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Dionne Warwick on her new documentary and enduring career: “I am and will always be relevant”

It is hard not to want Dionne Warwick to sing everything she says in an interview. The legendary performer, who has an elegant voice that is subtly tinged with melancholy, has been causing listeners to swoon for more than six decades. With the new documentary, “Dionne Warwick: Don’t Make Me Over,” fans can swoon all over again. 

Directors Dave Wooley and David Heilbroner trace Warwick’s career from her first live appearance — singing “Jesus Loves Me” in church at age 6 — to her amateur night at the Apollo Theater, and her early career as a backup singer before she became the famed solo artist. Her collaborations with Hal David and Burt Bacharach made her famous and helped her win a Grammy (for “Do You Know the Way to San Jose”), making her the first Black singer to win in the Pop category.

Not one to mince words, Warwick discusses her experiences on tour in the Jim Crow south, where she turned her back on white audiences, told a waitress off when Warwick was not welcome to eat in a diner, and how she even lectures Snoop Dogg about his misogynistic rap. lyrics. Throughout it all, Warwick, exudes class. She was an advocate for AIDS awareness, releasing a single, “That’s What Friends Are For,” that earned millions of dollars for amfAR, the Foundation for AIDS Research. 

“Dionne Warwick: Don’t Make Me Over,” focuses on the highlights of Warwick’s life and career, touching briefly on the tragedies, from her memories of her niece, Whitney Houston, to her bankruptcy. There is only a mention of Warwick’s work with the Psychic Friends Network, and her current status as the Queen of Twitter. But there are plenty of musical clips, interviews with everyone from collaborators Burt Bacharach, Clive Davis, Elton John, Gladys Knight, and Stevie Wonder, as well as Smokey Robinson, Lonnie Bunch, Gloria Estefan, and Bill Clinton, among many, many others.

Warwick and writer/co-director Dave Wooley chatted via zoom with Salon during the Toronto International Film Festival about her career and their new documentary.

Dionne, “Don’t Make Me Over,” is not just the title of the film, or your hit song, but it’s a theme in your life — you took chances. You confronted racism, did humanitarian work, was involved with the Psychic Friends Network, and even became the Queen of Twitter. What can you say about your various reinventions? 

Dionne Warwick: I don’t know where the word reinvention came from. Everything you saw, heard, and will hear or see has always been a part of me, and will always be a part of me. It’s just a matter of timing. I’m in show business. And that’s what timing is all about. When you are supposed to hear it, that’s when it reveals itself. So, reinventing — I never did that, and I never will. I am and will always be relevant.

Dave, how did you approach telling Dionne’s story, determine what topics to address, and then getting everyone from Bill Clinton to Snoop Dogg to share memories of and encounters with Dionne?

Dave Wooley: The hardest part was that there are at least 10 documentaries in her, and now there are 11 in this woman — so the issue was: which one do you tell? She’s accomplished so much in her life. Once I was able to focus on how to structure the story, and contact folks for insight — so friends, business partners, family. It didn’t take long once it all came together, but it took five years to actually produce the film. Calling Snoop, it was an immediate yes, when, and where? Calling President Bill Clinton same type of thing. What was exciting was that I didn’t know what I would get when I got there, so having President Clinton singing, “Do You Know the Way to San Jose,” in the same film where Snoop Dogg is singing “Walk on By” had to be a first! [Laughs] 

Warwick: I had no idea about anyone other than me, my aunt Cissy, and Clive Davis. Aside from that, I didn’t know what they were doing. They wouldn’t tell me!

Wooley: We wanted it to be a surprise. To keep a secret from Dionne is really difficult.

Warwick: I’m very nosy! 

Wooley: It was like throwing a surprise party that was five years in the making without giving any hints. It had to be exciting for her to watch it. 

Warwick: It was quite exciting. 


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Dionne, you always come across as such a class act. You do everything so elegantly and eloquently. How do you approach life?

Warwick: That’s what I am — I am elegant and eloquent. [Laughs] How do you explain it? It was the way I was brought up. I was brought up to tell truth, believe in God, and know that when you open your mouth to say anything, know what you are talking about. And if you don’t, tell the person you are with that you don’t know and will try to find out for them. Just be completely honest and who you are. I tell people I don’t want to be anyone else. I like me. I don’t want to be anyone but who I am. And I always will be. Whenever you ask me anything, you’re getting an opinion from me. I hope you expect to get it, and sometimes you may get something you don’t want to hear, but that’s what you’ll get. That’s all I ever knew, and all I ever will know.

Dionne’s story is inspiring, Dave. Why make this film now? What was the impetus for this documentary?

Wooley: As a businessman, you look at marketplace and you look for things that don’t exist, and that becomes your business. I’m amazed that a theatrical documentary on Dionne Warwick didn’t exist. So, my mission was to fill that void and its part of her legacy. There would be millions of people like you who would totally enjoy it. It took five years to make, and that’s pretty fast. She’s lived the kind of life she lived, and you can’t do that quickly. We were fortunate not to have to rush it. As for why now? We need something like this, a ray of light with the racial tension that is going on in America and has been going on, and COVID. It is what the world needs right now.

Dionne, given your experience in the music industry, you have seen the changes — you went from singing background vocals to charting hits during the ’60s only to see how tastes changed in the Disco era and later with rap music. You were called a sellout during the early years of your career, but also crossed over, being the first Black artist to win a Grammy for Pop music. What observations do you have about the industry given your range of experience? You have seen it all and adapt and go high when the industry went low.

Warwick: Staying relevant is something everyone has in mind to do. You want to stay as current as you possibly can. My sons grew up in different music era, and I have seven grandchildren, who are now growing up in this musical era. It’s helped me to understand the current generation. It’s allowing me to understand what is going on musically given the interesting recording these days.

What do you listen to?

Warwick: I listen to my peers. Gladys Knight, and my Brazilian friends. Sometimes I don’t have a choice about what I hear, because my nieces and nephews play their music in my home.

Dave, at the end of the documentary, you ask folks about their favorite Dionne song. What would each of you say, and what makes it special?

Wooley: There are so many of her songs that mean something to me. One my mother played was “I Say a Little Prayer” while she was putting on her makeup. As a kid you can visualize that.  She’s singing to my mother. What was magical was my mom and Dionne having breakfast, and mom said that was her theme song for getting dressed for work. 

Warwick: All of them. Honestly. Every single one. They are like my children. They got all the love they deserve.

Dionne, is there anyone you still want to record with?

Warwick: I still have yet to get it done — we’ve been threatening to work together for years — Earth, Wind & Fire.

Dave, what can you say about constructing the film with all the different interviews and footage?

Wooley: This was my debut as a filmmaker, so I had the pleasure of watching many, many documentaries. I took a simplistic approach. I have an entertainment background. At the beginning of the film, there are about two minutes and a lot of people talking [about Dionne] and it’s almost like a trailer. But there is a rhythm that pulls you in; that was the structure. If you ever go to a Dionne Warwick concert, she is the same way. I used that model. She comes out and doesn’t talk to the audience until a few songs in. 

Warwick: Yeah, whenever I feel like it. That’s my approach. 

Wooley: Yeah, she just hits you, and that’s the approach I wanted to use as my structure. Get them from the first moment. 

Dionne, how do you approach a song?

Warwick: I have complete respect for composers who write the melody and want to hear the melody. The writer of the lyrics wants to hear the words he wrote. I have no right, actually, to change the melody or the words unless given permission to do so. That is my approach. I try to express what they have done. I refuse to call Hal David a lyricist. I call him a poet. I give you the poetry of his lyric, and, of course, the melodies of Burt’s. I try to compose how they feel, or what they were thinking, and express that to you. I’m too young to have lived through any of those experiences! [Laughs] When I was singing “Anyone Who Had a Heart,” or any of those songs that Hal David wrote, I had to imagine what he must have been going through. I was much too young to be going through all that stuff myself! 

Biden’s vaccine mandate makes Republicans choose: culture war or corporate profits?

Republican leaders are really mad about President Joe Biden’s executive order issued last week, which mandates vaccination or weekly COVID-19 testing for employees of any company with 100 employees or more. Within less than a day, the battle cry of the virus’s best advocates was ringing out across the land: We’ll sue!

Texas Gov. Greg Abbott declared that he was “working to halt this power grab.” South Dakota Gov. Kristi Noem, always on hand to assist the coronavirus’s efforts to reproduce wildly, declared, “see you in court.” When it comes to a virus and its mindless pursuit of human hosts to infect, this disease has no better friend than the modern GOP. 

In this, however, Republican leaders are out of step with the majority of the public, which believes that vaccines should be mandated for workers. Of course, there’s nothing new about Republicans embracing unpopular ideas. What makes this a shocking twist is Republican opposition to vaccine mandates puts them at odds with the larger business community.

Over the weekend, the Washington Post reported that many business leaders — even those who are stalwart Republicans generally — are pleased with Biden’s vaccine mandate. That’s because — as Republicans understood when Donald Trump held the White House but seem to have forgotten since then — pandemics are bad for business. “The reality is there are a number of businesses that are wanting the government to step in. This gives them the cover to do what they want to do anyway,” Charles Shipan, a political scientist at the University of Michigan, told the Post. 


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As one business leader in Texas explained, companies want their employees fully vaccinated and back to regular work life, but often shy away from mandates out of fear “that some workers would quit rather than submit.” Now that it’s required for all companies of a certain size, however, there’s nowhere else for such workers to go.

Also, the more people who vaccinate, the sooner Americans can return to normal life — which is good for the corporate bottom line. This was a classic tragedy-of-the-commons problem, the sort of thing that government regulation is designed to fix. 

The end result is that the interests of corporate America are now squarely at odds with the Republican Party, at least when it comes to the pandemic. This is, needless to say, unusual. The GOP coalition has long been a sometimes uneasy alliance between wealthy corporate interests and a voting base that is more interested in red meat bigotries than marginal tax rates. Still, the interests of the rich corporate benefactors almost always come first for Republican politicians. Even Trump — who ran by appealing not just to the raw racism of the base, but to their desire to hear a Republican president promise he would protect the social safety net so many of them rely upon — backtracked in office and instead shaped his policies to serve the demands of wealthy elites instead of the Medicare-loving base

The pandemic creates a clear-cut conflict between capitalist interests and culture war politics. Corporate leaders oppose the pandemic, but the culture warriors have sided with the virus and against anyone who tries to implement measures to slow its spread. By making these threats to sue, especially if they make good on them, Republicans are picking the spittle-flecked redhats screaming invective at school boards over the Brooks Brothers set. 

The reason is certainly not because the GOP leadership has gone “populist” in any meaningful sense. If they actually cared about the interests of the hoi polloi they rely on as voters, they would be all for these vaccine mandates, which are needed to slow the pandemic’s current tear through red-state America.

By feigning outrage over the mandates, Republican leaders reinforce a message that’s been emanating from all corners of right-wing media: being a “good” Republican means refusing the vaccine. The likely reason that Republican leaders and propagandists are in conflict with business leaders over this is because continuing the pandemic is the linchpin of their 2022 midterms election strategy.

As Greg Sargent of the Washington Post pointed out last week, “After having gone to great lengths to impair our response to covid at best, and to actively sabotage it at worst, Republicans will claim the covid resurgence is only the fault of President Biden and Democrats.” While there are some people still telling themselves it’s impossible that the same people who backed Trump would do something this slimy, it’s been evident for some time now that Republicans are running the same playbook on Biden’s efforts to end the pandemic that they did on Barack Obama’s efforts to heal the country during his presidency: Sabotage the effort and pin the blame for the continued misery on the president and his party. It’s a strategy that requires using their own followers as bioweapons in their effort to hamper Biden’s success, but as anyone who watches Fox News for even an hour can tell you, treating their voters as cannon fodder clearly doesn’t tickle the conscience of GOP leaders and pundits. 

Perhaps the outrage over the vaccine mandate is real, but not because of “freedom” or any of the other empty excuses Republicans are hiding behind. It’s because Biden is messing with their 2022 midterm strategy. If this mandate works and brings COVID-19 under control, it blows up GOP plans to run on claims that Democrats “failed” to end the pandemic. Never mind that it’s Republicans who are actually to blame for discouraging vaccination. These folks are willing to kill thousands of Americans a week in a bid to get a political advantage over Biden, so they’re not going to be constrained by the moral imperative to be honest. 


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Biden’s vaccine mandate threatens not just to save thousands of lives and return the country to normal, but to derail the GOP’s maximally cynical and deadly 2022 political game plan.

Whether or not it will work remains, of course, to be seen. Much depends on how quickly companies comply with the executive order. If companies act quickly to implement the mandate, it’s likely many, if not most, will not bother to roll it back even if there are lawsuits against it. In the end, the results will be most visible in the vaccination rates — if they start to climb rapidly, it’s a sign that Biden’s mandate is working. If not, it’s a sign he didn’t go far enough and needs to move quickly to do things like banning the unvaccinated from flights before the holiday season gets underway. But whoever prevails, this entire situation underscores how much the GOP has come to rely on grotesque and often nonsensical culture war politics to gain power. They aren’t just willing to kill their own people, either, but now are turning their backs on the interests of the monied elite that they traditionally serve.

The culture war is no longer just a tool, but everything to the GOP. They are willing not just to let untold numbers die for their culture war, but even, shockingly, to let the profit margins of corporate America suffer. 

Capitol police arrest man armed with a bayonet and machete “patrolling” near DNC headquarters

The U.S. Capitol police said they’ve arrested a California man with a bayonet and machete outside the Democratic National Committee headquarters in Washington on Monday.

According to federal authorities, the man was first noticed on Sunday at midnight parked beside the building with his Dodge pickup, which had sported a picture of an American flag in lieu of a license plate. His truck was decorated with swastikas and other white supremacist symbols, authorities said. 

The driver, 44-year-old Donald Craighead of Oceanside, was shortly pulled over by authorities, who said Craighead possessed a machete and a bayonet, both of which are illegal in the District of Columbia. 

Craighead reportedly told police he was “on patrol,” according to NBC News, and spewed various white supremacist rhetoric. 

“This is an excellent example of the work our officers do every day,” said Operational Services Bureau Deputy Chief Jason Bell. “We are so proud of these officers for their vigilance.”

Chief Tom Manger echoed: “We applaud the officers’ keen observation and the teamwork that resulted in this arrest.”

“​​At this time, it is not clear if he was planning to attend any upcoming demonstrations or if he has ties to any previous cases in the area,” the Capitol Police added. 

According to CNN, the Capitol Police Board has asked that temporary fencing be erected around the Capitol building ahead of the conservative “Justice for [January 6]” rally scheduled for September 18. One Democratic congressional aide told Reuters that a number of right-wing groups – like the Oath Keepers and Proud Boys – are expected to attend the event and may target police officers. 


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House Speaker Nancy Pelosi, D-Calif., has invited a number of top congressional leaders to convene a security briefing with Manger to discuss security for the rally. On Wednesday, the Capitol Police said that a “robust security posture” is being prepared. 

The incident comes just a month after a similar confrontation in which a man, who attended the “Stop the Steal” rally, was arrested just outside the Library of Congress for threatening to blow up the building. The incident – which prompted numerous evacuations – saw implicit support from Rep. Mo Brooks, a loyal Trump backer. 

“Although this terrorist’s motivation is not yet publicly known, and generally speaking,” Brooks said. “I understand citizenry anger directed at dictatorial Socialism and its threat to liberty, freedom and the very fabric of the very fabric of American society. The way to stop Socialism’s march is for patriotic Americans to fight back in the 2022 and 2024 election.”

According to an analysis last year by the Center for Strategic International Studies, right-wing terrorism has steadily risen over the past six years, accounting for the majority of all terrorist incidents in the United States since 1994.

Justice Amy Coney Barrett defends the Supreme Court: We aren’t a “bunch of partisan hacks”

Supreme Court Justice Amy Coney Barrett disputed the idea that the court’s decisions are swayed by political biases, claiming that her colleagues are not “a bunch of partisan hacks.”

