Spring Sale: Get 1 Year, Save 58%

Girl math vs. Boy math: an insight into the internet’s tit-for-tat battle of the sexes

Girlboss and millennial progressive Rep. Alexandra Ocasio-Cortez is really good at Twitter. So good that she schooled the Speaker of the House Kevin McCarthy by tweeting, “Boy math is needing 15 attempts to count the votes correctly to become Speaker and then shutting down the government 9 months later.” Joining in on the girl math vs. boy math memes, AOC insinuated that the speaker was incompetent for his inability to keep the government open as the clock ticks and a government shutdown looms.

But if you aren’t as chronically online as AOC, boy math means absolutely nothing to you. So let me break down the origins of this fast-growing internet meme, beginning with the phrase “girl math.” The viral meme infiltrating our fraught politics began obscurely on a New Zealand radio show on which the hosts help rationalize absurd, illogical purchases their listeners share with them. So for example, it’s suggested that using girl math, using cash for buying means a purchase is basically free because it’s not considered real money (why??), and the money in your bank account isn’t decreasing. Girl math rocked the internet world with this same pattern of women justifying each other’s spending habits with light-hearted, ridiculous reasoning.

But girl math was co-opted and evolved to apply to all types of illogical thinking or ineffectual action based on real-world situations. A meme that was created to poke fun at women’s silly and sometimes justifiable spending habits began to be applied to the entirety of the female experience from dating, traveling, periods, friendship and makeup. A person on X (Twitter) said, “Girl math is packing a minimum of 14 pairs of underwear for a 7 day trip.” Another shared, “Girl math is not taking pain meds when you have cramps to see how long you can take the pain for and if you take the meds it means you’re weak.” 

In contrast, some men on the internet wielded the girl math meme against women, you guessed it, to be misogynistic. A tweet with misogyny-laden girl math “jokes,” read: “Girl math is feeling entitled to ask a man for financial favors in the talking stage but feeling offended when a man asks for sex just like that too.” Another part of the tweet said, “Girl math is being a single mother but wanting the same options & standards in men like the single chicks.”

In spite of the misogyny, women hit back harder with the genderswapped version “boy math.” This time around the boy math tweets held a level of vim that women on the internet were holding onto and ready to fire off. One user posted, “Boy math is thinking feminism means u should be able to punch women in the face.” Another shot off, “Boy math is what led to the 2008 financial crisis btw.” One dug into some straight men’s fetish with women who love other women: “Boy math is being homophobic but loving lesbians.” One person replied to a tweet using girl math to slut shame the number of people women have slept with, “Boy math is having 12 bodies and only having consent from 5.”

The fun in the memes was snatched like a rug from right under women’s feet. As one would expect, something silly, light and for women to bond over on the internet has been converted into a larger insight into the internet’s battle of the sexes and a peek into how easy it is to wield misogyny against women on the internet. The internet is no stranger to being a breeding ground for this kind of perpetuation of violent rhetoric against women.

It is most importantly fascinating to me how this girl math exists in this new era of girl coding just about every part of our female experience. As YouTube personality, Mina Le said in one of her video essays about girl trends, “Hot girls are walking. Girls are blogging. Dinner is girl. 40-year-old men are baby girl. We are in a girl economy.” While the girlhood reclamations of this year have allowed girls, women and people in general to detach from the shame and guilt attached to girlhood, it’s made way for violence against women in the spheres in which these girl trends are popularized. In short, women reclaiming their womanhood isn’t being received with open arms by the misogynists running wild on Elon Musk‘s unmoderated X, or tin he corners of Reddit, TikTok and YouTube that I fear in my sleep paralysis.

We need your help to stay independent

Inherently, I think this competition between men and women will always exist because of the role that misogyny places in our interactions with one another, especially with how the many areas of the internet that skew towards men that have funneled through the alt-right pipeline. Women have reclaimed spaces on the internet but due to the growing number of lonely, disgruntled chronically online men, they will always be there to unjustly strike back at women.

I myself may be tired of seeing internet trends solely based on the girlhood aspect of womanhood. But in defense of girl math, a meme this fun and comical deserved to have its moment without being clouded by guys on the internet ready to pounce on women for enjoying themselves and finding the humor in their experiences. As a chronically online Zoomer, I find that it is increasingly difficult to be in these online spaces without subjecting myself to some kind of misogyny one way or another even if I’m not making any girl math or girl trend-related content. It just feels like every part of the female experience, even the experiences that are supposed to be playful and ironic, is about how we have to be on guard because there will always be a person out to demean our existence. It’s a chronic Debbie downer.

Masculinity seems to believe it’s in crisis as more women are growing content with their identities. Masculinity and femininity only exist because of one another and in that binary, we begin to see the limitations of what the constructs of our gender confine us in. Yes, femininity has its pitfalls too but harmless memes don’t affect the way women perceive themselves. It’s troubling that the fragility of masculinity in fact does affect the way that men see themselves even if a dumb boy math meme is stating the obvious and it’s not meant to be taken so personally. If girl math wasn’t having its moment right now, some men online would find another way to dogpile onto women for no reason. Besides the misogyny and the endless discourse surrounding gender online, I can say one thing for sure: women on the internet are funny as hell.

 

Leftists, save yourselves! It’s a bad moment for nihilistic self-indulgence

Dr. Anthony Fauci has generously said that Robert F. Kennedy Jr. is not “inherently malicious,” while describing him as “a very disturbed individual.” I suppose he means that Kennedy actually believes his wild accusations and reckless conspiracy theories, unlike other well-known political figures we could name.

A few weeks ago, former Bernie Sanders spokesperson Briahna Joy Gray quote-tweeted RFK Jr. complaining that the Democrats were “rigging the primary,” adding, “This is why so many leftists have been arguing against running within the Democratic Party. Period.” 

That raised my hackles more than a little. Supposed leftists who argue against running in the Democratic Party in 2023 are like the German Communists in the early 1930s, who attacked the Social Democrats as “social fascists” and enabled the rise of Hitler and the Nazis. Given the razor-thin margins of Joe Biden’s 2020 victories in Arizona, Wisconsin and Georgia — less than 43,000 votes in total — left-wing third-party votes or abstainers could easily provide Donald Trump the edge he needs to return to the White House and enact a neo-fascist agenda. One thing they definitely can’t do is win any real power for the left. 

Whatever such “leftists” may think in their own minds or echo chambers, they’re historically ignorant and objectively pro-fascist in this political moment. As a lifelong leftist I don’t just reject their position, I reject the very notion that they’re leftists at all. Latching onto RFK Jr., who is basically Trump’s Democratic doppelganger, only adds insult to injury. 

There’s a lot to be said about Joe Biden and the ever-problematic Democratic Party — more on both below. But I’m not here to talk about Biden or the Democrats, but rather about the actual left. That’s what I’m fighting for, and that’s much bigger than partisan electoral politics, which is only a fraction of politics as a whole.

After quoting RFK Jr., Gray continued: “We already learned everything we needed to learn from Bernie’s two runs. Supporting third party candidates threatens the Dem’s rigged system and forces a conversation about ending first-past-the-post-voting.” 

I responded angrily: “You’re not a leftist. You’re a narcissistic virtue-signaling nihilist who’s actively helping MAGAfascists destroy American democracy just 3 years after the most massive civil rights demonstrations in our history. Snatching defeat from the jaws of victory is your game.” 

It was painful to say that, but it’s true. Risking the possibility of a Trump presidency-for-life for the sake of forcing a so-called “conversation about ending first-past-the-post-voting”? If that’s not left-wing self-parody, I’ve never heard any. How could any silver-bullet electoral fix possibly be worth such a reckless gamble? Lee Drutman has a useful reality-check on that (and I think Drutman’s being overly naive).

There’s a vast range of legitimate political choices leftists can make, to be clear. I think it’s generally a bad idea for folks on the left to attack one another over strategic differences. We need strategic and ideological diversity, and we need to welcome and engage profound disagreements — that’s healthy. But it’s simply bad faith to call yourself a “leftist” while, in practical terms, you’re working to sabotage decades of hard-won, partial progress and allow fascists to win. 

What followed was predictable. I was repeatedly attacked as a defender or tool of the Democratic Party, when I would say I was defending a non-suicidal left that isn’t suspiciously eager for a bromance with the far right.

One poster suggested they were ready to “vote for Trump round 2” if that would force me to “fight for people’s rights beyond your own.” That threat, they said, “seems to be the only thing that scares you enough to take substantive action. Nothing changes in the world of the poor either way.” 

It’s just bad faith to call yourself a “leftist” while, in practical terms, working to sabotage decades of progress and allow Donald Trump to win.

Of course that person knew nothing about my lifelong dedication to activist politics, but that’s not even the important part. In fact, “the world of the poor” has measurably changed under the current Democratic administration, and those changes could be made permanent if leftists united to support it, rather than jumping ship and setting fire to it.  

As a direct result of the “unity agreement” between Bernie Sanders and Joe Biden, child poverty was cut almost in half from 2020 to 2021. That came through the refundable Child Tax Credit, a de facto child allowance on the European social-democratic model, which I wrote about for Salon years ago. Such child allowances are many times more effective than non-refundable tax credits, and could bring U.S. child poverty rates in line with the much lower rates of Western Europe.

That’s just one facet of the policies to which Biden committed in order to gain progressive support, and which Democrats came close to permanently enacting in 2022. It’s tragic that didn’t happen, but it was historic that such sweeping changes were made, even on a temporary basis, as a proof of concept of what’s possible if we don’t surrender to self-sabotage in the face of predictable center-right backlash.

Real change is hard. It doesn’t happen through weird electoral tricks, and it doesn’t happen overnight. It’s never as sexy or glamorous as the self-aggrandizing grandstanding of social media politics. But it’s the true test of everything we claim to believe in.

So what about Joe Biden and the Democrats — and what about this political moment? Of course Biden is no leftist, and his party remains largely terrified of the left. But there’s more space for real progressives in the Democratic Party than there has been for decades. More to the point, it’s the only vehicle we have to get certain things done: That’s why Bernie Sanders has caucused with the Democrats throughout his career in the House and Senate, while remaining an independent. 

I’m completely fine with people who devote 99% of their political energy attacking Democrats from the left on climate, prison abolition, militarism, class politics, you name it. But set aside that crucial 1%, because sometimes (indeed, pretty often) you need to vote for Democrats in order to keep Republicans out of office and create space for all the other battles we need to fight. That’s my minimum standard for the non-suicidal left. Almost everything else is up for grabs. 

When it comes to Biden and the Democrats, the question is how leftists think about them, across all the differences in perspectives that can often divide us. My first rule of thumb is not to echo right-wing tropes or draw on their deeper narratives or worldviews. It’s tempting to take advantage of supposedly popular images, ideas or themes, but we need to be hyper-vigilant about not empowering the right, particularly when the right’s counter-mobilization against social progress has gained so much strength on its own. Here’s a key example: the toxic allure of generational politics, especially as reflected in the discourse about Joe Biden’s age. 

Yes, Biden is old. But that might be the least problematic thing about him. I’ve never much trusted him, even before he betrayed Anita Hill and America’s women. He’s a lifelong political insider, driven by ideas about America’s institutions I do not share. But what I do trust is the long, slow but ultimately powerful process of bottom-up social change, particularly when driven by generations of organizing. Such change, over time, alters incentive structures, even in mainstream politics.

Joe Biden’s age is not much of a problem — but the narrative that Biden’s age is a problem is a huge gift to the right, which ought to be enough of a reason for leftists to reject it. 

This is where Biden’s age is in some sense an advantage. We can see how differently he responded to the Bernie Sanders challenge than Hillary Clinton did. We can see it in his admission that he is a “transition figure.” We can see it in the things he fought for in 2021 and 2022 that he never would have in earlier years. It’s not about trusting Joe Biden personally, but about understanding that generations of activism from below on a wide range of issues have changed the political climate. Because Biden has personally experienced that change over the decades, his age is actually more a positive than a negative.

I’m not saying that a younger, more progressive candidate wouldn’t be ideal. Of course she would. But we do not live in an ideal world. In the world we live in, Biden’s age is not much of a problem — but the narrative that Biden’s age is a problem is a huge gift to the right, which ought to be enough of a reason for leftists to reject it. 

At its root, the narrative about Biden’s age is twofold: It’s about generational politics, commonly expressed in boomer-bashing, and it’s about attacks on “gerontocracy,” which fail to distinguish between the costs and benefits of older people holding power.

The right-wing origins of generational politics are clear enough. America’s second-rate welfare state does much better in directly serving seniors than anyone else, so it makes an inviting target for conservatives. Beginning in the 1980s and ’90s, they tried to scare younger voters into thinking that Social Security wouldn’t be there when they retired, claiming it was a “Ponzi scheme,” a false charge that could be leveled at any social insurance system. 

By the end of the ’90s, even Bill Clinton was talking about “reforming” Social Security, echoing the ways he’d already slashed welfare to the poor. While the issue faded after 9/11, George W. Bush proposed Social Security “reform” after winning re-election in 2004. There was intense public backlash, but the right-wing dream of privatizing both Medicare and Social Security never went away.  

In 2014, economist Dean Baker published an article warning of more calls for generational warfare. The real problem, he observed, was not Social Security but economic inequality: “The next generation’s standard of living depends far more on their before-tax wages than what gets taken out of their check for Social Security taxes.” The threat to future living standards was not the “falling ratio of workers to retirees,” Baker continued, but “the continuation of the upward redistribution that we have seen over the last three decades.”

If you’re not convinced, we should add that the vast majority of baby-boomers did not benefit from that upward redistribution. The anger directed at them was doubly misguided: They were the wrong targets, picked for the wrong reasons. 


Want a daily wrap-up of all the news and commentary Salon has to offer? Subscribe to our morning newsletter, Crash Course.


Of course there are other reasons for intergenerational tension or conflict, but a similar logic applies. It wasn’t “boomers” as an organized political force that failed to act to prevent climate catastrophe, for example. It was fossil fuel companies lying for decades about the science they understood perfectly well, and an entire right-wing propaganda enterprise swinging into action to support them. 

Group politics — including racism, antisemitism, homophobia and so on — has always been a powerful force deployed by right-wing elites to manipulate low-information voters. But generational politics can work much the same way, in part because it can so easily be naturalized in pop culture. (“OK, Boomer!”) 

A moment’s reflection should be enough to grasp the problem. When Rolling Stone founder Jann Wenner said he’d only interviewed white men for his new book on rock history because no women or Black artists were “articulate enough on this intellectual level,” there was a predictable wave of boomer-bashing in response. But of course most of the artists Wenner ignored or disdained — Joni Mitchell, Prince, George Clinton, Stevie Wonder, Madonna and so on — were boomers too. By skipping over that fact, the angry response actually reinforced Wenner’s racist, sexist corporate narcissism, which should have been the central focus. 

America’s gerontocracy sucks. But gerontocracy per se is not the problem — it’s how it’s shaped by race, gender and class, along with other issues leftists focus on when we’re not being suckered into disinformation debates.

The question of gerontocracy is admittedly more complicated. For one thing, America’s gerontocracy sucks. But again, gerontocracy per se is not the problem. It’s the nature of our specific gerontocracy, shaped by race, gender, class and the other issues that leftists rightly focus on, at least when we’re not being suckered into disinformation-driven debates. Consider, for a moment, how many indigenous cultures venerate their elders as sources of wisdom and guidance. Those aren’t gerontocracies as such, since power is distributed in a variety of ways, and the power of elders is usually advisory, not direct or managerial. But that should serve to remind us that the problem isn’t just about old people with old people’s ideas. That’s been repeatedly reinforced in left history as well, from the Gray Panthers of the 1970s to Third Act today.

Even within America’s gerontocracy, there are figures like Bernie Sanders, Maxine Waters, Barbara Lee and Bill Pascrell who we’d be foolish to cast aside. Their decades of experience in government, politics and activist causes are a blessing. More broadly, legislative term limits are a genuinely terrible anti-progressive “reform” that mostly serves to shift real long-term power away from elected legislators and into the hands of corporate lobbyists. Term limits for mayors, governors and presidents are an entirely different thing, because of how power works in the executive versus the legislative realm — and understanding power relationships is foundational for any sane left politics.  

In short, all the age-related arguments being floated about Biden and the Democrats are a distraction at best, and at worst anathema to what the sane left ought to focus on. 

