Democrats and Republicans. What changed that was an in-migration of right-wing voters.

We can expect more such gaslighting arguments in the days ahead. The far right now finds itself deeply at odds with the Western values it pretends to defend. Even if it has convinced the vast majority of conservative voters to go along, it can only hope to gain and hold power by standing those values on their heads — including, most fundamentally, the biblical value of not bearing false witness.

Ex-Congressman shuts down Bill Maher’s rant against vaccine booster shots on “Real Time”

Former Rep. Max Rose (D-NY) shut down Bill Maher after the HBO “Real Time” host complained about booster shots to slow the spread of the COVID-19 pandemic.

“I mean, I don’t want a booster,” Maher said. “I never wanted the vaccine, I took one for the team.”

“And by the way, do you know who doesn’t get a lot of vaccines? Millennials. I know a lot of millennials,” the 65-year-old host claimed. “Especially the twenty-year-olds, they don’t want it, they don’t think they need it, they’re probably right. But I tell them, I didn’t want it either, I took one for the team.”

“But every eight months you’re going to put this sh*t in me?” Maher asked. “I don’t know about that.”

“Maybe I don’t need one,” Maher pontificated. “I don’t want a one-size fits all. My body may be different than you’re body.”

“Yeah, I lost you man,” Rose said.

“That’s crazy,” he declared.

Watch:

Sorry, but forced apologies are the worst. Why can’t we quit this insincere ritual?

Forced apologies are one annoying cultural ritual we refuse to let die. An apology is supposed to make the offended person feel better after being harmed. And when a person truly understands and regrets the harm they caused and wants to make amends, a sincere apology is sometimes all it takes to mend that relationship. But will the offended really feel better if they can tell it was all a sham? And can’t you always tell? 

I learned that from my friend Troy early in my adult life, when he introduced me to a new friend of his from work — a husky white man in a Budweiser hoodie named Wayne. 

“We Bacardi and Cola at work, man,” Troy told me. “I’m telling you, Wayne is the coolest white boy since Eminem came out.” 

Wayne, as tall as he was wide, gripped his green trucker hat, nodded, and extended his arm for a handshake. I gave him a pound and welcomed him to the block. 

“We don’t get many white boys around here,” I said, examining his frumpy denim and Nike Cortez sneakers. “Stay close to Troy or they gonna think you’re a knocker.” 

“Knockers?” Wayne replied, his face twisted into a question mark.

“That’s an undercover cop,” Troy laughed. “We call them knockers ’cause they hop out the car and knock you right across your head.”

“Ain’t no cop in me brotha!”  Wayne shrugged. “Not a bit!”

There were some white people on our block — knockers, beat cops, housing police, Johns Hopkins employees who were brave enough to park near us because they were too cheap to pay for the hospital’s garage, plus the occasional addicts who journeyed into the city looking for a blast — but not any white residents or peers. Baltimore city is segregated like that. We had to travel 15 minutes by car, or three hours by bus, to see white people. 

Troy asked me if I wanted to hit the bar with them. “First round on me, brotha!” Wayne chimed in. “Only beer though, this ain’t a pay week.” 

“Nah, I’m good,” I replied, finding my favorite place on the steps, where I liked to eat sunflower seeds and see the sun fade, and watched Bacardi and Cola make their way down the block.

Troy was just like me when it came to thinking and dreaming. We both had limitless curiosity, always the first to hit the road and travel to other cities and states, and we questioned everything. We didn’t listen to wild stories without grilling the storyteller and then doubling back to fact check everything. You had to be pretty sharp to pull one over on us. The difference between me and Troy, though, is he had a need to connect and network with everybody he worked with throughout the collection of jobs he held. Think of one of those community college diversity flyers come to life — that was Troy. He introduced me to the first Korean, Nigerian, Jamaican, Swiss and Puerto Rican people I ever met. We even went on double dates with women from Alaska. Who knew there were Black women from Alaska in Baltimore that wanted to date street guys like us? Troy knew — that’s who. I always admired that about him. I had an impenetrable wall built around me. And in most cases, people who weren’t from my neighborhood weren’t getting in. 

Troy’s white friend Wayne became a fixture over the next three months. I went out with them a couple of times to different lounges and bar-restaurants, and laughed when Wayne pushed up on Black girls. Well, initially, I laughed. But after a while I began to feel uncomfortable, because his rap always went like, “I gots plenty of soul up in me sista, watch me work!” These words always came out in a country, semi-fake-wannabe Black-sounding voice.

“Yo, I’m not coming around this weirdo anymore,” I told Troy on one of those nights when Wayne fell deep into that stupid accent. “He acts too.”

So Troy approached Wayne and told him he had to relax. 

“I’m sorry, brotha,” Wayne responded quickly. “I get a bit wild when the juice in me, brotha.”  

I always hated the way he said brotha. And I hated it even more when he called me brotha.

“Just call me D,” I told him more than once. 

Each time, he’d apologize with a blank shrug. “My bad, D.”

Maybe his apologies were sincere. Maybe they came from the bottom of his heart. But he never really seemed to be sorry. Those interactions left me with the icky feeling that maybe he thought I should be proud to be called “brotha” by him. I was not proud.

I was also stubborn. Since childhood I had been against the practice of saying “sorry” just for the sake of saying it. It made me think of the time when I was five years old and I took the batteries out of a remote and hurled it at my cousin’s head with all my might.

“Tell your cousin sorry!” my uncle yelled. The remote had narrowly missed cracking him. 

“Boy! Apologize!” he said, fog building on his square frames. “And ya father gonna whip your ass!” 

“I’m sorry, I’m sorry,” I said. “I won’t do it anymore.” 

The problem is that I wasn’t sorry. My cousin’s remote control car had stopped working, so he pissed in the toilet and dropped my car in. I am 40 years old now and still mad about that — and mad that I was forced into giving a fake apology. Even after I explained my actions to my uncle, he still felt that my apology was necessary. We do that to kids all the time — insist that they apologize even when they weren’t at fault, and then we pretend that solved whatever caused the real problem, because it’s easier and faster than working through conflict. It’s no wonder so may people carry that theory into adulthood — that a quick “sorry” is supposed to magically fix any problem they caused, even if they don’t mean it.

Now the fake apology has become an everyday shared public experience, too. One of the latest examples came recently when hip hop megastar DaBaby offered up an apology for disturbing homophobic slurs he made on stage at the Rolling Loud Festival in July. 

DaBaby’s on-stage comments dominated the entertainment news cycle for days, prompting several other major festivals where he was slated to perform to drop him. In attempt to quell the professional damage, DaBaby took to Instagram and — just like Wayne’s hasty “my bad” — quickly released a contrite statement, apologizing “to the LGBTQ+ community for the hurtful and triggering comments I made.” 

Did DaBaby apologize because he hurt millions of people, including fans, by promoting homophobic rhetoric that can have deadly implications, or did he apologize because of the amount of money he stands to lose as a result? Did he understand why his comments were harmful and wrong, or was he trying to stop corporations who don’t want to be perceived as friendly to bigotry from working with him indefinitely? 

When someone apologizes too fast, or only after they’ve suffered financial consequences, I wonder if they are sorry for their actions or just sorry they got caught. In DaBaby’s case, it probably didn’t accomplish what he hoped it would. Once companies make public statements about dropping you, they are probably going to stand behind their decisions, at least for the near future. A few days later, DaBaby deleted his apology post. I reached out to his team to ask why, but did not get a response. But the damage is done: deleting a hasty apology so fast only makes the apology look even more fake and reactionary. The deletion, which brought another round of public attention to the story, gave the impression that, privately at least, he might still stand behind his ugly words. 

I stopped hanging out with Troy when he had his work friend Wayne with him. But one day Troy spotted me sitting in my favorite spot with my sunflower seeds, watching the sunset, and walked up with two cups and a bottle of liquor. 

“Should I pour up?” Troy asked, fixing us two heavy cups of Remy before I could answer. 

“Surprised to see you out here during peak happy hour,” I said, spitting loose shells onto the curb. “Thought you’d be turning up with your boy Wayne.”

“Man, f**k Wayne,” Troy laughed, swallowing a burning gulp of cognac. “I slapped him at work and got fired.”

Troy told me he was standing near the break room and overheard Wayne and another white guy laughing hysterically. He poked his head in, thinking he could get in on the joke, just in time to hear the other white guy say, “Yo Wayne, what’s up n***a!” 

Wayne replied, “Sky, ceilin, how you feelin, n***a!”

“Time out!” I yelled, spitting out my drink. “Yooooo, no. What did you do?”

“I did what any respectable Black man would do,” Troy said. “I slapped Wayne so hard I’m sure he’ll have a headache for at least a week.” 

Troy said Wayne hit the wall, holding his red face in his hands, saying, “God, Troy! I’m sorry, relax! Please!” The other white guy ran out of the room and returned with a supervisor who invited the trio into his office. Troy got the boot. The white guys lost a few days without pay but kept their jobs. Troy was charged with second degree assault and reckless endangerment, but never convicted. Wayne and the other white boy didn’t come to court.

Troy remained a pretty open guy, but he didn’t bring too many friends from work around the neighborhood anymore after that. He told me he did feel bad about slapping Wayne — not because he hurt him, but because he lost a job that he really liked. Troy was sorry that he allowed a person he thought was a friend to take an opportunity from him like that. Unlike DaBaby or Wayne, though, he never made an insincere, forced apologized — not to Wayne, and not to the company. I’ll always respect him for that. 

29 of the oldest actors to play teenagers on television

With Mindy Kaling’s “Never Have I Ever” back on Netflix, the high school comedy is not only a reminder of the difficulties of being a hormone-driven teenager . . . but also the difficulties of casting actors who are as young as the teens they portray.

