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“The brain has a backup system”: Why people missing much of their brain can miraculously recover

Your brain has a place of residence — your mind does not. More and more, science is showing us the ways in which our intelligence and consciousness inhabit our entire being. A heart transplant patient can experience a change in personality. The traumas of our grandparents may be passed on to affect our own development. And a patient with a “virtually absent” brain can lead a seeming normal life.

Author and physician Thomas R. Verny delves into these puzzling cases and more in his fascinating new book, “The Embodied Mind: Understanding the Mysteries of Cellular Memory, Consciousness, and Our Bodies.” In it, he offers a more expansive view of what goes in to our experience of the world — and unpacks how we really are led not just by our heads but our hearts and guts. Salon spoke to him recently about his new book, and the power of reframing our “hierarchical system” of body science.

A lot of us conflate the brain with the mind. What’s the difference? What do we mean when we say “the brain?” What do we mean when we say “the mind”?

That is a huge question. There are hundreds of books on consciousness, and everybody tries to define it in a different way. Defining the mind is even more difficult, and so there are many different ways of approaching this. It’s very difficult to say whether, for example, animals have consciousness. At which point does consciousness enter the evolutionary tree? Do monkeys have consciousness? Do cats have consciousness? The way some people behave certainly would indicate that they have no consciousness at all.

So I try to avoid the subject of consciousness. The mind interests me more, a lot more. There are many different ways of approaching it. One of them, for example, is the way that I got into this whole area, seven years ago. I read this piece in Reuters Science about a French civil servant who was 44 years old. He went to the hospital complaining of a mild weakness in his left leg. The doctors performed a lot of scans, and what they found was that he had hardly any brain tissue.

His head was full of cerebral spinal fluid. [The doctor] in Marseilles was quoted as saying the images were most unusual. The brain was virtually absent. The patient was a married father of two children. This is what really got me going. The patient was apparently leading a normal life, despite having cranium filled with spinal fluid and very little brain tissue. When I read that, I started looking into the literature and I soon found that there were a lot of reports and children, for example, who have had hemispherectomies, meaning that one half of their brain was removed because of epilepsy.

I looked also at adults who have had large parts of their brain removed. In most cases, not all of them, but a large majority of cases, it did not seem to affect their intelligence or their cognition, their thought processes or behavior. When I thought about that, it occurred to me that if people who lack a large of the brain can function normally, or even relatively normally, there must exist some kind of a backup system like we have in our computers that somehow makes up for what’s lacking and will send messages to the brain — whatever is left of it — so that the person can function normally.

That was one way in which I got in interested in this whole idea of really our mind being more than just a function of the brain. This is what most neuropsychologists and neurologists believe, that the mind is a function of the brain, just like urine is a function of the kidneys or bile is a function of the bile ducts, et cetera. But that’s not how the mind works. It cannot possibly work that way. Another thing that has occurred to me that we live in a Western culture that for centuries has been patriarchal, which means that we have a hierarchical system. In the middle ages and before the king was representative of God, and then the king and his noblemen were just underneath him, and underneath that were other people and other people and other people. In the United States, you have a president, you have a cabinet, you have Congress and then less and less power is given out.

It’s all vertical from up, down. That’s how we have looked also at science. The brain is at the top and everything else is below, and that is wrong. In preparation for this book, frankly, I spent many years doing research. I read about 5,000 books and articles and papers and journals in preparation for this. And then out of that, I called about 500 studies that I’m actually using in the book. A great deal of work has gone into this and I show over and over again, for example, in the immune system, or when you go into regeneration and hibernation, there are many instances that show that cells are much more intelligent than we have given them credit for. It is not this vertical system of brain down, but it’s a horizontal system of networking that really makes up our minds. You could say our brains, but it’s really the embodied brain that I’m talking about, not the old and skulled brain.


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Talk to me about the science of epigenetics, and why we are at this crucial crossroads right now in our understanding of the impact of trauma and experience, not just on ourselves, but on our children and our grandchildren.

For a long time geneticists held that genes are your destiny, and from the time that you are conceived, you have your genes and that’s it. Over the last thirty years, we have found out that’s not it at all. What have found out was that as Robert Sapolsky of Stanford University once said, it’s the genome. It’s like, you have a 100 page book and 95 pages are instructions and advice on how to read the other five pages. And so it is these non-coding areas in the genome which are essentially to be scientific methods and asset build groups.