Much of the anxiety driving all the speculation about Biden and the 2024 election results from his poor poll numbers — both in overall approval ratings and in head-to-head polls against Donald Trump. But if we ask what this really means more than a year before the election, and also what it means for the left, the only possible answer is: Not much. 

Sure, it would be reassuring to see Biden’s approval above 50%, with a healthy lead over Trump. But the fact that we don’t see that tells us literally nothing about how 2024 is likely to turn out, as Heather Digby Parton wrote recently for Salon. It’s well understood that polls this far out have little predictive power, but Parton goes further than that, citing similar Democratic panic narratives from 1995 and 2011. The cries of impending doom in those years were, if anything, louder than they are today, yet both Bill Clinton and Barack Obama were easily re-elected a year or so later. 

Cries of impending Democratic doom were even louder in 1995 and 2011 than they are now. Check the history books to find out how those incumbent presidents fared a year later.

Let’s also remember that those two incumbent Democrats had presided over massive midterm losses that hadn’t just wiped out House majorities, but had swept hundreds of Democratic state legislators out of office — 486 in 1994 and 707 in 2010. In November 2010, the month of the Tea Party wave election, Marist found that 48% of voters said they would vote against Obama, while only 36% planned to vote for him. When we consider that Democrats did surprisingly well in the 2022 midterms — barely losing the House and gaining a seat in the Senate — the case for Biden panic starts to look even weaker. 

But wait! There’s more. Polls are speculations about the future, but elections are about counting real votes. In roughly 30 special elections so far this year, Democrats are running an average of 11% better than they did in 2020, according to 538. So there’s good reason to believe that Biden and the Democrats will do much better next year than the panicky, poll-driven narratives of the moment would have you believe. 

Nothing is guaranteed, of course: The one thing we can safely predict is unpredictable change. But conventional wisdom, as usual, is almost certainly wrong, and leftists should know better than to buy into it. Democrats have an excellent chance to win back the House and hold the White House next year. (The Senate could be more challenging.) Leftists would be wise to get more of their own candidates and allies elected as Democrats, rather than turning to bitter, dead-end gambits or running away scared.

I should also respond, as respectfully as possible, to Jeff Cohen’s recent Salon commentary asking whether “liberal propaganda,” especially as presented by MSNBC, is “distorting our perception.” The answer, of course, is yes. But I’m not convinced that’s as important as Cohen believes it is. I’m sure he’s correct that many “MSNBC-watching liberals” believe that “while Fox News serves up a steady stream of propaganda, they are getting the straight news from MSNBC,” and he’s also correct that that’s not true. Hallmarks of propaganda, like selective outrage and selective facts, can be found on both platforms. But Cohen’s presentation is misleading in its own way:

Fox News cherry-picks video clips and factoids to portray President Biden as a weakling who is captive of his party’s left wing or the Chinese Communist Party, or both. He’s not. On MSNBC, he’s portrayed as a transformative agent of change, and sometimes as the second coming of FDR. He’s not that either.

There’s an implied false equivalency here that’s not fair. Fox News still dominates right-wing media, while MSNBC plays a much smaller role on the center-left. Any comparison must be made with this in mind. Second, the Fox News narrative is relentlessly repeated fantasy, while the dominant MSNBC narrative is one among several competing narratives, which may misrepresent Biden’s level of agency but still contain a germ of truth. Even the scaled-back Biden agenda, symbolizing his party’s shift to the left, has been “transformative” in some ways — particularly if it can be built on further.  

Cohen’s deeper point that “credulous news consumers who reside snugly in the bubble of corporate liberal media … are being propagandized and oversold on Biden” is probably true to some extent. So are some of his arguments about Biden’s patently insufficient climate agenda and his half-measures on student debt and health care. But while those things are clearly of crucial importance to leftists and progressives, they are not the principal source of Biden’s perceived political weakness. 

To coin a phrase, it’s the economy, stupid — or, more to the point, it’s how American voters perceive the economy. As political scientist Mark Copelovitch has repeatedly argued on Twitter and elsewhere, “No, most folks aren’t irrational. Yes, some have suffered more materially from inflation. But for most it’s mainly media/elite cues. The only thing folks have heard about the economy is that inflation is out of control & there’s a recession. For 2 years.” 

Copelovitch’s “Inflation/Recession Hysteria” chart, based on search results of news articles, tells the whole story in a glance. Starting in January of 2021, “inflation” dominates in every timeframe he measures. “Recession” is well behind but comfortably ahead of “unemployment/jobs” and “recovery,” which objectively ought to be the big economic narratives of the last two-plus years. And Copelovitch is a veritable voice in the wilderness, not an MSNBC talking head. In this context, I would argue the “liberal media” is more responsible for undermining support for Biden than for promoting it. 

Given the mainstream media’s relentless focus on “inflation” and “recession” rather than jobs and economic recovery, I would argue it’s done more to undermine support for Biden than to promote it.

While Democratic presidents have long outperformed Republicans on the economy, voters still tend to trust Republicans more, largely because the GOP is associated with business and people tend to think (often falsely) that business success equates to economic competence. Whatever Biden’s failings, and they are many, he was determined to do much better than Barack Obama did during the failed recovery from the Great Recession. Pressure from the left — especially from the Sanders campaigns of 2016 and 2020 — played a role in making that happen, and leftists should be proud of that fact, even if it hasn’t produced the “transformative” political effects we might have hoped for. 

As scholar Deva Woodly told me last October, social movements “change the political environment before they change individual people’s opinions … and as they start to think more and more about those ideas, then social movements have an opportunity to begin to change people’s minds.” That’s how you change “the choice set that is available.” Public opinion on marriage equality, the climate crisis and police reform offer examples of how this can work, although the process is never seamless. 

That kind of movement building, aimed at changing common sense, is what the left should focus on. It’s always a more fruitful political path than the hamster wheel of presidential politics. One inevitable aspect of movement building is engaging with mainstream politicians, who sometimes help the cause and sometimes hinder it. Dumping Joe Biden for a clearly worse alternative isn’t even a crapshoot. It’s just self-annihilation, with no clear strategy and no clear purpose.

Of course the left should always focus on expanding the scope of what’s possible, or it isn’t the left anymore. But if we’re unwilling to reckon with reality, what good are we to anyone? Then we’re just narcissistic, virtue-signaling nihilists, as I so eloquently put it. As the legendary DJ and fervent Jesse Jackson supporter Casey Kasem used to say: “Keep your feet on the ground and your head in the clouds.” We have to do both.

Andy Taylor on new solo album: “It’s the beginning of something that I didn’t think I’d have”

Andy Taylor has become a cat person

The musician says this happened rather unexpectedly last fall, after his grandson rescued a tiny kitten named Lucky. Taylor and the cat quickly bonded; in fact, Lucky has now become a constant presence while the musician works in his Ibiza studio.

“If I’m sitting playing, I’ll put a stool behind me, and he’ll sit behind me while the music’s on and listen,” Taylor says, calling from London via Zoom in early July. The occasion is a lengthy discussion on his excellent new solo album, “Man’s a Wolf to Man,” which was released a few weeks ago. “[Lucky] just walks in, lies down, has some food and then about midnight buggers off. He should be in a band.”

Taylor shares that he recently found a sweet video from November 5, 2022, that featured his grandson and Lucky hanging out together, right after the cat had seen the vet. “[My grandson] puts him on the bed, and I said, ‘He loves it on that bed,’ and [my grandson] said, ‘Yeah, and he loves you, granddad.’ And then I spent the day with my grandson.”

On that day, Taylor was supposed to be elsewhere: in Los Angeles being inducted into the Rock & Roll Hall of Fame with Duran Duran, the band with whom he enjoyed immense success in the 1980s. Taylor also had every intention of performing with the Birmingham group that night for the first time in well over a decade. 

However, a few days before the ceremony, Taylor’s health took a turn for the worse — and, in a heartfelt letter, excerpts of which were shared by Duran Duran vocalist Simon Le Bon from the stage in Los Angeles, Taylor revealed that he had spent the last few years living with Stage 4 metastatic prostate cancer. It was a shock to almost everyone, including the members of Duran Duran, as Taylor had kept his diagnosis very private.

“I didn’t want to get there, and then go, ‘You know what, I can’t do it,'” Taylor says now of his decision not to attend the ceremony. “It’s psychological as well. And then when you’ve got to be Andy Taylor . . .” he says, vocally emphasizing the pressure to be on in such a high-profile situation.

“I came off potentially death row.”

Unsurprisingly, Taylor received an avalanche of well wishes and prayers after sharing his news. Additionally, a rather miraculous thing happened: Going public with the news led to people reaching out with solutions that have given him a new lease on life. 

On this day in early July, Taylor shares that he’s in the middle of having an “extensive pre-assessment” for a cutting-edge cancer treatment he’s going to receive throughout the summer. “They’ve done three blood tests,” he says. “And they’re like, ‘Your body’s still got some fight in it. And you are in [an] absolutely perfect place to receive his treatment.'” 

He launches into a detailed and fascinating explanation of the “very, very specialized” cancer treatment. Pioneered by scientist Christopher Evans, the complex therapy — which is called Lutetium-177 PSMA therapy — is a form of highly targeted nuclear medicine. 

“This medicine literally hunts cancer cells,” Taylor explains. “And if there’s a normal cell next to it, it can’t see it.” He adds that he has four to six cycles of the treatment, and although it’s non-curative, Evans still had incredible news to share: “He said, ‘We’re going to get you through this. You’ll get to 70 — and then it’s anyone’s guess.'” (In early September, Taylor noted in an interview with The Times (UK) that the treatment left him “radioactive for several days” after each cycle, but he is now “asymptomatic.”) 

Taylor points out that this treatment only came on his radar after he very publicly announced he had to miss the Rock Hall induction ceremony. “But the amazing team that I got, that came forward after the Rock & Roll Hall of Fame disappointment, worked all this out for me and did all my genomics. I mean, as bad as it sounds, I came off potentially death row.” 

Taylor is a gregarious, animated conversationalist who speaks with passion, humor and conviction. As he’s been prepping for this treatment, he’s simultaneously been promoting “Man’s a Wolf to Man.” Technically, the LP is his first solo album of original material since 1987’s underrated “Thunder” — a hard rock-leaning collection featuring songwriting collaborations with the Sex Pistols’ Steve Jones — and his first solo album overall since 1990’s covers album “Dangerous.”

Given that Taylor is an avowed fan of heavy bands like AC/DC and guitarists such as Gary Moore and Keith Richards, “Man’s a Wolf to Man” does contain moments of hard rock bliss —including highlights like the Southern rock-inspired “Did It For You,” which boasts some truly epic guitar and harmonica solos, and the horn-peppered, Stones-esque stomp “Gotta Give.” 

Taylor’s career is far more wide-ranging and eclectic than he’s often given credit for.

But Taylor channeled his deep love for Bowie throughout “Man’s a Wolf to Man”; for example, “Did It For You” also features some very “Young Americans”-inspired saxophone. However, Bowie’s chameleonic musical approach is a much bigger influence, as “Man’s a Wolf to Man” is bold and diverse. “Reachin’ Out to You” is funky robot-rock with some roller-boogie grooves; “Try to Get Even” is a lovely, country-tinged duet with Australian pop royalty Tina Arena; and standout “This Will Be Ours” hews toward warm, rambling folk-rock. 

To anyone only familiar with Taylor’s previous solo albums — or his work with Duran Duran and the funky glam rockers The Power Station — “Man’s a Wolf to Man” might be surprising. But Taylor’s career is far more wide-ranging and eclectic than he’s often given credit for. For example, he plays buzzing lead guitar on Robert Palmer’s 1986 smash “Addicted to Love” and provides the evocative guitar solo (and appears in the music video for) Belinda Carlisle’s 1986 hit “Mad About You.” 

Taylor also co-produced Rod Stewart‘s hit 1988 album “Out of Order,” along with co-writing and playing on several tracks. (That’s him ripping off a skyscraping, bluesy guitar solo on “Forever Young.”) Over the years, he’s produced albums for the London rock band Thunder; cheeky electro-pop act the Ting-Tings; and throwback rockers Reef. For good measure, he also toured with the latter band in recent years.

“Man’s a Wolf to Man” has actually been in the works since 2016, well before his prostate cancer diagnosis. Back then, Taylor received a cold call from the CEO of BMG, Hartwig Masuch. The executive complimented Taylor’s work — and asked him to make a record. “And I’m like, ‘OK, there’s just one thing,'” he says. “Because we can argue about budgets, but I said, ‘You gotta leave me alone to do it.’ That’s all I ask is that. Because I’ve got to find my way, and dig deep, and decide how we’re going to do it.”

Taylor put together a version of the album rather quickly. But then a series of events changed the contours and direction of the album — not just his cancer diagnosis, but also the election of President Donald Trump, Brexit and the onset of the COVID-19 pandemic. Taylor also decided to sing lead vocals on the album; on an early version, Gary Stringer from Reef was handling lead duties. 

Luckily, Taylor had chosen the right collaborators as the album evolved. BMG stood by him despite the delays, and his songwriting collaborators were equally solid. “I wanted to think about people that I knew, worked with, or had a relationship with that we could do something that was a little bit more real,” Taylor says. That ended up being The Almighty/Thin Lizzy member Ricky Warwick and a “great, great writer” from Sweden named Mattias Lindblom. 

Lyrically, certain songs reference political moments or offer unsparing critiques: The stormy “The Last Straw” is about “straw men that are created,” he says, while the meditative, piano-augmented “Influential Blondes” is “about the rise of fascism.” That includes fascism in the political and cultural sense, he notes, citing the Harvey Weinstein sexual harassment scandal as an example. “The way he worked the business, right, there’s a line in the song, ‘Signed your name, silence is blue,'” he explains. “As soon as you sign the contract, the NDA shuts you down. So it was: ‘Better watch out for the influential blondes. They do it all again.'”

“Man’s a Wolf to Man” isn’t the only reason Taylor’s in the spotlight these days. He also appears on Duran Duran‘s forthcoming studio album, “Danse Macabre,” which is out Oct. 27. This includes contributing guitar on the sizzling new Duran Duran single “Black Moonlight,” a collaboration with Nile Rodgers that sounds like a stone-cold disco-funk classic, and on reworks of several older Duran Duran tracks. 

We need your help to stay independent

Fans naturally have been over the moon at Taylor’s presence, as the guitarist and Duran Duran parted ways in the 2000s after a celebrated reunion and haven’t collaborated since. However, the brotherly bond — and musical chemistry — that’s always existed between the five musicians in the band was still very much alive and well during the “Danse Macabre” sessions. “You know, I hate to say it’s like riding an old bike,” Taylor says. “But it’s sort of like that, in the sense that you know exactly where to pedal.”

Taylor’s appearance on “Danse Macabre” also came about after he missed the Rock Hall ceremony. Le Bon and his wife, Yasmin, traveled to Ibiza and hand-delivered Taylor’s inductee trophy. The couple brought with them a giant magnum of vintage Dom Perignon and toasted the award with Taylor and his wife of 41 years, Tracey. 

While in Ibiza, Le Bon and Taylor ended up sitting in the studio together. “[Simon’s] like, ‘Play that single of yours [‘Man’s a Wolf to Man’]. I f**king love it. I’ve been playing it on me show on Sirius.’ And I’m thinking, ‘Wow, that’s an icebreaker,'” Taylor says with a laugh. “I said, ‘The whole album . . . a lot of it’s got that Bowie inspiration and stuff.’ And when [Simon] left, he said, ‘I’d love to come and work over here in your room. It’s so beautifully set up.’ And I said, ‘Yeah, because I spend a lot of time in there.'” Taylor laughs again. 

“The one thing that hasn’t really gone is my creative instinct.”

A few days later, early on a Saturday morning, Taylor says Le Bon called with an intriguing proposition. “He said, ‘Look, we’re working on a kind of Halloween-themed [album], taking some of the darker tracks that influenced us — like [Talking Heads’] ‘Psycho Killer’ and [Siouxsie and the Banshees’] ‘Spellbound’ — and some Duran reworks. And he said, ‘You want to play on a few tracks? That’d be great.'”