While a much-publicized open casting call landed the 19-year-old newcomer Maitreyi Ramakrishnan to play the show’s lead, Devi Vishwakumar, her crush is played by an actor who left slamming lockers and cramming for the SAT behind more than a decade ago. At 30 years old, Darren Barnet, who portrays Paxton Hall-Yoshida, is only one of the many older actors to play a teenager onscreen.

Casting adults to play teens is a longstanding practice in Hollywood. While some may cry out against this inauthenticity, there are some logical reasons to cast someone who is no longer a minor. Most of the time, this comes down to work limitations. For one, underage actors are required to complete a certain amount of schooling during work hours. Also, the younger an actor is, the less time they are allowed on set. Plus, if more intimate scenes are involved, they’re more easily handled featuring older, consenting adults instead of children.

From “Happy Days” to “Bridgerton,” actors well into their 20s and even 30s have managed to (for the most part) convincingly depict the perils of adolescence. Check out a list of some of the oldest actors, all aged 25 or older, who’ve played teenagers on television.

“Never Have I Ever” (2019-present)
Actor(s): Darren Barnet
Age: (while on show): 29-30
Barnet plays swim team captain Paxton Hall-Yoshida who is one love interest for the show’s lead, Devi (played by now 19-year-old Maitreyi Ramakrishnan). As Paxton, the actor has also been able to represent his mixed Japanese American heritage through his family and school storylines.

“Gilmore Girls” (2000-2007)
Actor(s): Keiko Agena
Age (while on show): 27-34
Agena plays Lane Kim, the hometown best friend of Rory Gilmore (played by then 19-year-old Alexis Bledel) turned lead drummer of a rock band. Although she was a fan-favorite character, many of those same fans felt that Lane deserved better in how she was portrayed and her character’s disappointing arc over the seven seasons.

“Buffy the Vampire Slayer” (1997-2003)
Actor(s): Charisma Carpenter
Age (while on show): 27-30
Carpenter plays Cordelia Chase, a popular student at Sunnydale High as a cheerleader and alongside Buffy and other characters, learns to understand and fight supernatural forces.

Buffy The Vampire SlayerPromotional portrait of the cast for the television series, ‘Buffy The Vampire Slayer,’ c. 1997. L-R: Nicholas Brendon, Anthony Head, Sarah Michelle Gellar, Charisma Carpenter and Alyson Hannigan. (Fotos International/Courtesy of Getty Images)

“Outer Banks” (2020-present)
Actor(s): Chase Stokes
Age (while on show): 28
Stokes plays John B, the leader of the Pogues gang who convinces his friends to go on a summer journey with him in order to search for his missing father and the unsolved mysteries behind his disappearance.

“Beverly Hills 90210” (1990-2000)
Actor(s): Gabrielle Carteris
Age (while on show): 29 – 33
Carteris plays Andrea Zuckerman, a student and the editor of the West Beverly Blaze school newspaper.

“Hannah Montana” (2006-2011)
Actor(s): Jason Earles
Age (while on show): 29 – 33
Earles plays Jackson Stewart, Hannah Montana’s (played by Miley Cyrus) older brother who is always around to play jokes and pranks on his sister and their friends.

“Dawson’s Creek” (1998-2003)
Actor(s): Meredith Monroe
Age (while on show): 29 -33
Monroe plays Andie McPhee on Dawson’s Creek, an academically intelligent and ambitious girl who moves to Capeside with her parents and brother Jack (Kerr Smith). She becomes a love interest for Pacey (Joshua Jackson).

“Riverdale” (2017-present)
Actor(s): Ashleigh Murray, Vanessa Morgan, Charles Melton
Age (while on show): 29 – 31 (Murray), 25 – 29 (Morgan), 26 – 30 (Melton)
Murray plays Josie McCoy, the lead singer and guitarist of the group Josie and the Pussycats, who has goals of pursuing a career in music.

Morgan portrays Toni Topaz, a transfer student to Riverdale High and member of the Southside Serpents, who befriends and guides Jughead (Cole Sprouse) and helps the entitled Cheryl (Madelaine Petsch) with her bisexuality when the two begin dating.

Melton plays Reggie Mantle, the captain of the football team at Riverdale High who is often competitive against his teammates and was a former drug dealer.

Nicola Coughlan as Penelope Featherington in “Bridgerton” (Netflix)

“Bridgerton” (2020-present)
Actor(s): Nicola Coughlan
Age (while on show): 33
Coughlan plays Penelope Featherington, a 17-year-old debutante who’s been presented to society in hopes of landing a husband. And while she has an unrequited crush on one of the Bridgerton boys, she’s also quite busy with her clandestine publishing pursuits. Coughlan has also recently (2018-present) played a teenager in the Irish comedy “Derry Girls.”

“The Politician” (2019-2020)
Actor(s): Laura Dreyfuss
Age (while on show): 31
Dreyfuss portrays McAfee Westbrook, an ambitious high school student who assists Payton Hobart (Ben Platt) in his campaign to run for class president.

“Glee” (2009-2015)
Actor(s): Cory Monteith
Age (while on show): 27 – 31
The late actor plays Finn Hudson, a high school student who was on the football team but is recruited to join the school’s glee club after he’s discovered singing in the gym showers.

“13 Reasons Why” (2017-2020)
Actor(s): Timothy Granaderos, Ross Butler, Christian Navarro, Steven Silver
Age (while on show): 32 – 34 (Granaderos), 26 – 29 (Butler), 25 – 28 (Navarro), 27 -31 (Silver)
Granaderos portrays Montgomery de la Cruz, an athlete and often intimidating and violent character on the show.

Butler plays Zach Dempsey, a teenager and jock at Liberty High who dated Hannah Baker (Katherine Langford) before she died by suicide. Butler previously played another teenager, Reggie, on “Riverdale” before Melton took over.

Navarro plays Tony Padilla, a teenager at Liberty High who is friends with and helps Clay Jensen (Dylan Minnette) handle the tapes that his best friend Hannah Baker left behind.

Silver portrays Marcus Cole, the student president at Liberty High who attempted to sexually assault Hannah Baker and later tried to cover up his actions.

“On My Block” (2018-present)
Actor(s): Jessica Marie Garcia
Age (while on show): 31 – 34
Garcia plays Jasmine Flores, a confident and funny yet supportive friend and student on the show.

“Pretty Little Liars” (2010-2017)
Actor(s): Bianca Lawson
Age (while on show): 33 – 35
Lawson portrays Maya St. Germain, who was a newcomer to the town of Rosewood and moved into the old house of the presumed dead main character, Alison DiLaurentis (Sasha Pieterse).

“Happy Days” (1974-1984)
Actor(s): Henry Winkler
Age (while on show): 29 – 39
Winkler plays Arthur Fonzarelli, known as “The Fonz” on the show, originally a secondary character who was a greaser typically seen in a leather jacket and near his motorcycle. He’s a high school dropout who at one point tries going back to school with Richie Cunningham (Ron Howard).

“Head of the Class” (1986-1991)
Actor(s): Dan Frischmann, Tony O’Dell
Age (while on show): 27 – 32 (Frischmann), 26 – 31(O’Dell)
Frischmann plays Arvid Engen, one of the students in the individualized honors program of the New York City high school that the show centers around. Arvid’s areas of expertise include mathematics and science.

O’Dell plays Alan Pinkard, another student in the honors program with a competitive spirit and passion for political science, especially as an avid conservative fan of Ronald Reagan.

“Fame” (1982-1987)
Actor(s): Lori Singer
Age (while on show): 25 – 26
Singer plays Julie Miller, a shy and talented cellist who moves to New York City to pursue the arts and attends a performing arts school after moving from her small Michigan hometown.

“Clueless” (TV series) (1996-1999)
Actor(s): Stacey Dash, Elisa Donovan
Age (while on show): 28 – 32 (Dash), 25 -28 (Donovan)
In this TV adaptation of Amy Heckerling’s “Clueless” starring Alicia Silverstone, Dash reprises her role from the film as Dionne Davenport, a fashionable and wealthy Beverly Hills teenager who is the best friend of Cher Horowitz (Rachel Blanchard).

Donovan plays Amber, another popular it-girl of Beverly Hills running in the same social circles and events as both Cher and Dionne, whom she initially often competes with.

“The O.C.” (2003-2007)
Actor(s): Ben McKenzie
Age (while on show): 25 – 29
McKenzie plays Ryan Atwood, a teenager who faced turmoil in his hometown and moves to Newport Beach where he navigates life among the affluent and privileged.

“Teen Wolf” (2011-2017)
Actor(s): Arden Cho
Age (while on show): 30 – 32
Cho portrays Kira Yukimura, who discovers she is a Kitsune like her mother, a species of Japanese fox spirit with supernatural powers. Her mother’s own powers are the reason for their move to Beacon Falls, California. Kira is a Thunder Kitsune with powers over electricity and foxfire.

“Gossip Girl” (new) (2021)
Actor(s): Jordan Alexander, Thomas Doherty
Age (while on show): 27 (Alexander), 25 (Doherty)
Alexander plays Julien Calloway, the it-girl and influencer at the top of Constance-Billard’s social ladder in New York City. It should be noted that at 27, she is actually older than Tavi Gevinson, 25, who plays one of the school’s teachers.

Thomas Doherty portrays Max Wolfe, a pansexual flirt who loves to party.

Gossip GirlEvan Mock, Thomas Doherty, Emily Alyn Lind, Eli Brown, Jordan Alexander, Savannah Smith and Zion Moreno in “Gossip Girl” (Karolina Wojtasik/HBO Max)

Infowars host Owen Shroyer charged for breaching Capitol grounds on Jan. 6

Prosecutors charged an Infowars host Friday for breaching the U.S. Capitol grounds on Jan. 6 alongside fellow supporters of then-President Donald Trump. 