“Judicial philosophies are not the same as political parties,” Barrett said during a Sunday speech at the University of Louisville’s McConnell Center, named after Kentucky’s senior Republican senator, Mitch McConnell, who notoriously blocked Barack Obama’s final pick for the court, Merrick Garland, from even getting a Senate hearing. “It’s not my job to decide cases based on the outcome I want,” Barrett said. 

Barrett’s speech, reported by the Louisville Courier-Journal, comes just after the Supreme Court handed down two controversial rulings. Earlier this month, the the court upheld a Texas ban on abortion past six weeks into pregnancy, effectively sinking the 40-year precedent established by Roe v. Wade – which 48 years ago granted women a constitutional right to an abortion. The court also officially axed President Biden’s eviction moratorium, a lifeline for renters struggling financially amid the pandemic. 

During her speech, Barrett attempted to delineate apparently valid criticisms of the court from accusations of partisan bias. 

“To say the court’s reasoning is flawed is different from saying the court is acting in a partisan manner,” she said. “I think we need to evaluate what the court is doing on its own terms.”

“The media, along with hot takes on Twitter, report the results and decisions…that makes the decision seem results-oriented. It leaves the reader to judge whether the court was right or wrong, based on whether she liked the results of the decision,” Barrett added. 


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Barrett was appointed by Donald Trump last year shortly after the late Justice Ruth Bader Ginsburg passed – a move that liberals decried as overtly partisan because it went against the tradition of delaying appointments until after the election year is over. Back in 2016, McConnell blocked Obama’s nominee to fill the vacancy left by the death of Justice Antonin Scalia. Barrett, like Scalia, is a so-called “originalist,” meaning that she believes the Constitution should be interpreted as it was written by its founders. She is also a devout Catholic, in the past speaking against abortion and ruling against LGBTQ+ interests. 

During her appearance at the McConnell Center, Barrett was later asked about a number of her conservative rulings, including her abortion “shadow docket” ruling in Texas, as well as her reinstatement of Trump’s “Remain in Mexico” immigration policy, according to Politico. But Barrett demurred, claiming it would be “inappropriate” to comment on the specifics of any cases. 

She described herself as just one of millions of Americans. “I have an important job,” she said, “but I certainly am no more important than anyone else in the grocery store checkout line.”

Asked about advice to women looking to pursue roles in public service, she said that raising a family and pursuing such a career are not mutually exclusive. 

California recall comes down to Donald Trump

The absurd recall election to replace California’s Democratic governor, Gavin Newsom, is upon us. All registered voters in California were sent mail-in ballots weeks ago and Tuesday is the last day for people to either turn them in or vote in person. So far, turnout has been much better than anyone expected for this weirdly timed special election. That bodes well for Governor Newsom in a state in which Democrats outnumber Republicans 2-1. As of last week, 56% of returned ballots were from registered Democrats and about a quarter from registered Republicans. And it does not appear that many of those ballots came from disgruntled Democrats.

The last Los Angeles Times poll found  60.1% of likely voters surveyed oppose recalling Newsom compared with 38.5% in favor. That’s ten points higher than the same poll had the “No” vote in July and close to his 62% – 38% victory in 2018. Most other polls are in the same ballpark, showing Newsom getting well above 50%, which is what it will take for him to survive. It’s certainly possible that the Republicans could still pull this off with a massive surge of same-day voting that includes many unhappy Independents and angry Democrats who are not being caught in the polling, but it will be a tough lift.

The big question is: What turned this around for Newsom?


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After a very complacent spring in which Democrats (including yours truly) assumed the recall wasn’t going anywhere, the polling started to look scary during the summer. The analysis at the time was that Democrats just weren’t engaged while the Republicans were champing at the bit to oust a Democratic governor in a big blue state. So Newsom and the party put together a major operation with a massive ad buy. (This is, unfortunately, necessary in California which has a very media-dependent political culture.)

Newsom’s team started off with positive ads during the summer, highlighting the positive results of the Governor’s pandemic policy including one-time cash payments of  $1,100 he proposed in his budget. But as his numbers began to sink, they relied much more heavily on negative ads, ramping up to a full-court press against GOP pandemic policies in the final month. They denounced radio talk show host Larry Elder, the Republican “front-runner” to replace him, informing people about his far-right, extremist views. But they also went after the Republicans generally, including Florida Governor Ron DeSantis and Texas Governor Greg Abbot, along with the big kahuna, Donald Trump. The Newsom campaign raised the specter of Republican governance in dark and threatening terms.

The Atlantic’s Ron Brownstein points to an explicit emphasis on the pandemic response as being the key to Newsom’s improved chances of survival. He quotes Oscar Lopez, the political director of the 700,000 member SEIU, who says that organizers in the field are finding that voters are most responsive to messaging that highlights the GOP candidate pledges to band mask mandates and repeal vaccine requirements for teachers and school staff. Brownstein reports that concern is reflected in the polling: 

 A late-August survey by the nonpartisan Public Policy Institute of California tested an idea that goes beyond even the mandates Newsom has imposed so far: requiring proof of vaccination to enter “large outdoor gatherings” or “restaurants, bars, and gyms.” Almost exactly three-fourths of state residents who have taken shots (including more than two-fifths of the vaccinated Republicans) supported such a mandate, according to detailed results PPIC provided to The Atlantic. More than 90 percent of Californians who have not been vaccinated opposed such requirements. But because more than four-fifths of all adults in California have received at least one shot, that division translated into a solid 62 percent overall majority support for such a “vaccine passport” mandate.

If Californians are paying attention, they will have seen many Republican governors’ immediate hysterical reaction over President Biden’s executive orders last week requiring companies over 100 to require employees to either get vaccinated or get tested once a week. It’s reasonable to assume that will only reinforce their intention to vote no on the recall if they haven’t already done so. The partisan divide on the pandemic response is stark.

Brownstein makes the case that Newsom’s strategy may be a template for some of the other off-year elections. The polling in the 2021 Virginia and New Jersey Governor’s races shows a similar response to Republican resistance to COVID mitigation strategies. The connecting of Republican candidates to Trump and other national Republicans who are hostile to the vaccines might just carry on into the 2022 cycle.

In fact, this points to a larger strategy that one hopes Democratic candidates will see and emulate going forward. While it is vitally important to educate voters about accomplishments and a positive agenda if it hasn’t been obvious before it should be crystal clear now that we are in a period of such severe polarization that everything depends upon getting base voters and Democratic-leaning Independents to turn out. And that requires highlighting the very real threat of a Republican takeover.


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In the past, the president’s party tended to go to sleep and forget to vote in the midterms but there is no room for such complacency anymore. Republicans are so far gone that they are coddling extremist insurrectionists and allowing thousands of people to die needlessly by catering to the minority’s refusal to do what’s necessary. They must do what Newsom is doing: Eschew happy talk and instead engage in the political fight.

It would have been more difficult if the Republicans had put Donald Trump behind them. But he is still the undisputed leader of the GOP and will no doubt be campaigning and riling up the MAGA base all over the country next year. But he and the Republicans won’t be able to count upon those suburban voters who tend to vote in midterms because they despise Trump and are petrified of the DeSantis/Abbott wing of the Republican party who have treated the pandemic as a lethal partisan weapon. It’s going to be very hard for Republicans to win without them.

Democrats must remind them and the rest of their base exactly what’s at stake and they must ignore the political establishment and the media which will demand that they deliver a “positive” message insisting that negative campaigning turns people off. For better or worse, this is an era of negative partisanship in which fear and loathing of the other party is the prime motivation for political involvement. Ignoring that reality is dangerous political malpractice. 

Decoding the California recall: Why it’s happening — and why it’s crucial that Newsom survives

At its best, the California recall election aimed at unseating Gov. Gavin Newsom may serve as a wakeup call for 2022. An election that shouldn’t even be happening — much less be close — has energized Republicans in a most unlikely place, highlighting the high-stakes dangers of Democratic complacency. After polls dangerously tightened in August, they now suggest that Newsom is likely to survive. But turnout remains the crucial question, and no one’s taking anything for granted.

Understanding what’s driving this recall, and why this is even a race, is vital if Democrats are to beat the odds in the 2022 midterms rather than lose seats, as is the norm. No one has shown a better grasp of what’s involved than Los Angeles Times columnist Jean Guerrero, who is also the author of “Hatemonger: Stephen Miller, Donald Trump, and the White Nationalist Agenda.” 

Others may have been surprised when right-wing talk-show host Larry Elder quickly emerged as the leading GOP candidate, but Guerrero was perfectly prepared. In fact, Elder had been Stephen Miller’s formative mentor, essentially launching his career. Guerrero had interviewed Elder for her book, and had even read his memoir, “Dear Father, Dear Son.” She also understood how Elder and Miller’s anti-immigrant views fit into the long history of reactionary politics in California, as does the entire recall effort. Salon reached out to Guerrero recently to discuss the recall and its ramifications, using the columns she’s written about the race as a jumping-off point. This interview has been edited, as usual, for clarity and length.

Back in mid-July, you wrote about Larry Elder’s role in contributing to the development of Trumpism, most notably by mentoring Stephen Miller, the subject of your book “Hatemonger.” What should people know about Elder, and what does that tell us about the kind of governor he would be?

Larry Elder was a mentor to Stephen Miller back when Miller was a teenager at Santa Monica High School. Stephen Miller called into his show to complain about multiculturalism and racial equity initiatives at the school. Larry Elder told me, when I interviewed him for my book, that he was very impressed by how articulate Stephen Miller was. He decided to have him on as a regular guest, and ultimately he was on 69 times, according to Elder. So he mentored Stephen Miller and remained in touch with him over the years, even through the Trump campaign when he was sending Miller talking points for Trump and ideas for the campaign. 

But it’s not just about Larry Elder mentoring Stephen Miller. He mentored a number of other Trump acolytes, like Alex Marlow, now the Breitbart editor-in-chief, who had an internship with Elder. As Larry Elder himself told me, he gave a lot of confidence to young conservatives like Stephen Miller and Alex Marlow to express their viewpoints without fear of being called racists, because he himself is a Black man who holds and promotes these views that were once considered racist — things like, black people are more racist than white people, really incendiary stuff that Larry Elder built his career around.

As far as what kind of governor he would be, Stephen Miller was to the right of Trump on immigration issues. He pushed consistently in a more extreme anti-immigrant direction. Trump was mostly against illegal immigration, but Stephen Miller made his administration really go after legal immigration in the form of gutting the refugee system, gutting the asylum system, things like that. 

So I believe that Larry Elder, who helped shape Stephen Miller’s anti-immigrant views, would be the most anti-immigrant governor that California has ever seen, even more so than Pete Wilson. I think he would transform the state from one of the most pro-immigrant-rights states in the country into one that systematically attacks not just immigrant communities but Latino communities and other racially diverse communities where many people have mixed status. He would terrorize these communities by working closely with federal immigration officials to enforce laws that are contrary to the values in California.

One of the things you’ve mentioned about Elder’s influence on the Trump campaign was that he urged Miller to stress that undocumented immigrants were harmful to inner-city Blacks and Latinos, correct? Which is not just anti-immigrant, but setting different races against each other

Exactly. He advanced this false view that divides brown and Black communities against one another and keeps them fighting and distracted from the institutional problems that are making their lives miserable.

He also passed on some misogynistic advice targeting Hillary Clinton as well. Could you talk about that?

He encouraged Stephen Miller to read up on the sexual harassment and sexual assault accusers of Bill Clinton and about Hillary Clinton’s alleged mistreatment of them, and he told him, you know, you should read up about this. I forget whether he told him specifically to bring it up during the debate, or if he said, “Let’s talk about how to use this down the line.” Just a few months later, Donald Trump held that press conference with the accusers, to distract attention from the tapes that came out where he’s talking about assaulting women.

In mid-August you wrote that Elder “isn’t afraid to deny the reality of systemic racism by maligning Black people,” even by relying on bogus data from Jared Taylor, a leading white supremacist figure. How has he done this?

He’ll go on his talk show, or when he’s a guest on other talk shows, and over the course of his career, ever since the ’90s, he has repeatedly cited statistics saying that Blacks commit a disproportionate number of violent crimes. Sometimes the data is completely made up, and other times he’s using real data and completely leaving out the context in order to put forth the idea that black people are somehow innately more violent than white people — an idea that harks back to the eugenicists, when people believed in race-based pseudoscience that has since been discredited. There aren’t any real differences between the races, but he puts forward this data to make it seem like all the problems in the Black community are the result of Black people misbehaving or having something wrong with them.

You recount an anecdote Elder told during an L.A. Times interview in which he explained away his own first-hand experience of systemic racism. What happened to him, and how did he explain it away?

He was telling us that when he was a young man, within the first year after getting his driver’s license he was pulled over by police between 75 and 100 times. When we heard that we asked him, “Well, how can you believe that you weren’t being racially profiled? That’s not the experience of most non-Black people. Most non-Black people are not pulled over between 75 and 100 times in a single year by the police.” He said that it was because he looked young, that it had nothing to do with race, and that the idea that he was being racially profiled was absurd. It just goes to show that even when it comes to his own experience he is unable or simply refuses to acknowledge the reality of systemic racism and the way that it operates, and continues to operate, in people’s lives.

That struck me as bizarre. He went on to say that as governor he would tell people just to comply with the police and they’ll be OK, even though last year hundreds of millions of people repeatedly saw that that’s not the case. I’m just wondering if you have further thoughts about what kind of psychology he has, to make those kinds of statements. 

It has to do with a refusal to see context or history, and just a desire to blame any person’s problems on their own behavior. What helps me to understand it a little bit better is when I read his memoir about his father. Nearly the entire first half of the book is about how abusive his father was. His father allegedly would whip him and his brother for very minor infractions and emotionally terrorized them when they were growing up. It created a lot of anger in Elder toward his father. 

But then he writes about how he confronted his father, and his father explained, “You just have to have self-reliance in life, and then things will turn out OK.” Somehow his father sharing his own story of abuse made Larry Elder no longer angry at his father. Suddenly he felt incredibly aligned with his father and grateful to his father for his presence in his life, almost as if his father’s allegedly abusive behavior had made him the person that he is today, and therefore had been a good thing. 

So I think this whole idea of might makes right that is popular among conservatives — that there is no law apart from might makes right, you have to use force to make people behave — that is something that I think is core to the identity of Larry Elder.  And it is clearly tied to his relationship to his father, given that he’s often talked about how the main problem in Black communities is fatherlessness, the absence of fathers in the home.

First of all, he’s not acknowledging the reason that we have this problem with the absence of fathers in communities of color is because of the institutional racism that results in so many of these men being locked up. He’s also almost advocating for these men to remain in the home and to behave in the way that his father behaved. He doesn’t say that, but given that he became ideologically and emotionally aligned with its father, it just makes sense that that’s what he thinks is appropriate.

Elder also portrays Latinos as being more prone to crime as well. Could you say something about that?

In that same memoir he writes about how when he was growing up by the convention center in downtown Los Angeles his neighborhood became more and more overwhelmingly Hispanic, and as Hispanics moved into his neighborhood his neighborhood became more dangerous and more crime-ridden. He basically conflates the new criminality of his neighborhood with the arrival of Hispanic people, as if there’s something innately crime-prone in them. I think that is part of what explains his support for draconian immigration policies, his desire to get rid of sanctuary protections, his desire to get rid of health care and public education for undocumented migrants, his desire even to get rid of birthright citizenship, the constitutional right to become a citizen if you were born in this country. He doesn’t believe that should be the case for people who are born to parents whose papers are not in order.

That apparent hostility that he has towards Latinos is something that would guide his governorship in a similar way to his apparent disdain for the Black community, who he regularly maligns and blames for very complicated problems that have to do with institutional forces that he refuses to acknowledge.

You also wrote a column stressing that Gavin Newsom has been one of the most pro-Latino governors California has ever had. Folks may know that he appointed the state’s first Latino U.S. senator, Alex Padilla [who replaced Kamala Harris], but that’s only one example. What else should I know about this record?