They are the switches, which switch genes on or off. Epigenetics is all about how which genes are active and which are, you might say, asleep or resting or non-active. Everything that happens to us from moment to moment switches some genes on and some genes off. It doesn’t change the genes. The genes are immutable. But what it does change is what the geneticists call expression, activation. What we are finding out is that, let’s say if a father is stressed before he conceives a child, that stress is going to be passed on through micro RNA for example, in his sperm.

So stressed fathers will have stressed children because of epigenetics, because the stress changed some of the expression of some of the genes, which then changed some other substances in his sperm. So everything is passed down to the next generation. We have a lot of research where we can show that certain things have been passed down three and four generations, not just one generation. One of the really important things would be parents to realize that how they live is going to affect their still unborn children.

You talk about what that means in terms of expression and how very quickly that can change also within a person’s own lifetime. Talk to me about how circumstantially, you can change that expression.

One of the really interesting studies that I mentioned in my book is a study of 94 hotel maids in New York. Half of them were told that the cleaning up that they do every day represents exercise. The other group was not told that at all. They would just continue to work as before. After one month, the scientists found that the group of maids who believed that they were exercising every day had a drop in blood pressure. They had a drop in weight. There were all kinds of areas where they improved, although they did not change their work habits or anything. It was only their belief system that changed. And they witnessed them change their genes.

I want to ask you about the limits of that, because we have a very bootstraps mentality, and there are limitations to that. You can’t not die of COVID because you’re thinking good thoughts. How do we understand this in a way that is rational and understands the corporal real limitations of walking around in a body?

People who say, “If you just think the right thoughts, everything is going to turn out all right,” not so. Absolutely not. I think it’s helpful, just like a good diet is helpful. Exercise is helpful. Having the right thoughts is helpful. They all contribute. Once again, it’s a multifactorial system we live in. There is no one answer to any one complicated question. We have to start accepting the fact that we live in a very complex world. We humans are incredibly complex beings and yes, your thoughts will definitely make a difference.

We know that placebos have a very strong effect. Hypnosis for example, has a very strong effect. Yes, the mind can affect the body. No doubt about it. The way psychosomatic is confusing is because we are using the wrong terminology. There should be no difference between psyche and somatic. There should be one word, which we don’t have at the moment. As I’m speaking to you, my body is changing. It’s not one or the other, it’s all happening at the same time. That’s also what I’m saying about the embodied mind. That it is all. It’s really a network that is constantly vibrating and changing. You can’t say it’s the brain, or you can’t say it’s the heart. It’s the whole body.

RELATED: Neurologist Suzanne O’Sullivan: “We’re pushed strongly in the direction of over-diagnosing”

Toward the end of the book you start talking about free will and our understanding of consciousness and free will. When we’re talking about something like free will, it feels spiritual. But there is really an aspect of that that is deeply scientific, that is deeply, as you say, embodied.

Consciousness, the mind, free will, these are the hard questions. I spent probably a good six months thinking about this and trying to study it and the best sort of answer that I could come up with. I will not claim the best answer or the final answer is that we have to look at quantum mechanics to really understand the mind. After doing all the studies that I did and putting it down on paper and looking at it, the mind cannot just be a function of the brain. There are too many opposing factors and reasons for that — even such things as when people are of “two minds,” for example. How could one brain produce “two minds”? When you have multiple personalities, which have been documented. They are less frequent now than they used to be but biologically, you cannot explain it. There is no biological explanation for multiple personalities. It seems to me that the best thing we can come up with in terms of free will is the fact that we are not living in a totally irrational universe, that there are things that can happen to us, which we don’t always understand. Some of it may be from our unconscious. Some of it may be from way back, the collective unconscious. I think that whichever way you look at it, you have to arrive at the conclusion that we do have free will up to a point.

I’m always amazed at how some people, without any sort of previous input become, for example, liberal. Just humanistic liberal. From the same family, you might even have two children, one is five, the other four. They grow up. One of them becomes a raving lunatic right-winger and the other one is left of center and humanistic and liberal. How does that happen? It’s more than genetics. It’s more than upbringing. In that particular brain and body, it has been influenced in such a way that he or she is able to make decisions, which are different from the ones that they have been educated or trained or brought up in. So where does that come from? It has to come from their minds. So that must give them free will to make choices.

You write in the book how it is known that after you have something happen inside your heart, that it can change you. What can that tell us about our consciousness, about our personality, about our identity?