Owen Shroyer, a popular sidekick to Infowars founder Alex Jones who hosts a show on the network called “The War Room,” faces two misdemeanor charges for “illegally going into a restricted area on the Capitol grounds and disorderly conduct,” according to BuzzFeed News

Shroyer said on his daily show Friday that he plans on “declaring innocence” to the charges.

“A couple [of] hours ago, I was informed by my attorney that there is a warrant out for my arrest with allegations involving Jan. 6, and I will have to turn myself in Monday morning,” he stated. “There’s a lot of questions, some I have answers to, some I don’t. I’m not going to be getting into more of this today on the air. And I plan on declaring innocence of these charges because I am.”

The Texas-based provocateur, a popular figure in far-right circles best known for conducting haphazard political stunts, was photographed with Jones at the Capitol on Jan. 6, prosecutors said. Both men had reportedly participated in pro-Trump events on both Jan. 5 and Jan. 6 leading up to the insurrection.


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According to BuzzFeed, the FBI received an anonymous tip which pointed to another video of Shroyer that appeared to show him on the east side of the Capitol grounds, at the top of a set of stairs.

The Associated Press went on to note that Shroyer was filmed proudly marching across town to the riot from the scene of an earlier speech by Trump:

Authorities say video shows Shroyer marching to the Capitol from the Ellipse shortly before the building was breached, telling the crowd “today we march for the Capitol because on this historic January 6, 2021, we have to let our Congressmen and women know, and we have to let Mike Pence know, they stole the election, we know they stole it, and we aren’t going to accept it!”

Shroyer was seen on the west side of the Capitol next to the inauguration stage as well as at the top of the stairs on the east side of the Capitol, authorities said in the documents.

In December 2019, Shroyer also disrupted a House impeachment hearing and received a “deferred prosecution agreement” where he agreed to no longer participate in disruptive activities on Capitol grounds — an agreement that Shroyer’s alleged Jan. 6 activities likely would likely have broken.

The InfoWars host has a long history of creating controversy: involved in the calling of right-wing radio host Sebastian Gorka a “gay whale” at the annual Conservative Political Action Conference (CPAC) before being kicked out of the gathering, or even a high-profile 2016 incident in which he got into a heated street debate with CNN’s Van Jones.  

But Shroyer does have defenders — Fox News host Tucker Carlson used his considerable bully pulpit Friday evening to decry his treatment. Carlson has repeatedly defended the actions of the Jan. 6 rioters, claiming they are being mistreated because of their political beliefs. 

Shroyer said Friday that he would surrender to authorities by the Monday morning deadline. 

The West is hoarding the vaccine at its own peril

This week, US health officials recommended offering booster shots to all Americans who received either the Pfizer or Moderna vaccines. As of September 20th, Americans will be urged to get a third vaccine eight months after their second, with priority given to health care workers and the vulnerable. 

On its surface, this seems like good news and sound medical advice. Studies have shown that antibody levels from the vaccines begin to wane after a few months, and headlines tell of crowded hospitals in areas of low vaccination rates. Beyond that, many of those who have had their shots have become increasingly frustrated at the unvaccinated for prolonging the pandemic. Under these circumstances, booster shots provide a feeling of security in an insecure world. 

But while the frustration with the unvaccinated and fear for one’s safety are understandable, administering booster shots to every American adult will deepen what global health officials are referring to as the rising “vaccine apartheid” between rich and poor countries. It is predicted that by the end of 2021 rich countries will have an estimated one billion unused doses while the 50 least developed countries in the world, home to 20% of the global population, have so far received just 2% of all vaccines. The inequality in vaccine distribution is not just a moral failure on the part of Western nations – it is also bad health policy that risks prolonging the pandemic by giving the virus fertile ground to spread and mutate. 

One of the most dangerous variants in the pandemic so far is the delta mutation which was first identified in India in December of 2020. According to the Centers for Disease Control and Prevention (CDC), delta is twice as contagious as previous strains of the virus, and early data suggests that it causes more severe symptoms in unvaccinated people. Data from Reuters shows it took over a year for the world to record its first 100 million cases of COVID-19; but with the rise of the delta variant, it only took six months to record another 100 million. 

As bad as delta is in the US, mortality rates are skyrocketing in other parts of the world with low vaccination rates. In the first two weeks of August, Southeast Asia recorded nearly twice as many deaths as North America. On the week ending August 1st, the World Health Organization announced Africa recorded its highest official death toll from COVID-19 with cases rising 20% in a single week. It would be impossible to get an accurate figure of the official death toll because the continent has very limited testing capacity and not every death is recorded. The real numbers are expected to be much higher.

Also — and this point is key — only 4% of those living in Africa have received any vaccines at all. Nigeria, a country with high population density, has fully vaccinated just 0.65% of its population. For comparison, the US has fully vaccinated 70% of its adult population and the UK 76% of those 16 and older. At current rates, people in developing countries will have to wait until 2023 before they can get vaccinated. 

The reason the disparity exists between rich and poor countries is because a handful of rich nations gobbled up all the doses of the vaccines through advanced purchasing agreements (APAs). In May, Pfizer announced it had reached an agreement with the European Union to supply 1.8 billion doses on top of the 600 million doses that had already been procured in earlier agreements. On July 23rd, the Biden administration announced it bought an additional 200 million doses of the Pfizer vaccine on top of the 300 million already secured from the company. Between potential and current negotiations the US has procured 8 vaccines per American citizen, and the EU almost 10 vaccines per person.

Drug companies are adamant that they have done all they can to ensure equitable distribution of vaccines. The CEO of Pfizer, Albert Bourla, said in an open letter to his colleagues that equal access has been the company’s “North Star since day one”, and that in the early days of the pandemic the company reached out to all countries with vaccine contracts, but for some reason only the rich ones took them up on their offer. It was later revealed that the pharma giant had demanded that some Latin American countries put up sovereign assets such as embassies and military bases as a guarantee against the cost of any future legal challenges.

If the global community wants to reduce the risk of mutations it will have to vaccinate more people in all corners of the world. This would create a wider shield against the virus and prevent the risk of more mutations that could be potentially vaccine resistant. The poorest countries in the world receive most of their doses through the COVAX scheme, which was set up last year as a means for rich countries to donate vaccines and money to poor ones. The initial goal was to supply two billion doses by the end of 2021, and an additional 1.8 billion by early 2022. As of writing, UNICEF reports COVAX has only shipped 209 million doses to 138 countries. To put that number into perspective, that is enough doses to fully vaccinate only half the population of Nigeria. 

An obvious way that the US and other developed countries can help reduce the risk of another mutation is by donating more vaccines instead of inoculating its populations with a third round of doses. Rich countries can also step up to the plate by forcing pharma companies to share their patents and trade secrets so that other countries can manufacture vaccines for themselves instead of relying on hand out donations from COVAX. In October of last year, India and South Africa proposed an intellectual property waiver at the World Trade Organization for all COVID vaccines and therapies. In May, Joe Biden announced his support of the waiver (only for vaccines). The proposal has been held back in committee meetings and no decision is expected until the fall. Even if the waiver is approved it will not be enough on its own to increase global supply of doses unless pharma companies are compelled to give up the trade secrets to the vaccines. 


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Four days after Pfizer announced it had data supporting the need for booster shots, director general of the WHO, Tedros Adhanom Ghebreyesus, accused the global community of making conscious decisions that failed to protect the most in need. “We’re in the midst of a growing two-track pandemic where the haves and have-nots, within and between countries, are increasingly divergent,” Ghebreyesus said. He added that Pfizer and Moderna need to prioritize vaccines for low- and middle-income countries before giving third shots to rich ones. As recent cases in New Zealand have shown, isolationism and travel bans are not enough to keep dangerous mutations from infecting a population.

What the world needs is a more equitable distribution of vaccines and regional global manufacturing capacities so that no single country is reliant on another for medicine. There are choices we can make to help curb this pandemic but booster shots is not one of them.

Former Trump insider reveals how Stephen Miller’s “racist hysteria” sabotaged Afghan refugee effort

With the Taliban having seized control of Afghanistan, former White House Senior Adviser Stephen Miller is among the MAGA Republicans who is vehemently opposed to bringing Afghan refugees into the United States. Former Mike Pence staffer turned Never Trump conservative Olivia Troye addresses Miller’s anti-refugee views this week in a Twitter thread, pointing out that he has a long history of pushing “racist hysteria” where refugees from Afghanistan and Iraq are concerned.

Troye, who has described herself as a “John McCain Republican,” left the Trump White House last year in response to then-President Donald Trump’s disastrous response to the COVID-19 pandemic — and she infuriated Trumpworld by announcing that she would be voting for now-President Joe Biden in the 2020 election. When Troye was part of Pence’s staff, she specialized in national security matters and favored SIVs or special immigrant visas for Afghan refugees; Miller was adamantly opposed to them.

Troye recalls:

Miller expressed his anti-refugee views earlier this week during an appearance on Fox News, where he told host Laura Ingraham, “Those who are advocating mass Afghan resettlements in this country are doing so for political, not humanitarian, reasons…. Resettling in America is not about solving a humanitarian crisis, it’s about accomplishing an ideological objective: to change America.”

With the “change America” comment, Miller was venturing into Great Replacement territory. The Great Replacement is a racist far-right conspiracy theory claiming that liberals and progressives are trying to “replace” Whites with non-Whites in western countries.

Troye, in her Twitter thread, recalls how intensely Miller fought against refugees when she was part of Pence’s staff:

In her thread, Troye not only calls out Miller, but also, “Hillbilly Elegy” author J.D. Vance — who is running for the U.S. Senate in Ohio as a MAGA Republican and has also come out against bringing Afghan refugees into the U.S.