He has been more engaged with Latino civil society than any previous governor, according to civil society leaders I spoke with. He was giving them a seat at the negotiating table from his early days as governor, and listening to them. Among the many actions that he took in response to those conversations was to prioritize high-risk Latino neighborhoods for COVID vaccines. He has made unprecedented monetary investment in public education, some of which well help Latino communities — for example, giving two years of community college to first-time students and measures to drive down the cost of textbooks, which many Latinos cannot otherwise afford, He also extended health care coverage to undocumented seniors and provided housing during the pandemic to essential workers, and to farmworkers who tested positive for COVID, so that they wouldn’t infect their family members. He also expanded the Dreamers’ access to college loans for grad school. 

So according to civil rights and civil society leaders I spoke with, he has been one of the most, if not the most, pro-Latino governors in California history. He perhaps doesn’t come across that way in his demeanor because he’s this wealthy white man with slicked-back hair. But his actions have really benefited the Latino communities in California and particularly the most vulnerable, those with mixed-status families and those who are undocumented and the essential workers who had to keep working throughout the pandemic and keep the economy running — agricultural workers and domestic workers and things like that.

You point to the “reasons for the recall” in the official voter information guide, which include the claim that Newsom has endorsed laws that “favor foreign nationals, in our country illegally, over … our own citizens.” I have two questions about that: First about the factual basis of what he’s actually done, which you’ve just described. And second, how could it be more accurately characterized?

That statement that’s in the voter information guide fails to acknowledge that so many citizens in California come from mixed-status families, and when you help undocumented people you are also helping to alleviate poverty and crime in these communities as well. First and foremost, Newsom did help undocumented people in California, but that’s not the only contingent of the Latino community who he helped.

That’s certainly true, but I was also thinking that he’s not really favoring immigrants, undocumented or not, over natural-born citizens. It’s more like he’s just removing discriminatory barriers to equal treatment.

That’s exactly right. He’s been taking actions to decrease inequality in these communities, and in so doing has improved the lives of all Californians. We all benefit and have benefited from the economic and public health contributions of our undocumented residents. Like I said, he has also made record monetary investments in public education, which helped all working-class Californians to rise out of poverty.

Conservatives attack sanctuary laws because they say that we’re letting criminals out on the streets, and then they go out and commit more crimes. But the whole reason we passed sanctuary protections in the first place is because law enforcement officials found that fear of deportation made people in Latino communities, who so often come from mixed-status families, afraid to call the police and report crimes, because that could lead to their deportation or the deportation of a loved one. So sanctuary laws actually improve public safety, and in addition the economy of California, because they encourage people to come out of the shadows and to interact with the police in situations where they otherwise would not.

But there’s more to the recall argument. It goes on to say: “People in this state suffer the highest taxes in the nation, the highest homelessness rates, and the lowest quality of life as a result.” Those claims are factually false. We have a high homeless rate, but not the highest, for example. And we only have the highest tax rate for the top 1%, while the bottom 80% are taxed below the national average. So those are false, but so is the alleged causality. That leads directly to something else that you wrote about recently: the role of anti-California propaganda and racism driving the recall. There’s three different components I’d like you to discuss. First, California’s own racist history of targeting multiple different races.

People think of California as a very blue, very liberal state, and in many ways it is. But it still has traces — we have more hate groups in any other state and we still have a fringe, a very powerful white supremacist element in our state, along with our white supremacist history. As recently as the 1990s, California passed a number of measures targeting Latino and Black communities. 

We had the racist three-strikes law which disproportionately led to Black men being incarcerated in mass numbers. We had Prop. 187, which targeted social services for undocumented migrants, including public school for their children, which was later deemed unconstitutional. We had attacks on bilingual education. We had attacks on affirmative action. There was just a lot of anti-immigrant hysteria in the 1990s in California because of demographic change, as California went from a white-majority state to one where non-Hispanic whites became a minority by 1999 or early 2000, and basically underwent the extreme demographic shift that the United States as a whole is now undergoing as we head into the 2040s, when non-Hispanic whites will become the minority nationally.

In response to that demographic change, there was a lot of fear-mongering by conservative politicians, including then-Gov. Pete Wilson, who blamed all of the state’s fiscal problems on what he called an invasion at the border, and even sued the federal government for the alleged cost of having to deal with that. He was putting out advertisements on television that showed immigrants crossing the border with, like, this ominous narrative saying, “They keep coming.” There was just a lot of anti-immigrant hysteria whipped up by Pete Wilson and other conservatives in California, including Rush Limbaugh, who had previously been broadcasting out of Sacramento. It just took over the state. 

There was also a huge white separatist movement in Southern California led by Tom Metzger, who even won a Democratic nomination for a seat in Congress. There was a lot of white supremacist activity in California in the 1990s, which was soon relegated to the fringes. But now it appears to be resurgent nationally, in a much stronger and even more dangerous way.

Another factor you say was pushing it was anti-California propaganda. California, Massachusetts and New York have been the three states conservatives have consistently attacked over the years, but California has been especially targeted. How has that played out in recent years?

In recent years conservatives have loved to bash California and portray it as a failing state, and their portrayals always have racial undertones. A good example is what happened when in 2019 when there were are all these failed early efforts to recall Gavin Newsom. Right-wing media launched an anti-California campaign, casting California as a “third-world state” that came as a results of policies of racial diversity. A lot of that was showing images of homeless people, who were disproportionately African-American, Native American and Latino. For example, Tucker Carlson recently called California “the Zimbabwe of the Pacific.”

There’s always talk about how the state’s leaders are “kinder to illegal immigrants than to citizens,” as we saw in the voter information guide. A lot of it is just tied to the fact that we saw demographic change in the 1990s that conservatives nationally are terrified of the United States experiencing. They try to portray California as a place that has failed and that is deteriorating and decaying and being destroyed as a result of leaders who have embraced that diversity and sought to empower everyone in an equal way. They want to portray that as an apocalyptic approach that’s going to result in the end of civilization.

That leads right into my third question, about your discussion of the “Camp of the Saints” worldview, which I also wrote about recently. How does that tie things together? 

This recall election is fundamentally about discrediting multiracial democracy and the idea that it could possibly function, that it does function. In order to discredit multiracial democracy they’re using a narrative straight from the book, “The Camp of the Saints,” which Stephen Miller promoted in 2016 and Steve Bannon did as well, in the lead-up to the Trump administration. It’s a book that is popular among white supremacists, which portrays the destruction of the white world by a horde of brown refugees who are described in really degrading language, words like “monsters” and “beasts,” and also that maligns anti-racist politicians and activists who embrace the brown refugees, and blames them for the “destruction of the white world” as well. 

That entire book is about creating hatred for not only people of color, but also anyone who helps them or embraces them or sees them as equals. That narrative, which is incredibly apocalyptic, relies on tropes about “white genocide” — this whole “great replacement” theory of white supremacists, that brown and Black people are systematically replacing white people, and are being helped in that process by liberal elites, often Jewish in some tellings of the white supremacist tale. It’s a tale that has become mainstream on Fox News and on other right-wing media — this idea that Democrats are embracing immigrants with open arms because they want to replace “legitimate citizens” and white people with people from the “third world.” 

It’s an incredibly dangerous idea, because if you believe there is a conspiracy to replace white people with people of color, then violent action is the logical reaction to that, as “The Camp of the Saints” captures. The book’s characters repeatedly call for genocide and massacres and violence against the brown refugees to “save the white people.” That is what is being dog-whistled every time Tucker Carlson talks about voters in the United States being “replaced,” which by the way relies on a definition of replacement that is completely false. When you have immigration you’re growing the population, you’re not replacing the population. But it connotes violence and it connotes catastrophic destruction, and therefore logically incites violence against people of color.

In contrast to that, you note that there’s a powerful counter-narrative about California “as the place that took chances and succeeded,” as you put it, drawing on Manuel Pastor’s book “State of Resistance.” The negative narratives have been repeated ad nauseam. What does that positive counter-narrative sound like?

The positive counter-narrative is that California is the most welcoming place for people of color to live, because of the immense progress that the state has made on immigrant rights, on racial justice, on criminal justice reform. It is on its way to being one of the safest and most prosperous states, it’s already the fifth largest economy in the world, it attracts half the nation’s venture capital, it has among the best public health outcomes in the nation. And the problems that do exist here — which are exploited by conservatives, such as our problem with homelessness, due to high housing costs — have nothing to do with progressive policies, as conservatives would like us to believe. They have to do with the fact that there is still a very powerful constituency of conservatives and moderates, and even faux-progressives, who are opposed to the construction of affordable housing anywhere near their neighborhoods. That is what has stalled progress in terms of economic equality in this state. 

But if we were to continue on the path that we have been on in recent years, and which Newsom has been a part of, then I think we as a state would conclusively show how successful a multiracial democracy can be. That is the idea that is under attack in this recall election. They want to prove that that multiracial democracy and progressive policies do not work. But they do work. We’ve seen that they’ve been working, and we have a long way to go, but the actions that have been taken to address inequality have been incredibly successful. They’ve been slowed down by the minority conservatives and white supremacists who live in this state, but they’ve shown that they can work to improve the lives of Californians everywhere, and to lift up the entire country, honestly, because of our economic success.

One thing you’ve written about that could take up a whole interview is the importance of Latino turnout, and your concerns about it. What’s most significant at this point?

Latinos are arguably the community in California that has the most to lose in this election, but there are concerns that they will not turn out in sufficient numbers because of the fact that, first of all, they’re being targeted with disinformation on social media, with anti-Newsom propaganda. Secondly, despite all the actions Newsom has taken to make our lives better, Latinos have still borne the brunt of the pandemic, because of the jobs that they have, and have borne the brunt of death tolls and economic tolls. 

So we are traumatized, not just from the pandemic but also from four years of anti-Latino rhetoric from the Trump administration. I think a lot of Latinos, especially young Latinos, are just so overwhelmed with everything that we’ve experienced over the past few years, that after Biden won we wanted a period of letting out a sigh of relief, and just not thinking about politics for a little while. But I think that as the Newsom campaign and civil rights groups have been going out and disseminating information about all that is at stake, that is changing. The polls now reflect that, and I think the election will reflect that as well.

What’s the most important question I didn’t ask, and what’s the answer?

Someone asked me recently in an interview, “Is it possible that Larry Elder would appoint Stephen Miller to replace Dianne Feinstein if something were to happen to her?” That thought had never occurred to me, honestly. It seems so outlandish and far-fetched. But Larry Elder did tell Stephen Miller that he hopes to see live to see the day that Stephen Miller becomes president. I think we need to acknowledge that.

Some of us try to downplay how much a Republican governor could actually do, if they were to come into power with only a very short period until the next election [in 2022], and with a legislature that has a Democratic supermajority. But the governor does have powers to appoint significant positions. It’s possible that if something were to happen to Dianne Feinstein that we would see someone like Stephen Miller be selected as one of the senators for California. That would be clearly catastrophic for the Biden agenda, and for any progress our nation was looking to make on addressing issues of inequality.

CNN’s Peter Bergen on the “dotted line” from Osama bin Laden to Donald Trump

There is America before 9/11 and America after 9/11. That’s as much an observation based on emotion, psychology, feelings and metaphysics as an empirical one. In all, we are a changed people.

The trauma of that day resulted in a 20-year war in Afghanistan and the invasion of Iraq based on the lies about “weapons of mass destruction” and false claims Saddam Hussein was somehow involved with al Qaeda and the 9-11 attacks. As part of the War on Terror and “forever wars,” the U.S. military took action in numerous countries all over the world.

Thousands of American service people were killed and injured. Many thousands more suffered lifelong physical and emotional injuries. It is estimated that 30,000 American active-duty service members or veterans have committed suicide because of PTSD caused by the forever wars and the War on Terror.

Hundreds of thousands of people in Afghanistan, Iraq and other parts of the Middle East have also died because of the the events spawned by 9/11 and America’s and its allies’ response to that horrible day.   

These wars have almost certainly cost the American people trillions of dollars. The final amount will not be known until decades in the future. They have also changed American culture, making the surveillance society ever more normalized and omnipresent. America’s police were further militarized as the tactics (as well as equipment and personnel) from the forever wars were moved from the battlefields abroad and used to brutalize Black and brown communities in the homeland. 

Any remaining claim that America is an exceptional nation and a beacon of democracy and human rights was gutted by the torture and other crimes that occurred at Abu Ghraib, Guantánamo Bay and various other prisons and “black sites” . 

Gangster capitalists and other plutocrats have used the economic costs associated with the forever wars to further gut the social safety net and America’s infrastructure as a way of enriching themselves. It is not coincidental that the post-9/11 era also birthed a new American neofascism that further radicalized an already extreme Republican Party, which led to the election of Donald Trump, the Jan. 6 insurgency and an ongoing coup against America’s multiracial democracy.

Ultimately, on 9/11 Osama bin Laden imposed his will on history. We are now living in the world he helped to create. Peter Bergen has been following this story for many years as CNN’s national security analyst. He is also a vice president at the New America think tank. His new book is “The Rise and Fall of Osama bin Laden.”

In this conversation, Bergen shares his concerns about America’s withdrawal from Afghanistan and how it may leave the U.S. and its allies less safe given the Taliban’s past behavior. Bergen also recounts meeting Osama bin Laden and discusses how he became a force of history that changed the trajectory of America’s (and the world’s) future. Finally, Bergen explains how the tragedy of 9/11 is connected, however indirectly, to the rise of Donald Trump.

This conversation has been edited for clarity and length.

When you hear language such as the “forever wars” or the “War on Terror” what does that mean to you? How do you make sense of it?

When 9/11 happened, we did not have the language to describe the event. As a result, if one does not have the language then it is difficult to think about something in a coherent fashion. It is also difficult to develop policies — for example, we ended up with policies that did not make a great deal of sense. In terms of Guantánamo, the main 9/11 plotters have still not gone to trial because we tied ourselves in so many knots about whether they were combatants or not, and whether they should be tried under a military justice system.

The conceptual confusions were caused by the facts. Not because we were confused, but the facts themselves were confusing. On 9/11 the United States was attacked by a small terrorist group, but the attack was on a scale or level of war. Considering Afghanistan, I believe that framing it as a forever war did not really do us any particular favors.

The Afghanistan Papers showed that the war was a lost cause, and defeat appeared to be a fait accompli. Withdrawal from Afghanistan is also very popular among the American people, both Democrats and Republicans. What other options would you have suggested for Joe Biden?

President Biden has presented this as either we needed to get out entirely or we need to reinvade the country. When he gave his recent speech on Afghanistan, he talked about tens of thousands of additional soldiers that needed to be deployed there. That’s not true. President Obama faced the same choice at the end of his second term. He really wanted to go to zero troops. In the end, he left 8,400 in Afghanistan. The difference between 3,500 and 8,400, when you have 1.3 million active-duty American military, and 2 million if you throw in the reserves, is not significant.

Biden obviously chose a different path. He’s the commander in chief. He is entitled to make that decision. There are three circumstances under which he might change his mind. One is ethnic cleansing by the Taliban against the Hazara Shia, which they’ve done in the past. That’s what changed Obama’s mind on Iraq — when the Yazidis were facing death from ISIS. Another is Americans being killed. That’s what changed Obama’s mind even more, when Jim Foley was beheaded by ISIS. If there’s a terrorist attack in the Afghan-Pakistan region that’s against American interests or against our NATO allies, that may change the calculus as well.

Facts can change. This is not forever. I believe that the Taliban are likely to behave as they did before 9/11. To me, that suggests that the Taliban are going to make mistakes. They’re going to again do things that are abhorrent. Samantha Power is a member of President Biden’s cabinet. If the Taliban engage in ethnic cleansing — which they did when they were in power before — she will surely be a voice to say, “Look, we should intervene in some shape or form.”

Is Afghanistan going to be some type of lingering presence in American politics?

I believe so. The Soviets invaded when Jimmy Carter was president. He began America’s involvement in Afghanistan. Then Reagan comes in. He massively amps up the war in Afghanistan. Afghanistan is one of the huge nails in the coffin of the Soviets during the Cold War. They fall. The civil war happens. The Taliban and al Qaeda become a presence. Bill Clinton has to respond to the embassy attacks in Africa that kill 212 people, mostly Africans and a dozen Americans. And then 9/11 happens. George W. Bush has to respond. Obama calls Afghanistan the “good war.” He surges a massive number of troops into Afghanistan. He also announced a third withdrawal date. President Trump constantly talked about withdrawing. Biden is finally withdrawing from Afghanistan. Every American president since Jimmy Carter has had Afghanistan be an important part of their presidential story. Joe Biden is no different.