We have to realize that the heart is more than just a pump. The heart contains an incredible number of a variety of cells, including cells which are very similar to neurons in terms of being able to contain memories. Other cells, other than neurons, can contain memories too. I’m just pointing it out that actually there are some cells in the heart, which is often referred to as the cardiac heart, that act like neurons. The important thing about the heart to realize is that it acts as a synchronizing force on a lot of the things that happen in the body.

It is a carrier of information related to personal identity. So when you have a heart transplant and you put it into another person’s body, for quite a while, there will be no neuro connections to the rest of the body, because the vagus nerve, which is the main nerve that supplies the heart, also supplies the gastrointestinal tract.

It will take several months before all the nerves from the recipient’s body actually enter the heart. In the meantime, the heart is on its own. The heart could not be on its own, working and pumping and doing all the work that hearts are supposed to do, if it did not have all that nervous tissue in it that would make it work without outside support. The heart is a pretty self-contained universe. For centuries, people have talked about, my heart is not in it. Or, when I fall in love, it’s two hearts doing the tango or whatever. People have given the heart a lot of personality, so to speak.

I think that there is a reason for that. People over the centuries, without being scientific, have noticed that the heart is sort of the emotional center of our bodies. I don’t think it’s surprising, but it certainly proves my point that cells can contain information other than just about the cellular dynamics. They can contain memories and personality bits that then when transferred to the recipient are sometimes recognized and sometimes not. Some scientists really go haywire when I mention to them, the fact that there is personality transfer when there is heart transfer. They just go nuts. I don’t know why it upsets them so much.

The same thing, of course also applies to obstetricians and to a lot of doctors. A lot of obstetricians are only interested in making sure that the baby and the mother are healthy. That does not involve psychological health.

Epigenetically, biologically, psychologically, it’s all part of the whole. When medicine looks at us as auto parts that are distinct from each other, and aren’t working in a systemic way, we create suffering. There’s a lot in this book that feels really kind of heavy and overwhelming and a little scary. We can’t change history. What is exciting about what you’ve discovered?

Well, quite a number of things. One of them, since the lives of parents and grandparents, several generations back can affect their children even before conception, means parents would take this information, and stop drinking and smoking and doing all kinds of things which are unhealthy. That’s one thing. The other thing is that when the scientific community, and especially the medical fraternity and pharmaceutical industry, begin to integrate these ideas into practice, hopefully they will discover new and better treatments of many physical and mental diseases.

For example, one of the things that I mentioned at the end of the book is the fact that it has been known for quite some time that people with heart disease have a much higher rate of Alzheimer’s disease. When we look at that, instead of only looking at the brain as the seat of all the problems, look at the heart. What is it in the heart that’s producing a higher rate of Alzheimer’s cases than otherwise?

This hierarchical system really is working against new discoveries in terms of treatments. We have to look at the whole body. When we look at cancer of the, I don’t know, cancer of the blood, we also have to look at the rest of the body. What’s happening in the gastrointestinal tract? People don’t realize we carry five pounds of bacteria and viruses in our gut. Billions and billions of these bacteria every day influence how we think and how we feel. One of the things, for example, that really people should start paying attention to is their gut health and also the bacterial health in your mouth. Very important dental hygiene, incredibly important. So these are all things that we have to become aware of.

On the spiritual paths, I think it gives people pause to think about consciousness and free will and the mind. Those are important things to think about. I don’t know whether we can really come to any final conclusions on the subject. I think that will always be a work in progress. And I don’t think that’s bad. I think it’s good to keep it alive and to think about it and to have discussions like you and I have had. All of that is good and healthy. So those are the things that come to my mind.

More of our favorite stories on brain science:

The truth behind my grandma’s (not-so-secret) corn casserole

I grew up eating what I know of as corn casserole and what you may know of as spoonbread or corn bowl. It’s not quite cornbread, but also not a layered casserole or gratin. To call it magical might be a bit of an overstatement, but not by much. Every Thanksgiving for as long as I can remember, my grandmother served corn casserole as a side dish alongside other classics: mashed potatoesgreen bean casseroledinner rolls, the works. But corn casserole is in a league of its own. Grandma always serves it in an opaque brown glass Pyrex bowl with a large spoon for serving big scoops. You don’t have to do it this way, but in my book, it’s the only way to do it. It’s Grandma’s way.