Staunch atheists show higher morals than the proudly pious, from the pandemic to climate change

Two recent events have shed an illuminating light on who is and who isn’t moral in today’s world.

First, Cardinal Raymond Burke, a leader in the U.S. Catholic Church and a staunch anti-masker/vaxxer, was put on a ventilator as a result of his suffering from COVID-19. Second, the Intergovernmental Panel on Climate Change of the United Nations released its latest data-rich report, warning that “unless there are rapid and large-scale reductions in greenhouse gas emissions, limiting warming to close to 1.5 degrees Celsius or even 2 degrees Celsius will be beyond reach.”

The global pandemic and the rapidly warming of our planet — these dire phenomena are, above all, deeply moral matters in that they both entail care for the well-being of others and a desire to alleviate misery and suffering.

Now, while most people assume that such a morality is grounded in religious faith, and while it is certainly true that all religions contain plenty of moral ideals, in our nation today, it is actually the most secular among us who are exhibiting a greater moral orientation — in the face of deadly threats — than the most devout among us, who are exhibiting the least.

Before proceeding, let me make it clear: When I say the “most secular among us,” I mean atheists, agnostics, people who never attend religious services, don’t think the Bible is the word of God, and don’t pray. Such self-conscious and deliberatively irreligious people are to be distinguished from the lackadaisically unaffiliated — often called “nones” — who simply don’t identify with a religion.

And by the “most devout among us” I mean religious fundamentalists who believe in God without any doubts, who attend church frequently, who consider the Bible the infallible word of God, who pray a lot, and who insist that Jesus is the only way, the only truth, and the only life. These strongly religious folks are to be distinguished from moderately religious Americans, who are generally liberal and tolerant.


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Think of it like two ends of a spectrum, with one end representing the staunchly secular and the other end representing the deeply devout. Most Americans fall somewhere in the middle; both the “nones” and the moderately religious together comprise the majority of Americans. But as to those who occupy the end points of the spectrum, it is — as stated above — the affirmatively godless who are exhibiting greater moral proclivities in our nation today than the proudly pious.

We can start with the global pandemic. COVID-19 is a potentially deadly virus that has caused — and continues to cause — dire woe. Surely, to be moral in the face of such a dangerous disease is to do everything one can — within one’s limited power — to thwart it. No moral person would want to willfully spread it, bolster it, or prolong its existence. And yet, when it comes to the battle against COVID-19, it is the most secular of Americans who are doing what they can to wipe it out, while it is the most faithful among us, especially nationalistic white Evangelicals, who are keeping it alive and well. Taking the vaccine saves lives and thwarts the spread of the virus. So, too, does sheltering in place as directed and wearing protective face masks. And yet, here in the U.S., it is generally the most religious among us who refuse to adhere to such life-saving practices, while it is the most secular who most willingly comply. For example, a recent Pew study found that while only 10% of atheists said that they would definitely or probably not get vaccinated, 45% of white Evangelicals took such a position.

Consider climate change. The best available data shows that — as a direct result of human activity — we are destroying our planet. The results are already manifesting with greater and deadlier frequency: poisoned air and water, massive wildfires, stronger hurricanes, brutal mudslides, quickly melting glaciers, rising sea levels, the wanton disappearance of forests and coral reefs. Such developments do not bode well for the future; more suffering and death are on the rapidly approaching horizon. And, yet again, what do we see? It is the most staunchly secular among us who understand the science behind climate change and want to do what needs to be done in order to prevent it, while it is the most pious among us who dismiss the science and don’t want to address the dire threat. For example, a recent PRRI study found that over 80% of secular Americans accept the evidence that human activity is causing climate change — and they place addressing climate change at the top of the list of their political priorities — while only 33% of white Evangelicals accept such evidence, and thus place is towards the bottom of their list of political priorities.

But it’s not just the pandemic and climate change that illustrate this widening religious/secular moral divide. Take gun violence. Currently, more Americans die annually from firearms than automobile accidents; since 2009, there have been 255 mass shootings in the U.S.; every few hours, a child or teen dies from a gun wound. When the founders of the country passed the Second Amendment, they couldn’t have imagined the instantaneous devastation a semi-automatic rifle can do in the hands of one vicious person. And there is no question that Jesus — who taught an unmitigated message of non-violence — would denounce the existence of such weapons. And yet, who is more pro-gun in today’s America? Not the hardest of atheists. Rather, it is the most fervent of Christians. For but one example: While 77% of atheists are in favor of banning assault rifles, only 45% of white Evangelicals are.

In terms of who supports helping refugees, affordable health care for all, accurate sex education, death with dignitygay rightstransgender rightsanimal rights; and as to who opposes militarism, the governmental use of torture, the death penalty, corporal punishment, and so on — the correlation remains: The most secular Americans exhibit the most care for the suffering of others, while the most religious exhibit the highest levels of indifference.

But wait — what about the rights of the unborn? While many people oppose abortion on decidedly moral grounds, it is also the case that many others support the right of women to maintain autonomy over their own reproductive capacities, on equally moral grounds. Hence, the deep intractability of the debate. And yet, most Americans — both religious and non-religious — do not see the abortion of a non-viable fetus as being akin to the murder of a living human being. And let’s be frank: It is impossible to square the assertion that the strongly religious are “pro-life” while they simultaneously refuse to get vaccinated, to wear a mask, to fight climate change, to support universal healthcare, or to support sane gun legislation. To characterize such an agenda as “pro-life” renders the label rather insincere, at best.

Admittedly, how morality plays out in the world is always complex, with numerous exceptions to the correlations above. For example, African Americans tend to be highly religious and yet are also extremely supportive of gun control. The Catholic Church, which has deftly overseen the most extensive pedophile ring in history, and continues to ban the life-saving use of condoms, also happens to morally oppose the death penalty. One study has found that Evangelicals actually get vaccinated at higher rates than the religiously unaffiliated (though not at a higher rate than agnostics). And members of religious congregations tend to donate more money to charity, on average, than the unaffiliated. And of course, the 20th century has witnessed the immoral, bloody brutality of numerous atheist dictatorships, such as those of the former USSR and Cambodia.

However, despite such complexities, the overall pattern remains clear: When it comes to the most pressing moral issues of the day, hard-core secularists exhibit much more empathy, compassion, and care for the well-being of others than the most ardently God-worshipping. Such a reality is necessary to expose, not simply in order to debunk the long-standing canard that religion is necessary for ethical living, but because such exposure renders all the more pressing the need for a more consciously secular citizenry, one that lives in reality, embraces science and empiricism, and supports sound policies — not prayer — as a way to make life better, safer and more humane.

The water crisis in climate-vulnerable Bangladesh

EVERY DAY in a remote coastal village in southwest Bangladesh, Tuli, 11, helps her mother and aunt carry drinkable water from a pond. They must walk more than a mile, there and back, to collect the water. “This is our daily routine, except monsoon, the only season when we are spared from toils and pains as we can get fresh water supply from rain for three to four months,” said Tuli’s mother, Hosneara Begum. 

In Bangladesh’s coastal districts — including Khulna, Satkhira, and Bagerhat — much of the surface water has gotten so salty that it can no longer be used for drinking or for other domestic purposes. A small survey conducted in Satkhira in 2013 found that around 70 percent of local residents there depend on water in distant ponds. And a recent report by the American Geophysical Union suggests that by 2050, rising sea levels — which affect the availability of clean drinking water — will have cascading effects and lead to the migration of some 1.3 million people across the country.

Bangladesh is one of the world’s most vulnerable countries to the effects of climate change. It already faces regular and severe natural hazards: tropical cyclones, river erosion, floods, landslides, and drought. All are set to increase in intensity and frequency as a result of climate change. The effect of sea level rise is more insidious. Saltwater gradually inundates coastal lands, destroying crops and homes and bringing disease to those who drink it. As a result, many have already been forced to move to other regions in Bangladesh, leaving their property and livelihoods behind.


Tuli, her mother, and her aunt walk to collect drinking water. From October to May, during the dry season, they do this job every day.
A woman collects water from a pond. Most coastal villagers drink water from ponds without purifying it and as result, often suffer from water-borne diseases.

In 2009, for example, Cyclone Aila damaged the embankments on the Kopotakkho River, and saline water entered Koyra Upazila, where Tuli’s family lives. As a result, freshwater sources in southwest Bangladesh were almost destroyed. In most areas, water wells don’t work because the salinity is increasing not only in shallow aquifers, but also deeper ones. The river embankments are eroded and groundwater sources are flooded by saltwater.

The excess salt can lead to hypertension, which raises the risk of strokes, heart attacks, and miscarriages.

Although women tend to drink less water overall, thanks in part to their long walks, this leaves them vulnerable to high blood pressure, heart disease, and kidney diseases, issues that can also affect the health of newborns.

Ismail Gazi, 85, also lives in Koyra and suffers from high blood pressure. With his wife and daughter-in-law unable to walk long distances, he must walk more than 3 miles, outside of the monsoon season, to collect drinking water for his family. “It’s my duty,” he said, “every morning and evening.”