Taylor of course was hard at work in his studio finishing off “Man’s a Wolf to Man” and was already all set up to play guitar.  And so a few weeks later, Le Bon returned to Ibiza — and work on this Duran Duran music commenced and came together with others working remotely.

“I loved playing on the record,” Taylor says. “It was just lovely being in the room with them. You know, [bassist] John [Taylor] came on FaceTime and we’re chatting and I said, ‘All right, see you’ and he’s like, ‘No, no, leave the FaceTime on’ and I was just jamming through stuff. You know, you feel it.”

Taylor notes there’s a “really beautiful version” of the fan-favorite b-side “Secret Oktober” on the album (now dubbed “Secret Oktober 31st”) to go along with a new version of 1981’s midnight-moody “Nightboat” that just might out-spook the original — which was pretty ominous to begin with.

“[Keyboardist] Nick [Rhodes] did this really interesting augmentation of the chords on ‘Nightboat,'” Taylor says. “And literally, I was like, ‘Oh yeah.’ I found this dark part that just went straight in at five minutes — boom. And I was like, ‘F**k.’ You just know what to do with each other. I felt good about it. Because, you know, the one thing that hasn’t really gone is my creative instinct. And the fact that I still want to do it and still love making records.” 

Taylor stresses several times he and the rest of Duran Duran have “always remained gentlemanly” despite not playing together. “We’re not like the Gallaghers [notoriously antagonistic musical brothers Liam and Noel Gallagher] or anything. And they’ve been incredible.” (As an example, back in August, Duran Duran played a benefit concert for Taylor, with proceeds going to the Cancer Awareness Trust.) In fact, he clearly expresses nothing but gratitude, pride and positive feelings toward Duran Duran. “We’re all in a good place with each other.”

“They’re helping me enormously with what I’ve got to go through now,” Taylor adds, speaking slowly and thoughtfully. “Well, put it this way: I want to get healthy enough, fit enough —mentally and physically — so if they ever do decide they want to do something with me, or some shows or whatever, that . . .

“And obviously, for my solo career, and to do vocals,” he adds, referencing another reason he wants to get healthy, before jumping back to finish his thought about Duran Duran. “Never say never. But I always used to say never.” Taylor laughs. “You know, I think things evolve.” 


Want a daily wrap-up of all the news and commentary Salon has to offer? Subscribe to our morning newsletter, Crash Course.


In the meantime, Taylor has been urging men to be diligent about their health, particularly by getting a prostate-specific antigen (PSA) blood test, which can help detect cancer. And he’s also deeply grateful to have so many things to look forward to in the future.

As our conversation wraps up — Taylor has some label business to take care of before the day’s end — I ask him whether he views “Mans’ a Wolf to Man” as the start of a new chapter or whether there are there links back to his ’80s solo work.

“I thought it was gonna be the last album I ever made. Now it’s the first,” he says without hesitation. “It’s the beginning of something that I didn’t think I’d have. 

“The fact that I can start with a record that I’ve been able to make honestly, and I’m not under any pressure in terms of ‘Do this, do that,’ but I’m going to do everything I can, so . . . It’s absolutely the beginning. Anything could happen from here. And a lot will. I’m really excited about everything.

“[It’s] not just a new chapter — it’s like a new book. You know — of life.”

 

Scott Hall pleads guilty in Trump’s Georgia election interference case

Scott Hall — a bail bondsman accused of willfully tampering with electronic voting machines in Coffee County, Georgia during the 2020 election process — is the first of 18-codefendants in Donald Trump’s election interference case to plead guilty to his involvement in the situation. 

According to CNBC, Hall pleaded guilty on Friday in Atlanta to five misdemeanor conspiracy charges, entering into a plea deal that puts him up against five years of probation, a $5,000 fine, and 200 hours of community service in exchange for his testimony in the case. In addition, Hall has been asked by Judge Scott McAfee to write a letter of apology to the state of Georgia for aiding in attempts to overthrow the election.

As The Guardian points out in their coverage of Hall’s cooperation in the case, “The surprise move from [him] came after he gave a recorded statement, it was revealed in court, to prosecutors who are almost certain to use that testimony against the former Trump lawyer Sidney Powell when she goes to trial in October accused of several of the same crimes.”

 

What doctors don’t tell teens about antidepressants and sex

Try to remember what your hormones were doing to you when you were a teenager. Remember those first flushes of desire. Those awkward and revelatory introductory experiences of pleasure. Think of everything you were trying to understand about yourself and your body, everything cool and terrible and constantly changing about it.

Now imagine you have depression or anxiety. Okay, now imagine you are fortunate enough to be getting competent mental health care, and you and your providers agree you’ll take medication to help with your depression or anxiety. But this prescription may also affect your burgeoning, still-figuring-it-out sexual drive and function. And yet, nobody’s talking to you about that part.

Let’s connect some dots. The mental health crisis in our young people is staggering. A 2019 Pew Research poll found that 70% of American teens reported anxiety and depression a “major” problem for them and their peers — and the pandemic has not made things better. The National Alliance on Mental Illness estimates that “1 in 6 U.S. youth aged 6-17 experience a mental health disorder each year.”

It is encouraging that along with the rise in anxiety and depression, there is a corresponding rise in treatment, both therapeutic and pharmaceutical. In the UK, the percentage of teens and children prescribed antidepressants has risen 41% just since 2015. A 2023 Statstica report found that roughly 20% of American college students take antidepressant medications “regularly.” But medication dispensation demands caution and education. And there is startlingly little research or information about the sexual side effects of these medications in young people. 

We know that SSRIs can affect sexual drive and performance. The journal Mental Health Clinician lists “delayed ejaculation, reduced sexual desire, reduced sexual satisfaction, anorgasmia, and impotence” among the potential side effects. A 2020 study in Neurology, Psychiatry and Brain Research estimates roughly half of adult patients taking antidepressants report some form of “sexual dysfunction,” a condition associated with “depression severity, diminished relationship satisfaction, and lower self-esteem in patients currently taking antidepressants.”

“There is extremely little research on adolescents’ sexual side effects from antidepressants.”

“We don’t even know what those numbers look like for teens,” says Debby Herbenick, PhD, Provost Professor at the Indiana University School of Public Health-Bloomington and author of “Yes Your Kid: What Parents Need to Know About Today’s Teens and Sex.” She continues, “Medications work differently in adolescent bodies and we need more research to understand adolescents’ experiences with antidepressants, including any impact on their sexual desire (libido), orgasm, erections, ejaculation, or genital sensations (these are the kinds of changes observed in adults). There is some research, for example, showing that higher SSRI doses have been associated with anorgasmia among adolescents.”

There’s also very little research on how SSRIs might affect different adolescent genders differently — significant, given that girls are twice as likely to be prescribed antidepressants than boys.

We need your help to stay independent

Among the very scant literature is a 2004 report in the Journal of the American Academy of Child & Adolescent Psychiatry observing that “Researchers and clinicians may be failing to ask adolescents about sex and sexual functioning in the context of SSRI treatment.” Eleven years later, a 2015 report in the journal Pediatrics found that little had changed, concluding similarly that “We discovered that a profound piece of information was missing: the assessment or screening of sexual behavior and dysfunction, resulting in missing evidence-based knowledge about these issues in the adolescent population. This was concerning given the high prevalence of sexual side effects seen among adults taking SSRIs.”

“We discovered that a profound piece of information was missing: the assessment or screening of sexual behavior and dysfunction.”

Part of the problem may be our cultural discomfort with the idea of adolescent sexuality — and our gritted teeth focus on harm reduction at the total expense of empowerment and pleasure. “Healthcare providers already talk very little with adolescents about sexuality,” notes Herbenick. “One study that audio-recorded (with permission) physician-adolescent conversations found that two-thirds of the visits contained at least some conversation about sexuality but that these conversations lasted, on average, just 36 seconds. That’s not a lot of time for in-depth conversations.”

“My sense is that talking about sexual side effects gets at some of the issues that providers are just not discussing — that is, pleasure, orgasm, erections, ejaculation and genital pain,” Herbenick continued. “To adequately address these first requires that providers see adolescents not just as young people who might explore their sexuality, but that they have a right to enjoy that exploration.” And she warns, “When providers don’t talk with teenagers about sexual side effects, there’s the risk that teenagers may stop their medication or try to adjust the dose on their own, which can have implications for how well their mental health is being treated.”

“Teenagers have precious little education on sexuality and human relationships in general, and then around this? Pretty much silence. Pretty much stigma.”

Peggy Orenstein, author of the bestselling “Girls and Sex” and “Boys and Sex,” concurs. “We are so uncomfortable with teens’ burgeoning sexuality and new urges (including toward self-exploration) that as parents we don’t address them in typical circumstances — let alone how adding in pharmaceuticals might affect them. Teenagers have precious little education on sexuality and human relationships in general, and then around this? Pretty much silence. Pretty much stigma.” She says, “As an issue of informed consent, they need to understand these side effects. And parents, too, need to think about what it might mean to potentially interrupt sexual development, what the trade offs are. At the very least, it should be a discussion.”

When prescribed and monitored carefully and correctly, selective serotonin reuptake inhibitors can be truly life-changing — and for many, a means of actually improving mood and libido. It can be awkward and intimidating to make sure the lines of communication are clear, but Herbenick says, “Parents can step into the conversation. They can signal to the providers and to their adolescents that they care about their well-being. Parents can ask the provider to address potential sexual side effects with their child — to let them know it’s possible or to ask at follow-up visits if these are a concern.” The payoff is better mental and sexual health for our young people. And that’s what it should be like.”

“Sexual pleasure, sexual wellbeing — this is not a luxury,” says Doortje Braeken van Schaik, co-author of the International Sexuality Education Guidelines by UNESCO and a board member of the Global Advisory Board on Sexual Health and Wellbeing. “It’s something that is as important for your general health, but specifically also for your mental health. And I think that is a tiny step in the right direction to make people think about mental health issues related to sexuality.” 

When my friend Edward’s 16-year-old son Robert was struggling with severe depression that led to a hospitalization, his team was upfront about the benefits and possible drawbacks of his treatment plan. “The psychiatrist that he was seeing was very clear about all the side effects of the medicine and spoke candidly about them,” Edward recalls. “He was dating while on medicine, and I know the doctor was candid about it.”

And now that Robert is 18, Edward says he can see the benefits not just of the treatment but how it was handled. “I think making sure he was a partner in that and helping him ask the right questions of a health care provider equipped and empowered to understand, this is my health, and I need to have ownership of it,” he says. “Providers are here to help you. So ask your questions, and speak up if something’s not working.” 

There are more of us than there are of them

The 14th Amendment isn’t going to save us from Donald Trump.  Nor is a ruling in New York state that he defrauded multiple banks and insurance companies over a ten-year period.  Nor are the 91 charges against him in his four criminal indictments.  Nor is another ruling by a New York judge that he raped E. Jean Carroll and is liable for $5 million in civil damages.  His base loves him for every scam he pulled, every norm he trashed, every law he broke.

There may be red state after red state across the South and Midwest voting for Trump every time he says “jump,” but there aren’t enough of them, and they don’t have enough electoral votes.  What will save us are our numbers.  Republican presidential candidates have won the popular vote only once in the last 35 years, when George W. Bush beat John Kerry in 2004.  In every other election, Democrats won the popular vote, even when they lost the election overall because of the electoral vote count.  Put simply, there are more of us than there are of them.

What we’re going through today, right at this moment, are the beginning rumblings of the ground beneath the feet of Republicans that will become an earthquake in 20 years, when demographers predict that White people in this country will reach minority status.  For a long time, they said it was going to happen in 2050, now they say it will be 2045, but check this out:  non-Hispanic White Americans under 18 are already a minority. 

And it’s happening from both directions. 

There are more non-White babies being born at the same time that there are more White people dying.  They’re dying for all the reasons people do – heart disease, cancer, Alzheimer’s, liver disease, diabetes, emphysema – and now they are also dying because of the political party they belong to.  Nate Silver reported on his Silver Bulletin Substack on Friday that the death rate from COVID in red states is 35 percent higher than in blue states.  A study from Yale University published in the Journal of the American Medical Association in July found that Republican-leaning counties in Ohio and Florida had excess death rates from COVID that were 43 percent higher than Democratic-leaning counties.  Silver pointed out that the methodology behind the study was simple math:  Researchers cross-checked voter registrations against death records, county by county, and added them up.  After COVID vaccines became widely available early in 2021, “Republicans began having considerably higher excess death rates,” as compared to Democrats, Silver reported.  Note that the study was done by comparing people by party registration.  The people dying from COVID were voters, and more Republican voters than Democratic voters died by a large margin.

We need your help to stay independent

Republicans know this, and they are terrified by it, or at least they should be. This isn’t a normal shift in death rates that could be attributed to ecological factors or more people in one party than the other working in higher risk jobs.  This statistical anomaly was brought on by the Republican Party on its own members as they opposed vaccines and started scare mongering about “the government” putting microchips into you using COVID shots.  Some Republicans even spread the utterly bogus rumor that more people were dying of the vaccine than of COVID.  Too bad they can’t interview the corpses.  Maybe that would change their minds.

This is not a good trend for the Republican Party, because politics is a game of numbers, and the numbers are going against them.

Republicans know they have had only one candidate win the presidency by a majority vote since 1988.  They know the numbers are against them.  They know people of color will be a majority in twenty years.  That’s why they appointed Supreme Court justices who would deliver Shelby County v. Holder for them, the decision that eviscerated the Voting Rights Act of 1965 and led to a tsunami of voter suppression across the country.  What do you do when the number of your voters is going down?  Why, you make it harder for the voters of the opposing party to vote.  What do you think the panic in the Republican Party over immigration is about?  They know immigrants coming over the Southern border aren’t taking jobs from American citizens.  They know immigrants don’t commit more violent crime than American citizens – in fact, it’s the opposite.  What scares Republicans is that the immigrants who crossed the border yesterday fleeing oppression and poverty and seeking asylum and opportunity will become voters not tomorrow, but soon enough.  And they will remember who was on their side as they struggled to better their lives and eventually become citizens.

So will young people reaching voting age this year and next year and the year after that.  They’ll remember which political party was pushing enormously unpopular restrictions on abortion, which party had banned books in school libraries in their high schools and colleges.  Already the 18 to 29 vote nationally goes to Democrats by a 28-point margin, 63 percent to 35 percent.  And young people vote.  A study by the Center for Information & Research on Civic Learning and Engagement (CIRCLE) at Tufts University’s Jonathan M. Tisch College of Civic Life found that 27 percent of young people between 18 and 29 cast votes in the 2022 midterm elections.  The same study found that the aggregate youth voter turnout was 31 percent in 10 of the most electorally competitive states — Arizona, Florida, Georgia, Michigan, North Carolina, New Hampshire, Nevada, Ohio, Pennsylvania, and Wisconsin.  Another piece of very bad news for Republicans. 

Republicans know that they will eventually have to appeal to voters with policies that don’t turn them off and turn them against their party, but they’re not there yet.  You would think that having won the war over abortion at the Supreme Court, Republicans would be celebrating their win and resting on their laurels.  But no, they’re doing just the opposite.  They are attempting to make abortifacient medication illegal, to ban buying it online and having it shipped by mail, and some states are even attempting to pass laws to make it illegal for women to travel out of state to get an abortion.  Right now in the Senate, Tommy Tuberville is holding up the promotion of over 300 general officers because he opposes a Pentagon policy that allows female soldiers to take leave and travel away from the posts to which they are assigned to get an abortion when they are posted in a state that forbids the procedure.  How do you think that makes women who serve in the military feel about the Republican Party?


Want a daily wrap-up of all the news and commentary Salon has to offer? Subscribe to our morning newsletter, Crash Course.


This kind of regressive, authoritarian politics is costing Republicans votes, and because their party is led by the Authoritarian in Chief, Donald Trump, they are stuck.  Even voter suppression is working against them – look at the results of the 2020 election in Georgia and Arizona.  Look at the overall results of the 2022 midterms, usually a blow-out for the party out of power.  They failed to retake the Senate and held onto the House by a margin that has plunged the Republican Party into such disarray that they are on track to shut down the federal government this weekend because Speaker Kevin McCarthy cannot control his caucus with the narrow majority Republicans hold over Democrats in the House.