If you’ve never tasted corn casserole, it’s creamy and soft, golden brown on top and pale yellow beneath the surface. It’s studded with whole corn kernels so you get a slight crunch without distracting from the uber-moist casserole. On Turkey Day, I help myself to seconds and thirds and take some home for a late-night snack (aka 8 p.m. on Thanksgiving night, approximately five hours after we finished eating).

For years, I thought corn casserole was something that my grandma invented. After all, she is the superstar behind other Caron family chart-toppers like anise sugar cookies at Christmas, a perfectly meaty, cheesy, saucy lasagna for Father’s Day, and banana cream pie for my grandfather’s birthday (it’s his all-time favorite and one of mine, too). I thought I was in an elite class of 11 family members who had the distinct honor and privilege of eating corn casserole on Thanksgiving.

But when I was 10, I asked my parents to help me film my own home cooking show. I was thoroughly obsessed with Giada de Laurentiis and wanted to play the role of “Food Network” host. The show was titled “Seasonal Cooking with Kelly Vaughan” and the theme song was performed by yours truly on a clarinet. (Naturally, I won a few Emmys and Grammys.) In the first of just two episodes, I decided to try my hand at making Grandma’s corn casserole. I asked her for the recipe and she gave me a handwritten card that called for just six ingredients — Jiffy Corn Muffin mix, sour cream, eggs, melted butter, a can of creamed corn, and a can of whole kernel corn. I was shocked that it wasn’t an entirely from-scratch recipe she had made up.

The history of cornbread

Let’s rewind a bit to the 16th and 17th centuries. Long before Grandma was making corn casserole with corn muffin mix, long before a regular cornbread recipe called for buttermilk, eggs, sour cream, and melted butter and was cooked in a cast-iron skillet or muffin tin, Native Americans were making bread with ground corn, salt, water, and bear or hog grease, according to Charles Reagan Wilson, editor of “The New Encyclopedia of Southern Culture.”

The bread would either be baked in a fireplace with coals (a style of bread known as “pone”), on field hoes (for what we now know of as hoecakes), or cooked in boiling water (for a version of a johnnycake). It wasn’t until the 19th century that home cooks started making other variations of cornbread like hushpuppies, griddle cakes, and corn muffins, and would experiment with adding ingredients like sugar, eggs, self-rising flour, and onions, says Wilson.

Spoonbread (aka corn casserole) made with butter, milk, and eggs wasn’t introduced until after the Civil War. However, it made a big splash once it debuted in society. “Spoonbread is perhaps the highest culinary attainment of cornbread,” writes Wilson. “[Writer] Redding S. Sugg Jr. called it ‘the apotheosis of cornbread,’ and [restauranteur and author of “Bill Neal’s Southern Cooking”] Bill Neal referred to it as ‘an elegant soufflé; the fabled spoonbread, a mainstay of the aristocratic southern table.’ [Journliast and civil rights activist] John Egerton has described it as a ‘steaming hot, feather-light dish.'”

Seems like I’m not the only one who is mesmerized by cloud-like creation that is spoonbread aka Jiffy’s corn casserole.

Wilson explains that as cornbread recipes evolved throughout the 19th and 20th centuries, southerners were more likely to make theirs with yellow cornmeal and northerners gravitated towards white cornbread. Cornbread became integral to American cuisine, particularly in Black American culinary traditions. And if you’re wondering, Jiffy Corn Muffin Mix is made with yellow cornmeal, which means that their corn casserole recipe is more traditionally southern.

Along comes Jiffy

It wasn’t until the mid-20th century that Jiffy invented their now-treasured recipe for corn casserole. At the time, it was developed under the name “Corn Bowl.” The Corn Bowl recipe first appeared in the 1960s as a recipe tear-off sheet in retail grocery stores. In 1976, the recipe was renamed “Spoonbread” and re-published in Jiffy’s first-ever recipe book. In 1995, I was born and probably started eating corn casserole as soon as my pediatrician okay-ed solids.

Although it feels like I’ve been eating corn casserole on Thanksgiving for my whole life, Grandma doesn’t remember exactly when she started making it. However, her most epic feat was making a triple batch for the Vaughan’s Oktoberfest, an annual party hosted by my parents on the weekend of Indigenous Peoples’ Day, our own version of the German festival. “I made a triple recipe in a big lasagna pan for the Oktoberfest,” she said. When I told her she should make a triple batch every year for Thanksgiving, she laughed and said “As long as I don’t have to do the turkey.”