There are dueling narratives about Afghanistan. On the left there are claims that the defeat in Afghanistan represents another example of a dying American empire. On the right, there is a narrative that the withdrawal from Afghanistan is an international embarrassment that will empower America’s enemies and rivals, such as China, Russia and Iran.  How do you reconcile these claims?

America was formed as an anti-empire project, and therefore Americans have a hard time involving themselves in quasi-empire-like activities. This is true even if the country is a world superpower. The United States is still in South Korea with 25,000 or more troops, more than three-quarters of a century after the armistice ended the Korean War. In my opinion, the idea that we need to focus on other issues is nonsense.

The United States has a $750 billion defense budget. The country’s military can do more than one thing at a time. A relatively small presence in Afghanistan doesn’t preclude America’s ability to deal with China or Russia. And by the way, nothing gives China or Russia greater joy than seeing the United States abandon Bagram Air Base, a giant base that at one point had up to 50,000 American troops. The Chinese are delighted we’re gone. I can almost guarantee you that the Chinese and the Russians will be among the first governments to recognize the Taliban.

If 9/11 had been treated as a law enforcement problem, would the United States have found itself embroiled in a 20-year-war in Afghanistan? Where would we be now if Afghanistan hadn’t been invaded in response to 9/11?

It clearly was not merely a law enforcement problem when 3,000 people are killed in the morning of 9/11, the Pentagon is taken out, the Trade Center collapses, and the intent was to also crash Flight 93 into the Capitol, killing thousands more people and taking out the seat of American government. This is not conventional criminal activity. Yet at the same time, this was not a traditional nation that that attacked us. If the Taliban had just handed over bin Laden, we would not be having this conversation. The Taliban chose not to do so.

On the anniversary of 9/11 I always reflect on how the United States has not been the same since that day. The country feels very different and fundamentally changed. There is the before 9/11 and then the after 9/11.

In a sense, it brought the United States and the American people back into history. History is often tragic. The 1990s was a time of great prosperity. We’d won the Cold War. It all looked pretty good. But history intervened in our affairs again, with 9/11 being the most serious attack on the continental United States since the War of 1812.

You can’t draw a direct line from President Trump to 9/11, but you certainly can draw a dotted line. Per the polls, Donald Trump was seen as stronger on terrorism than Hillary Clinton. Trump won by a very narrow margin. 9/11 had unexpected downstream consequences in many different ways. I believe that 9/11 changed us as a country.

What was it like to meet Osama bin Laden in 1997? Did you have a sense that this was someone who was going to change history?

No, I didn’t. But if you’d met Hitler in a beer hall in Munich in the 1920s, he would have seemed like a deranged crank, shouting about the Jews and being stabbed in the back in World War I.

In many ways, charisma exists in the eye of the beholder. But Osama bin Laden did not strike me as particularly charismatic. However, the people around him were hanging on his every word.

They called him “Sheik,” which is a term of respect. They saw him as a really significant figure. People who met him who were part of al Qaeda or who were trying to get into al Qaeda described meeting him as being like a seismic moment in their lives that changed everything. Clearly Osama bin Laden also had millions of people around the world who responded positively to him.

He gave up a life of luxury to go and fight the Soviets. In Hollywood terms, bin Laden has a very interesting backstory. There are something like 6,000 Saudi princes, and not one of them went to Afghanistan to fight the Soviets personally. But bin Laden did. He wasn’t personally a coward, at least in terms of his fight against the Russians. I may not have felt his charisma, but bin Laden clearly had it.

Is Osama bin Laden one of those rare figures who through force of will changes history? is he a necessary figure in terms of 9/11 and al Qaeda? If not him would another person have filled that void and done the same things?

I completely believe that it was him. Why were the French at the gates of Moscow in 1812? You can only explain it by Napoleon. Obviously, he needed the French Revolution and the revolutionary army to implement that attack, but it was only the ego and ambition of Napoleon that took the French to the gates of Moscow in 1812.

You can’t explain the Holocaust without Hitler. Of course, the Holocaust was implemented by the whole machinery of the SS and others, but without Hitler, it’s hard to imagine that it would have gotten to that point.

The same is true with bin Laden. It is clear that he didn’t have the same impact on history that Napoleon did or Hitler did, but he did change America, specifically foreign policy, for the first two decades of the 21st century. 9/11 was bin Laden’s big idea. It was his strategy. He implemented it, even though there was internal opposition in al Qaeda. In the end, bin Laden did change history. It didn’t change in the way he thought it would, but he did in fact change history.

What was Osama bin Laden’s personal narrative about himself?

In his mind, he was fulfilling God’s will. He really believed that. Bin Laden believed that he was an instrument of God’s will. He believed that if he didn’t do the things he did, that God would punish him. Bin Laden also believed that anybody who got in the way was collateral damage. This included Muslims as well. In terms of his own worldview, he was the heroic defender of Muslims and was doing God’s will.

Did Osama bin Laden win in the end?

His goal was for the United States to withdraw from the Middle East. That was his strategy. Instead, the United States got more involved in the Middle East. Eventually bin Laden died a unheroic death, surrounded by his wives and kids in a squalid suburban compound in Pakistan.

He wasn’t fighting the fight, engaging in jihad on the field of battle. Bin Laden did have a major impact on American history and that of much of the Muslim world. But If you look at polling data about bin Laden, his appeal fades over time in the Middle East. That is closely tied to declining support for suicide attacks, which was one of al Qaeda’s primary tactics. Ultimately bin Laden did not achieve his goals.

We more or less decimated al Qaeda after 9/11, and the people who best understood that were people inside that organization. One of bin Laden’s old associates wrote that of the 1,900 Arabs who were in Afghanistan at the time of 9/11, 1,600 were captured or killed.

First declassified documents from FBI investigation into 9/11 released

The Federal Bureau of Investigation on Saturday night released a previously withheld document related to its probe of the September 11, 2001 attacks and allegations of Saudi government support for the plane hijackers.

The 16-page document, which was written in 2016 and remains heavily redacted, is the first of several classified records expected to be published in the coming months following an executive order issued last week by U.S. President Joe Biden.

CNN reported that the newly declassified document, which summarizes an investigation called Operation ENCORE, “provides details of the FBI’s work to investigate the alleged logistical support that a Saudi consular official and a suspected Saudi intelligence agent in Los Angeles provided to at least two of the men who hijacked planes.”

“It details multiple connections and witness testimony that prompted FBI suspicion of Omar al-Bayoumi, who was purportedly a Saudi student in Los Angeles but whom the FBI suspected to be a Saudi intelligence agent,” CNN noted. “The FBI document describes him as deeply involved in providing ‘travel assistance, lodging and financing’ to help the two hijackers.”

In addition, NPR noted that while the 9/11 Commission Report released in 2004 “was largely unable to tie the Saudi men to the hijackers, the FBI document describes multiple connections and phone calls.”

According to the news outlet:

Years ago, the Commission wrote that when it came to the Saudi diplomat Fahad al-Thumairy, “We have not found evidence that Thumairy provided assistance to the two hijackers.” A decade later, it appears FBI agents came to a different conclusion. The report says Thumairy “tasked” an associate to help the hijackers when they arrived in Los Angeles, and told the associate the hijackers were “two very significant people,” more than a year before the attacks.

Although the FBI document “outlined contacts between the hijackers and Saudi associates,” it supplied “no evidence the government in Riyadh was complicit in the attacks,” Reuters reported.

Last week, the Saudi embassy in Washington, D.C., said in a statement that it “welcomes the release of” the documents, and that “any allegation that Saudi Arabia is complicit in the September 11 attacks is categorically false.”

“As past investigations have revealed, including the 9/11 Commission and the release of the so-called ’28 Pages,’ no evidence has ever emerged to indicate that the Saudi government or its officials had previous knowledge of the terrorist attack or were in any way involved,” the embassy added.

Reuters reported:

Fifteen of the 19 hijackers were from Saudi Arabia. A U.S. government commission found no evidence that Saudi Arabia directly funded al Qaeda, the group given safe haven by the Taliban in Afghanistan at the time. It left open whether individual Saudi officials might have.

The families of roughly 2,500 of those killed, and more than 20,000 people who suffered injuries, businesses and various insurers, have sued Saudi Arabia seeking billions of dollars.

According to NPR, “While the report does not draw any direct links between hijackers and the Saudi Arabian government as a whole, Jim Kreindler, who represents many of the families suing Saudi Arabia, said the report validates the arguments they have made in the case.”

“This document, together with the public evidence gathered to date, provides a blueprint for how al-Qaeda operated inside the U.S.,” he said, “with the active, knowing support of the Saudi government.”

In response to public disclosure of the FBI document, 9/11 Families United said in a statement that “this report and other evidence confirms that it was a group of Saudi government officials affiliated with the Kingdom’s Ministry of Islamic Affairs, the cradle of Wahhabi extremism within the Saudi government, who came immediately to their aid as they commenced their terrorist preparations.”

“Even with the unfortunate number of redactions, the report contains a host of bombshell new revelations, implicating numerous Saudi government officials, in a coordinated effort to mobilize an essential support network for the first arriving 9/11 hijackers, Nawaf al Hazmi and Khalid al Mihdhar,” the organization continued. “The range of contacts at critical moments among these Saudi government officials, al-Qaeda, and the hijackers is stunning.”

“Now the Saudis’ secrets are exposed and it is well past time for the Kingdom to own up to its officials’ roles in murdering thousands on American soil,” Terry Strada, whose husband Tom was killed in the attack, said on behalf of the group.

Saudi Foreign Minister Prince Faisal bin Farhan, however, “reaffirmed Sunday that his country welcomes the decision by the U.S. to release classified documents relating to its investigation of the attacks, saying the documents ‘would completely show that there was no (Saudi) involvement’ in the attacks,” CNN reported.

Biden’s order came a month after nearly 1,800 family members, survivors, and first responders sent a letter (pdf) urging the president to steer clear of memorial events marking the 20th anniversary of 9/11 unless he declassified information that they claimed would reveal how Saudi government officials “materially supported” the hijackers.

Capitol Police recommends disciplinary action against six officers for Jan. 6 misconduct

The United States Capitol Police on Saturday evening revealed the outcome of investigations into officers alleged to have committed misconduct surrounding the January 6th insurrection.

The department’s Office of Professional Responsibility launched 38 internal investigations, but “did not find sufficient evidence that any of the officers committed a crime.”

In six cases, violations were sustained and disciplinary action recommended.

Three officers were found to have committed conducting unbecoming, one failed to comply with directives, one for improper remarks, and one for improper dissemination of information.

“The six sustained cases should not diminish the heroic efforts of the United States Capitol Police officers. On January 6, the bravery and courage exhibited by the vast majority of our employees was inspiring,” the department said in a statement.

Fox News cuts away from Trump to fact check former president’s election lies

Late Saturday, Fox News cut away from an appearance by Donald Trump at a New York Police Department event where he was making comments about the 20th anniversary of the 9/11 attack where he also asserted that the 2020 election was stolen from him.

After opening up the floor to answer questions, where the former president hinted that he was thinking of running for president again, saying, “I mean I know what I’m going to do, but we are not supposed to be talking about it yet, from the standpoint of campaign finance laws which frankly are ridiculous,” Trump proceed to answer more questions which led anchor Arthel Neville to cut in.

“Okay, we’re going to break away now, the is former president Donald Trump visiting the police station, the 17th precinct station in midtown Manhattan,” she began.

“He didn’t miss any opportunities to air grievances including claiming that the election was rigged, which it was not,” she continued. “It has been proven in court multiple times. It has been proven that the election was not rigged by elected election officials, but it started out on a good note. President Trump, the former president saying that he grew up with the firefighters because he’s from New York and he thanked them for their service.”

“Guilt” writer discusses the twisty finale, the importance of that enigmatic smile and Season 2

Midway through the Season 1 finale of PBS’ “Guilt,” record store owner Jake McCall (Jamie Sives) refuses to let his older brother Max (Mark Bonnar) take the fall for the two of them accidentally running over and killing an elderly man. 

“Of all the things Max would do, he wouldn’t do that,” insists Jake.

Kenny (Emun Elliott), the private investigator trying to convince Jake to turn on Max isn’t so sure. After all, Kenny has worked with Max before and experienced the ambitious lawyer’s cutthroat ways firsthand. 

Jake, however, tries to remain loyal. The brothers’ longtime estranged relationship experienced a tentative sort of reconciliation once they bonded over killing Walter Woods, the name of their hit-and-run victim. 

But what began as a shared ordeal between brothers, eventually ended with them divided. Everything came to a head once Jake confessed his crime to his girlfriend Angie (Ruth Bradley), who in turn confessed to posing as Walter’s niece. With their combined knowledge and a little eavesdropping, the two realize that Max does in fact plan to implicate his brother (not until he safely leaves the country, but still) when trying to blackmail Walter’s neighbor Sheila (Ellie Haddington) into backing the plan.

In the end, Jake has no choice but to betray his brother first. Max had overplayed his hand, and as he’s taken away by the police, he cracks a small, enigmatic smile. 

The series, which originally premiered in the UK in 2019, was acclaimed as one of the best Scottish dramas in years and raked in a number of awards. It’s already renewed for a second season, which will premiere this year overseas. Salon spoke with series writer Neil Forsyth about the audience’s initial response.

“Honestly, it was brilliant. I’ve never had a reaction like that to a television show. I’m sure I never will again,” he said. “I thought it would be perhaps a slightly more divisive show than it was but it seemed to just connect with people.

“I think surprise was definitely a big part of the reaction. It felt like a very different show to a lot of other BBC dramas and British drama that was perhaps on at the time. Visually, Robbie McKillop as director, and Nanu Segal the DoP and their crew did such an incredible job that it looked very different. I think, I think it felt probably much more American actually, in that kind of American dramedy tradition and in its visual presentation, the use of music, in particular, and pace.”

Read the rest of the interview with Forsyth, who discusses the finale, Max’s smile and what’s coming for Season 2.

The following interview has been lightly edited for length and clarity.

While the ending seems to bring Max to some sort of justice, it’s a little odd for the viewer because we see so many of the others who are also guilty and involved in crimes watching him get taken in. How important was that scene to have all of these witnesses to Max’s comeuppance?

I liked the idea of it dramatically, and we had to work hard so it didn’t look a little stagey. It’s a slightly theatrical take on it perhaps, but I thought it was really important for me to just have this murderer’s row, if you like, of witnesses – all of whom had helped get to this point, all of whom had stakes in that situation. I wanted it to be as close to the end as possible, you not only didn’t know how it was going to end, you didn’t know who the real victim in the story was going to be. And there was people there who all had a bit of a case to be made, that they should face some form of comeuppance in some nature in the end. 

GuiltMark Bonnar in “Guilt” (PBS/Expectation/Happy Tramp North)

When he’s being driven away, Max smiles a little. As viewers, are we supposed to know what he’s smiling about?

The smile in the car, I had to fight for that creatively within the team, which I was happy to do so because it was for me, it’s what the whole show is, that moment. When the show came out here [in Scotland and the UK] lots of people had their own theories. My motivation with that was, it was about the brothers, and it was about their lives. And it was about Max facing the reality that Jake, his younger brother, who he had seen with a certain level of disdain his whole life has finally put one over him and done so in this incredibly seismic and life-changing way. And that smile for me is one of admiration, from Max to Jake, and by extension, one of love. That’s I think it’s the most dramatically important moment in the entire series. And I’m so glad to have it there in, so glad in the performance, which I think was absolutely perfect.

Each of the supporting characters pulls off some sort of crime or deception, but I want to discuss Kenny. Poor Kenny! First there’s the alcoholism, his wife kicking him out, getting beat up. He’s pretty sad, but then he also shows himself to be corruptible. What went into developing that character? 

It was just meeting a character at rock bottom and watching them flounder their way slowly out of it really, while dealing with the events that the show and the story were throwing at them I thought was really attractive. He feels probably quite comedic early on, and then I think it’s just pulling the rug out from below the viewers’ feet a little bit in presenting characters in relatively simplistic terms and then complicating who they are and the viewers’ perception of them. 