Republicans are holding onto red states with gerrymandered majorities, but their control is slipping, and it is beginning to weaken in presidential election years.  Georgia isn’t going to go to the Republicans next year.  Neither is Arizona.  The abortion issue is beginning to turn reddish but competitive states like Ohio into toss-ups.  Abortion is also costing Republicans votes of women in the suburbs and across the board in states like Kansas, which recently voted to keep abortion legal in the state by voting down a state constitutional amendment that would have made it illegal.  Voters affirmed by referendum abortion rights in 2022 in California, Michigan and Vermont, and turned away statewide referendums that would have further restricted abortion rights in Kentucky and Montana.

Even if Republicans wanted to do something to appeal to voters more broadly, they are hamstrung by what we call the Trump base – voters in thrall to the man more than to the party.  That base is White, and it’s old, compared to voters in general, and they are headed into two decades when this country will get increasingly younger and less and less White.

This is not a good trend for the Republican Party, because politics is a game of numbers, and the numbers are going against them.  It’s good news for Democrats that there are more of us than there are of them, but only if we turn out and vote.  We can’t sit back and let the actuarial tables and the issue of abortion carry the day for us.  There is power in numbers only if we exercise it with our votes.  It’s either that, or we won’t have a vote that’s worth anything anymore.  Stand up and be counted. Vote.

GOP waging a “coordinated national effort to undermine American elections,” says leading official

Colorado Secretary of State Jena Griswold, a Democrat viewed as a national leader in voting rights, has received 67 death threats and over 900 threats of online abuse within just three weeks, according to a system used by her office that tracks harassment and threats against election workers.

In 2020, Griswold’s office launched a “rapid response” election security unit, a team of election security experts tasked with protecting Colorado’s elections from cyber-attacks, foreign interference and disinformation campaigns. A year later, her office set up a tracker to monitor the growing number of threats against election workers. 

Griswold told Salon that “if anybody understands” what election workers around the country “are going through, it’s me.” She continued, “Everything that we have done for my security, we have had to fight tooth and nail for. State and federal governments have largely abandoned election workers. I understand what these county clerks are going through and I’ll do anything I possibly can to ease their burden and make sure that they feel safe and supported.”

Election workers in many states and counties are leaving their jobs in large numbers due to an increase of harassment and threats, the proliferation of conspiracy theories and heightened workloads, according to a new report released this week by Issue One, democracy-focused nonprofit group.

The group’s research focused on 11 states in the American West and found that roughly 40% of counties in those states have had a new chief local election official since the 2020 presidential election. In four states, that number exceeds 50%. 

These turnover rates, experts say, pose a distinct threat to American democracy, since election administrators with decades of knowledge and experience are leaving their roles and being replaced by individuals with vastly less experience not long before a pivotal presidential election that is likely to see near-record voter turnout.

“Election workers across the country are dedicated to keeping our democratic processes secure, fair and safe,” Michael Beckel, research director at Issue One, told Salon. “When experienced election officials leave their positions, they take with them years of institutional knowledge and expertise. Our leaders have an obligation to protect our nation’s election workers and make sure they have what they need to keep our elections strong.”

According to Griswold, Republicans allied with Donald Trump’s MAGA movement are doing everything they can to “destabilize” elections and convince local election officials to quit, up to and including harassing workers and threatening them with violence.

“There is a coordinated national effort to undermine American elections,” Griswold said, pointing to the example of Trump supporters showing up to county clerk’s offices in 2021 and threatening them if they didn’t provide access to voting equipment. 

The turnover rate among local election officials since 2020 is far higher than it was previously, particularly in battleground states where local election officials have faced a heightened level of death threats and harassment, the Issue One report found. 

We need your help to stay independent

Making matters worse, the report found, new election officials are grappling with a shortage of resources to staff other vital roles essential to ensure that elections run smoothly. 

More than 160 chief local election officials have departed from their roles since November 2020 within the 11 Western states tracked by Issue One tracked. Those 11 states includes two perennial battleground states and a mix of Democratic-leaning and Republican-leaning states, where elections are typically managed at the county level by a single official.

As these threats have surged and election officials have left their positions in droves, Griswold said, not enough has been done to safeguard the integrity of the electoral process.

“State and federal governments have abandoned our quest to safeguard democracy, to a large extent,” Griswold said. “With that said, people in my office — we are very scrappy and dedicated, and we’re going to get the job done.”

“State and federal governments have abandoned our quest to safeguard democracy, to a large extent,” said Jena Griswold. “That said, people in my office are scrappy and dedicated. We’re going to get the job done.”

Griswold said she has implemented specific measures to address likely issues ahead of next year’s elections. She has expanded her team to offer direct support to Colorado’s counties and, within the past year, has contracted with former election officials to increase much greater on-the-ground presence.

She has also spearheaded changes in the Colorado state legislature, such as criminalizing retaliation against election workers and providing a process to shield their personal information and to make “doxxing” — or revealing a person’s home address and phone number without their consent — a punishable offense.

Colorado has also enacted a law prohibiting the “open carry” of firearms close to drop boxes, voting centers and areas where ballots are being processed, in an effort to ensure that election workers are not intimidated by armed individuals. Her team has also prepared for hypothetical “disaster scenarios,” including such potential instances as a “deepfake” video showing Griswold spreading false information.

“We’ve overcome a lot of challenges with a great outcome,” Griswold said, “including armed men filming people at drop boxes to county clerks that breach their own security trying to prove the Big Lie. “There has been massive disinformation, and we continue to have incredibly well-run elections. I think 2024 will be no different.”

The Brennan Center released a poll in April that surveyed local election officials and found that 12% of workers were new to their jobs since the 2020 election, and that 11% said they were likely to leave their jobs before the 2024 election.

Nearly one in three election officials have been harassed, abused or threatened because of their jobs, the survey found, and more than one in five are concerned about being physically assaulted on the job during future elections. Nearly half the respondents expressed concern for the safety of other election officials and workers. 


Want a daily wrap-up of all the news and commentary Salon has to offer? Subscribe to our morning newsletter, Crash Course.


The Justice Department under Attorney General Merrick Garland has created a task force on election threats, but so far it has been quiet. Just 14 cases have been prosecuted involving threats against election officials and workers, leading to nine convictions, according to an August press release

For many years, local election officials were relatively anonymous figures, working behind the scenes with little controversy to ensure the integrity of democratic processes. 

But the spotlight was turned on many of them unexpectedly during the 2020 presidential election, largely due to a coordinated disinformation campaign led by then-President Donald Trump and his supporters. Most officials say the surge in harassment and threats came as a direct result, prompting numerous officials to retire or resign.

Even in solidly Republican Utah County, “People came out of the woodwork to spout, parrot and share these national election-denying conspiracies.”

Josh Daniels is a former county clerk of Utah County, the second-largest county in its namesake state. He says he faced this dilemma personally. He initially joined the county’s election team in 2019 as chief deputy after being recruited by a friend who had been elected clerk.

Then the 2020 presidential election happened. 

“People came out of the woodwork in our community to spout, parrot and share these sorts of national election-denying conspiracies,” Daniels said. “It became quite exhausting,” Daniels said. 

His office was inundated with phone calls from individuals accusing election officials of being untrustworthy. They were subjected to what he called “Cyber Ninja-style audits,” similar to the one conducted in Arizona’s Maricopa County. 

Daniels was forced to spend many hours in public meetings with “angry” individuals who made baseless allegations drawn from internet conspiracy theories.

Utah County is predominantly white and predominantly Republican. Donald Trump won nearly two-thirds of the vote there in 2020. Nonetheless, Daniels said, the “political dynamic” of the community changed in the wake of that election, thanks to a “loud faction” of the community that spread distrust about how the election had been conducted. 

“We didn’t get a lot of help from other political leaders in our community,” Daniels said. Instead, some “would almost accelerate” the tension, creating “forums for more of these concerns to be shared and create further political chaos.” 

Daniels decided not to seek re-election in 2022, but he says the conspiracy theories and threats against election workers have continued.

In Arizona, Nevada, New Mexico and Utah — the four states with the highest turnover rates among election officials — Issue One’s research found that twice as many local election officials had left their positions than had done so in Washington and Idaho.

Among the 161 counties in Western states that have new chief local election officials since November 2020, the report notes a significant decline in the average years of experience held by these officials, going from a previous figure of about eight years to roughly one year. The “brain drain associated with this exodus is real,” the report finds, calculating that departing election officials in those counties have taken with them more than 1,800 years of combined experience.

Methadone could help solve our opioid overdose crisis. Why is it so hard for people to get?

For Americans under age 45, the most likely way of dying prematurely is opioid overdose. Stadiums full of people are dying, an average of 110,000 people each year and a recent Stanford Lancet Report predicts that, barring serious intervention, we will see over 1.2 million more deaths by 2030.

Methadone is the scientific answer to this problem, with potential to cut death rates by 50 percent or more. Buprenorphine, a more recently developed medication has similar outcomes but has also struggled to gain traction among providers despite recent deregulation efforts. (Buprenorphine is also much less regulated, and some patients turn to it despite preferring methadone simply because it is easier to get).

Despite the promise of these treatments, for many people being on methadone is simply worse than risking death. Things like daily dosing for decades, restrictive hours, long lines, superior attitudes of staff, and people watching you pee (to make sure you aren’t cheating on a drug test) have most people who use drugs preferring a contaminated drug supply over being in treatment. Research shows that only 1 in 5 people who meet the criteria for an opioid use disorder (those most at risk of overdose) have ever been on methadone. If we have the tools at our disposal to solve the overdose crisis, why are so many Americans still dying?

For over half a century, little has changed about the methadone regulations, and the attitudes of providers toward people who use drugs have changed very little, too. Even during COVID-19 when the DEA allowed patients “take homes” to keep them from cramming into methadone clinics, not much changed. Many opioid treatment providers either didn’t give the recommended number of doses, or only did so for a minimum amount of time, citing concerns about diversion (giving away or selling one’s dose) or a lack of structure that they say patients need.

Patients on methadone, and those who would otherwise be, are fed up with this type of mistreatment.

These types of concerns placed both staff and patients at an increased risk of virus transmission. While governments scrambled to implement vaccines and social distancing, other countries like Australia and Canada pivoted to pharmacy-based delivery of methadone. Meanwhile, by and large, patients in the U.S. continued crowding into clinics, spreading the virus to friends and loved ones.

Patients on methadone, and those who would otherwise be, are fed up with this type of mistreatment. During and after COVID, a national coalition of methadone patients, researchers and even sympathetic providers have coalesced with the hopes of sparking a conversation about reform. Big cumbersome lock boxes that make it obvious that a person is on methadone, random 24-hour calls back to the clinic for bottle checks, and forced counseling are all things that keep people away from treatment, according to the National Coalition to Liberate Methadone, a group led by current and past patients. 


Want more health and science stories in your inbox? Subscribe to Salon’s weekly newsletter Lab Notes.


No other branch of healthcare uses the types of surveillance present with methadone, and there just isn’t evidence to support them. It has been rightly stated that “a person on methadone is monitored more closely than a paroled murderer.” What does it say about treatment when a person would rather risk death than seek it? As a one time methadone patient — and someone who owes my life to diverted methadone — I can say with confidence that the word “compliance” has a far different meaning in methadone clinics than in the rest of healthcare.

In methadone, the word compliance stands for adherence to a gauntlet of ridiculous rules, policies and attitudes that no other person seeking health care would tolerate. A new storytelling podcast “Naturally Noncompliant” chronicles the untold struggles of patients who refuse or fail to comply. Rather than the effective solution it could be, opioid treatment is too often part of the problem.

In methadone, the word compliance stands for adherence to a gauntlet of ridiculous rules, policies and attitudes that no other person seeking health care would tolerate.

Too many Americans needlessly die from whatever illegal drugs happen to have in them, while a bird in the hand solution stays behind lock and key. Every day that a person plays roulette with illicit fentanyl or xylazine rather than seek treatment is a testament to the culture of cruelty against drug users that the methadone regulations create. 

Last week, patients across the country came together in our fight to change these policies. “Liberating Methadone: Building a Roadmap & Community for Change,” the first ever conference by and for people on methadone took place at NYU Langone, hosted by the university’s Department of Population Health. Reformists took to the streets in open protest of the clinic policies and state and federal regulations keeping people away from lifesaving care. It isn’t that we want the clinics to go away, there just isn’t enough methadone to begin with and we want a choice of where to seek healthcare just like every other American. Past, present and future patients will no longer comply with the types of unscientific restriction that cause those who enforce them to treat people at risk of death like criminals.

People on the outside of this clandestine system assume that where there is smoke there must be fire. This is one of the main reasons methadone is so stigmatized to begin with.

“If we can’t get methadone right, we are doomed to lose the battle against overdoses,” says my colleague Louise Vincent, a disabled long-time methadone patient who struggles to get to a stable dose because of the daily dosing requirement and refusal of a nearby clinic to treat her due to urine drug screen results. Louise and I opened the recent Liberating Methadone conference with a call to silence in honor of the many preventable deaths our community has seen. The lack of access and substandard treatment that most people on methadone receive just wouldn’t be tolerated anywhere else in healthcare.

Research in The Lancet found that during COVID patients who received “take home” medications and made fewer mandatory clinic visits experienced significant life improvements. They were able to reach a stable dose quicker by not having their dose reduced every time they couldn’t make the trek or showed up a single minute late. Methadone patients have even begun calling the mad dash to a clinic before its doors slam in thier face the “Methadone 500.” At clinics that did allow the recommended number of take homes there was little or no diversion, a major reason cited in defense of today’s stringent rules.

During the ’70s and ’80s when the race and class wars against drugs were burning hot, the DEA ran its own campaign against methadone right alongside heroin, spotlighting instances of methadone diversion and overdose wherever they occurred and overblowing cause for concern relative to the burgeoning heroin overdoses of the era. The resulting rings of fire that methadone patients now routinely jump through faced little initial opposition. Until the current overdose crisis, methadone was seen to be just as much of a nuisance as any illicit drug; the rules that exist today emerged in a climate of either condescension or hatred toward people who use drugs.

We need your help to stay independent

It is time to rethink, revamp, and reform the way this gift of science is offered. Treating people who use opioids as deserving of the same right to healthcare as any other American demands an about face to the way methadone is delivered. As someone who owes my life to diverted methadone bought on California’s heroin-filled streets as a teenager, treating drug users worse than everyone else didn’t work then, and it certainly won’t work now. Until our healthcare system accepts the miracle molecule of methadone and begins providing people with a safe supply of it, my people will continue dying in droves, while seemingly well-meaning doctors, nurses, counselors and citizens repeat the mantra on loop, “they just weren’t ready yet.”

Disclaimer: The editor of this commentary, Troy Farah, knows Aaron Ferguson through podcasting about drug policy.

“How to Fix a Pageant” director on 2022 Miss USA scandal: “It was clear something was not right”

When beauty pageants rose to popularity during the women’s suffrage movement, they were hailed as the feminist event of the century. Pageants served as an arena for its participants to celebrate being a woman, allowing them to showcase their many contributions in a war-stricken America. More women were abandoning the shackles of domesticity and taking on new roles within a growing labor industry. That included working as semi-skilled operatives, teachers and saleswomen — just to name a few common occupations at the time.

“Her whole experience was colored by this ugliness.”

In the following years, pageants became more sensational as women traded their politically forward sashes for figure-fitting gowns and skimpy bikinis. Looks suddenly became a primary focus in competition; intellect, not so much. Pageants had turned into a thing of ridicule, with several critics proclaiming that they stripped women of their dignity. What was once a feminist event had suddenly turned anti-feminist. But that was far from the truth.

See, pageants have always championed sisterhood, whether they were held for a social cause or for entertainment purposes. And sisterhood is arguably the most important aspect of feminism. Pageants fueled solidarity and support, encouraging women to compete with each other rather than against. That still rings true today, which is why it came as a major shock when an ex-titleholder-turned-pageant-president was accused of favoritism, manipulation and harassment following a recent Miss USA competition.

In 2022, the Miss USA and Miss Universe organizations were under investigation for possible rigging after R’Bonney Gabriel’s Miss USA win was met with disappointment from her fellow competitors. What followed was the suspension of Miss USA’s national director and former pageant queen Crystle Stewart, a sexual harassment scandal and several leadership changes within the Miss Universe Organization (MUO).