* * *

Ismail Gazi, 85, walks around 3 miles to collect drinking water for his family. He suffers from high blood pressure. Much of the country’s coastal population faces serious health issues, including high blood pressure, heart disease, and kidney disease.
A woman returns home after she washes a cooking pot from a freshwater pond. The effects of climate change — floods, drought, extreme weather, growing food and water insecurity, and more — disproportionately harm the world’s 1.3 billion poor, the majority of whom are women.
A woman heads to a pond to wash her clothes. A 2014 World Bank reportnoted that by 2050, climate change will drastically alter river salinity in the southwest coastal region in Bangladesh during the dry season. This will further exacerbate the shortage of water for drinking and irrigation.
An aerial view of a crowd at stream, which feeds a freshwater pond called Misti Pani’r Pukur. People from four villages depend on the pond for drinking water. Every afternoon, people — mostly women — gather at the pond after finishing their household work.
Women in coastal Bangladesh walk a long way to collect drinking water. According to research from the American Geophysical Union, by 2050, rising sea levels — which affect the availability of clean drinking water — will cause some 1.3 million people to migrate across the country.
Groups of women gather to collect drinking water near the Misti Pani’r Pukur pond. According to a 2014 study, pregnant women in coastal Bangladesh have high rates of preeclampsia and gestational hypertension, which, the authors hypothesized, are caused by saline drinking water.
Children in front of their temporary shelter on a river embankment. During Cyclone Amphan, they lost their houses. “Climate change is deepening the environmental threat faced by families in Bangladesh’s poorest communities, leaving them unable to keep their children properly housed, fed, healthy, and educated,” UNICEF executive director Henrietta Fore said after visiting Bangladesh in 2019. “In Bangladesh and around the world, climate change has the potential to reverse many of the gains that countries have achieved in child survival and development.”
A boy walks on dried-up land near his home. Cyclone Amphan saturated the land with saltwater in 2020, making it unsuitable to cultivate crops. According to a 2019 UNICEF report, environmental disasters related to climate change threaten more than 19 million Bangladeshi children.
An older woman takes care of her animals. She lost her house during Cyclone Amphan and now lives in a temporary home on a river embankment. During cyclones, embankments collapse and saltwater enters the locality, flooding houses and cropland. 
A woman heads to a pond with a jar and bottle to collect drinking water for her family. As women from coastal areas also must use saline water for doing household work like washing clothes and cleaning utensils, they may also suffer from issues related to the skin. Women commonly face higher risks and greater burdens from the lack of fresh water, which is linked to climate change.

* * *

All visuals by Zakir Hossain Chowdhury for Undark.

Zakir Hossain Chowdhury is a visual journalist based in Bangladesh covering climate change and human rights. His work has appeared in TIME, The Guardian, The Telegraph, and The Wall Street Journal, among others.

This article was originally published on Undark. Read the original article.

Some Americans were right all along on Afghanistan. Will their voices still be ignored?

America’s corporate media are ringing with recriminations over the humiliating U.S. military defeat in Afghanistan. But very little of the criticism goes to the root of the problem, which was the original decision to militarily invade and occupy Afghanistan in the first place. 

That decision set in motion a cycle of violence and chaos that no subsequent U.S. policy or military strategy could resolve over the next 20 years, in Afghanistan, Iraq or any of the other countries swept up in America’s post-9/11 wars.

While Americans were reeling in shock at the images of airliners crashing into buildings on Sept. 11, 2001, Defense Secretary Donald Rumsfeld held a meeting in an intact part of the Pentagon. Undersecretary Stephen Cambone’s notes from that meeting spell out how quickly and blindly U.S. officials prepared to plunge our nation into graveyards of empire in Afghanistan, Iraq and beyond.

Cambone wrote that Rumsfeld wanted, “…best info fast. Judge whether good enough hit S.H. [Saddam Hussein] at same time — not only UBL [Usama bin Laden]. … Go massive. Sweep it all up. Things related and not.”

So within hours of these horrific crimes in the United States, the central question senior U.S. officials were asking was not how to investigate them and hold the perpetrators accountable, but how to use this “Pearl Harbor” moment to justify wars, regime changes and militarism on a global scale.

Three days later, Congress passed a bill authorizing the president to use military force “against those nations, organizations, or persons he determines planned, authorized, committed, or aided the terrorist attacks that occurred on September 11, 2001, or harbored such organizations or persons. …” 

In 2016, the Congressional Research Service reported that this Authorization for the Use of Military Force (AUMF) had been cited to justify 37 distinct military operations in 14 different countries and at sea. The vast majority of the people killed, maimed or displaced in these operations had nothing to do with the crimes of September 11. Successive administrations have repeatedly ignored the actual wording of the authorization, which only authorized the use of force against those involved in some way in the 9/11 attacks. 

The only member of Congress who had the wisdom and courage to vote against the 2001 AUMF was Rep. Barbara Lee of Oakland, California. Lee compared it to the 1964 Gulf of Tonkin resolution and warned her colleagues that it would inevitably be used in the same expansive and illegitimate way. The final words of her floor speech echo presciently through the 20-year-long spiral of violence, chaos and war crimes it unleashed, “As we act, let us not become the evil we deplore.” 

In a meeting at Camp David that weekend, Deputy Defense Secretary Paul Wolfowitz argued forcefully for an attack on Iraq, even before Afghanistan. President George W. Bush insisted that Afghanistan must come first, but privately promised Defense Policy Board chairman Richard Perle that Iraq would be their next target.

In the days after September 11, the U.S. corporate media followed the Bush administration’s lead, and the public heard only rare, isolated voices questioning whether war was the correct response to the crimes committed. 

But former Nuremberg war crimes prosecutor Ben Ferencz spoke to NPR a week after 9/11, and he explained that attacking Afghanistan was not only unwise and dangerous, but was not a legitimate response to these crimes. NPR’s Katy Clark struggled to understand what he was saying:

Clark: Do you think that the talk of retaliation is not a legitimate response to the death of 5,000 (sic) people?

Ferencz: It is never a legitimate response to punish people who are not responsible for the wrong done.

Clark: No one is saying we’re going to punish those who are not responsible.

Ferencz: We must make a distinction between punishing the guilty and punishing others. If you simply retaliate en masse by bombing Afghanistan, let us say, or the Taliban, you will kill many people who don’t believe in what has happened, who don’t approve of what has happened.

Clark: So you are saying that you see no appropriate role for the military in this.

Ferencz: I wouldn’t say there is no appropriate role, but the role should be consistent with our ideals. We shouldn’t let them kill our principles at the same time they kill our people. And our principles are respect for the rule of law. Not charging in blindly and killing people because we are blinded by our tears and our rage.

The drumbeat of war pervaded the airwaves, twisting 9/11 into a powerful propaganda narrative to whip up the fear of terrorism and justify the march to war. But many Americans shared the reservations of Lee and Ferencz, understanding enough of their country’s history to recognize that the 9/11 tragedy was being hijacked by the same military-industrial complex that produced the debacle in Vietnam and keeps reinventing itself generation after generation to support and profit from American wars, coups and militarism. 

On Sept. 28, 2001, the Socialist Worker website published statements by 15 writers and activists under the heading, “Why we say no to war and hate.” They included Noam Chomsky, the Revolutionary Association of the Women of Afghanistan and a co-author of this article (Medea Benjamin). Our statements took aim at the Bush administration’s attacks on civil liberties at home and abroad, as well as its plans for war on Afghanistan. 

The late academic and author Chalmers Johnson wrote that 9/11 was not an attack on the United States but “an attack on U.S. foreign policy.” Edward Herman predicted “massive civilian casualties.” Matt Rothschild, editor of The Progressive, wrote that, “For every innocent person Bush kills in this war, five or ten terrorists will arise.” I (Medea) wrote that “a military response will only create more of the hatred against the U.S. that created this terrorism in the first place.” 

Our analysis was correct and our predictions were prescient. We humbly submit that the media and politicians should start listening to the voices of peace and sanity instead of to lying, delusional warmongers.

What leads to catastrophes like the U.S. war in Afghanistan is not the absence of convincing antiwar voices but the fact that our political and media systems routinely marginalize and ignore voices like those of Barbara Lee, Ben Ferencz and ourselves. 

That is not because we are wrong and the belligerent voices they listen to are right. They marginalize us precisely because we are right and they are wrong, and because serious, rational debates over war, peace and military spending would jeopardize some of the most powerful and corrupt vested interests that dominate and control U.S. politics on a bipartisan basis.  

In every foreign policy crisis, the very existence of our military’s enormous destructive capacity and the myths our leaders promote to justify it converge in an orgy of self-serving interests and political pressures to stoke our fears and pretend that they have military “solutions.” 

Losing the Vietnam War was a serious reality check on the limits of U.S. military power. As the junior officers who fought in Vietnam rose through the ranks to become America’s military leaders, they acted more cautiously and realistically for the next 20 years. But the end of the Cold War opened the door to an ambitious new generation of warmongers who were determined to capitalize on the U.S. post-Cold War “power dividend.” 

Madeleine Albright spoke for this emerging new breed of war hawks when she confronted Gen. Colin Powell in 1992 with her question, “What’s the point of having this superb military you’re always talking about if we can’t use it?” 

As secretary of state in Bill Clinton’s second term, Albright engineered the first of a series of illegal U.S. invasions to carve out an independent Kosovo from the splintered remains of Yugoslavia. When U.K. Foreign Secretary Robin Cook told her his government was “having trouble with our lawyers” over the legality of the NATO war plan, Albright said they should just “get new lawyers.”

In the 1990s, the neocons and liberal interventionists dismissed and marginalized the idea that non-military, non-coercive approaches can more effectively resolve foreign policy problems without the horrors of war or deadly sanctions. This bipartisan war lobby then exploited the 9/11 attacks to consolidate and expand its control of U.S. foreign policy.

But after spending trillions of dollars and killing millions of people, the abysmal record of U.S. war-making since World War II remains a tragic litany of failure and defeat, even on its own terms. The only wars the United States has won since 1945 have been limited wars to recover small neocolonial outposts in Grenada, Panama and Kuwait. 

Every time the United States has expanded its military ambitions to attack or invade larger or more independent countries, the results have been universally catastrophic. So our country’s absurd investment of 66% of discretionary federal spending in destructive weapons, and recruiting and training young Americans to use them, does not make us safer. It only encourages our leaders to unleash pointless violence and chaos on our neighbors around the world.