So Emun Elliot, such a brilliant actor. He got that in his performance and the journey really well. He comes in and he’s funny and he’s beat down and he’s he’s a man in trouble. And then we start to find these little hoops of performance where clarity is coming and the clouds are parting and we see a man slowly start to piece himself together while dealing with this unbelievably stressful situation. 

The ease by which many of the characters lie or deceive about serious matters, not just harmless white lies, is astounding. But should we really be shocked by this or cynical about it in real life?

Well, I think there always has to be – as long as you have a rock solid foundation behind the character’s decision to lie, then you’re fine. . . . Moral judgment I’ve got absolutely no interest in. I think when you start taking a firm moral standpoint, as a writer and trying to infiltrate that into the work, it becomes pious and boring and selfish. As a writer, that’s your job is to create morally interesting situations rather than handing the viewer this bit of moral lesson.

You’ve written quite a bit of humorous and human interest things, but also lots of crime. What’s the appeal with crime dramas for you?

I bounced about, really. I wrote two novels, in my earlier career, which were probably not broadly dissimilar to “Guilt” in terms of their crime elements, and it was people being thrown into extreme situations. My journalism when I was younger, I was always drawn to interesting stories and people that had made decisions that sound unexpected and threatening paths. My first book was about a young Scottish fraudster . . . so it was broadly in that area. 

It was comedy that took me into television because I was asked to adapt humor books that I’d written. The wall between comedy and drama in British television, historically was quite clear, really. And that’s actually changing a lot over the last few years I think because of the influence of American television, practices and influence of streamers, where you get commissioning teams that commission from quality genres. So I always try to get some element of dramatic interest into my comedy shows. But then I am really enjoying flipping that and having shows that are dramatically driven with an element of humor in there. I think it feels like my sweet spot what I’m writing now where it’s shows that are driven by kind of muscular, dramatic frameworks, but within the characters, you know, they’re allowed to be funny when the situation allows it.

In writing this season finale, did you know that you’d have a second season yet? Either way, how did it affect how much you wanted this to feel like a complete ending, where it could be one and done?

I tried to strike a balance with the ending of making it narratively satisfying while leaving a little bit of an exit to create a whole new story. We knew we’d have to wait till see how it went down, being unusual. And I think with the reaction that it had within a few days, I was taken out for lunch by the BBC. It was really clear that things were looking good for a for a second series. I pitched my kind of smoke and mirrors pitch, pretending I had a series-length story. And I thought, “Well, if I can just stretch this out to get over the main course then that we can pretend they know what’s gonna happen.”

But also what was gratifying was it was a real word-of-mouth hit here. They didn’t drop all the episodes at once on iPlayer which is unusual now, and so people had to wait week to week for the next episode. And I think that really helped kind of built up this slight head of steam.

For Americans, Season 1 just ended, but Season 2 is about to premiere over there. Can you tease a little bit of where we’re going to pick up? I saw something where it looked like Max had spent some time in jail.

Well, I think the biggest thing is as hopefully is always the case, nothing is what it seems. So yes, Max has been in jail. But let’s see what that means within this sphere of “Guilt.” 

This is a story about siblings, so what happens to that relationship when one sends another to jail?

There’s certainly got a bit to get over. It’s another significant obstacle for them to clamber over when asked to do so by evolving situations.

What’s next for you?

I’ve got a show, it just got announced this week in the UK, which is called “The Gold.” It’s a BBC and Viacom drama series inspired by the true story of a robbery here in the UK in 1983 called the Brink’s-Mat robbery. I’ve nearly finished writing it, and we’re going to be filming that next year.

I think the interesting thing about the Brink’s-Mat story is that it changed British crime forever and it changed British policing forever and encapsulated a period of the 1980s where traditional structures were being challenged and wilting as a result. It was a fascinating crime within a fascinating period. And where that story goes is really incredible. It’s a kind of a great British story hiding in plain sight, really.

10 words “The Simpsons” made famous

After hundreds of episodes — and with no end in sight — “The Simpsons” has changed the way we talk to one another. Here are 10 words that the show has made famous, either by inventing them or re-purposing them to make us laugh, think, and then laugh again.

1. Chocotastic

In the season seven episode “King-Size Homer,” Homer tries to gain enough weight to tip scales at more than 300 pounds, which will get his big posterior on work disability. Naturally, he goes to see Dr. Nick Riviera to help him reach that unhealthy goal. The Hollywood Upstairs Medical College that educated Dr. Nick informed him of the three “neglected” food groups: the Whipped Group, the Congealed group, and the Chocotastic! (Emphasis Nick’s.)

Strangely enough, when Homer asks how to speed up the weight gain process, he’s told to substitute bread for Pop Tarts. Years later, stores in the UK and Australia started stocking “Frosted Chocotastic” Pop Tarts. Kellogg’s states that in this case, chocotastic means “Chocolate flavour filling in a frosted pastry,” 198 calories at a time.

2. Craptacular

Unmoved by Homer’s weak Christmas lights, Bart offers that the display looks “craptacular” in season nine’s “Miracle on Evergreen Terrace.” The word was likely used prior to the episode’s December 1997 airing, but it became a popular way to say that something or someone was “spectacularly crappy” after the show’s use of it.

Some examples of its post-“Simpsons” use are the 2002 Marvel Comics limited series “The Craptacular B-Sides,” a Howard Stern contest where contestants weigh the waste they generated after stuffing their faces for 24 hours, and an “Annual Holiday Craptacular” that benefits the San Francisco Food Bank.

3. Cromulent

Cromulent is a word created by “Simpsons” writer David X. Cohen, who would go on to co-develop “Futurama” with Matt Groening. Cohen came up with the word for the season seven episode “Lisa the Iconoclast,” where Ms. Hoover tells Mrs. Krabappel that the slightly less fictitious “embiggen” is a “perfectly cromulent” word.

Cromulent is now listed in “Webster’s New Millennium Dictionary of English,” and its dictionary.com listing says that cromulent is an adjective meaning “fine” or “acceptable.”

4. D’oh!

Even though D’oh isn’t written on Simpsons scripts—”annoyed grunt” has always been how it appears on paper—it’s listed in “Webster’s Millennium Dictionary of English” and the Oxford English Dictionary as “Used to comment on a foolish or stupid action, especially one’s own.” Initially, Dan Castellaneta said “Doooooooo” as Homer to mimic actor James Finlayson in the “Laurel & Hardy” movies. After Matt Groening told Castellaneta to shorten it due to time constraints, it became “D’oh!”

Even though Castellaneta was thinking about a Laurel and Hardy actor, “D’oh” was uttered often between 1945 and 1949 by actress Diana Morrison on the BBC radio series “It’s That Man Again.” Playing the secretary Ms. Hotchkiss, Morrison would leave a room saying “d’oh!” to vent her frustration dealing with her boss Tommy Handley.

5. Embiggen

Embiggen first appeared in 1884 when C.A. Ward tried to come up with a suitably ugly new verb to make a point about neologisms. One hundred and twelve years later, it reappeared in “Lisa the Iconoclast” as Springfield’s “cromulent” motto: “A noble spirit embiggens the smallest man.”

Embiggen had yet to meet the standards of any legitimate dictionaries when a real-life team of physicists wrote that “…the gradient of the Myers potential encouraging an anti-D3 to embiggen is very mild” in their 2007 paper “Gauge/gravity duality and meta-stable dynamical supersymmetry breaking,” published in the journal “High Energy Physics” [PDF]. The OED and Merriam-Webster finally added embiggen to their dictionaries in 2018.

6. Jebus

Homer pleads for the help of Jebus in season 11’s “Missionary: Impossible” while escaping from a bloodthirsty Betty White and her PBS pledge drive cronies. Despite the fact that Homer is a regular (albeit unenthusiastic) churchgoer, he was not referring to the Jebusites in the Old Testament who, before King David conquered it, inhabited and built a town called Jebus, which later became Jerusalem — he just got Jesus’s name wrong.

7. Kwyjibo

In the season one episode “Bart the Genius,” Bart attempts to cheat in a game of Scrabble by putting “kwyjibo” on the board. When asked what a kwyjibo could possibly be, Bart said it was a “big, dumb, balding North American ape … with no chin,” a thinly veiled description of how he perceived Homer. The invented word from “The Simpsons”‘ writers’ room has since been used as one of the aliases for the Melissa mass-mailing computer virus that affected some Windows users in 1999. Kwyjibo is also the name of an Iron Oxide Copper Gold deposit in Quebec, and an advanced yo-yo trick

8. Meh

An investigation into the etymology of meh discovered that it may have Yiddish origins, but the first use of it as a word expressing indifference came from a July 9, 1992 Usenet post complaining about “Melrose Place.” John Swartzwelder was credited with first introducing meh into a “Simpsons” script, and when reached for comment, he claimed he heard it from an advertising writer who said it was the funniest word in the world — in the early ’70s. No matter its origins, “The Simpsons” was responsible for making it one of the 20 words that defined the 2000s, according to BBC News online.

9. Unpossible

Ralph Wiggum famously proved that he deserved his grade when he said, “Me fail English? That’s unpossible!” in “Lisa on Ice.” Well, it turns out that unpossible is an actual word with a long history dating back to least the 15th century; it’s just another way to say “impossible.” After Ralph brought the outdated word back to life, unpossible has since been used as a title for a short story collection and a popular game.

10. Yoink

“Simpsons” writer George Meyer has been credited with coming up with the idea to have a character say “yoink” when taking an item from someone or something. Former showrunner Bill Oakley tweeted that Meyer got yoink from Archie Comics. Still, after being said at least 23 times on “The Simpsons,” yoink has become the word of choice to make light of a situation when someone’s property is being taken. 

ABBA: who actually likes them?

It may have been almost 40 years since their last single, but Abba are now back in the charts with two new songs – “I Still Have Faith in You” and “Don’t Shut Me Down.” The new songs form part of a 10-track album that will be released in November.

The band went on what they called a “short break” at the end of 1982. But despite the amount of time it has taken the group to release new songs, Abba are more popular than ever, largely due to the success of the compilation “Abba Gold” (1992) and the “Mamma Mia!” films (2008, 2018). The numbers speak for themselves – Abba have sold around 400 million records worldwide, with “Abba Gold” spending more time in the top 100 chart than any other album. So what’s behind Abba’s staying power?

My ongoing PhD research looks at Abba fandom in the 21st-century, specifically Abba’s long-term fans. I look beyond typical media or even academic portrayals that present them as a monolithic tribe, or pathologise them as obsessive, crazy youths. I focus on the differing yet bonded make-up of Abba fans and explore how their fandom can be understood as a mutually affectionate relationship between band and fan.

Indeed, Abba’s most devoted fans have helped them remain in the public consciousness, sometimes, under difficult circumstances – and I believe Abba’s “comeback” would not have been possible without their support.

Oldies, goldies and mouldies

One of the complexities of Abba fandom is its different waves. There are the long-standing fans from the 1970s and early 1980s – often referred to as the “Oldies” within fan circles – who knew and loved Abba during their original active period (1972-1982). Then more recently, “Abba Gold” and the “Mamma Mia!” franchise introduced younger generations – sometimes referred to as “Goldies” and “Mouldies” – to Abba’s music.

Goldies and Mouldies have found their own ways of expressing Abba fandom. Abba’s popularity on social media platforms is testament to this – the videos on their official TikTok page already had almost 30 million views in five days.

Oldies have have had a rather different journey to today’s younger fans. The 1980s are often called the “dark days” of Abba fandom. As the decade changed, so too did popular music tastes, and Abba struggled to do as well as they had done previously.

As the band fell from public favour, many Oldies were bullied, sometimes even beaten up. It was no longer socially acceptable to be an Abba fan. Despite these pressures, the Oldies remained extremely loyal, waiting patiently for new music for years.

Many of them supported the individual band members’ new music, as well as buying Abba re-releases and compilation albums. In 1986, even as many Abba fan clubs began disbanding, two Dutch fans started a new one. This later became the Official International Abba Fan Club, which still exists today.

This fan club publishes four magazines a year and holds an annual Abba Day (outside of pandemic times). Fans from across the world gather on Abba Day to share friendship and the latest Abba news, culminating in a four-hour Abba disco.

New songs

It’s easy to assume the Oldies would be thrilled by the recent announcement of two new Abba songs. But the reality is more complex.

Most fans rejoiced on social media, posting about their excitement and delight. Yet for some Oldies, Abba’s 2018 announcement that new music would be on the way felt like too little, too late.

One fan who I worked with as part of my project, wrote at the time on Facebook: “We’ve been told so many times this would NEVER happen, and fans have died waiting for it to happen . . . I should feel very excited by this but I’m not.”

This disappointment is understandable if you think about fandom as a reciprocal relationship. Oldies kept on giving to Abba emotionally and financially over several decades. Such investment is not to be underestimated: one fan estimates he has spent over £50,000 on Abba-related purchases. Yet during this time, Oldies were not receiving new music from Abba. Some Oldies felt they had given a lot to Abba over the years, but not received anything much in return during their hiatus.

All Abba fans, but particularly the Oldies drank from an empty cup for decades. Finally, loyalty and hopes have been rewarded: the band’s promise of “two new songs” became a whole album, to be followed by a virtual “Abba Voyage” show in London in spring 2022.

Most fan reaction has been positive so far. People have different opinions as to how “Abba-Esque” these new songs are, but overall Abba fans are effectively singing “Thank You for the Music” back to the band now, as they eagerly listen to new Abba songs for the first time since 1982.

Shanika Ranasinghe, Postgraduate Researcher in the Department of Music, Royal Holloway University of London

This article is republished from The Conversation under a Creative Commons license.

How to tell if someone is lying without even hearing them talk

In a court hearing that went viral earlier this year, Coby Harris, a Michigan man accused of assault, is caught red-handed at his alleged victim’s house. As the presiding judge notes, the bizarre moment would have been inconceivable before COVID-19 forced the law to be carried out via Zoom: Harris had violated the conditions of his bond by not merely contacting his accuser, but secretly being at her side during the hearing itself. It is difficult to overstate the danger; a domestic abuser in such a situation could not only intimidate a witness, but physically harm or even kill them.

Fortunately Deborah Davis, the assistant prosecuting attorney, felt something was off. In the video she informs the judge that she believes Harris and the accuser are in the same residence, citing “the fact that she’s looking off to the side and he’s moving around.” The situation is promptly investigated, with police being called after Harris refuses to show his address on-screen and thereby prove he is not potentially intimidating the accuser. The clip reaches a climax when Harris abruptly pops up while being arrested. Cigarette limply dangling out of his mouth, he utters a half-hearted apology to the court before painting himself as the victim. Davis facepalms, looking incredulous and disgusted as her worst suspicions are confirmed.

“At that very moment, I was dumbfounded that it actually happened the way that it did,” Davis recalled to Salon, adding that she also felt significant relief that a possible crisis had been averted and the accuser was now safe.

What struck this author, however, was the fact that Davis had been able to spot Harris’ lie at all. As someone on the autism spectrum, I struggle to read social situations; looking at the same footage as Davis, I only observed people staring blankly at their phones. I asked Davis how she was able to detect Harris’ dishonesty based on such a seemingly sparse amount of information.

As it turns out, the answer has a lot to do with observational intelligence. To identify a lie as Davis did, the key is to pay attention to little details that are incongruous or simply strike you as off.

“My radar went up when her eyes were shifting and she wasn’t answering the questions that we had just spoken about,” Davis explained. The accuser shifting her eyes struck Davis as alarming because, while an accuser might look to the side at a defendant when both appear in a courtroom, people usually do not glance to the side during Zoom calls. Davis also described reviewing how the procedure works with the accuser shortly before the hearing, and made a mental note when the accuser suddenly began moving away from what had just been discussed.

“It’s those types of non-verbals — where they know what you’re asking, they know why you’re asking it, and they know the standard that needs to be proven in order to move the case forward, but they have now backtracked on what they were saying,” Davis told Salon.