The scandal along with the future of Miss USA is explored in  “How to Fix a Pageant,” the latest chapter of “The New York Times Presents” series directed by Nicole Rittenmeyer. In addition to exploring the early beginnings of pageants and the corporate history behind Miss USA, the series spotlights a few Miss USA competitors and several bombshell allegations made against Stewart and her husband Max Sebrechts.


Want a daily wrap-up of all the news and commentary Salon has to offer? Subscribe to our morning newsletter, Crash Course.


“Every single person we talked to — even if they felt they had been done dirty or they didn’t get a fair share or they’ve been maligned — literally, every single woman who had ever participated in [pageants] in any respect was like, ‘I do not want pageants to die,'” Rittenmeyer told Salon. “I think pageants offer so much.”

Check out the rest of the interview with Rittenmeyer, who spoke more about being an ardent, old-school feminist, the inspiration behind her project and the importance of dispelling the myths behind beauty pageants.

This interview has been lightly edited for clarity and context.

I would love to know what encouraged you to make this documentary. How did you first become interested in the world of beauty pageants?

Well, your readers may not love this, but the truth is I love the production company. I love their work. And I love “The New York Times Presents.” I can’t even tell you the number of people who typically would never speak to us, or go on camera or anything. I wish I could do it all the time because [the] beauty pageant world — we learned — is a little omertà. It’s very, very closed. It’s very, very careful. That’s why this story was so compelling to me because they don’t talk. It’s very insular. And just from the perspective of why I was interested in beauty pageants at all, as a long-time, old-school feminist (I don’t even know what wave I am), I think this idea of whether beauty pageants continue to have a place in society is kind of tired. People have been talking about that since my mother was in her 20s. And yet, beauty pageants persist. So I was very curious to know how they have changed. And what we found is they’ve changed a lot actually. It’s just that no one’s paying attention.

The New York Times Presents: How to Fix a PageantGrace Lange in “The New York Times Presents: How to Fix a Pageant” (FX)Pageants, in the same vein as Victoria’s Secret fashion shows, have long been scoffed at. Prior to working on this documentary, what were your thoughts on beauty pageants? And have they since changed after?

As an old-school feminist, you’re like, “Oh, those are so silly. Those are so demeaning.” I have maybe a little bit of a nuance because my sister, who will be very embarrassed to read this, participated in the Miss America [one]. She didn’t make it to Miss America. I think she was like third runner-up Miss Indiana. She’s a criminal defense attorney now. But I knew that it’s not a bunch of bimbos. I knew that that was an unfair, maybe reductive way to look at the women who participate. I knew there was more to it.

What I didn’t realize is how much in the last five, six, seven years they’ve — under William Morris Endeavor (WME) — tried to keep pace with the times. They incorporated #MeToo into it. And these women are so impressive. I mean, every time we did a pre-interview or got somebody to talk to us, we were just gobsmacked at how these 21-, 22- and 23-year-old women were so articulate, so passionate and so accomplished. They had resumes longer than mine! They mastered this art of how to stand up straight, smile . . . do all this stuff. 

If you look on Wikipedia, pageants have produced politicians and world leaders. I think people don’t know that. The general public’s understanding is very stuck in parade waves and bathing suit contests and all that. But [pageants] are really impressive women, who view this as a sport, take it very seriously, which I think everybody knows. But in terms of the competition and the training and the mindset, it’s really interesting to hear [these women] talk about it.

The documentary features a diverse cast of former Miss USA competitors, journalists, pageant experts and an ex-judge at the Miss Teen USA 2016. How did you find these individuals? What was the process like?

The supervising producer Liz Hodes is the one who pitched this idea internally. It was really her process more than mine. I was brought on once they decided to [make the documentary]. I should say, the story itself didn’t make The New York Times, but it was covered in the Washington Post, LA Times, Insider, “Good Morning America” and I think the “Today Show.” It was clear something was not right. It was cool to watch these [pageant competitors] sort of band together. Very fight the power. 

It’s not what you think of, especially because the stereotype of beauty queens is they’re back-biting and they’re undermining each other. Instead, these women got together and they were like, “We are going to management on this issue.” We started there. We started with the people who had been vocal about it and worked our way in. We tried to find retired directors to speak with. That was hard. It’s so insular and for a lot of them, their livelihoods are still tied to these pageants. We’ve seen the contracts, we know the contracts that MUO [Miss Universe Organization] has with the franchises, and they’re pretty onerous. So, they didn’t want to go on camera. We talked to a lot of people off-camera who were very helpful and shared information. But, we could not get a single director to go on camera, which was disappointing, but also not at all surprising.

You said you talked to a few people off-camera? Who were those individuals?

It’s a vast array of directors for individuals who wanted to be anonymous. We actually even created a portal for them to share information with us anonymously, so it wouldn’t get tied back to us, back to them. I can’t name names or states, but they were super helpful with the fact-check. They were very helpful in telling us, “Hey, this happened. You should go talk to this person.”

We said in the very beginning of the film that MUO was cooperative. And then they just suddenly pulled their participation, didn’t really explain why. So, we just soldiered on without them and tried to get the information the best we could.

The New York Times Presents: How to Fix a PageantTaylor Hill in “The New York Times Presents: How to Fix a Pageant” (FX)

I think your mention of sisterhood within pageantry is so important and interesting because there is this misconception that pageant queens are catty and have ill intentions. Could you talk more about sisterhood in the pageant world?

“There’s this automatic assumption that it’s all about the male gaze.”

Every single person we talked to — even if they felt they had been done dirty or they didn’t get a fair share or they’ve been maligned — literally, every single woman who had ever participated in [pageants] in any respect was like, “I do not want pageants to die. I think pageants offer so much.” Several people said to us, “Look, if you can get up in front of God and everybody in a bathing suit and walk across the stage and look confident doing it, you can pretty much do anything.” Yes, that’s true. But the very first thing that everyone cited was the sisterhood, the lifelong friends. It sounds kind of cliche, like a thing you would say for the press. But in reality, I had no reason not to believe these women. They all said it and they’re all still friends. Some of these people we spoke to have been in every single aspect of the pageant business. Everybody just really wants pageants to be run like professional organizations. That’s it. That’s all they want. It doesn’t seem like a big thing to ask.

I wanted to focus on Miss Michigan USA 2021 Taylor Hale. She seemed incredibly forthcoming in her segments. How did you make the interview a safe space for her to open up and share her allegations about Max?

Taylor is amazing. She’s a force. All of these women are special. Somebody told us that in the Miss Universe Organization, there’s 70 different countries that participate in it, but it’s so competitive in America. It can be harder to be Miss Michigan than it can be to miss to be Miss Dubai or whatever. That’s just an example, but you know what I mean?

Taylor demonstrated this acumen, this diplomacy. She did it. I don’t really know how else to say this, but it certainly becomes easier to be forthright and forthcoming when you are no longer beholden to the organization, to its assistance. This pageant feeder system has fed, yes, leaders and politicians. But the Miss USA system, particularly, has been one that feeds entertainment. And Taylor was able to establish a successful career and a personality outside of that. So, it really frees her up to be as forthcoming as she wants to be, which is very helpful for us.

Securing an interview with Crystle Stewart must’ve been a pretty big deal, considering that much of the documentary looks into everything that went wrong while she served as Miss USA’s national director. How challenging was it to get her and how long did it take to convince her to appear in front of the camera?

We pursued Crystle for a while. But this was one where the fact that it was The New York Times is what mattered. She had never spoken to anyone else, which was huge. In fairness, she and Miss USA had been negotiating the dissolution of their arrangement. As soon as those negotiations closed, she was willing to talk to us within the boundaries of what she could say. I feel like we got a great interview out of her, so I was pleased.

The New York Times Presents: How to Fix a PageantCrystle Stewart in “The New York Times Presents: How to Fix a Pageant” (FX)

How was she in person? Were extra conditions required?

Crystle did ask that her lawyer and PR person be present. I think, in large part, that was because there were some carve outs about what she’s allowed to say in her divorce contract with MUO. I think she was just trying to make sure that she didn’t run afoul of that. But otherwise, I mean she was lovely in person. All of these women are breathtakingly gorgeous in person, so there’s that. You’re just sort of like, “Wow, are you real?” She was great.

I’m curious if you also reached out to R’Bonney Gabriel for an interview? If so, what was that like?

That poor girl. First of all, and several people said it, even the women who were the loudest about Miss USA being done poorly and shadily, were like, “Look, she’s a hell of a contender. No one is saying that she shouldn’t have won.” But her whole experience was colored by this ugliness. She didn’t get to have the experience that she’s supposed to have. Certainly her Miss USA experience was not right. 

“Who’s decided that pageantry is over?”

We definitely wanted to talk to her. But that was when MUO was playing ball with us. Once they said they would not talk, they were like, “And that’s for all of our designees.” The way the pageants work is once you are a title holder, if it’s a state title holder (like in R’Bonney’s case, Miss Texas), the state director of Texas acts as her agent for the year and is responsible for all of her bookings. When she won Miss USA, Miss USA is responsible for all her bookings. And when she won Miss Universe, Miss Universe is responsible. We did go to R’Bonney directly and let her know what was in the documentary so she wasn’t surprised. We wanted to get a statement from her. We went through a friend of hers, so I know she got the message. But we never heard from her. We did ask MUO again, a final time, but they didn’t reply.

In the beginning of the documentary, Taylor said, “The pageant is an arena where women get to be the most feminist that they can be.” After doing your research, delving into Crystle’s scandal and putting together this documentary, I’m curious to hear what your thoughts are on that sentiment.

I’m so glad you asked me that question. As previously stated, I am a great-old feminist and I’ve been through all the waves and all the backlash. I have twin daughters who are in their 20s. I talk with my female friends and family all the time about feminism and how it’s evolved. My mom is a first-wave feminist, so I feel like I’m pretty steeped in this. Feminism continues to grow and evolve. One of the things we see with the Gen Z women is they’re kind of like, “Why are there rules about what we can and can’t do? Who said who made that up?” And I think that is the right evolution of feminism. We shouldn’t be in a situation where I’m judging one of these young women and saying, “How dare you get up there in a bathing suit or an evening gown or whatever it is!” If that’s your bliss, if that’s how you find your fullest explanation and exploration of being a strong, powerful woman, go girl! 

Another thing that’s really interesting about this is there’s this automatic assumption that it’s all about the male gaze. That’s not who watches these shows. It’s certainly not who participates, but the people who watch this are women, so women are performing for women. And now with a new ownership, they’ve made it more and more of a fully women-led organization. I will say that in other countries, they don’t seem to have the same kind of hang-ups that we have in American culture. You can be both intelligent and accomplished and beautiful. In America, we seem to think that those things are mutually opposed, which is annoying and confining and not the right expression of feminism. 

So in some ways, I loved when Taylor said that because it feels like that’s not untrue. There might be other, more full expressions of feminism for other women. But for these women, you know, hell yes! And I feel like all of us — whatever wave we are, however old we are — should embrace that. It feels more relevant than ever in this era of the “Barbie” movie. And to see Taylor [Swift] up there and Beyoncé up there. It’s like, “Who’s decided that pageantry is over?” Look at “RuPaul’s Drag Race.” It all came from this font of beauty pageants, and it feels more like the anachronism is not the beauty pageants, it’s our perception of what happens in them. It’s our perception of what they are.

“How to Fix a Pageant” airs Friday, Sept. 29 at 10 p.m. ET on FX and streams next day on Hulu. Watch a trailer for it below, via YouTube:

Leave Britney Spears alone – yes, we’re talking to Britney fans also

Britney Spears‘ Instagram is one of pure unadulterated fun. The pop star posts whatever she wants typically clad in a low-waisted pair of underwear or shorts and a crop top dancing her heart away. So why did one of her recent posts spark police being sent to her house for a wellness check, yet again?

A few days ago, the pop star took to Instagram to post a video of herself dancing with what Spears claims are prop knives. Of course, the post went viral on all social media platforms. People poked fun at the now meme, comparing the video to rapper Azealia Banks also dancing while welding a machete. Some took to the internet to question the state of Spears’ mental health, and according to NBC News, authorities performed a wellness check on the singer after people close to the singer posed concerns. 

Spears posted again addressing that she was just trying to “imitate one of my favorite performers Shakira” and she knows that she “spooked everyone with the last post, but these are fake knives that my team rented from Hand Prop shop in LA. These are not real knives. No one needs to worry or call the police.”

Just a misunderstanding right? Well . . . this isn’t the first time that fans have called a wellness check on Spears. Earlier this year in January, fans called a wellness check on the singer and in a now-deleted post Spears said that fans went a “little too far.” She said, “This felt like I was being gaslit and bullied once the incident made it to the news and being portrayed once again in a poor and unfair light by the media.”

It is concerning and well, ironic that fans who wanted to free their idol aren’t recognizing Spears’ autonomy as a 41-year-old woman.

And obviously, she’s right. Ever since fans exposed (#FreeBritney campaign) that the singer was being exploited and abused in a controlling 13-year-long conservatorship that was masterminded by her father Jamie Spears, they have continued to have a vested interest in Spears’ mental health. But Spears was freed from the conservatorship in 2021 and since then she has been openly living her life the way that she sees fit. Whether that means marrying the somewhat shady Sam Asghari, who she is now divorcing or dancing with prop knives like Shakira on her Instagram. The woman is a performer at heart and she is bound to be more theatrical than most people and there’s nothing wrong with her campiness — it’s why her fans love her. It also shows that Spears is more free than she has ever been — more in control than she’s ever been. 

For that reason, it is concerning and well, ironic that fans who wanted to free their idol aren’t recognizing Spears’ autonomy as a 41-year-old woman. The men in Spears’ life, the media and the general public have all inflicted some sort of trauma onto her so of course it’s only natural for her fans to be worried for her well-being. For years, Spears was at the butt of every joke and put through the emotional wringer as her life was picked apart by tabloids, paparazzi and the media. Survival was not an easy feat. Her experience as public enemy No. 1 in the late aughts isn’t something many people could endure and come out of the other side unscathed. And maybe Spears’ candor about her struggles also adds to the intense anxiety people feel over the protection of her mental health.

It’s all understandable but Spears deserves to live her life without the projection from fans and the public that she’s so fragile and ready to break at every moment. The overzealous, watchful eye Spears’ fans have with her almost reinforces the same scrutiny that Spears faced at the height of her public breakdown. The parasocial relationship between Spears’ fans and herself also adds to this intense level of protection but when does it become patronizing and strip Spears of the agency she fought so hard to win back from her father and the media? She is no longer a victim of abusive circumstances from her family or conservatorship, and it’s dangerous to habitually paint this fragile and delicate picture of Spears. She is human, so yes, she will have days where she’s not OK. But why is it the fans’ concern to call the police on a woman who is clearly dealing with life just like the rest of us — the best way she can? 

Her independence has to look a certain, palatable way for people to accept that she really is OK.

When we continue to speculate on someone’s mental health and intervene with serious measures like wellness checks, it is insinuating that Spears is unable to regulate her emotions or care for herself. It undermines her entire battle for freedom and her reclaiming the joys of life by dancing with fake knives on Instagram. At what point do her fans and all these people theorizing about her mental health become just as complicit as the people who tried to control her in a conservatorship? It’s a different kind of control but it’s a sense of ownership they have over Spears’ freedom because they aided in it. Her independence has to look a certain, palatable way for people to accept that she really is OK. But that’s not up to her fans, the media, or the public to decide. Spears no longer owes any of us anything after she’s given up most of her life, most importantly her formative adolescence years, to the limelight. The least we can do to partially rectify our hands in the damage is to leave her the hell alone.

 

Gypsy Rose Blanchard granted early release from 10-year sentence for 2015 murder of her mother

The Missouri Department of Corrections confirmed on Thursday that Gypsy Rose Blanchard will be paroled at the end of December from Chillicothe Correctional Center, after serving seven of the ten years she was sentenced for her involvement in the 2015 murder of her mother, Clauddine “Dee Dee” Blanchard.

The details of the Blanchard case were made widely known in the 2017 HBO documentary, “Mommy Dead and Dearest,” directed by Erin Lee Carr, which recounted the years of abuse that Gypsy Rose suffered at the hands of her mother, who robbed her of her childhood by making it seem as though she had a variety of illnesses she didn’t actually have. 