If you’re not going to make Jiffy’s Original Corn Casserole in a lasagna pan, Grandma has some tips for making a more manageable portion. “It could be done in any four- or five-inch casserole. I wouldn’t make it in a pie plate because it needs to be thick. But you could also do it in a bread pan.” A loaf of corn casserole?! I think we just invented something new, Grandma! A few years ago, I tried making my own version of corn casserole entirely from scratch, no Jiffy Corn Muffin Mix needed. I added fresh sage, swapped in crème fraîché instead of the usual sour cream, cooked it in a cast-iron skillet, and even demonstrated how to make it on a local TV show in Connecticut (my “Food Network” hosting dreams were finally coming to fruition). The recipe was good, but not nearly as good as Grandma’s.

But once again, we’re not the only ones trying to reinvent the classic. Forty-five years since the first recipe for “Corn Bowl” was published, Jiffy has updated the recipe with a brand-new Street Corn Spoon Bread recipe, a modern iteration of a mid-century side dish staple. It’s the first time the brand has ever changed the recipe. But I’m still sticking to Grandma’s. Whether or not she invented it, she has perfected it.

***

Recipe: Jiffy “Corn Casserole”

Prep time: 10 minutes
Cook time: 35 minutes
Makes: 2-quart casserole dish

Ingredients:

  • 8 tablespoons melted margarine
  • 1 (8 oz.) can cream-style corn
  • 1 (8 oz.) can kernel corn, drained
  • 1 cup sour cream
  • 2 eggs
  • 1 package “Jiffy” Corn Muffin Mix

Directions:

  1. Heat oven to 375℉. Grease a 1 1/2- or 2-quart casserole dish. 
  2. In a greased casserole dish, add margarine and corn. Blend in sour cream. Beat eggs together and stir into the casserole dish along with corn muffin mix. Blend thoroughly.
  3. Bake for about 35 minutes. 
  4. Serve hot with butter.

24 best gluten-free recipes even gluten-lovers will like

Gluten-free cooking and baking has come a long way. Gone are the days of dry, crumbly, cardboard-like baked goods and dinners. Enter: these 24 gluten-free recipes that range from chocolate cake (and chocolate cookies and brownies), to pad Thai, chili, and pork soup. In some cases, our recipes call for gluten-free substitutes (think: coconut or tapioca flour) and tamari instead of soy sauce. But other times, no specialty ingredients are needed so you can make something delicious completely on the fly.

Our Best Gluten-Free Recipes

1. Gluten-Free Tiramisu Recipe

Traditional Italian Tiramisu is made with ladyfingers, but recipe developer Caroline Wright came up with a gluten-free recipe for homemade sponge fingers that are made with coconut sugar, eggs, a gluten-free flour blend, and baking powder.

2.  Pad Thai from Kris Yenbamroong

Stick with dried rice noodles for gluten-free Pad Thai. This recipe doesn’t call for any soy sauce but if you want some for dipping or drizzling, use tamari or coconut aminos, both of which are GF!

3. Gluten-Free Strawberry Tart Bars

A combination of almond flour and coconut flour not only make these summery strawberry bars gluten free, but they also bring a fabulous crumbly texture to the crust that will make you say “all-purpose who?”

4. Fudgy Gluten-Free Chocolate Cake with Hazelnut Frosting

This rich and super moist chocolate cake is hiding one very big secret — it’s gluten-free, thanks to the use of Bob’s Red Mill Gluten-Free 1-to-1 Baking Flour
. The chocolate flavor is enhanced with hot brewed coffee and just a touch of cinnamon.

5. Gluten-Free “Cake Magic!” Cake Mix

Consider this gluten-free cake made with a blend of flours (tapioca, arrowroot, coconut, and almond) a blank canvas. Dress it up with whipped cream or cream cheese frosting, add a layer of lemon curd, or smear fudgy chocolate ganache throughout each layer.

6. Gluten-Free Carrot Cake

“Carrot cake is the perfect dessert to transform into a gluten-free treat without anyone knowing the difference. With the moisture of the shredded carrot and the texture and crunch of chopped nuts, carrot cakes are already fantastically rich and dense,” writes recipe developer Kristina Vanni.

7. Cauliflower Pizza with Lemon-Infused Tomatoes

We’ve spent a lot of time on sweets, and now it’s time to chat savory. The easiest and all-around winning way to make homemade pizza gluten-free is with riced cauliflower (plus ground almonds, a little bit of gluten-free flour, and herbs).