Most of our neighbors have grasped by now that these forces and the dysfunctional U.S. political system that keeps them at its disposal pose a serious threat to peace and to their own aspirations for democracy. Few people in other countries want any part of America’s wars, or its revived Cold War against China and Russia. These trends are most pronounced among America’s longtime allies in Europe and in its traditional “backyard” in Canada and Latin America.

On Oct. 19, 2001, Rumsfeld addressed B-2 bomber crews at Whiteman Air Force Base in Missouri as they prepared to take off across the world to inflict misdirected vengeance on the long-suffering people of Afghanistan. He told them, “We have two choices. Either we change the way we live, or we must change the way they live. We choose the latter. And you are the ones who will help achieve that goal.”

Now that dropping more than 80,000 bombs and missiles on the people of Afghanistan over the course of 20 years has failed to change the way “they” live, apart from killing hundreds of thousands of them and destroying their homes, we must instead, as Rumsfeld said, change the way we live. 

We should start by finally listening to Barbara Lee. First, we should pass her bill to repeal the two post-9/11 AUMFs that launched our 20-year fiasco in Afghanistan and other wars in Iraq, Syria, Libya, Somalia and Yemen.  

Then we should  pass her bill to redirect $350 billion per year from the U.S. military budget (roughly a 50% cut) to “increase our diplomatic capacity and for domestic programs that will keep our Nation and our people safer.” 

Finally reining in America’s out-of-control militarism would be a wise and appropriate response to its epic defeat in Afghanistan, before the same corrupt interests drag us into even more dangerous wars against more formidable enemies than the Taliban.

How Trump tax law created a loophole that lets top execs net millions by slashing their own salaries

In the months after President Donald Trump signed the Tax Cuts and Jobs Act in December 2017, some tax professionals grew giddy as they discovered opportunities for their clients inside a law that already slashed rates for corporations and wealthy individuals.

At a May 2018 conference of financial advisers, one wealth planner told the room that a key provision of the new law “leaves a gaping hole in the tax code.” As he put it, “The goal by the end of the presentation today is to make you guys the bus drivers, or the truck drivers, to drive right through that hole with your clients.”

Among the tax-saving opportunities offered by the law: Taxes on profits from certain types of businesses were cut dramatically, while the rate on salaries those businesses paid was reduced only slightly.

That created an alluring opportunity. People who were both owners and employees of a company could make the same amount of money but change how they label it, by lowering their salaries and in turn increasing the company’s profits, which they shared in. That would reduce their tax bill by moving money from a high-tax category to a lower one: Wages are taxed at a top rate of 37% plus an additional 3.8% Medicare levy, while profits, under the new law, are taxed at a top rate of 29.6% (with no Medicare tax). Proponents of this provision claimed it would foster increased investment in American businesses (economists say it’s too early to determine whether that’s true). But even before the bill passed, prominent tax academics warned, in an article titled “The Games They Will Play,” that the tax break would be abused.

Their fears appear to have materialized. Secret IRS data shows multiple instances in which salaries for top executives and owners suddenly and inexplicably dropped in the first year after the Trump tax cut, reducing their tax bills even as their companies appeared to thrive. The mysterious pay cuts played out across industries, from logistics companies to real estate firms to makers of bathtubs, and among executives of varying degrees of prominence. The salary for one construction firm executive dropped from more than $4 million in 2017 to $105,000 in 2018.

The wages for car accessory manufacturer David MacNeil, whose WeatherTech floor mats are featured in a Super Bowl ad each year, fell from $68 million in 2017 to $47 million in 2018.

The salary of Jeffrey Records, CEO of Oklahoma City-based MidFirst Bank, plummeted from $8.6 million to $1.8 million.

And the wages of Dick Uihlein, the Republican megadonor and chairman of shipping supplies behemoth Uline, sank from $5.1 million to $2.1 million.

It’s impossible to say how much money was reclassified as a result of the new law, but consider this: The loophole already existed, in much smaller form, before the Trump tax overhaul. A government report in 2009 estimated the U.S. Treasury was losing billions to this strategy. Back then, an owner could save the Medicare tax by counting a dollar as profits rather than salary. But after the Trump law, the tax savings roughly tripled, to about 11%.


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The revelations about the wage maneuvers come from a trove of IRS records obtained by ProPublica covering thousands of the wealthiest Americans. Previous articles in “The Secret IRS Files” series have detailed how the wealthy avoid paying taxes legally, including a story last week exploring the massive benefits the Trump tax overhaul provided billionaires.

The sudden shifts in compensation revealed in the tax returns of wealthy business owners show how they may be gaming federal law to further slash their taxes. They also highlight how, unlike most Americans, whose taxes are automatically taken out of each paycheck, wealthy business owners have a menu of avoidance techniques afforded to them by the tax code.

The tax benefits of shifting wages to profits can be significant. MacNeil, for example, saved an estimated $8 million in the first two years, according to a ProPublica analysis of the IRS records.

MacNeil defended his wage drop and said he used the tax savings to create more jobs: “You want me investing in my country — my fellow Americans? Get out of my pocket.”

ProPublica analyzed years of wage and profit data and found that for each of the companies named in this story, company profits rose even as wages were cut.

Unlike publicly traded corporations, private companies are not required to publicly report profits, salaries for top executives or their rationales for compensation decisions. But experts who spoke to ProPublica said that, if audited, these executives would have to justify why the value of their labor plunged in a given year. The secret tax data does not answer that question.

Taking an unreasonably low salary in order to avoid taxes is illegal. But the IRS’ definition of “reasonable” is vague, and the vast majority of business owners will likely never have to justify the salary cuts. Only a tiny fraction of such companies have their salaries examined by the IRS. Karen Burke, a tax law professor at the University of Florida, said, “For a business owner, there’s every incentive to do this and every reason to believe you’ll get away with it.”

David MacNeil enjoys being the boss. A table reserved for him at the cafeteria of his sprawling production plant has a placard that warns: “Don’t even think about sitting here.” He compliments one of his 1,700 employees about the company pickup truck he’s driving, then adds, “It’s mine.” As he walks among the whirring machines pumping out his custom car mats, he revels in the fact that he built a flourishing manufacturing empire without offshoring, creating hundreds of jobs.

“This is why they give us a tax break,” he said, “so we can make shit happen.”

After ProPublica contacted him, MacNeil invited two reporters for a daylong tour of his factory complex in Bolingbrook, Illinois. A former car salesman, he founded WeatherTech, a top U.S. manufacturer of car accessories, in 1989 and now regularly generates $100 million in annual profit. MacNeil owns a super-yacht, a private jet, a Florida equestrian estate and a collection of antique cars.

He describes himself as “the kind of man America needs, a man that believes in the great American worker.” As he led the tour of his plant, he took his phone out to read emails from employees praising his generosity and showed photos of himself removing trash from the ocean in his free time.

MacNeil backed Trump, donating $1 million to his inauguration and hundreds of thousands to Republican candidates and causes. Trump’s tax law would have cut the magnate’s taxes no matter what. But the IRS records indicate MacNeil may have taken steps to further boost those savings.

For 16 years, the records show, MacNeil’s wages climbed every year: from $1.1 million in 2008 to $10.1 million in 2012 and almost $68 million in 2017. But in 2018, that trend suddenly reversed. He cut his salary to $47 million. Then in 2019, he slashed it even more aggressively, bringing it down to $17 million — 75% lower than two years earlier.

MacNeil’s CEO title hadn’t changed. He hadn’t stepped back. “I bust my ass seven days a week,” he said.

As MacNeil’s salary fell, the company’s profits, which are taxed at a lower rate, surged. In 2018, after four years in which profits hovered around $100 million a year, they suddenly jumped to $121 million. The $21 million increase mirrored the amount that MacNeil lowered his wages that year.

With his (higher-taxed) wages dropping and his (lower-taxed) profits rising, MacNeil avoided an estimated $8 million in taxes.

MacNeil first said he was unaware that his wages had been cut 75% until ProPublica asked him about it. “I had no idea,” he said, asserting the decision was made by his accountants. Later, MacNeil told ProPublica that his wage decrease stemmed from his decision to begin reinvesting almost all of his profits back into the company, leaving him less cash to pay himself in wages.

Experts told ProPublica that increased capital investments by an owner could help justify lower wages, if they result in the owner having less cash left over.

Still, the tax data shows MacNeil’s profits soaring during the years his wages dropped. The data does not indicate how much money MacNeil put back into the business. Asked to provide specific figures outlining his annual cash flow and reinvestment, MacNeil declined.

MacNeil also cited the vagueness of the IRS’ definition of “reasonable compensation.” Most important, he said, the estimated $8 million in taxes he avoided by dropping his wages allowed him to buy an $8 million machine that would generate many multiples of that in tax revenue in the years to come, because it would make his business more profitable.

In a series of text messages in the days that followed, MacNeil continued to defend himself, telling a ProPublica reporter that he didn’t understand “the real world” and “it’s time to grow up and get a real job.”

“Break it up anyway you want, you saw there was a half billion dollars in investment with your own eyes,” he wrote. “We’ve paid hundreds and hundreds of millions of dollars in taxes since 2012. How much have you paid? Chump change for sure. Enjoy!”

MacNeil’s company, like all of the ones discussed in this article, is organized as a pass-through, a tax structure that is quite common but not popularly understood.

To understand pass-throughs, it’s first useful to know how their corporate cousin, the C corporation, is taxed. Most large publicly traded companies, the ExxonMobils and Nikes of the world, are C corporations. When these companies end the year, they must pay the IRS corporate income tax on any profits they have earned. Shareholders receive money, and then owe taxes, only if they decide to sell their holding at a gain or if the companies issue a dividend.