After meeting a young man named Nicholas Godejohn on a Christian dating website, Gypsy Rose arranged for him to murder her mom while she herself hid in the bathroom. After suspicions arose as to the mom’s whereabouts, police were issued a search warrant for the Blanchard home, where they discovered Dee Dee’s body. From there, the couple were tracked down by law enforcement and both eventually fessed up to their crimes, with Nicholas receiving life without parole in 2019. 

In interviews conducted after detainment, Gypsy Rose said she felt more free in prison than she did throughout much of her life prior, because she was allowed to just be a normal person there. She is now 32-years-old. 

Should celebrities have to disclose if they got plastic surgery? It depends

For celebrities, being in the public eye is a major aspect of their profession. The public may even believe their private life is newsworthy. Their daily whereabouts make for sensational headlines on tabloid covers. And their looks are always up for debate. Photos of a famed A-lister go viral on social media. Fans are quick to notice that something is a bit off. Are those lip fillers? Botox? God forbid, buccal fat removal? The internet is dying to know.

“Did she do that thing where it literally makes your eyes open wider?”

It’s a common occurrence that no celebrity is exempt from, even those who claim they’ve never gotten any kind of work done. Zendaya continues to find herself at the center of plastic surgery rumors, so much so that plastic surgeons have also weighed in on the issue. Same with Olivia Rodrigo. Now, it’s Jennifer Lawrence who’s fueled an online frenzy over her appearance.

Amid Paris Fashion Week, photos of the “No Hard Feelings” star attending Dior’s Spring/Summer 2024 show made rounds across social media. Lawrence donned a chic white collared shirt and black skirt outfit, which wasn’t all that interesting to fans and trolls alike. It was her face that caught their attention instead. 

“Did she do that thing where it literally makes your eyes open wider? I forgot what it’s called. Idk, there’s something somehow different,” commented one user over on Reddit. Similarly, another wrote, “Ugh . . . everyone is just becoming yassified versions of themselves these days, I hate it. She had such cute eyes without having them done.”

Others conducted their own deep dives on the photos, claiming that Lawrence had done more than just a possible upper blepharoplasty. “Lips, jawline, brow lift, eyes are less hooded maybe?” said one sharp-eyed sleuth, while another said, “Everyone gets the same cheek jaw and lip fillers and they end up looking eerily alike. Like [I]nstagram face, but more like filler face.”

Celebrities undergoing plastic surgery isn’t anything new. After all, beauty standards within Hollywood are strict and may affect bankability. Women, in particular, are expected to look youthful, even after surpassing their 20s and 30s. Visible signs of aging, be it wrinkles or fine lines, are vilified. Saggy skin is oh-so repulsive. So is healthy weight gain. It’s no secret that those within the industry face immense pressures to maintain a certain look.

Yet, seeing the aftermath of any kind of cosmetic procedure still comes as a major shock to the public. And it raises the question: Should celebrities have to disclose if they got plastic surgery?

The answer is complicated because it’s not a simple “yes” or “no.” Plastic surgery has its fair share of problems. And it seems like those issues have only been intensified by social media. In an increasingly digital era, social media makes it possible for users to create and showcase a warped version of their reality. That means even the most unattainable beauty standards can be made attainable. Smooth skin, free of any blemishes or flaws, along with razor-sharp jawlines, slim cheeks and pouty, plump lips are prevalent. Cinched waists with an accentuated derrière (a.k.a. the BBL bubble) are even a standard body type shared amongst celebrities, influencers and Instagram models.

Few of those features, however, are real. At least not completely. They’re made possible thanks to a combination of cosmetic procedures and digital editing tools, like the infamous Facetune and Photoshop. Social media doesn’t make that clear to its users though. There are no disclaimers under photos that’ve been heavily edited. There are no features that expose what specific procedures someone underwent to attain the body that they have. All of that information is kept a mystery.


Want a daily wrap-up of all the news and commentary Salon has to offer? Subscribe to our morning newsletter, Crash Course.


What we consume online can affect our perception of ourselves, which ultimately impacts our mental health. When people are comparing their own bodies to the modified bodies of celebrities and models, it opens the door for a slew of negative consequences. It’s why so many people have criticized the Kardashians for continuously lying about undergoing plastic surgery. For years, the Kardashians have capitalized off of their looks, successfully launching beauty products and a wellness tea brand to desperate girls and women attempting to achieve their idols’ looks. Take for example Kylie Jenner’s own cosmetics company Kylie Cosmetics, which originally began as Kylie Lip Kits. In 2015, Jenner made a name for herself selling liquid lipstick and lip liner sets, claiming they were the secret behind her oversized pout. The Kardashians also endorsed Fit/Flat Tummy Tea, saying the detox beverage (which is basically a laxative in disguise) helped them achieve their slim figures. And they promoted a waist trainer fitness regime, which of course is how they achieved their natural, hourglass bodies in the first place. In this case, not disclosing plastic surgery could be considered misleading to those buy products they believe will achieve the same results.

That being said, celebrities aren’t obligated to share that they had plastic surgery. They don’t necessarily owe the general public anything and it’s really no one’s business. However, celebrities do have a moral obligation to not lie about their surgical history if they’re making a profit off of their looks and bodies. It’s simply a matter of transparency and credibility. And in a world where unnatural body standards are on display left and right, it’s also a matter of safety.

“Make it make sense. You can’t.”: GOP infighting erupts after House hardliners push for shutdown

GOP infighting in the House killed a Republican bill aimed at avoiding a seemingly impending government shutdown on Friday.

21 Republican hardliners joined Democrats in opposing the legislation in a 232-198 tally. The failed vote represents another significant defeat for Speaker Kevin McCarthy, R-Calif., whose attempts to unite the conference on government funding legislation, including a partisan stopgap bill aimed at giving the GOP greater leverage in negotiations, have repeatedly fallen flat

The list of the bill's far-right opponents included Reps. Dan Bishop, N.C., Lauren Boebert, Colo., Ken Buck, Colo., Tim Burchett, Tenn., Matt Gaetz, Fla., and Marjorie Taylor Greene, Ga. The measure — whose defeat raises the potential for a government shutdown to go into effect Saturday night — had advanced in a party-line vote earlier Friday, although it would not have passed in the Senate where Democrats would be poised to vote it down. The White House also issued a veto threat against the bill Friday morning. 

Republican Rep. Dan Crenshaw, Texas, expressed frustration with the bill's failure online Friday, lamenting how the legislation's defeat also smacked down the party's border security bill.

"It was a hardline stance that focused our efforts on the border, and yet these 21 took it down," Crenshaw wrote on X, formerly Twitter. "You can't justify this. And yet, they're sending out fundraising emails as we speak, telling you that the rest of us who took a hardline on border security are the RINOS," he continued, referencing the acronym for the pejorative "Republican in Name Only." Crenshaw added, "Make it make sense. You can't."

Members of the far-right Freedom Caucus, like Marjorie Taylor Greene, R-Ga., and Matt Gaetz, R-Fl., however, appeared to stand firm in their stances and decisions to vote against the bill.

"The new CR they are championing literally weakens our tough border position we added 13 hours ago," Burchett tweeted of the legislation. "@SpeakerMcCarthy – Don't you see? Biden is daring us to pass all of our single subject appropriations bills," Gaetz, one of McCarthy's most vocal critics, said in response to the White House's jab at the speaker. "Let's keep passing them! It just requires you to come out of your CR Fever Dream. Individual bills. No CR. Get with the program."

Gen. Milley strikes back at Trump in farewell speech: “We don’t take an oath to a wannabe dictator”

In his final speech as Joint Chiefs chairman Friday, Gen. Mark Milley reminded the gathered troops that they take an oath to the Constitution, not a "wannabe dictator."

Milley's remarks came during his retirement ceremony at Joint Base Myer-Henderson Hall in Arlington, Va., and come just a week after former President Donald Trump suggested he should be put to death

The nation's top officer lauded the continued bravery of American soldiers during his speech and described how the oath they take to protect the Constitution encompasses "all enemies, foreign and domestic," placing emphasis on "all" and "and," Politico reports.

"We don't take an oath to a king, or a queen, or to a tyrant or dictator, and we don't take an oath to a wannabe dictator," Milley said. "We don't take an oath to an individual. We take an oath to the Constitution, and we take an oath to the idea that is America, and we're willing to die to protect it." He continued, "Every soldier, sailor, airman, Marine, guardian and Coast Guardsman, each of us commits our very life to protect and defend that document, regardless of personal price. And we are not easily intimidated."

Though Milley didn't mention Trump by name, his impassioned comments followed Trump's social media tirade suggesting Milley's execution last Friday over reports that the general had contacted his Chinese counterpart during the Trump administration to assure them the United States would not take up arms against the nation. Despite being tight-lipped in his assessments of the former president while he was in office, as the Atlantic notes, Milley did tell "The Divider" authors he believed Trump to be "shameful" and "complicit" in the Jan. 6 Capitol attack, and feared Trump's "'Hitler-like' embrace of the big lie about the election would prompt the president to seek out a 'Reichstag moment.'"

Witness to Tupac Shakur shooting indicted on murder charge 27 years after the rapper’s death

A witness to the 1996 drive-by shooting of infamous and legendary rapper Tupac Shakur has been arrested as a suspect in the rapper’s shooting death in Las Vegas, making massive headway in a case shrouded in mystery that has puzzled investigators and gripped the public for more than two decades since the rapper’s death.

Duane Keith Davis, 60, one of the last living witnesses of the shooting, who also wrote the memoir “Compton Street Legend,” has been indicted on one count of murder with the use of a deadly weapon with no chance, a prosecutor said in court on Friday. Bail has also been denied by the judge. According to the AP, Davis was indicted not as the gunman but as what authorities call a “shot caller.”

For years after the shootout, Davis has spoken publically about having witnessed Shakur’s death from inside the car where the shots were fired. He said he was in the passenger seat of the white Cadillac that pulled up next to the car Shakur was in, who seemingly headed home after a Mike Tyson fight in Las Vegas.

The rapper was shot four times and died in the hospital less than a week later. Shakur was only 25 years old and at the height of his burgeoning career as one of the most versatile, trailblazing rappers in the industry. The case was reopened earlier this summer when Las Vegas police raided Davis’ home looking for items in connection to the death of Shakur. 

“It has often been said that justice delayed is justice denied,” prosecutors told The Associated Press. “In this case, justice has been delayed, but justice won’t be denied.”

 

“Bleeding cash”: Trump machine diverting millions in campaign funds to mounting legal fees

Donald Trump’s political machine has helped foot the bill for the legal expenses of more than a dozen people swept up in his criminal investigations, dolling out millions of dollars that could otherwise go toward his 2024 presidential bid.

“Trump’s campaign machine is bleeding cash for legal expenses,” Reuters reports. From interviews and a review of court records and campaign finance reports, Reuters has identified 13 potential witnesses or co-defendants who were represented by law firms that received payments from Trump’s Save America super PAC. Those payments were disclosed in the finance reports as general payments to entities rather than specific compensation to individuals.

Those firms, which include Brand Woodward, Dhillon Law Group and Greenberg Traurig, raked in more than $2.1 million in the first six months of this year in payments from Save America. The funds comprise a significant portion of the more than $21 million the political action committee’s disclosures to the Federal Election Commission indicate it spent on legal expenses during that period, an amount that could increase if the committee continues to fork over money for legal fees likely to mount in the coming year.

For four of the people Reuters identified — Trump aides Jason Miller, Margo Martin and Dan Scavino, and Trump Organization employee Matt Calamari Jr. — sources familiar with their circumstances confirmed to the publication that Save America did foot the bill for, at least, a portion of their legal fees.

Another source identified Mar-a-Lago IT worker Yuscil Taveras as the unnamed computer specialist whose legal fees federal prosecutors said in an August court filing were paid by the committee. The law firm for attorney Stanley Woodward, who Taveras dropped as his representation after being informed of Woodward’s potential conflicts of interest, received more than $200,000 from Save America in March and denied in a court filing that anyone attempted to influence the witness’ testimony.

40% of Republicans believed it inappropriate for the former president to divert campaign donations to his legal fees.

Eight other people — Trump employees Walt Nauta and Carlos De Oliveira, who are co-defendants in his federal classified documents case; Trump’s current and former aides Michael Roman, Boris Epshteyn and Taylor Budowich; and former Trump administration officials William Russell, Kash Patel and Brian Jack — were also represented by law firms that received money from Save America, according to Reuters’ sources, court filings, campaign finance disclosures and their own public statements. Roman, who was indicted alongside Trump and 17 others in Fulton County, Ga. District Attorney Fani Willis’ sprawling racketeering indictment, is also appealing to the public for donations to pay his legal fees to the Dhillon Law Group.

Some legal experts say that campaign finance rules seem to permit Save America’s spending on legal expenses related to Trump because its registered as a “leadership committee,” which has few limitations to its spending. Others note, however, that prosecutors may examine the payments for any signs of potential efforts to influence witness testimony.

Experts also told Reuters that Trump’s defense across his four ongoing criminal cases could cost him over $50 million, a sum greater than all the money raised in the first half of this year by his campaign and its top super PAC, Make America Great Again Inc. Stephen Gillers, an NYU law professor, even predicted that the former president’s legal fees could surpass $100 million.

Reuters was unable to confirm the exact amounts of money Save America allocated to Trump’s own legal counsel compared to that for witnesses and co-defendants. The outlet also could not confirm if other Trump associates beyond the 13 it identified had received support from the super PAC for legal fees.

We need your help to stay independent

Save America’s spending on Trump’s legal battles could hurt his standing with some voters, according to an August Reuters/Ipsos poll that found that, while 60% thought it fine, 40% of Republicans believed it inappropriate for the former president to divert campaign donations to his legal fees.

As its legal expenses ramped up earlier this year, Save America made back about $12 million of the roughly $60 million it had transferred to MAGA Inc, which Save America’s financial disclosures with the FEC show has focused much of its spending on pro-Trump television ads.

Jason Osborne, a 2016 Trump campaign adviser, told the outlet that the legal expenses could push Trump to turn to other allied groups like the Republican Party to take care of costs related to his White House bid.

“This is going to have an impact,” Osborne said.

Meanwhile, Trump has also raised millions of dollars off his legal battles by selling T-shirts and coffee mugs with his mug shot on them. In July, after Save America submitted its financial reports to the FEC, campaign spokesman Steven Cheung said the PAC was helping former Trump workers avoid “financial ruin.” When asked about his legal spending’s impact on his campaign, Trump told a SiriusXM podcast earlier this month: “Fortunately, I have a lot more money.”

Trump is using guns to send his campaign message

Ahead of a Monday campaign rally in Summerville, South Carolina, former president Donald Trump stopped to visit Palmetto State Armory, the firearm store that supplied the AR-15 style rifle a racist gunman used to fatally shoot three Black people in Florida late last month.

As Philadelphia Inquirer columnist Will Bunch noted, though it was falsely reported that the former president purchased a firearm during his visit, the armory did sell the weapon to the Jacksonville shooter, whose previous hold in state custody for mental health issues should have disqualified him from being able to purchase a firearm under Florida’s Baker Act

The 21-year-old white assailant carried out the fatal, racially motivated attack at a Jacksonville Dollar General store in a predominantly Black neighborhood in August after being denied entry to a nearby historically Black college. Authorities said that he had left behind evidence that he “hated Black people” and that his AR-15 style rifle had a swastika painted on it.

Palmetto State Armory described the model used in the attack — the PA-15 — as “our interpretation of the legendary AR-15 rifle that you have grown to love,” according to The Independent. The firearm store has also embraced fringe rhetoric, selling products embellished with imagery associated with the boogaloo movement, which grew from the slang term “boogaloo,” meaning a war to topple the federal government, The Trace reported in 2021. The term, according to the Anti-Defamation League, has been used and promoted by white supremacists to allude to a future race war but those extremists largely did not join the movement.

The store was criticized in 2011 “for selling a limited run of AR-15 lower receivers — the crucial part of a gun that is considered a firearm under federal law — inscribed with ‘You Lie,’ the words shouted by U.S. Representative Joe Wilson of South Carolina at President Barack Obama during a 2009 congressional address,” The Trace wrote, noting that the company ceased the sale of that part shortly after the shooting of then-U.S. Rep. Gabby Giffords, D-Ariz., and 18 others at a constituent meeting.