8. Bittersweet Brownie Drops

The only flour you need to make these cookies gluten-free is ⅓ cup of gluten-free flour. Plenty of melted dark chocolate and two eggs ensure that each bite is super fudgy.

9. Gluten-Free Sandwich Bread Recipe

Not only is this loaf gluten-free, but it’s also dairy-free too! There’s almond milk and coconut oil in place of the usual milk and butter, but note that the recipe does call for three eggs so it’s not entirelyvegan.

10. Tomato Eggplant Curry with Chile and Lime

“A lovely, simple, flavorful curry full of Southeast Asian flavors,” writes recipe developer Emma Galloway. It’s the ultimate gluten-free! And vegan! And nut-free! comfort food for winter.

11. Salted Chocolate Buckwheat Cookie

Yes buckwheat flour is gluten-free, but it also brings a subtle nuttiness to these extra-chocolatey cookies.

12. Spicy Sesame Pork Soup with Noodles

Use rice vermicelli noodles, which are thin, translucent noodles that just so happen to be gluten-free. It’s an incredibly flavorful soup that starts with a robust stock made from pork bones, ham hock, tamarind and tomato paste, and fresh greens.

13. Gluten-Free Banana Flapjacks

No one in your family will hit the snooze button when they smell these gluten-free and vegan banana pancakes wafting from the kitchen. Plus, you can rest assured that everyone in your family will be able to safely enjoy them.

14. Gluten-Free Butter Biscuits

Recipe developer Alice Medrich was diligent in finding the absolute best gluten-free flour for flaky butter biscuits. The result: white rice flour!

15. Gluten-Free Turkey Meatloaf with Cream and Oats

“This is a turkey meatloaf recipe that isn’t trying to be gluten-free — it just happens to be. That’s because in place of the more traditional bread crumbs, I’ve called for a couple tablespoons of rolled oats, which I always have lying around in my pantry,” writes recipe developer Eric Kim.

16. Salad Pizza with Gluten-Free Dough

If you want a gluten-free pizza but are sick of hearing about cauliflower crust, fear not. Leave it to Food52 baking resident and superstar sweet tooth Erin Jeanne McDowell to develop an absolutely perfect gluten-free pizza crust. Here, it’s the base for a salad pizza, but you can top it with anything your heart desires.

17. Avocado and Everything Bagel Spice Smørrebrød

There’s nothing too innovative about this gluten-free recipe; it’s just the best dang avocado toast you’ll ever taste (no big deal).

18. Pretzel-Crusted Chicken Tenders with Honey Mustard Caramel

Recipe developer Renae E. Wilson was determined to find a gluten-free breading for chicken tenders that stayed crispy and crunchy and were not too complicated to prepare. The winner: crushed gluten-free pretzels!

19. Chile-Roasted Chicken and Sweet Potatoes with Cilantro Rice

“This gluten-free recipe is pretty simple: Roast some chicken and sweet potatoes with chile and spices, cook up some lovely, herbaceous cilantro rice while you roast, and top it all off with a nice dollop of lime-sour cream,” writes recipe developer Sarah Woolworth, blogger of Wisconsin From Scratch.

20. Flourless Chocolate-Walnut Cookies from François Payard

These better-than-average chocolate cookies have an out-of-the-ordinary ingredient list. Confectioners’ sugar instead of granulated. Egg whites instead of whole eggs. Walnuts and cocoa powder, but no chocolate chips. You may be skeptical but one bite will prove why our readers can’t stop baking batch after batch.

21. Chickpea Sticks with Yogurt Dipping Sauce

For a protein-packed alternative to French fries for a family-friendly dinner, use chickpea flour to make these crispy, savory sticks!

22. Vibrant Spring Socca

Not quite a pizza, not quite a focaccia, socca is a savory, unleavened pancake that hails from Tuscany. This chickpea-based version is topped with a fragrant basil and arugula pesto for a gluten-free appetizer or main course.

23. Vegan Apricot and Cherry Galette

Two of summer’s all-star fruits top a gluten-free galette crust for a vibrant dessert.

24. Divine Gluten-Free Chocolate Cookies

Think of this gluten-free dessert as flourless chocolate cake in the form of cookies. Need we say more? Probably not, but we’ll do so anyway. Whipped egg whites help give them a little bit of body and a divine combination of cocoa powder and semisweet chocolate chip bring fudgy goodness.