Most businesses in the U.S. are not C corporations, but pass-throughs. They include everything from a small corner deli to a hedge fund to a multinational construction company. Most are privately held. When one of these businesses makes a profit, they do not pay the corporate tax. Instead, that money “passes through” directly to the owner and is reflected on the owners’ personal tax returns. It is therefore taxed only once, and individual income tax rates apply.

One popular type of pass-through is called an S corporation, named after the section in the tax code. They were created in the Eisenhower era as an option for small businesses who wanted to face only a single layer of tax. Since then, many large companies have structured themselves as S corporations for the tax benefits they can bring.


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The IRS requires that S corporations pay reasonable salaries — they “should not attempt to avoid paying employment taxes by having their officers treat their compensation as cash distributions” — but the agency has been vague about what those words mean. Factors cited for what makes a salary reasonable include the individual’s training and experience, job responsibilities and what comparable businesses pay for similar roles.

To offer more clarity, the IRS has publicly cited court cases it fought against business owners. In one, from 2001, a Pennsylvania veterinarian took all of his compensation as business income, paying himself no wages even though he spent more than 30 hours a week doing surgeries and other tasks. The veterinarian lost and was forced to pay back taxes.

In another case, an Iowa accountant was paid a salary of $24,000 a year, while taking profits of about $200,000. The accountant, David Watson, specialized in advising clients on tax issues involving pass-through companies. The court ruled against Watson, forcing him to pay back taxes and penalties, after it found that the market rate for his services at the time would have been over $90,000.

The issue has at times become a more public flashpoint. Former Democratic presidential nominee John Edwards was criticized for taking a small salary from the law practice he owned, and former Republican House Speaker Newt Gingrich took heat for doing the same from companies he created that profit from his speeches and other appearances. More recently, The Wall Street Journal reported that Joe Biden exploited the tactic in the years before he became president with his book and speech income. Gingrich, Edwards and Biden have all defended their handling of their tax affairs.

A 2009 report from the Government Accountability Office estimated that in 2003 and 2004, about 13% of S corporations paid artificially low wages, resulting in about $3 billion in lost tax revenue. IRS officials complained to investigators that making the case that a salary is artificially low can be difficult and time consuming. From 2006 to 2008, the IRS examined only 0.5% of S corporations, and in less than a fourth of those cases was compensation looked at. By 2019, the audit rate for S corporations had fallen even lower, to 0.2%.

As the Trump tax cut was being hammered out, lobbyists for industry groups and specific companies pushed to make sure they were eligible. Engineering, real estate and manufacturing were granted the deduction. Lawyers and companies performing “financial services,” for example, were not.

Despite that, banks lobbied successfully to be eligible for the deduction. One of the banks that pushed for that eligibility was MidFirst. That year, even as the CEO’s salary dropped from $8.6 million to $1.8 million, his share of the profits jumped more than $16 million. In 2019, Records’ salary rebounded to $6.5 million, but it remained lower than it had been in the year before the Trump tax law.

Representatives for Records declined to answer questions for this article.

Dick and Liz Uihlein also appear to have benefited. The co-founders of Uline gave millions to support Sen. Ron Johnson, the Wisconsin Republican who became the champion of the pass-through provision in the Trump tax overhaul.

Before the law passed, the salaries for the Uihleins had fluctuated. But in 2018 they dropped dramatically, from a total of $10.5 million to $4.2 million. Their wages had not been that low in more than a decade.

The business reasons for the pay cut are not clear from the available records, and a spokesman for the Uihleins declined to answer questions from ProPublica. Dick remained chairman, and Liz was president. Liz Uihlein said publicly in 2020 that the couple was still heavily involved in running the company.

Their business was booming in the year their wages fell. Profits rose from about $721 million in 2017 to $937 million in 2018, ProPublica’s analysis of the company’s tax data shows. The company remained North America’s leading distributor of shipping and packaging supplies. “Business is great,” Uline’s Chief Human Resources Officer Gil De Las Alas told the Kenosha News in November 2018. “We just keep growing, growing, growing.

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Florida’s COVID surge is so huge, it’s causing a water shortage in Orlando

Orlando is facing a water shortage as COVID-19 surges in the Sunshine State.

On Friday, WFTV interrupted a speech on Afghanistan by President Joe Biden to deliver the breaking news on a water shortage.

“It is rare that we would break in to the president speaking, but we have some important breaking news out of Orlando right now that could impact how much water you can use on your lawn and maybe even further than that,” anchor Greg Warmoth reported.

Warmoth reported that the Orlando Utilities Commission is urging residents to immediately begin conserving water.

The utility relies upon liquid oxygen to clean the city’s water supply, but is running into shortages due to the spread of the pandemic in Florida, where GOP Gov. Ron DeSantis has banned many public health measures to limit the spread of coronavirus.

“Liquid oxygen is now in short supply due to a record number of hospitalized COVID-19 patients, and OUC said its supply is running low,” the network reported. “Liquid oxygen removes hydrogen sulfide, a colorless gas, from the water. The gas, if not removed, gives the water a strong rotten egg smell.”

“This is so crazy,” WFTV reporter Lauren Seabrook tweeted. “Orlando residents need to conserve water immediately!”

Ted Cruz hired family members to Senate staff, raising eyebrows in Washington

A spokesperson for Sen. Ted Cruz, R-Texas, lashed out at accusations of nepotism Friday after reports surfaced that he had hired several of his direct relatives, calling any suggestion that Sen. Cruz had acted unethically a “political slime job” and “classic fake news.”

Insider reported that the longtime conservative provocateur — whose mission in recent weeks has been to stonewall dozens of President Joe Biden’s nominees to key State Department posts, despite their qualifications — recently hired two of his first cousins’ children, one as a press assistant and another as an intern.

Both are incredibly sought-after positions in the world of politics, with Cruz’ family members winning out over what were likely hundreds, if not thousands, of other applicants.

Hiring the pair likely did not violate federal law, which only bars officials from hiring close relatives — like cousins — but not the children of those close relatives. 

Still, ethics experts said Cruz’ actions clearly gives the appearance of a conflict of interest during the hiring process.

“Hiring of the first cousin’s child would just miss the law by a nose,” Craig Holman, a lobbyist with the good-government watchdog group Public Citizen, told Insider.


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“We expect our elected officials to act with integrity and to be mindful of how the taxpayer’s money is being spent,” said Virginia Canter, chief ethics counsel at another watchdog group, the Citizens for Responsibility and Ethics in Washington. “It looks like basically the taxpayer is subsidizing the training of his relatives.”

Cruz spokeswoman Erin Perrine reportedly lashed out at Insider in an email after the outlet inquired about the hires, calling their reporting “classic fake news.”

“Attacking two young Baylor graduates, for working as an unpaid intern and as a junior staffer, is exactly the kind of political slime job that makes people so disgusted with the corrupt corporate media,” she wrote. “As the experts you spoke to all agreed, the law is clear, and the senator has appropriately met all of his legal and ethics requirements and is in complete compliance.”

It’s not the first time Cruz, who portrays himself as a consummate family man, has hired family for key posts on his staff: Cruz’ cousin was also on his 2016 presidential campaign’s payroll, and later joined Cruz’ Senate campaign as well.

Through “The Chair” Sandra Oh and Amanda Peet take an academic view of cancel culture

Why are university politics so intense? Because the stakes are so low.

Whether that classic observation is presented as a truism or a bitter joke depends on the delivery and circumstance. Either way, it might as well be the thesis statement guiding Netflix’s “The Chair,Amanda Peet’s six-part limited series starring Sandra Oh as Dr. Ji-Yoon Kim, an English professor under siege on multiple fronts.

At Pembroke University, she’s honored with being named as the first woman to chair the English department, then immediately tasked with firing three colleagues who can’t fill their classes. Her adopted daughter Ju Ju (Everly Carganilla) resents her for making her take a back seat to her job. Her father (Ji Yong Lee) is losing patience with being shoved into a caregiver role.  

Nevertheless, Ji-Yoon has no choice but to keep plugging away as forces conspire to grind her down. As one of the few women of color on the university’s teaching staff, she knows her boss Dean Paul Larson (David Morse) expects great things of her. At least he says he does.

But when Ji-Yoon attempts to use her newfound position to elevate a deserving and popular Black professor, Yasmin McKay (Nana Mensah), the Dean and Ji-Yoon’s older white peers construct roadblocks that stymie both their aspirations. The other professors are envious of the younger women, each of whom connect with their students in ways the older teachers cannot.

Dean Larson, on the other hand, lazily throws around his weight as the college’s patriarchal guardian of status quo as he makes a show of lamenting the liberal arts school’s waning relevance in the technological age.

With “The Chair” Peet and her co-creator Annie Julia Wyman present an efficient study in gender politics in the workplace mixed into a dark satire about two of the right wing’s favorite toys to play with: political correctness and cancel culture. It’s also one that speaks most effectively to anyone who has endured academia or is close enough to a survivor to be familiar with the toxicity lurking in its depths.

All of those come into play when one of Pembroke’s star professors, the recently widowed Bill Dobson (Jay Duplass), throws up a Nazi salute as a bit of theater during a lecture. Bill’s not quite himself, as Ji-Yoon knows; they’re very close friends. But when a student captures the moment on his phone, transforms it into a shocking meme, and shares it widely, angry protests tear up the normally staid campus.

That Bill’s playacting is taken completely out of context and blown out of proportion doesn’t matter. A head must roll. Possibly two.  

Had “The Chair” solely focused on Bill’s scandal and been handled with less consideration for the prismatic complexity of his and Ji-Yoon’s situation, one could picture many ways that the story could have degenerated into a simplistic plot skewering the over-policing of propriety.

But the writers and Peet, who has a writing credit on three of its six episodes, achieve a striking and complex emulsion of humanity, ego and ultimately decency – or in some cases, the lack of it.  Through this thorny narrative they make the case that even if the students might be enraged over a manufactured slight, their anger isn’t emerging from the ether.