During his visit Monday, Trump admired and posed for a photo with a decorated Glock on sale at Palmetto State Armory that’s grip was engraved with his image, telling his entourage and others present during the trip that he wanted to buy the handgun in a now-deleted video of the encounter posted by his campaign. The video had garnered much attention as conflicting claims over whether the former president had purchased the firearm generated widespread confusion. 

Though his campaign spokesman Steven Cheung told CNN that he had not purchased the firearm from the company, Trump reposted a similar — if not the same — clip of him saying he wanted to buy the gun on his Truth Social account, which claimed that he had just bought the “Golden Glock,” Meidas Touch reports.

Georgia Rep. Marjorie Taylor Greene and her right-wing partner, Rightside Broadcasting Network producer Brian Glenn, had also appeared to confirm that Trump hard purchased the firearm during a Monday broadcast. But Glenn later refuted their confirmation later that day, saying that Trump did not buy the Glock and calling out the “fake press” asserting that he had,

Despite the back-and-forth over whether he bought the gun, Trump would not have legally been able to make the purchase as Bunch and CNN contributor Stephen Gutowski, a firearms reporter, pointed out on X, formerly known as Twitter. 

Because the former president is facing two federal felony indictments, he can not acquire new guns under Title 18, U.S. Code section 922 (n), which makes it a crime for a person under indictment to receive any firearm that has been shipped in interstate or international commerce. Section 922 (d)(1) also makes it illegal for anyone to sell a firearm to a person who “is under indictment for, or has been convicted in any court of a crime punishable by imprisonment for a term exceeding one year.”

Though a federal judge struck down that prohibition as applied to a Texas man last year in an appealed case awaiting a ruling from a Fifth Circuit panel, there are several other rulings from after the Supreme Court’s Bruen decision — which deemed discretionary gun restrictions unconstitutional but allowed for objective regulations like background checks — that uphold the restriction as constitutional. 

“So, as with a number of federal gun laws post-Bruen, different district judges have come down on different sides of this question. The Fifth Circuit seems likely to be the first appeals court to weigh in, but we’re still waiting on their decision,” Gutowski tweeted.

“Facing multiple felony charges, the ex-president would not have passed a background check,” Bunch wrote on X. “But [Palmetto State Armory] could sell an AR-15 to a young, mentally troubled white supremacist.”

“The last thing we wanted to do was start a fire!”: Peter Facinelli on his wildfire survival film

Peter Facinelli may be best known as an actor from his breakout role in “Can’t Hardly Wait” or his vampiric patriarch in the “Twilight” franchise, but he has slowly been working behind the camera, writing and directing films like “Loosies” and “The Vanished.” His new film “On Fire,” co-directed with Nick Lyon, is a dramatic thriller about a family in Northern California who need to escape when wildfires threaten the region and prompt an evacuation. 

The film, inspired by true events, addresses the topical issue of climate change; a title card states that every year, 60,000 wildfires destroy 10 million acres of land in the U.S. alone. The storyline mostly focuses on one family. Dave (Facinelli) picks up his son Clay (Asher Angel) at school just as fires start raging nearby. Returning home to his pregnant wife Sarah (Fiona Dourif) and ailing father George (Lance Henriksen), Dave first tries to fireproof their house, but the wind, heat and dry terrain cause the fires to spread quickly and trap the family. As they try to make their escape, “On Fire” crosscuts this drama with a 911 operator, Kayla (Ashlei Foushee) responding to calls for help from anxious people, including Sarah. 

Facinelli spoke with Salon about directing his film as well as his thoughts on climate change and his career.

Your film opens with news reports of fires and issues relating to climate change. George tells Clay his science teachers are wrong about climate change, which addresses climate change deniers. Can you talk about your research on this topic, firefighting and why it appealed to you to make a thriller about climate change? 

For me, it was more a film about how these fires are prevalent. It is an issue that we need to solve. I have my beliefs about climate change. Some people don’t. It’s a very divisive subject. But it is less about who is right and who wrong, and more about how do we come together to solve the issues that are there? We wanted to touch upon global warming. We never say how the fires started, but there are subtleties that some people will get. When Dave’s father, George, says climate change doesn’t exist, Dave’s son Clay says it does. But I didn’t want to beat viewers over the head. I wanted to layer things and focus on this family trying to survive this evening. The film is not a documentary. It is inspired by multiple fires that have happened. What drew me to the film is that it was something happening now, and it was a throwback to family survival films. At the end of the film, we give hope — what can we do about it? Maybe we can come together to figure out how to prevent wildfires and save the forestry from being damaged? We also celebrate firefighters and 911 operators.

What appealed to you about acting in the film since you also co-directed?

The film tells the story of this family that grows as they go through this harrowing experience. At the beginning of the film, Dave has stress —he has a dad who is sick, he has to pay the bills, he has a new baby on the way, he has a new business that might fail, and his son is going off to college, which he probably can’t afford. [Laughs] All of these things feel like: How do I survive this? And then fire threatens his family and all those issues become anthills in comparison to surviving this night.  

We need your help to stay independent

There is fire in almost every scene in the film. How did you approach the story visually to convey the danger threatening the characters?

We didn’t have any practical fire on set. Because we were in a forest, we weren’t allowed to. The last thing we wanted to do was start a fire! Nick Lyon, who co-directed with me, brought his indie filmmaking knowledge. He had a lighting package and smoke, and I hoped it worked! It was almost like green screen acting; we had to pretend the house was on fire and feel the smoke on the back of neck and that the embers are coming. It requires immense imagination since you don’t have outside elements. 

Can you talk about collaborating as a co-director?

I came on board as an actor and worked collaboratively with Nick to elevate scenes and create more payoffs in the structure of the film. Nick got COVID, so in the spirit of that collaboration, I took over the reins and then we took that collaborative nature into the editing room. I wanted it to be a fun ride and have people rooting for this family but also feeling they are with us as either a fly on the wall or part of this family. 

On FireOn Fire (Cineverse)

Can you talk about creating the tone of the film which has moments of excitement and inspiration? 

The music plays a key part in this film. It gives you the gears of what you should be feeling. I brought in Sasha Chaban, the composer, and said, let’s slow the music down and let it be creepy. Fire is the antagonist of the movie. Let’s give it a personality and let it grow. It is a foreign, alien object growing and taking over this family. Using the music as a rhythm movement for the movie was really key and helped instrumentally in the tone of the film.

Are you calm under pressure as Dave is? Are you handy with a chainsaw as Dave is? There is a ruggedness about his character.

I like to consider myself resourceful, which is why I was asked to step in after Nick got sick. I can pick up the symbolic chainsaw, cut down the trees and keep going. I try to step in and help out, even in real life. I try to remain calm. There is stress when you are calm on the outside, and there are breaking points. We show those for each character. 

What about the themes of masculinity and sacrifice? Dave has concerns about providing for and saving his family. Can you talk about these themes? 

That is why he is relatable, rather than in the $50 million version of this film where he is hanging off a building shouting, “I’m going to save my family!” The characters lean on each other. Dave is doing the best he can, but he doesn’t have all the answers. Each character has heroic moments. On a humanity level, when devastating things happen to us — earthquakes, fires, floods — we continue on. 

Have you ever been in a fire? What would you pack if you had to leave your home? 

My mom and dad [resisted] evacuating during a hurricane in New York. The [weathercasters] always say it will be severe, and it never really is. They didn’t leave, and the house flooded, and we lost stuff and photos, but it could have been worse. When they say evacuate, evacuate! Better to be safe than sorry. In the film Dave says to his son, “Things can be replaced, but people can’t.” You can leave all your stuff behind but the people in your life are so important. In harrowing experiences, it is interesting and beautiful to celebrate the kindness and compassion of people who come out and support and help others. 

With this film, you are moving more into producing and directing. Can you talk about changing your career up and working more behind the camera? 

I wouldn’t say I am moving toward one or the other. I write, I produce, I direct and I act. I’m known more as an actor, because I’ve spent most of my career as an actor, but I am at a point of wherever I can service the story best. If it is writing something that I am passionate about, I’ll do that or directing. I don’t need to write, direct, produce and star in everything I do. It is wherever I feel I’m best needed to tell the story. I just consider myself a storyteller. 


Want a daily wrap-up of all the news and commentary Salon has to offer? Subscribe to our morning newsletter, Crash Course.


Looking back on your career, what observations do you have about the opportunities you’ve had and the folks you have worked with. You started out playing heartthrob roles and now are taking father figure roles.  What do you still want to do?

That is tough for me. There are people who like action or romance or sci-fi and they have these niches. I’ve gravitated toward different stuff. I really want to explore different things. As director or writer, that’s how I approach it, too. I don’t want to make three comedies or four action films in a row. My first film I directed was a romantic comedy. My second was more of a Hitchcock thriller, and this one I co-directed is a survival family film. They are all very different. 

“On Fire” releases in theaters Sept. 29.

SAG-AFTRA has approved an interim agreement for “On Fire” since the film is being released by Cineverse, an independent, non-AMPTP affiliated distributor. Under the terms, members “may work on these productions without being in violation of the strike order,” per the guild. The entire team of “On Fire” expresses their gratitude to SAG-AFTRA for allowing the cast to promote “On Fire” during this challenging time for the industry.

 

California raises minimum wage for fast food workers to $20 per hour

According to a new report from the Associated Press, California will raise the minimum wage for fast food workers to $20 per hour. The change will go into effect on April 1, 2024. Prior to the increase, California already boasted one of the highest minimum wages in the U.S. at $15.50 per hour. Governor Gavin Newsom signed the law into effect this week, calling the change a "tectonic plate that had to be moved."

The new law will apply to all restaurants "with at least 60 locations nationwide," the AP's Adam Beam reported, but certain chains will be exempt if they "make and sell their own bread, like Panera Bread." The current wage ($15.50) oftentimes puts the bulk of fast food workers below the poverty line level of a yearly 35,000 salary, while the shift to $16 on January 1 and the future change to $20 in April will certainly help to change that. According to Sean Kennedy, the executive vice president of public affairs at the National Restaurant Association, "the governor's signature on this bill brings to an end a years-long and expensive fight over the regulation of the California quick service industry."

"This is for my ancestors. This is for all the farm works, all the cotton-pickers. This is for them. We ride on their shoulders," said Anneisha Williams, who works at a Jack in the Box restaurant in Southern California, to CBS News.

Senator John Fetterman trolls House GOP with Bud Light “gift” amid Biden impeachment inquiry

Sen. John Fetterman, D-Penn., is staying true to his words after he dared House Republicans earlier this month to impeach Joe Biden. Amid the GOP’s first hearing for its highly-awaited impeachment inquiry into the president, Fetterman delivered a case of Bud Light beer to the House Committee on Oversight and Accountability on Thursday. The beer, which continues to be boycotted by several prominent conservatives, was more so a gag rather than a gift.

Fetterman took to X (formerly Twitter) to share that his staff had dropped off a case of Bud Light for Rep. James Comer, R-Ky., and his team: “This morning, I directed my staff to deliver a gift to congratulate and salute Representative Comer and his Team America (TM) squad as they embark on their historic impeachment journey,” Fetterman wrote.

Alongside the beer was a note that read, “To Rep. Comer & his squad. A profile in courage can make a guy thirsty. Congratulations, this Bud’s for you. Hugs & kisses: John Fetterman,” with the smiling hearts emoji.

On social media, fans of the stunt praised Fetterman’s “top tier trolling,” which pokes fun at the right’s ongoing backlash over Bud Light after the brand announced its partnership with transgender social media influencer and activist Dylan Mulvaney. Several conservative commentators and personalities spoke ill of the brand while others, like singer Kid Rock, expressed their hatred by shooting up large cases of the beer and posting the video to social media. 

The right is coming for Taylor Swift. They don’t stand a chance

It’s hard to overstate Taylor Swift’s power right now. This summer, she embarked on the first leg of her earth-shaking Eras Tour which is set to gross over $1 billion and generate $5 billion for the worldwide economy. The tour comes after Swift released three albums and three more re-recorded ones since the start of the pandemic, all of which took turns breaking streaming records. On any given night, hundreds who aren’t one of the 70,000 lucky people with a ticket to her show stand outside the venue listening to the echoes of her three-hour, 44-song setlist. Throughout the tour, Swift was able to give each of her 50 truck drivers $100,000 bonuses and quietly donate to local food banks before each of her 52 performances. She inspired USA Today to hire a reporter whose sole job is to cover her every move. And, with just one Instagram story, she casually registered 35,000 voters.

She also maybe has a new boyfriend. 

As Swift enjoys some downtime before heading to Argentina, then Brazil, then Japan, then Australia, then Singapore and all across Europe, then back to the United States and Canada again, she took a trip to Kansas City to watch her rumored boyfriend Travis Kelce and the Chiefs defeat the Chicago Bears last Sunday. Swifties are excited. Patrick Mahomes is excited. Republicans? They’re not excited. Apparently, it’s because she’s ugly.

Naturally, the right decided to wage war against the potential couple, but it’s a tougher battle than they think.

Right-wing pundits need figures to rail against, so when Swift and Kelce created a media frenzy at Arrowhead Stadium, they found a way to make the merry union about themselves by attempting to turn the possible couple into the dreaded beta male boyfriend-blue haired girlfriend pair. Kelce (who is 6-foot-5 and 250 pounds and one of the best NFL tight ends of all time) is a “soy boy” who should “cut his d**k off, become a chick and endorse Joe Biden.” Swift is “dumb and her music sucks,” “mid,” “homely” and a six out of 10. (Lauren Boebert of “Bettlejuice” audience fame, however, is a 10, it says in the same tweet.) 

While going after Taylor Swift is not advisable, I see how it happened. The NFL is historically a conservative organization with an even more conservative fan base, always ready to attack a player who steps out of line or kneels for racial injustice. Kelce is one of its best athletes — but with Bud Light and Pfizer COVID vaccine partnerships. Swift spoke out against Donald Trump, baked Biden Harris cookies one time and has had her unabashedly female and queer fanbase infiltrating football stadiums all summer. Naturally, the right decided to wage war against the potential couple, but it’s a tougher battle than they think.

We need your help to stay independent

If their accusations were true, it wouldn’t matter. Kelce could be soft, and Swift could be ugly, and they would still be two valid people. The glaringly obvious fact, though, is that they’re not either of those things. Right-wing trolls are facing a difficult feat with branding Taylor Swift as ugly and untalented when most people can tell that isn’t the case. Latching onto something so inaccurate and weak just shows that the right has nothing of substance they can actually throw at Swift, so instead they’ve resorted to something as played out as critiquing a woman’s physical appearance. 

When she speaks up, people listen.

It’s not going to work. One thing about Taylor Swift is that she’s not losing sleep over what right-wingers are saying about her on the internet anymore. In 2018, after years of suspicions that she was secretly a Republican because she wasn’t overtly political, Swift endorsed the candidate running against Marsha Blackburn for Senate. This went against the long-abided advice of her team, who held The Chicks as an example of what happens when a woman in country music gets political. Swift survived, transcended one genre, and now mostly takes stands in the form of upbeat songs about how “shade never made anyone less gay” and encouraging fans to vote. This next-level success she has today she accomplished after navigating a polarized political climate. When she speaks up, people listen.

More importantly, there’s nothing the right could do that could meaningfully affect Swift. She has an incredibly devoted fanbase, a sold-out tour that lasts until November 2024, which again, is going to make her a billionaire, and maybe even has a hot new boyfriend. You can’t convince a Taylor Swift fan that she’s ugly or untalented, and these days, they seem to run the world. After attending one NFL game, Swift increased Kelce’s jersey sales by 400%, inspired the NFL to change their bio, boosted its ratings and spawned Chiefs-Swift crossover merch and a limited edition Heinz condiment based on a meme that came out of her KC appearance. The Empire State Building also got in on the joke, changing its colors in honor of the ketchup and (seemingly) ranch that the singer dipped her chicken nuggets into. Chiefs quarterback and two-time Super Bowl MVP Patrick Mahomes didn’t even make it off the field after the 41-10 win without being asked about the special guest in attendance. He and head coach Andy Reid were also asked about Swift in their post-game interviews. Bill Belichick, a coach of a team that wasn’t even playing and who notoriously keeps his focus on football, also offered up a quote about Swift, saying, “I would say that Travis Kelce’s had a lot of big catches in his career. This would be the biggest.”