Sugar, spice and everything nice: 3 ways to add extra flavor to your roasted pumpkin seeds

Few things feel more seasonal than opening up a roasting pumpkin and carefully extracting the seeds from the tender, golden flesh. 

The number of seeds a pumpkin has is, of course, dependent on the size of the pumpkin. A giant one, the likes of which science reporter Nicole Karlis investigated, could have up to 1,000, while your average supermarket pumpkin could have around 250. My grandmother always told me that you could estimate the amount by counting the “ribs” of the pumpkin and multiplying that number by a dozen, which has never rendered me too far off. 

Regardless, that’s a lot of seeds and while the basic roasting method — drizzled with olive oil and a pinch of salt — is delicious, maybe you’d like to change things up a bit this fall? 

RELATED: Don’t trash the best part of the melon

If so, try one of these three recipes for roasted pumpkin seeds that will leave you reaching for more. There’s a smoky brown sugar variety that gets a little kick from paprika, a play on ranch-flavored sunflower seeds and a chocolate-drizzled variety. Each recipe is made for 1 cup of pumpkin seeds, but feel free to multiply as needed. 

Smoky brown sugar pumpkin seeds 

In a small pot or a microwave-safe bowl, melt 2 tablespoons of coconut oil. Transfer to a large bowl, followed by the pumpkin seeds. Stir until the seeds are completely covered, then spread them onto a prepared sheet pan. In a small bowl, combine 2 tablespoons of dark brown sugar, 2 teaspoons of smoked paprika, 1 teaspoon of cinnamon and a pinch of salt. 

Sprinkle the spice mixture evenly over the pumpkin seeds, flip the seeds and season again. Place in a 350-degree oven and bake for 12 to 15 minutes, flipping at least once. Remove from the oven and allow them to cool completely. 

Zesty ranch pumpkin seeds 

In a large sealable plastic bag, place 1 tablespoon of dried buttermilk powder, 1 teaspoon of garlic powder, 1 teaspoon of onion powder, 1 teaspoon of dried parsley, 1 teaspoon of dried dill (optional), salt and pepper. Shake to combine. 

Coat pumpkin seeds with 1 tablespoon of olive or avocado oil, then add to the bag. Shake until the seeds are coated and transfer to a prepared sheet pan. Place in a 350-degree oven and bake for 12 to 15 minutes, flipping at least once. Remove from the oven and allow them to cool completely. 

Chocolate-drizzled pumpkin seeds with sea salt

If you have leftover, unseasoned roasted pumpkin seeds, this is a great way to amp them up. In a small microwave-safe bowl, melt 3 tablespoons of dark chocolate chips. Spread the seeds on a sheet pan covered in parchment paper, then drizzle them with the chocolate. Sprinkle them with a light dusting of flaky sea salt. 


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More of our favorite pumpkin recipes:

“Insecure” to the end: Issa Rae’s groundbreaking comedy sails into its final season

As “Insecure” launches its final season Issa Dee is on her way . . . somewhere, existentially speaking. Concretely, the premiere shows her headed to her 10-year college reunion weekend, where she’s been invited to participate in a panel titled “Finding Your Path: Advice from Alumni Entrepreneurs.”

It’s only when she’s onstage with her fellow panelists, who confidently play the part of the successful entrepreneur by saying exactly what the audience wants to hear, that it occurs to her that she might be flying blind. When the moderator poses the last question – “When did you know that you were on the right path? – she’s the only one who responds with honest self-doubt.

“I don’t know that I’m on the right path,” she says. “There’s no way to be sure that you’ve made the right choice.” This feels like it comes straight from Issa Rae’s heart; even now, as the show eases us toward its ending, its realness is singular and undeniable.

That scene and the cascade of developments that follow hint that Rae may mean us to understand her show’s title to be the answer to the question of how we are at any given stage of life. That’s always, always made “Insecure” one of TV’s truest comforts, even when its central duo hits a low floor in their friendship and almost shatters.

Issa and Molly (Yvonne Orji) are still healing their relationship and navigating their way forward. Separately, they’ve come a long way from where they started, with Molly settling into a law firm where she’s respected and Issa making some headway with her community-centered PR start-up, The Blocc.