It is notable that Davis’ analysis came not just from non-verbals, but non-verbals that she understood within a specific context. Science is pretty definitive about the idea that you can’t detect a lie based on non-verbal information alone; indeed, there is just no evidence that it works. Decades of scientific research and literature have failed to yield any consistent information about looks, sounds and any other non-verbal cues that can be indisputably linked to deceit. On many occasions, professionals whose jobs supposedly make them adept lie-detectors (psychiatrists, police officers, job recruiters) were no more adept at spotting fibs during an experiment than laypeople.

This does not mean that you can’t figure out when someone is lying. (Just ask Davis.) To do so, however, you need to apply logic to your interpretation of their behaviors and find out where they would not make sense if a person was being truthful.

“It is hard to be consistent when lying,” logician Miriam Bowers-Abbott, an associate professor at Mount Carmel College of Nursing, told Salon by email. “A liar must truly embrace any lie as a complete lifestyle to create consistency — like a delusion. Most people don’t make that commitment.”

This makes it relatively easy to expose bald-faced liars if you simply know how to grill them on inconsistencies. For someone telling a less brazen falsehood, however, you need to look for more subtle indicators, “a peculiar vagueness that someone might use to create a false impression.” For instance, a person might say “a lot of people” feel a certain way or say that “some” individuals have a problem. Those statements may sound alarming, but they aren’t specific; “a lot” and “some” could mean any number, and reveal precious little about the details within those numbers. To expose such possible lies, it is important to press the potential liars for the kind of information that they should already have if they are telling the truth.


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Yet Bowers-Abbott warned against making assumptions about an individual’s truthfulness based purely on physical signs. Like an actual lie, believing strictly in physical cues can lead you down a road of deception.

“I think it’s common to look for physical signs, like lack-of-eye-contact, to indicate deception,” Bowers-Abbott explained. Yet she added, “our world is more multicultural than it used to be, and there are many cultures where it’s more normal to use less eye-contact. So, eye-contact isn’t always a great clue.”

The same principle applies for other supposed tells.

“How about hesitation?” Bowers-Abbott rhetorically asked. “Well, some people hesitate, when they’re trying to be as accurate as possible. So hesitation isn’t really a clue either.” She prefers to look for signs such as a person who avoids questions, provides vague and ambiguous answers, tries to change the subject or is obviously pretending to misunderstand what their interrogator is saying. This approach involves analyzing the entire content of what a person does, while remaining sufficiently detached from the story they’re trying to sell that you don’t get suckered in by it.

It is also important to trust your instincts. David Ranalli, a magician, speaker and emcee, wrote to Salon that in his experience “there is no foolproof way to know if a person is lying.” Ranalli explained that he gathers information from a number of places at once — whether the person’s body language indicates they are nervous, whether their story seems believable, if they stay on the same subject for a long time — and draws his conclusions accordingly.

On one occasion, his honed instincts may have prevented a grisly incident.

“I once spotted someone lying during a very important and dangerous moment in my show,” Ranalli recalled. “I play a game of Russian roulette with staple guns in the show, and I have someone mix a loaded gun among three empty ones. At the end of the routine, I staple one of the guns to my neck, betting on my ability to know which gun is loaded.”

On one occasion, someone switched out the staples in the gun. “While it didn’t matter which gun the staples were in, adding a lie into the fold gave me an eerie feeling that could have resulted in a dangerous outcome,” Ranalli explained. When he asked if the staples had been switched and the person said no, Ranalli asked the audience if they had witnessed something sneaky.

“They all shouted yes,” Ranalli told Salon. “It still ended with a fun outcome, but could have ended badly if I didn’t notice that moment.”

Not all scenarios involving spotting liars have a “fun” result. As Davis told Salon, much of her career has been spent fighting for victims of domestic abuse, and therefore has seen the damage that can occur when liars have their way. She talked about victims who are told by abusers to wear sleeves that will cover the bruises on their arms or to avoid speaking freely to religious leaders, or simply give stern looks that intimidate them where words cannot. And even when the liar is exposed for all the world to see, the sight can be horrifying.

This brings us back to Harris. Roughly two weeks after his infamous Zoom hearing, Harris had another court date, this one from jail. When things did not go his way during that hearing, Harris can be seen on video acting hysterically — screaming, wildly gesticulating, menacingly approaching the camera, at one point even storming out of the call room. Because his microphone was malfunctioning, Harris could be seen but not heard. As a result, his facial expressions and body language were a veritable smorgasbord of nonverbal communications — and their message was so explicitly violent that even I could easily decipher them.

“Looking at the behaviors of the defendant, based on the testimony of the victim, to me that says a lot about the truthfulness of the victim,” Davis said. This happens in court a lot when abusers see their plans for getting off go awry; “you can usually see some form of a meltdown, or in other cases I’ve seen in Zoom where the defendant changes their posture and it goes from sitting and looking straight at the camera to standing and with their arms folded with the camera pointed up with more of an intimidation type of stance.” While judges will never allow that kind of behavior, in court or Zoom, if they spot it, Davis explained that “for me as a prosecutor, sometimes I want to see that because I want to know whether or not we’re on the right track and is justice being served, or is it somebody who’s maybe fabricating or exaggerating what has happened.”

In that moment, as he angrily flailed about, Harris illustrated a very important point about lying: Sometimes, no matter how hard you try, the uncomfortable truth will be stamped all over your body.

A bakery hack for sky-high muffins

There’s an infinite number of ways to achieve a perfectly perky muffin, from not overmixing batter to using jumbo molds or fancy industrial ovens. But as a former professional baker, I’m here to share one more trick that helps muffins rise to the occasion. And it all has to do with how you fill — scratch that — how you don’t fill the muffin tin.

I learned this clever practice when I worked at Levain Bakery in New York City. Instead of filling every cavity, like most recipes tell you to, use every other cavity. At the bakery, we’d generously spray the pans with Pam, add fat plops of batter, and be rewarded with super-domed muffins. Kind of like an Alice in Wonderland toadstool, only made of tender cake and studded with jammy blueberries.

Though I never got access to Levain’s top-secret cookie recipe, learning this muffin trick was the next best thing. It’s missing from most cookbooks I’ve read — have you seen this anywhere before? Let me know in the comments — but with enough digging, I found a couple mentions from sources who take their muffins very seriously.

“Alternate the filled muffin openings with the empty ones as much as possible to allow space for the tops of the muffins to spread,” writes cookbook author and pastry chef Elinor Klivans in her big-top corn muffins recipe featured in “Fearless Baking: Over 100 Recipes That Anyone Can Make.”

In “Good to the Grain,” Kim Boyce details using the skip-a-space strategy at Campanile in Los Angeles under the helm of esteemed chef and baker Nancy Silverton. “We’d alternate the cups, filling every second cup and leaving the others empty. This meant that there was enough room for the muffins to have rounded tops and crusty edges without crowding into each other.” Boyce goes on to explain that due to better air circulation, all the muffins baked evenly.

* * *

A few more helpful tips for reaching new muffin heights 

Rest the batter

In her recipe for Levain Bakery Blueberry Muffins, Michelle Lopez lets the batter sit at room temperature for 1 hour. At the bakery, we’d chill it overnight. Either way, “the starch molecules [in the flour] are absorbing the moisture, so the batter becomes more thick and viscous. You’ll notice after you rest and scoop, it holds its shape much better,” Lopez explained when I reached out about the mechanics of Levain’s muffins and her reverse-engineered version. What’s more? Resting allows for two more reactions in the batter: The gluten relaxes and the leavening agents stretch their rising abilities. The result is a mountainous exterior with a sleeping-on-a-cloud interior.

Use a big scoop

Forget what you’ve been told about filling each muffin hole two-thirds of the way. Instead, imagine the most perfectly round scoop of ice cream perched atop a wafer cone. The bakery tool to achieve that is a 4-ounce disher scoop, like this one. The batter should mound slightly above the lip — if your intuition tells you the cavity is overfilled, don’t listen!

Start the oven on high

Bake your muffins at 400°F for the first 5 minutes, then drop the temperature to the more standard 350°F for the remainder of the bake time. This method sparks the leavening agents (especially baking powder) in the batter to react quicker, creating that gorgeously risen top.

Granted, by using these pro tips, you will produce a smaller yield than what a recipe states (instead of a dozen, you’ll probably get nine.) But riddle me this: Would you rather have 12 meh muffins or nine stud muffins?

https://www.instagram.com/p/BiUMvt8lVOU/

Perfect Blueberry Streusel Muffins

Whole Grain Sweet Potato Muffins

Lemon Poppy Seed Muffins

Chocolate Chunk Muffins

Apple Muffins

How curry ketchup became an unexpected icon in post-war Germany

In 2009, a man named Martin Löwer opened the Deutsches Currywurst Museum, which was, as the name suggests, the world’s first and only museum dedicated to the cult-favorite sausage dish. Currywurst is simple — steamed and fried Bratwurst chopped into bite-sized chunks and slathered in curry ketchup — but as Bianca Wohlfromm, a museum representative, wrote in 2017, it is a phenomenon in Germany.

“Due to [its] history, it is part of Germany’s cultural heritage,” she wrote. “More than 2000 places offer Currywurst in Berlin and on almost every street corner at any time, day or night, people can enjoy a Currywurst. Currywurst means simplicity and honesty, being in the world, down-to-earth — yet special.” 

The museum, which permanently closed in 2019, explored the development of the dish, which was created in 1949 by Herta Heuwer, who obtained ketchup and curry powder from British soldiers stationed in Germany and then drizzled the combination over her street stand sausages. The combination was a display of post-WWII frugality and a shifting attitude towards new flavors. There were exhibitions that explored how currywurst has been depicted in pop culture — from film to song — and the ways in which it has been innovated through time. 

But probably the most interesting exhibit was one called Spice Chamber where visitors had to identify the different ingredients within curry powder by smell. In photographs, you can see the sheer amount of spices on display: golden turmeric, star-shaped anise pods, ruddy paprika, earthy cumin and the list goes on. I thought about that exhibit when reading Washington Post writer Gene Weingarten’s recent column “You can’t make me eat these foods.” 


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In what was ostensibly an attempt at humor, Weingarten runs through a list of foods that don’t please his picky palate, like Old Bay seasoning and bleu cheese. But then, he declared that he disliked Indian food as a whole, stating that it was “the only ethnic cuisine in the world insanely based on entirely one spice.” 

“If you like Indian curries, yay, you like Indian food!” said the original text of the column, which was eventually corrected. “If you think Indian curries taste like something that could knock a vulture off a meat wagon, you do not like a lot of Indian food. … It is as though the French passed a law requiring a wide swath of their dishes to be slathered in smashed, pureed snails.” 

The article was rightly decried by many, including “Top Chef” host Padma Lakshmi, as racist and ignorant. 

In a piece also for the Post, Lakshmi wrote that Weingarten’s piece “is unintentional anti-humor, regurgitating an unimaginative, racist joke with no punchline.”

She added: “For generations, people have slung racist insults about the ‘stinky’ foods of immigrants: Italians with garlic, Irish with cabbage, Koreans with kimchi and, yes, South Asians with curry. It was never funny.” 

And besides that, she added, Weingarten’s assertion that “curry” is a single flavor is just not true. 

As Meher Mirza wrote for Saveur, “the word ‘curry’ is sometimes used in the West as a familiar semaphore, but the term ossifies the immense sophistication and complexity of Indian food.” 

Some of this is likely due to the way “curry powder” is packaged; in most American grocery stores, shoppers can buy premixed and powdered spices labeled “curry.” The term “curry” itself was, as Lakshmi wrote, first coined by European colonizers in 1500s India to describe all the sauce-based dishes they found. 

“The British then commercialized and sold a spice blend under the name ‘curry powder,’ what you see in your basic grocery store today,” she wrote, which is why British soldiers would have had curry powder to barter with Heuwer back in the day. 

But contrary to Weingarten’s statement, even the most basic grocery store powder isn’t just “entirely one spice.” Ingredients vary, but most contain dried ginger, cumin and turmeric — and often other spices including garlic, coriander, fennel, cloves, cinnamon, mace and cardamom. 

To that end, what’s interesting about currywurst sauce, sometimes called “curry ketchup” or  currygewürzketchup, is that while it’s been wholeheartedly adopted all across Europe, especially in Germany, as well as the United Kingdom, it serves as an early example of fusion cuisine. 

Ketchup, as we dove into in an earlier edition of “Saucy,” is actually an invention of imperial China, where sailors popularized a fermented paste made from fish and soy beans called “ge-thcup” or “koe-cheup” because it was easy to store on long voyages. 

“As their trade routes widened, so did the knowledge of the sauce, until it finally landed in Britain in the 18th century via British traders who were posted up in the Philippines, where banana ketchup is still a staple,” I wrote. “There, British home cooks made variations on the paste featuring oysters, nuts, celery, mushrooms and stone fruit. The end results differed wildly, but the goal was the same — to create a flavorful, pungent sauce that could keep for a long time and augment meals at a time when household spices were still a luxury, and to help stretch less than choice cuts of meat, especially if they were on the verge of going bad.” 

In 1812, James Mease, a Philadelphia scientist, was credited with creating the first ketchup from “love apples,” a term given to tomatoes for their then-purported aphrodisiac qualities, and eventually it made its way back around the world, where it was combined with pre-packaged curry powder from British occupants. The result is a sweet, lightly smoky and spicy dip for sausages, fries and frikandel. 

Currywurst itself is basically considered fast-food — served at late-night diners and from street carts — but the combination of its seemingly simple parts is a lesson in colonialism, globalism and how foods are adopted across the globe. It makes sense that, at least for a brief period of time, there was a museum dedicated to its creation. 

Read more Saucy:

HBO’s anguished “Scenes From a Marriage” is so potent, your own relationship better be rock solid

Four out of the five episodes of Hagai Levi’s “Scenes From a Marriage” open with a handheld camera following stars Oscar Isaac and Jessica Chastain as they arrive on set with crew members rushing about, preparing for the scene. It’s a bit reminiscent of a live performance in the way it captures glimpses of performers behaving like people getting ready for work, creating a division between reality and entertainment. 

To some this will surely hit as a precious meta flourish meant to emphasize the seriousness of this artistic undertaking, and on some level that view has some merit. Levi’s remake of Ingmar Bergman’s influential 1973 series would work equally as well without these sequences; it’s not as if anyone watching would conflate Chastain with her character, Mira, or assume Isaac is anything like Jonathan, Mira’s husband, although he’s tailor-fit for the actor.

But given the fuss made over a viral moment in which Isaac appeared to kiss Chastain’s arm on the red carpet at the series’ Venice International Film Festival debut, maybe establishing a split between life and performance isn’t the worst move.

Nowhere is it clearer that these actors are jumping into the skins of fictional people than in the seconds after you hear someone yell, “Action!” In “Scene I: Innocence & Panic,” Chastain seamlessly flips the switch in becoming Mira, whose exhausted uncertainty shows through as she furiously sends a text.

Chastain has Mira don another mask as she sits down next to Isaac, already in character as Jonathan, in their living room. The couple has agreed to sit for an interview with a Ph.D. candidate writing a paper on how evolving gender norms are impacting monogamous marriages. The resulting conversation reveals how Mira and Jonathan met, how they define themselves as individuals and, importantly, the fact that they’ve been together for 10 years and have a daughter.

What Isaac and Chastain say without words explains far more about these two. Mira, a tech executive, is chilly and disconnected for most of the interview, rarely making eye contact with the interviewer. Jonathan, a philosophy professor, does most of the talking for Mira, assuming he speaks for both and floridly mansplaining his way through each interaction.

Soon afterward we see them sharing a dinner with another couple (played by Nicole Beharie and Corey Stoll) that has opened their marriage, and whose relationship is obviously imploding. But every union has a timed explosive hidden in its guts. What each couple does with that bomb tends to determine whether they’ll go the distance. Reset the timer or defuse it, it will always be there until it goes off.

In the process of watching these situations unfold, one may arrive at another interpretation of Levi’s device, and what it conveys about relationships in the context of this story.

It posits that any partnership that survives the wane of a young relationship’s lustful fever settles into some version of role-playing. Everything that happens to Mira and Jonathan’s union after that first hour demonstrates our tendency to cast one another into these parts, regardless of whether the bonds we create remain intact or snap. This also applies to everything around them, as Mira points out – people develop silly attachments to furniture and dream up a myth of a home. “Our whole relationship became an object,” she says to Jonathan in delivering her diagnosis of their break, one of many.