Want a daily wrap-up of all the news and commentary Salon has to offer? Subscribe to our morning newsletter, Crash Course.


I get that Swift is the center of the news cycle and Republicans hate when women have autonomy, but she is one person who is untouchable. As long as she can register thousands of voters by sharing a simple vote.org link to social media, she’s also a threat. In this moment, Swift has amassed enough cultural power that angry men’s opinions about her just don’t matter, which just so happens to be something that she has worked toward her entire career. Between her frenzied fans, billion dollars and perfectly calculated every move, the right doesn’t stand a chance and is backing themselves into an unpopular corner. Just ask Scooter Braun and Kanye West if they’d recommend going up against her. 

“Gen V” is bloody and raunchy enough to live up to the expectations set by “The Boys”

Once you understand that every superhero tale is some variation of a handful of scenarios, a franchise’s signatures are easy to spot. “Gen V” announces its lineage less than two and a half minutes in the first episode, when we have our first bloodletting – a few drops, then more before, in a blink, a room’s walls are bathed in chunky red. About halfway through the debut, we’re smacked in the face with a huge penis rendered with alarming accuracy, which is both perverse and entirely on brand for a spinoff of “The Boys.”

Viewers familiar with the series that originated this college by-product will probably find the presence of an exposed male member and gore reassuring. But there never was a reason to think co-showrunners Michelle Fazekas and Tara Butters would pull their punches. The pair brought us “Agent Carter” and the underappreciated “Reaper” for the CW — they get this realm and our expectations.  

Given comparative naivete under which these young men and women are coming of age, though, erring a little more on the side of sentiment as opposed to fully reproducing its parent series’ ruthlessness would be understandable.

That would also contradict everything we understand about this alternate reality, where the Vought corporation controls every aspect of humankind, from the government to the TV and industries, our snacks and our agency.

Every student at Godolkin University is a kid whose parents wanted only the best for their children, which sounds like a good defense for shooting up youngsters with Compound V, a manufactured serum that could give a child special abilities, or harm them, or do absolutely nothing.

Distilling “Gen V” to this makes it an allegory for consent . . . in theory. In practice, the show that gathers a campus’ worth of walking metaphors under the giant tent of corporate manipulation, collegiate edition.

“Gen V” could be allegory for consent … in theory.

In the spirit of “The Boys,” “Gen V” satirizes our willingness to amenability to be commodified in service of fame and validation. That’s not what originally motivates our main hero Marie Moreau (Jaz Sinclair) to dream of joining The Seven. Like Middle America’s royalty Starlight, she wants to fight for justice while breaking barriers. Were she to be accepted into America’s elite hero squad, that would make her the first Black woman to earn that honor.

Sadly she has strikes against her having nothing to do with race, her socioeconomic status or the fact that she’s an orphan. With the right spin her story of succeeding without parents to guide her would be a terrific narrative, especially for the PR-obsessed Vought. It’s her powers that present a problem — Marie manipulates her blood into lethal projectiles, whips or snares, as a few examples.

Gross, right? 

Never mind contemplating how unmarketable that is in the Rust Belt – no cereal company would put her image on a box. (Tampon manufacturers might, given her origin: her powers manifest when she menstruates for the first time.) Any way you cut it, she’s destined to be an outsider at God U, to which she gains acceptance based on academic merit alone . . . and gets her nowhere from the moment she clears orientation.

Everyone wants to be assigned to the crime-fighting school, but most undergrads are siphoned into its drama department, a farm for low-level celebrities. That’s where Marie is initially herded.

Grades and academic performance matter less than who you know and what you can do for the university’s reputation, where success is determined through an almighty ranking system that makes cracking the Top 10 everyone’s greatest goal.

Gen VChance Perdomo in “Gen V” (Brooke Palmer/Prime Video)

Luke, aka Golden Boy (Patrick Schwarzenegger), rules that echelon along with his fellow seniors and best friend Andre Anderson (Chance Perdomo) and girlfriend Cate Dunlap (Maddie Phillips), your standard issue mean girl who has the power to “push” people, i.e. compel them to do anything she wants.

Running in their circle is Jordan Li, a bi-gender shapeshifter (Derek Luh in their male form, London Thor when they are female) who’s also the gatekeeper for a key faculty member, Professor Rich “Brink” Brinkerhoff (Clancy Brown).

Each is internet famous, with Golden Boy’s powers of spontaneous combustion and superstrength placing him on track to join The Seven right after he graduates. Our first glimpse of what he can do ends with him ripping off a classmate’s arms, ending their friendly sparring match.  

Marie, in contrast, doesn’t have a mobile phone or a social media account and accesses her ability by slicing open her hand, all of which immediately endears her to her roommate Emma Meyer (Lizze Broadway). Emma also feels like a reject,  despite being a minor internet star known as Little Cricket. Under the alter ego, she shrinks to action figure size and makes funny videos.

They’re both nobodies until a campus tragedy captured via multiple angles on students’ cell phone cameras makes Marie somebody, putting her on the radar of the school’s dean Indira Shetty (Shelley Conn), and placing a target on her back.

We need your help to stay independent

Individually these characters represent struggles common to adolescents and college life, whether through their powers or how others weaponize their abilities against them. (Marie’s a cutter, hello.)  But the college itself is one giant stand-in for every exploitative practice in the realm of university politics, from taking advantage of athletes to the assortment of reputational handwashing that comes at the expense of marginalized groups and crime victims.

There should always room for a new class.

That the show never gets serious about any of this dilutes some of its potential as a parable, which isn’t necessarily to its detriment.  For all the effort “The Boys” makes to call out to America’s willingness to embrace fascism provided that it is packaged handsomely, series creator Eric Kripke knew that the bloody enmity between Karl Urban’s Butcher and Antony Starr’s Homelander was the main reason people watched.

There was and is always something more nefarious afoot than Butcher’s beef with supes, and in the course of excavating up that evil we witness how racist, sexist and homophobic Vought and its surrogates and beneficiaries are.

Season 1 of “Gen V” unrolls similarly, with that previously cited incident upending the social hierarchy and thrusting Marie to the top of the campus heap. Nothing about this is accidental, as Marie, Emma and the school’s other top dogs stumble on a grim conspiracy – which we trust them to defeat, if not necessarily remaining in one piece while doing so.

Gen VLizz Broadway, Jaa Sinclair and Maddie Phillips in “Gen V” (Brooke Palmer/Prime Video)

As with all such adventures,  the company matters most, and luckily spending time with this cast of relative unknowns is a pleasant cinch. Sinclair ably anchors the ensemble, but Broadway seasons this stew of drama and human offal with her comedic presence and her profound tenderness when a development calls for accessing a fully operational conscience and a kind heart.

Perdomo carries Andre’s angst well enough although, like Phillips, his character is a type we’ve seen in any number shows; he’s most interesting when the actor works with the tension created as Andre defies an overbearing father who has both a heroic legacy and pull within the university’s politics.

The lithely paced six episodes provided for review click well enough with the overall “Boys” world to augment whatever action is coming in next in its upcoming season, with one well-placed cameo reinforcing that connection and the appearance of another familiar figure’s body part  – guess which? – reminding us of its insouciance toward boring old decency.


Want a daily wrap-up of all the news and commentary Salon has to offer? Subscribe to our morning newsletter, Crash Course.


Still, if you consider that Darick Robertson and Garth Ennis intended the original comic as an indictment of mainstream superheroes and what they represent, “Gen V” does not refute whatever arguments there are positing these shows have gone astray from that premise.   

Truth is, most people are less concerned with this show’s adherence to philosophy or the sharpness of its analogies than they are with seeing how creative the writers can steer their heroes into pulling out someone’s intestines. That’s a gruesome lure, and thin at that, but it should suffice for now.

Without having seen the seventh episode and its eighth, the season finale, it’s hard to predict whether that enthusiasm for “Gen V” can hold —  not for lack of an ability, but out of recognition that a mission’s long-term success depends on solidly sticking the first landing. That’s a slippery task for any show let alone the scion of an action romp that set the bar for swinging phalluses and spilled guts. There should always be room for a new class. But if the old school can keep it up – our interest, I mean – one wonders whether this infusion of new blood will feel as essential.

The first three episodes of “Gen V” premiere Friday, Sept. 29 on Prime Video.

Colleagues from both parties mourn the passing of Dianne Feinstein, longest-serving female senator

Democratic Sen. Dianne Feinstein of California, the longest-serving female United States senator in the nation’s history and a gender-barrier-breaking, political trailblazer, has died at the age of 90.

According to the lawmaker’s office, she passed away in her Washington, D.C. home on Thursday after attending to a series of votes on Capitol Hill. 

“There are few women who can be called senator, chairman, mayor, wife, mom and grandmother,” chief of staff James Sauls wrote in a statement. “Senator Feinstein never backed away from a fight for what was just and right.” 

Prior to her election to the U.S. Senate in 1992, the “Year of the Woman,” Feinstein carried out a decades-long, historic political career in California at state and local levels. She served as the first female chair of the San Francisco Board of Supervisors before ascending to San Francisco’s mayoralty, becoming the city’s first female mayor in 1978 in the aftermath of Mayor George Moscone’s and Supervisor Harvey Milk’s assassinations. 

The Democrat continued to break glass ceilings during her tenure as U.S. senator for California, being the first woman the state had sent to the upper chamber, the first woman to sit on the Senate Judiciary Committee, the first chairwoman of the Senate Rules and Administration Committee, and the first female chair of the Senate Intelligence Committee. She played a leading role in some of the most consequential works in Capitol Hill’s recent history, according to CNN, including enacting a since-expired federal assault weapons ban in 1994 and the sprawling, five-year investigation into CIA interrogation tactics that yielded the 6,300-page CIA “torture report.” 

A centrist, Feinstein earned a reputation as a political bridge during her time in the Senate, reaching across the aisle to her Republican colleagues in legislative moves that, at times, garnered pushback and criticism from progressives. “I truly believe that there is a center in the political spectrum that is the best place to run something when you have a very diverse community. America is diverse; we are not all one people. We are many different colors, religions, backgrounds, education levels, all of it,” she told CNN in 2017.

In her later years, Feinstein’s health received scrutiny at the Capitol and became a subject of speculation as a second hospitalization in August followed an months-long absence from the Senate and the revelation that she had suffered multiple complications while recovering after her first hospitalization in February. Being the chamber’s oldest member at the time of her death also sparked questions about her ability to lead. She confirmed in February that she would not seek re-election.

Colleagues of both parties remembered the California Democrat Friday.

“I’m deeply saddened by the passing of Dianne Feinstein,” former U.S. Secretary of State and Sen. Hillary Clinton tweeted Friday morning. “She blazed trails for women in politics and found a life’s calling in public service. I’ll miss her greatly as a friend and colleague and send my condolences to all who loved her.”

“Senator Feinstein was a true trailblazer in American politics who led on issues like gun violence prevention and LGBTQ rights,” Pennsylvania Democratic Sen. John Fetterman wrote in a statement. “Gisele and I send our deepest condolences to her family, staff, and loved ones in this difficult time.”

Sen. Marco Rubio, R-Fla., added his regards: “Senator Feinstein was a political pioneer with a historic career of public service. Intelligent, hard working & always treated everyone with courtesy & respect,” he said. “May God grant her eternal rest.”

House Republicans’ biggest plan just blew up in their faces

The House Republicans have been promising that the impeachment inquiry into Joe Biden was going to be filled with fireworks from the word go. We would see evidence of bribery and extortion and payoffs from foreign companies in the tens of millions of dollars, the “Biden Crime Family” would finally be exposed as the international gangsters they are Donald Trump would be exonerated. Or something. They held their first hearing yesterday and all those fireworks blew up in their faces.

Keep in mind that they decided to hold this preposterous hearing two days before the government is set to shut down because a tiny rump faction of extremists in their party is demanding that they get everything they ever wanted or they’ll hold their breath until they turn blue. Nobody knows exactly what that is other than to torture Speaker Kevin McCarthy and make America miserable again. It’s been reported that they have no plans to table their “inquiry” when the government is shut down even though their staff won’t be paid and all regular business is usually curtailed until an agreement is reached. Not this time. It’s full speed ahead.

It would be one thing if they had even bothered to prepare for this silly hearing. But clearly they did not. The day before the hearing we caught a glimpse of just how bad it was going to be when Jason Smith, R-Mo., the chairman of the House Ways and Means Committee, one of the committees tasked with pursuing the “inquiry,” was asked a question by NBC News reporter Ryan Nobles during a press conference.

That was a perfect preview of what was to come in the hearing the next day. They have been blatantly manufacturing what look like WhatsApp messages based upon IRS summaries of what was allegedly in them. In the hearing on Thursday, Rep. Alexandria Ocasio Cortez, D-N.Y., caught them red-handed creating a fake Whats App message that totally distorted the actual text.

Even though, once again, Joe Biden wasn’t in office at the time which these Republicans don’t seem to realize means that he wasn’t in a position to commit treason or whatever they think he’s done, they sure made it sound suspicious.

The fabricated text message implied that back in 2018 Joe Biden’s brother James told Hunter Biden that he would “work with” his father alone for some nefarious purpose to give Hunter a “safe harbor.” Even though, once again, Joe Biden wasn’t in office at the time which these Republicans don’t seem to realize means that he wasn’t in a position to commit treason or whatever they think he’s done, they sure made it sound suspicious.

But more importantly, the rest of the summary, which they left out, showed that Hunter (then in the throes of substance abuse disorder) needed help from his father to pay for his alimony and his kid’s school tuition and his uncle Jim was offering to talk to his Dad to help out. This had nothing at all to do with business of any kind. It’s a personal text dealing with a family matter. They knew that and they purposefully doctored the text to make it sound fishy. I doubt it’s the only time their “evidence” has been similarly manufactured.

We need your help to stay independent

That was pretty much how it went all day long with Republicans stepping in it over and over again. The Democrats, led by the extremely competent Maryland Rep. Jamie Raskin and aided by excellent committee members, Ocasio-Cortez, Rep. Dan Goldman of New York, Jasmine Crockett, D-Tx., Maxwell Frost, D-Fl., and more all of whom obviously did much more homework than any of the Republicans who babbled their way through the hearing, casting aspersions and throwing out innuendo with no evidence that the president had done anything wrong.

Even their “star witnesses” who had no evidence of their own to present, testified that a president could not be lawfully impeached with the evidence that has been presented although one of them, the perennial GOP impeachment witness Jonathan Turley, did say it was absolutely fine to go on a fishing expedition to see if they can find something that would fit the bill. (He didn’t say it quite that way, but that’s the gist of it.)

It’s clear that the plan is to use the hearings to curry favor with their Dear Leader, smear Biden and hope that a smoking gun emerges that they can use as an excuse to vote to impeach. But it seems that they themselves have lost the thread and no longer even know what they are accusing the president of doing. When confronted with facts, they can’t explain it.

Their Republican colleagues were dismayed.

Stephen Neukam of The Messenger reported that one GOP aide told him “Comer and staff botched this bad. So much confusing info from Republicans and Dems are on message. How can you not be better prepared for this?”

The right-wing media, or certain elements of it, also seem to be shocked that the hearing was such a train wreck. Fox News’ Neil Cavuto seemed somewhat befuddled by what he’d just watched:

I don’t know what was achieved over these last six-plus hours. The way this was built up — where there’s smoke there would be fire…but where there’s smoke today, we got more smoke…The promise of explosive testimony and proof …did not materialize today. The best they could say now after this six-plus hours of testimony back and forth is that they’re going to try to get more bank records from Joe Biden and his son. Said that they’re needed to determine if a crime was committed. Understood. But none of that was presented today, just that they would need those records to further the investigation after months of Republican probes that failed to provide anything resembling concrete evidence.

That is exactly correct. On the other hand, some of his colleagues were convinced that this was all part of a master plan:

I think we can all agree that blowing witnesses at a House inquiry would be a risky strategy. That’s something you definitely want to save for the trial.

Sadly, this will not be the end of it. It’s very likely that they will proceed to an impeachment vote and it’s also quite likely it will fail which is going to make Donald Trump very, very unhappy. They’d better hope that he is so busy with the two civil cases and 91 felony indictments he’s juggling that he doesn’t have time to pay close attention to this farce.