They’re coming of age with an increased understanding of how the white patriarchal point of view has shaped the base of knowledge with which they enter the world. They also notice how many of their teachers happen to be white, male and from a generation that not only doesn’t understand them but doesn’t deign to try.

On the other side are those teachers, each of them afraid of being stamped as irrelevant but too proud to change with the times.

Ji-Yoon knows all of this, and yet as she’s saddled with an array of pressures, she’s made to serve her senior white subordinates instead of managing them. Instead of firing Bob Balaban’s prickly Professor Elliot Rentz, one of those stuffy classics who can’t get butts into seats, she tries to save him by inserting him into one of Yaz’s most popular classes, assuming he’ll be as bowled over by the up-and-coming professor as she is. This, of course, is an instance of willfully forgetting how intellectual narcissism works.

If the concepts delineated in “The Chair” don’t hang together entirely seamlessly, that may be owing to the varied constituencies chipping way at Ji-Yoon’s reputation, either overtly or behind the scenes. Perhaps it’s best absorbed as a series of plays running simultaneously in different parts of Pembroke’s campus, or in the spare wintry streets of the college town series director Daniel Gray Longino films in a way that conveys the place’s noble chill.

Each has its moments, and some are wonderful, particularly the views into Ji-Yoon’s personal life and her interactions with her Korean family members, each of whom is loving, concerned and hilariously judgmental. And Carganilla is legitimately charming as Ju Ju, finding a balance between deviousness and an indignation at both her mother’s absenteeism and her own internal identity struggle born of being a child of Mexican heritage being raised by a Korean mother.   

Oh’s controlled vacillation between effervescent wit and warmth and frantic frustration in each episode make Ji-Yoon a solid navigator through this morass. She channels the comedic dexterity we’ve seen in “Killing Eve” and “Grey’s Anatomy” before that into demonstrations of pure discomfort in moments when Ji-Yoon is aware she’s being used as a pawn but can’t figure out what to do about it. But she pours a heated sorrow and frustration into Ji-Yoon that makes her the center of gravity in an impressive ensemble that also includes Holland Taylor and Balaban.

Duplass has made a career of playing good, well-meaning but frustrating men like Bill or writing them, so his naturalistic performance is enjoyable if not entirely new. Some of the scenes he shares with Oh are among the most vividly touching in the series, which is saying a lot in a story where Taylor absolutely devours each frame. Witnessing her deliver a beatdown to a kid who disrespects Chaucer is truly a moment to savor.

Together these performances carry a story over its bumpier spots until it arrives at its larger point, which is that the outcries from each end of the supposed cancel culture spectrum are addressing real concerns.

None of those problems can possibly be solved with a few placating sacrifices that are essentially meaningless, except to the people whose lives are destroyed in the process. Peet, Oh, Duplass and the rest take these relatively insular stakes and make them expansive enough to allow anyone to savor the way it connects the campus’ furor and the broader canvas of politics and culture. And while Pembroke may not fully appreciate what Ji-Yoon brings to this conversation, the knowing viewer surely will.

“The Chair” is now streaming on Netflix.

Monica Lewinsky fittingly supplants Jeffrey Toobin’s consulting role on FX’s “Impeachment”

Jeffrey Toobin may have landed a gig on CNN after his Zoom incident, but not everyone is as eager to be associated with him anymore.

As FX’s “American Crime Story” returns for its third season, which centers on the 1998 impeachment of former President BIll Clinton, a looming question has hung in the air over Toobin’s involvement in the production. “Impeachment: American Crime Story” is based on his book, “A Vast Conspiracy: The Real Story of the Sex Scandal That Nearly Brought Down a President,” which the network optioned back in 2017. At that time, it was announced Toobin would act as a consultant, and play a similar role to his work with “American Crime Story” from its acclaimed first season, “The People v. O. J. Simpson,” also based on one of his books.

Of course, a lot’s changed since 2017 — for the world, and certainly for Toobin. Last year, the author and legal analyst was exposed and fired from the New Yorker for masturbating on a Zoom call. Since that disturbing incident, he’s been invited to return as a contributor to CNN, but has no longer been working as a consultant on “Impeachment.”

On a virtual panel before the Television Critics Association (TCA) on Friday, “Impeachment” executive producer Brad Simpson offered little detail of Toobin’s role or the timeline of his departure. “We optioned back in 2017, as one of the sources for the show,” Simpson told reporters. “We’d just come off ‘The People vs. OJ Simpson’ and had a great relationship with [Toobin].” 

Simpson seemed to confirm that Toobin had been replaced as the “main consultant in terms of outside consultants this season” by none other than Monica Lewinsky herself, whose character is the star of the season (played by Beanie Feldstein), and who was closer to the scandal than anyone else save President Clinton himself. 

“When [Lewinsky] became involved, as someone who was there for all of this, we relied on her for specificity, veracity, and the many, many books and documentaries and grand jury testimonies that were written and processed about this,” Simpson said.

Even if Toobin is being steadily reintegrated into American media and society, his presence on a show about sexual misconduct and abuse of power would have been uncomfortable, to say the least. His replacement with Lewinsky isn’t just appropriate, and according to the cast and writers of “Impeachment,” incredibly helpful — it’s also arguably a microcosm of the greater changes we’re beginning to see in gender and power in society, and the entertainment industry. 

In contrast, Lewinsky has been on quite a journey over the last two decades, going from one of the most bullied and isolated people in the country as just a young woman, to becoming a vocal writer, anti-bullying advocate and outspoken social media personality. “Impeachment” will present a dramatized portrayal of her story as a White House intern who found herself involved in an extramarital affair with President Clinton in the 1990s. The affair was subsequently exposed to the world, and weaponized by the right-wing to impeach the president by getting him to lie about not having the affair.

We know today, of course, that Clinton wasn’t removed from office, and he was able to walk away from the scandal relatively unscathed, only recently facing questions about the affair in the modern era. On the other hand, the affair has followed Lewinsky all her life.

Nina Jacobsen, another executive producer on the project, conceded to reporters that having someone so close to the events being portrayed be involved in the show “was a first for us,” but justified this decision as critical to being true to history — and righting historical wrongs against Lewinsky. 

“Monica is a woman whose voice — she did not have any voice during this entire, overwhelming series of events, and she was literally muzzled by Ken Starr, by her own lawyer,” Jacobsen told reporters on the panel. “She could not speak, she’s told you can’t even talk to your friends because they could be subpoenaed. So to have been silenced and really culturally banished for 20 years, there was no way we could make the show and not give her a voice. It would have felt utterly wrong.”

Jacobson also noted Lewinsky’s contributions “were invaluable,” and though “it was not easy for her and it was not easy for us, it was worth every moment.”

American Crime Story: ImpeachmentBeanie Feldstein as Monica Lewinsky in “American Crime Story: Impeachment” (Kurt Iswarienko/FX))

The producers, writers and cast of “Impeachment” all spoke highly of Lewinsky’s extensive involvement with the show. Sarah Burgess, an executive producer and writer of the show, recalled sharing every page with Lewinsky. “I did my first draft based closely on Monica Lewinsky’s memoir, and then I went through every page of it with Monica, and she and I spoke privately,” Burgess said. She also added “a couple moments Monica told [her] about,” and worked closely with Lewinsky to make these scenes “as accurate as possible.”

Despite Lewinsky’s significant role on the project, Simpson clarified that Lewinsky’s input was focused specifically on her character and her experiences. “Monica was really respectful of the process,” he said. “This is Monica’s story but this is also an ‘American Crime Story,’ we’re showing a tapestry of characters. . . . It’s not like [Lewinsky] was having a heavy hand in other people’s storylines — she gave us regular producer notes on those.”

Lewinsky also worked closely with Beanie Feldstein, the young actor who portrays her. Feldstein called the relationship “more of a friendship than working relationship.” They met once in person just before the COVID-19 pandemic erupted around the world, and continued their close contact through texting, calling and frequently sharing videos with each other, Feldstein recalled.

“She was really giving with me, in that she’d answer anything I had questions about, but it was easier and more useful for me to be around her spirit,” Feldstein told reporters. She continued, “I made it very clear to her when we started filming that I saw myself as her bodyguard, I was like, ‘I’m putting my body in for you, I’m going to protect you. I have your back, I have your heart ,and that’s my job.’ We had a complete trust in one another, and it became more of a friendship.” 

Feldstein, who was only five years old during the scandal, says it helped that she was so young at the time and was a “blank slate” without preconceived opinions about Lewinsky, who was arguably subject to the first big online bullying campaign and was widely despised at the time.

Of course, Feldstein isn’t the only young woman who either wasn’t born yet or was too young to know what was going on in 1998, and is now a supporter of Lewinsky. Simpson told reporters that at a recent “Impeachment” event in New York, several teenagers “lined up to meet Monica Lewinsky.”

“She represents something very different to them,” Simpson said. “The things she speaks out about, her platform, as the first person who was publicly shamed by the internet. I think there is a generational divide.” 

With its modern lenses and direct input from Lewinsky herself, “Impeachment” promises to bring a new, refreshingly nuanced spin on one of the greatest scandals in American political history — and one that will likely be more resonant for women and young people shaped by the revelations and shifts in power recently yielded by the #MeToo movement.

“Just by showing what happened, we’re showing who was really at fault here, who had the responsibility to be mature, and who had the responsibility to not have an affair with an intern,” Simpson said. “We want people to watch this and feel what it was like to walk in someone’s shoes.”

“Impeachment: American Crime Story” stars Beanie Feldstein, Clive Owen, Sarah Paulson, Edie Falco, Annaleigh Ashford, Billie Eichner and many more. The series premieres Tuesday, Sept. 7 at 10 p.m. on FX.