This doesn’t make witnessing the slow dissolution of Mira and Jonathan’s marriage any easier to witness. On the contrary, it accentuates the sting of what transpires in front of our eyes because of the concentrated humanity Isaac and Chastain conjure forth in their portrayals.

These actors excel in presenting two people who cannot help but hurt each other whenever they’re in the same room, whether intentionally or by accident, purely because they know one another so thoroughly. They’re also achieving this while largely avoiding the trap of making either Mira or Jonathan easily despicable, even the party who instigates the separation.

Levi, who previously created “The Affair” for Showtime, approaches his “Scenes” by employing American mores and personalities to the figures Bergman established, much in the way his creation for Israeli TV,  “BeTipul,” was remixed into “In Treatment.”

The casting shows this, capitalizing on Isaac and Chastain’s proven chemistry. (In addition to knowing each other since college, they previous played a husband and wife in 2014’s “A Most Violent Year.”) They credibly weave between warmth and chill in portraying Mira and Jonathan’s conundrum, that of a pair that doesn’t work together but can’t entirely live without each other. As in the original, they vacillate between amity, disdain and physical outbursts in the same episode.

The main difference, perhaps in an effort to heed the feminist critiques that dogged Bergman in his day, is that Chastain’s character is the one with the stressful career and the larger paycheck. Isaac’s Jonathan is the main caregiver to their child Ava (Lily Jane) while still demonstrating all the attention-grabbing tendencies of self-aggrandizing male intellectuals.


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The majority of “Scenes From a Marriage” takes place in Mira and Jonathan’s very lived-in home and features Chastain and Isaac on their own, playing off one another. Through the scripts Levi and his collaborator Amy Herzog, who co-wrote two episodes, create such a level of intimacy that, when placed hand in hand with the work’s pervasive cinematic realism, they sow seeds of palpable discomfort.

That’s part of the trick Bergman pulls in the original and Levi remakes for today’s audiences. We’re made to experience the awkwardness our central couple feels as they witness another marriage rupturing in their presence.

That’s over in a few minutes for the audience, and it’s as much of a show for us as it is for them. The rest of “Scenes” intentionally places us inside Mira and Jonathan’s messiness, capturing their escalating anguish through solemn tracking shots hovering behind them as they stagger from room to room and in agonizing close-ups placing us a breath away from a twitching muscle. A bedroom intimacy blankets the entire work except with none of the relaxation that term typically implies.

Whether one experiences Bergman’s original as a six-part series or the two hour and 49-minute film into which it was eventually edited, its seminal means of distilling marriage down to its essence is unparalleled. Few movies don’t draw from it in some way; even filmmakers who claim they don’t are likely influenced by those who do, like Woody Allen. Recent works like Noah Baumbach’s Marriage Story” are overt homages, while Lena Waithe-centered recent chapter of “Master of None”  titled “Moments in Love” is a direct lift.

A main distinguishing element between Bergman’s scenes and Levi’s is the original’s relative gelidity, although its Scandinavian palette could be unduly influencing that impression. Still, the director emphasizes a spare feel in its presentation.

Because of this the clinical approach Erland Josephson’s Johan takes to breaking the heart of his wife Marianne (played by Liv Ullmann, Bergman’s former partner) enables the audience to adopt a position of distance while simultaneously inviting them to examine their own love lives.  

Nevertheless, like a loving gesture that a relationship’s long years transforms from a heated compulsion into a reflex, there are times in which this adaptation feels as if it’s going through the motions, albeit very prettily. You don’t have to have viewed the original to feel like you’ve already seen this story since it’s highly likely that you’ve enjoyed or endured one of its descendants. HBO has made a few of them.

Just because a story is familiar doesn’t make it worthless, of course. Watching Isaac and Chastain impressively tango, spar, and exchange carefully choreographed fireworks displays is enough of a reason to take in “Scenes From a Marriage.” Mira and Jonathan’s breaking home provides an excellent stage to showcase their talents, especially in the third episode, easily the best of the series.

Before you do that, ask yourself how well you know your own partnership and yourself. One footnote in the original series’ legacy was that it was blamed for a spike in Sweden’s divorce rate around the same time as its debut, rather than reflecting what was already taking place in society.

The new “Scenes” arrives at a time when relationships are being tested by a pandemic that’s simultaneously closed us in and separated us from others. Some may see parts of themselves and their fragility in Mira and Jonathan’s cyclical push and pull, sounding a warning they may not want to deal with right now.

If not that, at the very least “Scenes From a Marriage” leaves no doubt that the stars’ viral red carpet moment was anything other than platonic. Nobody will watch what transpires on screen between them and be left with the impression that there’s anything brewing here, besides two people giving all that they have into the bittersweet telling of how painfully some love stories end.

“Scenes From a Marriage” premieres Sunday, Sept. 12 at 9 p.m. on HBO. Ingmar Bergman’s 1973 film version of “Scenes From a Marriage” is currently streaming on HBO Max.

How wildlife rescuers can protect public health

An owl hit by a car, a bobcat caught in a trap, a sickened seal on a beach — wildlife rehabilitators are usually the first to provide medical care for injured or ill wild creatures. But their critical emergency services can also reveal bigger threats to wildlife — and potentially people.

That’s the findings of a new study about an early-detection surveillance system being piloted in California that’s designed to analyze near real-time information from hundreds of wildlife rehabilitators and trigger alerts when unusual patterns of illness or death are detected.

The Wildlife Morbidity and Mortality Event Alert System is the result of a collaboration among researchers from the University of California, Davis, School of Veterinary Medicine, the California Department of Fish and Wildlifeand the nonprofit Wild Neighbors Database Project.

“There are so many disciplines that have come together to develop something unique,” says Pranav Pandit, a veterinary epidemiologist at One Health Institute at U.C. Davis. “We’re using machine learning, computer science, epidemiology and wildlife health.”

But the confluence of these multiple expertise wouldn’t have been possible without work that began years ago by Devin Dombrowski and Rachel Avilla, cofounders of the Wild Neighbors Database Project, who developed the Wildlife Rehabilitation Medical Database in 2012.

“They were working in the rescue centers and realized that there’s a need for digitizing all this data that the rescue centers have been collecting over the years,” says Pandit.

With their database now being used by more than 950 rehabilitation organizations in 48 U.S. states and 19 countries, it provided the groundwork for the new alert system, which has been up and running in California for a year.

Early results are encouraging, says Pandit.

During the pilot project, the system found several anomalies that signaled emerging health threats and triggered investigations by the California Department of Fish and Wildlife. One of those was domoic acid, first detected in several species of birds in Southern California. The marine biotoxin can also affect shellfish — and sicken or even kill people who eat it.

“It’s bad for wildlife, as well as humans,” he says. “So when wildlife start showing the symptoms, having a very robust surveillance system is also good for public health.”

Making those connections between wildlife health and human health are a crucial part of the surveillance system. One of the things researchers look for are “sentinel species,” which can provide early warnings for diseases that also affect people.

For example, crows and other members of the corvid family can signal the presence of West Nile virus.

“They can show early signals of that outbreak even before the outbreak has happened in humans,” says Pandit.

There’s also the danger of infections jumping from animals to humans. As we all know too well with SARS-CoV-2 — and Ebola and others before that — infectious disease in wildlife can be serious threats to human health, too.

One antidote to that is better protections for wildlife. Another, of course, is not being afraid of animals that can be carriers of the diseases, says Pandit.

“If we really want to stay healthy, we need to maintain the ecosystem balance really well and we should nurture biodiversity in birds, bats and other mammals,” he says.

Furthering the reach of the WMME Alert System is also in the works. Pandit says they’re talking with other interested state and regional wildlife organizations, as well as some international ones that would like to see the system expanded.

“We are also constantly trying to find additional resources so that we can fund our servers, develop new models, make sure the data is secure and continually validate the model [when we go into a new region],” he says.

The other important component is continuing to recruit more rehabilitation centers to make sure the system provides the best representation of the population health of that region.

An expanded surveillance system, along with protecting biodiversity Pandit says, would be good for wildlife and people.

“We know that healthy ecosystems and healthy wildlife means healthy human beings.”

The pandemic-era “flexible” workplace has become oppressive. Workers should demand more

We are told that the world of work has been irrevocably changed for the better since the pandemic.  No commute, working at a time that suits you and spending more time at home have all been framed as a “win for workers.” Yet while flexible working certainly brings certain benefits, overhyping it comes with its own dangers, as its deployment has in some cases led to the undermining of working conditions rather than their enhancement. Perhaps the real question we need to be answering about the future of work is this: How can the embrace and further rollout of flexibility be a win for workers in a post-COVID landscape? 

The idea of “flexible working” has a long lineage; its historical emergence can be traced back to liberal politicians of the early 2000s, who, in an attempt to create a more liquid market, realized nimble hiring and firing of employees would be better for employers. This new relationship between employers and their labor force was symptomatic of the non-interventionist labor market ideology of the neoliberal era. Promoted under the banner of “work–life” balance, the progressive ambition at its core is the idea that the time required for the job might fit around the demands of the employee’s life.

Increasingly, however, rather than facilitating greater autonomy for employees, flexible working created the conditions in which the line between work and private life has become blurred. As management professor Almudena Canibano’s research demonstrates, there is an opaque ambiguity that lies at the heart of flexible working: on the one hand, employees experience it as an employment perk that enables them to work in a more self-directed and autonomous fashion; on the other, the experience of flexible working requires being available outside working hours, working overtime and working wherever you are. 

Where there is ambiguity, forces decide — and the past eighteen months have shown us how flexibility can be exploited by employers in order to create an “always-on culture.”

During the pandemic the ability of white-collar sectors to work from home created the hope that a better world of work was emerging — one which would liberate workers from the arduous commute and the sterile monitored working culture of the office. That newfound optimism is, however, beginning to wane. From home surveillance to reports of increased burnout and mental health distress, the progressive aspirations of flexible home-working has, for many, turned into a culture of overwork that undermines workers’ rights to decent hours and their ability to switch off from work.

In contrast to platitudes from CEOs about “work 2.0,” the grim reality of “flexibility” in today’s low-paid labor market is well-documented. Employers have used malleable “non-standard” contract terms, such as those with no minimum guaranteed hours (zero-hours contracts) and bogus self-employment, in order to be able to hire and fire individuals more easily — and thus avoid providing many of the benefits that employees on standard contracts enjoy.

In addition, women and ethnic minorities are overrepresented in precarious labour markets, making one-sided flexibility a race and gender issue. The caring professions in particular stand out for all the wrong reasons: in the UK, for example, 35 percent of care workers are on “flexible” zero-hours contracts. It is no coincidence that those working on flexible contracts pay wages that on average fall below the poverty line.

Flexibility for most low-paid workers over the last decade is not generally viewed as an employment perk; rather, it has often translated into an anxiety-inducing experience of living paycheck to paycheck. 

If we are indeed to “build back better” after the pandemic and re-address the power imbalance that exists between employees and employers in today’s labor market, we need to recognize that flexibility within the context of being overworked or underemployed is in fact faux flexibility. It is the mere illusion of control over your working time when, in reality, there is very little. To fight the spread of flexibilization — whether in the form of exploitative contracts or in the form of “always on” work culture — we suggest a different tact in our book.

Let’s reconnect with the basic and transformative demand for more free time: that is, time away from our jobs, for ourselves. This was common sense for American workers from the Civil War right through Franklin Delano Roosevelt’s New Deal, when the forty-hour work week was put into legislation via the Fair Labor Standards Act of 1938. Indeed, the weekend as we know it was created just after World War Two as the “new normal” in an increasingly mechanized workplace. Likewise, post-pandemic, in the context of widespread remote working tech, working people should demand freedom over flexibility, in the form of a shorter working week for the same pay. While we shouldn’t dismiss the ways in which flexibility can be a genuine employment perk, we should aim higher when it comes to the future of work.

The shorter working week is no longer a “utopian” fringe idea; rather, it is a central aspect of the renewal of progressive politics that is taking place around the world. From the hugely successful public sector trial in Iceland, to the Spanish Ministry of Labour introducing a pilot subsidy scheme for companies wishing to pursue four-day weeks, these initiatives demonstrate the ways in which bold work time reduction schemes can offer workers new freedoms.

Of course the implementation of shorter working practices cannot address all the forms of inequality in one fell swoop: better wages, greater democracy in the workplace and decent holiday allocations are also good starts. However, at a time when labor shortages are increasingly being felt in the US and the UK alike, now surely is the moment for workers to fight for rights that enable not only freedom in work, but also freedom from work. In doing so, this would represent a true win for everyday people in a post-Covid era.


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Newsmax tricked by pranksters into fake Paul Wolfowitz interview — twice

A group of pranksters tricked Newsmax into interviewing a fake Paul Wolfowitz Saturday for the 20th anniversary of the 9/11 attacks — the second time the exact same ruse has worked on the right-wing cable network. 

Host Tom Basile first fell for the ploy roughly three weeks ago when a group of professional pranksters called the “Yes Men” organized an interview under the guise that they were colleagues of Wolfowitz’ at the American Enterprise Institute, where he is a senior fellow, according to a report in Mediaite. Wolfowitz was also the Deputy Secretary of Defense under George W. Bush, where he served as a primary architect of the war in Afghanistan.

The Yes Men describe themselves as “laughtivists” who “destroy brands, create public illusions, work with communities, disrupt events, and impersonate nefarious entities in order to bring attention to critical issues, cheerlead activists, and, sometimes, galvanize communities into more action,” according to their website.

One of the members, Andy Bichlbaum, described the incident in a blog post:

Andy’s plan was to switch “Wolfowitz” with a “colleague” from the American Enterprise Institute at the last minute — and that would be Andy under an assumed name, wearing big silly glasses like all of the guests on Basile’s show seem to do.

But when, two minutes before the 12:04pm EST Saturday slot, Andy logged on and told producers that Wolfowitz was having internet trouble and wanted him to do it instead, the producers refused, and suggested just patching Wolfowitz through on the phone — which is how this became the very first time the Yes Men impersonated an actual person, rather than simply inventing one. 

The interview promptly went off the rails, with Bichlbaum describing the war in Afghanistan as a colossal waste of money — a sentiment very different, needless to say, from the views held by the real Wolfowitz.

“It’s very clear $2 trillion could have gone to things that Americans could now be proud of, instead of a 20-year unwinnable war,” he said, according to a transcript shared by the Yes Men. “The next time we have two trillion dollars lying around, let’s spend it on something useful like health care or education.”

[“Americans] can be proud of a war, even if it’s unwinnable, even if it lasts 20 years, even if it’s been a failure from day one. That’s what we’ve lost and that is truly tragic, Tom.”

The interview was particularly absurd for the fact that Bichlbaum never even attempted to impersonate Wolfowitz’ voice — but Basile, who claimed during the interview to know Wolfowitz personally, never even noticed. 

Which is why, on Sept. 11, Newsmax producers again reached out to the group to set up another interview with Wolfowitz. Only this time, the Yes Men said they were “determined to stop [Newsmax] from calling again.”

Bichlbaum quickly began a rant about “new master terrorists” that “make those old hijackers look like rank amateurs,” before calling out Newsmax specifically:

“As a friend of this station I’ve got to tell you, Newsmax is a much bigger threat to America than the hijackers of 9/11,” he added.

The network cut the interview short after these comments, but the panelists still seemed to think they were speaking with the real Wolfowitz. 

“He was at the Pentagon that day and you would think that he wouldn’t choose this moment to be, frankly, hateful and intolerant,” Basile said after cutting off the prankster’s audio.

On Sunday, Newsmax seemed to acknowledge that it had been duped in a statement to The Daily Beast.

“While we were covering special 9/11 remembrances and honoring those who had lost their lives, including heroic police officers and firefighters, horribly there were others whose only goal is to lie, deceive, and destroy. They dishonored the memories of true heroes.”

Watch the full video below via The Yes Men:

How to get rid of ants in the kitchen — once and for all

My log cabin in upstate New York has been the retreat from the city that my parents, friends, and family have flocked to since I was two years old. For the past 29 years (go ahead, do the math), we’ve spent countless holidays, long weekends, and what felt like endless stretches of hot summer days and cool firepit nights enjoying both the cabin and the dense forest surrounding it. But with the country, of course, come the critters, and while I’ve become used to them, it’s always a bit of a riot to see who will scream over a spider (we all always marvel at the deer). The one insect I can’t get used to indoors, however, are the ants that invariably manage to find their way into the kitchen.

Ants aren’t a rural phenomenon, as anyone (myself included) who has ever left a crumb behind on their counter will tell you. It always seems as if ants find a way to get in and then tell all their relatives about it, and before you know it, there’s a line of them stemming from god-knows-where to your countertops — and into your pantry.

Getting rid of these creepy-crawlies can quickly become an expensive, chemical-laden headache, but there are a few tried-and-tested home remedies that handle things humanely and without the need for an ant cemetery. Read on for our best tips to send the ants marching two by two back out the way they came.

1. Caulk, Steel Wool and Foam

If you know where ants are getting into your home from, it’s best to cut off their entryway as soon as possible. If there’s a gap in a window or under a door, a space in a wall or through Sheetrock, use caulk, steel wool, and foam wherever appropriate to block their path.

2. Essential Oils

They’re lovely in a bath or added to a diffuser, but essential oils are also powerful tools for combating your ant invasion. Peppermint and tea tree oils specifically leave a horrible taste in an ant’s mouth, and the fumes from the powerful oils are a strong deterrent as well. Use as many drops as it takes on your windowsills, by doorways, or near any other potential entry point and rub them into a straight line. This oil line will act as a barrier of sorts and will send ants scurrying in the other direction to prevent them from getting in. It also traps ants that are inside, so make sure to keep your kitchen is as crumb-free and clean as possible to cut off their food supply. For a larger area, mix a dropperful of peppermint oil with water in a spray bottle and spritz the area you suspect the ants are breaching to your heart’s content.

3. Cinnamon and Cayenne

These two spices, either on their own or mixed together, are powerful ant deterrents and eliminators. Sprinkle one or both along those same entryways and watch ants pull a quick about-face to get as far away from them as possible. The ones left behind will eventually go to them as a food source, but their systems can’t handle either.

4. Vinegar

We know that vinegar is a powerful, natural, and safe home cleaner, but did you know it’s great at getting rid of ants, too? Mix equal parts water and white vinegar in a spray bottle and get trigger happy around those openings. The vinegar is strong enough to, er, end the ants where they stand, and it also erases the scent trails those initial ants (also known as scouts) leave behind to guide their friends into your kitchen.

Once the ants have been evicted, make sure your kitchen doesn’t become a welcome mat for future colonies. Sweep and wipe up any crumbs or food debris, make sure fruits or other edibles are behind a cloche or sealed up tightly, don’t let standing water become the norm (ants need to drink up, too), and routinely check on those sealed-off openings to ensure they have no way of getting back in. And let us know how it goes; the ant-icipation is killing us (sorry.)

Justice Breyer refutes Fox host who asks if he’s a “fool”: “I don’t intend to die on the court”

Supreme Court Justice Stephen Breyer defended his decision not to retire after Fox News host Chris Wallace pointed out that a future Republican president may replace him.

During an interview that aired on Sunday, Wallace reminded Breyer that former Justice Antonin Scalia had intended to time his retirement to coincide with a Republican president. Scalia, however, died before he was able to retire.

“Do you agree with Scalia that a justice who is unmindful of the politics of the president who replaces him is a fool?” Wallace asked.

“I don’t intend to die on the court,” Breyer replied. “I don’t think I’ll be there forever.”

“I see the point,” the justice added. “Probably in the background there are many considerations. Many, many considerations.”


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Breyer said that Democrats who want him to retire during Joe Biden’s presidency are “entitled to their opinion.”

“What else do you want me to say?” he remarked.

“They would say you ignored those calls,” Wallace said, “and increased the chances that a Republican Senate will be there to confirm your successor.”

“I mean, there are factors,” Breyer conceded. “There are many factors. The role of the court and so forth is one of them. And the situation, the institutional considerations are some and I believe — I can’t say I take anything perfectly into account — but in my own mind, I think about those things.”

“So, why didn’t you retire?” Wallace pressed.

“I didn’t retire because I decided on balance I wouldn’t retire,” the justice stated.

Watch the video below from Fox News:

Remembering 9/11: The evil we do is the evil we get

I was in Times Square in New York City shortly after the second plane banked and plowed into the South Tower. The crowd looking up at the Jumbotron gasped in dismay at the billowing black smoke and the fireball that erupted from the tower. There was no question now that the two attacks on the Twin Towers were acts of terrorism. The earlier supposition, that perhaps the pilot had a heart attack or lost control of the plane when it struck the North Tower 17 minutes earlier, vanished with the second attack. The city fell into a collective state of shock. Fear palpitated throughout the streets. Would they strike again? Where? Was my family safe? Should I go to work? Should I go home? What did it mean? Who would do this? Why?

The explosions and collapse of the towers, however, were, to me, intimately familiar. I had seen it before. This was the familiar language of empire. I had watched these incendiary messages dropped on southern Kuwait and Iraq during the first Persian Gulf War and descend with thundering concussions in Gaza and Bosnia. The calling card of empire, as was true in Vietnam, is tons of lethal ordnance dropped from the sky. The hijackers spoke to America in the idiom we taught them.

The ignorance, masquerading as innocence, of Americans, mostly white Americans, was nauseating. It was the worst attack on American soil since Pearl Harbor. It was the greatest act of terrorism in American history. It was an incomprehensible act of barbarity. The stunningly naïve rhetoric, which saturated the media, saw the blues artist Willie King sit up all night and write his song “Terrorized“.

“Now you talk ’bout terror,” he sang. “I been terrorized all my days.”

But it was not only Black Americans who were familiar with the endemic terror built into the machinery of white supremacy, capitalism and empire, but those overseas who the empire for decades sought to subdue, dominate and destroy. They knew there is no moral difference between those who fire Hellfire and cruise missiles or pilot militarized drones, obliterating wedding parties, village gatherings or families, and suicide bombers. They knew there is no moral difference between those who carpet-bomb North Vietnam or southern Iraq and those who fly planes into buildings. In short, they knew the evil that spawned evil. America was not attacked because the hijackers hated us for our values. America was not attacked because the hijackers followed the Quran — which forbids suicide and the murder of women and children. American was not attacked because of a clash of civilizations. America was attacked because the virtues we espouse are a lie. We were attacked for our hypocrisy. We were attacked for the campaigns of industrial slaughter that are our primary way of speaking with the rest of the planet. Robert McNamara, the secretary of defense in the summer of 1965, called the bombing raids that would eventually kill hundreds of thousands of civilians north of Saigon a form of communication with the communist government in Hanoi. 

The lives of Iraqis, Afghanis, Syrians, Libyans and Yemenis are as precious as the lives of those killed in the Twin Towers. But this understanding, this ability to see the world as the world saw us, eluded Americans who, refusing to acknowledge the blood on their own hands, instantly bifurcated the world into good and evil, us and them, the blessed and the damned. The country drank deep of the dark elixir of nationalism, the heady elevation of us as a noble and wronged people. The flip side of nationalism is always racism. And the poisons of racism and hate infected the American nation to propel it into the greatest strategic blunder in its history, one from which it will never recover. 


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We did not, and do not, grasp that we are the mirror image of those we seek to destroy. We too kill with an inchoate fury. Over the past two decades we have extinguished the lives of hundreds of thousands of people who never sought to harm the United States or were involved in the attacks on American soil. We too use religion, in our case the Christian faith, to mount a jihad or crusade. We too go to war to fight phantoms of our own creation.  

I walked down the West Side Highway that morning to the moonscape the Twin Towers had become after they collapsed. Climbing over the rubble, hacking and coughing because of the toxic fumes from the burning asbestos, jet fuel, lead, mercury, cellulose and construction debris, I saw the tiny bits of human flesh and body parts that was all that remained from the towers’ nearly 3,000 victims. It was obvious no one in the towers when they collapsed survived.

The manipulation of the images, however, had already begun. The scores of “jumpers,” those who leapt to their deaths before the collapses, were censored from the live broadcasts. They seemed to wait for turns. They often fell singly or in pairs, sometimes with improvised parachutes made from drapes, sometimes replicating the motions of swimmers. They reached speeds of 150 miles an hour during the ten seconds it took before they hit the pavement. The bodies made a sickening thud on impact. All who saw them fall spoke of this sound. 

The mass suicide was one of the pivotal events of 9/11. But it was immediately expunged from public consciousness. The jumpers did not fit into the myth the nation demanded. The hopelessness and despair were too disturbing. It exposed our smallness and fragility. It illustrated that there are levels of suffering and fear that lead us to willingly embrace death. The “jumpers” reminded us that one day we will all face only one choice and that is how we will die, not how we will live. 

The story being fabricated out of the ashes of the Twin Towers was a story of resilience, heroism, courage and self-sacrifice, not collective suicide. So the mass murder and mass suicide were replaced with an encomium to the virtues and prowess of the American spirit. 

The nation, fed this narrative, soon parroted back the clichés about terror. We became what we abhorred. The 9/11 deaths were used to justify the invasion of Afghanistan, “Shock and Awe,” targeted assassinations, torture, offshore penal colonies, gunning down families at checkpoints, air strikes, drone attacks, missile strikes and the killing of dozens and soon hundreds and then thousands and later tens of thousands and finally hundreds of thousands of innocent people. The corpses piled up in Afghanistan, Iraq, Syria, Libya, Somalia, Yemen and Pakistan, justified by our beatified dead. Twenty years later these dead haunt us like Banquo’s ghost. 

The intoxication of violence, the anodyne of war, is a poison. It condemns critical thought as treason. Its call to patriotism is little more than collective self-worship. It imparts a godlike power and license to destroy, not only things but other human beings. But war is, ultimately, about betrayal, as the defeat in Afghanistan elucidates. Betrayal of the young by the old. Betrayal of idealists by cynics. Betrayal of soldiers and marines by war profiteers and politicians. 

War, like all idols, begins by demanding the sacrifice of others but ends with the demand for self-sacrifice. The Greeks, like Sigmund Freud, grasped that war is the purist expression of the death instinct, the desire to exterminate all systems of life, including, ultimately, our own. Ares, the Greek god of war, was frequently drunk, quarrelsome, impetuous and a lover of violence for its own sake. He was hated by nearly all the other gods, except the god of the underworld, Hades, to whom he delivered a steady stream of new souls. Ares’s sister, Eris, the goddess of chaos and strife, spread rumor and jealousy to fan the flames of war.

The defeat in Afghanistan has not forced a reckoning. The media coverage does not acknowledge the defeat, replacing it with the absurd idea that, by withdrawing, we defeated ourselves. The plight of women under Taliban rule and the frantic effort of the elites and those who collaborated with the foreign occupation forces to flee are myopically used to ignore the two decades of unmitigated terror and death we perpetrated on the Afghan people. 

This moral fragmentation, where we define ourselves by tangential and often fictitious acts of goodness, is a psychological escape hatch. It allows us to avoid looking at who we are and what we have done. This willful blindness is what the psychiatrist Robert Jay Lifton calls “doubling,” the “division of the self into two functioning wholes, so that the part-self acts as an entire self.” This doubling, Lifton noted, is often done “outside of awareness.” And it is an essential ingredient to carrying out evil. If we refuse to see ourselves as we are, if we cannot shatter the lie perpetuated by our moral fragmentation, there is no hope of redemption. The gravest danger we face is the danger of alienation, not only from the world around us, but from ourselves.

More from Salon on the 20th anniversary of September 11: 

In Showtime’s small town drama “American Rust,” abandon all hope ye who break down here

Perhaps the time has come for a moratorium on grim murder dramas set in bedraggled small towns. In case you doubt this, take in an hour or two of “American Rust,” what with all its sooty interiors and parade of Buell, Pennsylvania’s perpetually stricken faces.

Ruminate upon the inability of Jeff Daniels and Maura Tierney to lighten the slow crush of sadness constricting your brain with each new tragedy presented, be it major or insignificant, and despite their best efforts to create sympathetic, fully rounded personas out of very little.

They are acting. Everybody is. But they’re also working against a story that ticks all the boxes of working-class despair and then some. Does Tierney’s thinly realized single mother have a deadbeat, philandering ex who takes pleasure offering her what might as well be bouquets of chlamydia? You bet.

Is there a funeral where “Amazing Grace” plays – on bagpipes? Why, yes.

Does a major character pleasure himself after surreptitiously spying on two strangers slamming bolognas in a dark boxcar? Admittedly, that is an unexpected sight. Still, it all adds up to aimless adversity porn.


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Showrunner Dan Futterman adapted “American Rust” from Philipp Meyer’s 2009 novel, executing it in a way that smacks of playing to that “forgotten” white working class the media obsessed over after in the 2016 election.

That coverage-defining phrase quickly morphed into a branding opportunity as opposed to a pathway to understanding the underlying factors in America’s supposedly sudden political and social shift. We got a divertingly problematic revival of “Roseanne” in the bargain, so there’s that.

A closer genetic cousin to Futterman’s drama is “Mare of Easttown,” a phenomenal success that might otherwise lead one to scoff at the suggestion of pulling back on shows like it instead of building more of them. Successful TV always breeds imitators. It’s the reason we’ve been inundated with clones of clones of Tony Soprano for more than two decades, troubling figures whose bones compose the spine of prestige drama.

Daniels’ lawman Del Harris is such a man, your standard emotionally hog-tied dude holding all his passions close to his bulletproof vest. Other actors may translate that trait into an enigmatic distance or a quiet simmer. Not Daniels. He conveys Del’s hollowness by sullenly trudging through Buell and speaking in a tone devoid of affect. And that’s most of what we’re expected to connect with.

This makes the tug-of-war attraction between Del and Tierney’s Grace Poe translate as a mechanically plotted means to an end as opposed to a palpable energy drawing us in. Since the plot’s core tension involves Del’s willingness to bend protocols in order to protect Grace’s troubled son Billy (Alex Neustaedter) when he’s suspected of murder, this requires us to overlook the nagging feeling that the protagonist’s conflict isn’t anchored to anything real.

The success of “Mare of Easttown” makes the declining factory burg the new favored destination for meaty, complex storytelling. Alas, “American Rust” doesn’t meet the bar set by Kate Winslet’s vehicle. That show’s success rests in the way the script and performances alloyed every friend and neighbor’s distinctiveness to the town, making the modest, ramshackle surroundings of Easttown an extension of its folks, as well-rounded and distinct as the area’s accent.

Easttown radiates a hunched, grumpy mood that’s nevertheless proud, wisecracking, and capable. Buell’s personality is entirely defined through lines of dialogue as opposed to revealing its identity through its people.

 “Point of fact, we’re a lot closer to West Virginia than we are to Pittsburgh in more ways than geography,” Del casually mentions at one point, thereby explaining the open carry culture of the place and the deflated look of a main street abandoned by the steel industry.

“Everybody in the holler is on one thing or another,” someone else who doesn’t sound like he’s from a holler drops later, helpfully letting us know this is yet another spot that the opioid epidemic gutted. Each of Buell’s defining traits is established like this – by telling, not showing, and by relying on an inclusive cast of actors with filmographies full of premium cable titles to sell us in the line delivery.

None is persuasive enough to justify settling into “American Rust,” though. Everyone purporting to be lifelong members of Buell look, move and sound like they’re summering there. Neustaedter comes closest to embodying the feel of a kid raised in the Pennsylvania Rust Belt, but that could be the unironic mullet doing the talking.

There can be a gorgeousness in the aching struggle of small-town life, and better shows prove that. People may not be dying to visit Easttown, but a lot of folks would probably make a special detour from their road trip routes to visit Mare or her mother Helen.

Daniels and the rest of the occupants of “American Rust” do little to sell the merits of regular visits to Buell. Instead, they prove that a worthwhile show about a town slumped by a depressed economy should never afflict the viewer with intense anhedonia.

“American Rust” premieres Sunday, Sept. 12 at 10 p.m. on Showtime.