Nevertheless, even as she celebrates getting the star treatment from her alma mater, she wonders why she hasn’t gotten as far in life as she pictured she would be as a fresh-faced undergrad. This is after she asks her friends in her signature joking-not-joking Issa way, “Am I official in life?”

If you love “Insecure,” you may be torn between acknowledging Rae’s smart choice to close the show while it’s still in top form and devastated by the realization that this run of episodes are all that’s left.

Assuming the rest of the season is as sharp, witty and melancholy as the four episodes made available for review there’s no reason to worry about where it’s headed.  Rae and showrunner Prentice Penny prove they’re still making one of the funniest shows on TV, but not at the expense of its sentimental mood.  

RELATED: “Insecure” star Yvonne Orji is rewriting the immigrant narrative “one joke at a time”

Rae intentionally ignores the pandemic, and I’m grateful for that. It isn’t something we’ll want to be reminded of when we revisit this show down the road and marvel at all the ways it captures a feeling more than a specific point in time. 

And people will be studying “Insecure” for many reasons, from the seductive cinematography to its overall style and seamless portrayal of culturally specific issues that shows written by and made for white audiences rarely take on. “Insecure” drills down on the challenges Black women face in the workplace and the ways we challenge and question each other as mothers, lovers and supporters, all while depicting the high burden of expectation we place on ourselves.

Issa, Molly and their girls Kelli (Natasha Rothwell) and Tiffany (Amanda Seales) remain loyal to each other and have learned patience as they’ve moved from their wild 20s into their 30s. They’re realizing that at long last, they’re finding their way in the world.  Nevertheless, when College Issa shows up in the mirror to celebrate Present Day Issa’s achievements, she inadvertently reminds her of how many of her dreams have shifted or simply fallen away.

When a show like “Insecure” starts its march toward its finale we’re compelled to analyze its place within the firmament of shows like it. Comparisons to “Girls,” “Sex and the City,” “Broad City” and “Girlfriends” are inevitable.

But with the exception of Mara Brock Akil’s classic, none of those shows captured the ungainly feeling of early adulting and independence without a fallback option or privilege to coast upon like this show does. Issa, Molly, Kelli and Tiffany get to be selfish and even pompous at times, but they’re also gorgeously vulnerable and prone to make mistakes. Through them “Insecure” consistently messages that it gets what it’s like to be unleashed on the world with little else but your ambitions and realize there’s no map, no going back and nobody to catch you when you fall.

Now it’s dawning on Issa that the search for the right route to happiness and success may never be over. And Molly fears that as they get older, the roads she hasn’t traveled may be closed off to her.

And it dives into the mess of what all this means with humor and joy, in a way that no other show on TV does as naturally. Mess is a word that comes up constantly in this show – everybody’s a little bit messy, or a lot, and everyone else accepts that to be the case.

This show helps us to be OK with our mess. That’s why we love when it erupts through Kelli’s wildness or simmers under Tiffany’s glossy, manicured judgment. Their chaos resembles our own psychological clutter.

Watching them rearrange it into a kind of order make us appreciate the extent to which Issa, Molly and the rest have grown in the five years since we met them, when they still took solace in knowing that a certain amount of aimlessness is a given in young adulthood.

In our 30s we make plans, set goals and make moves. But we also begin to feel our years, look and think a lot more before we leap and wonder if all that’s going wrong can be fixed. Issa discovers that the world has a way of rewarding her efforts in surprising ways and testing her grace at the same time. Molly takes a hard look at herself and wonders how she might be getting in her own way.

There are so many things about this show I’m going to miss, including the way it centers Black culture in L.A. in all of its dazzle, elegance and variety; the way it examines the humor and ache that comes with growing up and out of old habits. I’ll miss its honesty about the fact that sometimes we grow beyond the loves we once told ourselves we’d hold in our hearts forever.

Rae has many more irons in the fire than when “Insecure” began and knowing that lessens the blow of knowing the show is leaving us. There’s no telling how Issa and Molly’s story will close, and I’m in no hurry to get there. But moving forward with their questions is better than lingering between what we already know and stepping into the next chapter.

The fifth and final season of “Insecure” premieres Sunday, Oct. 24 at 10 p.m. on HBO.

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‘They treat me like I’m old and stupid’: seniors decry health providers’ age bias

Joanne Whitney, 84, a retired associate clinical professor of pharmacy at the University of California-San Francisco, often feels devalued when interacting with health care providers.

There was the time several years ago when she told an emergency room doctor that the antibiotic he wanted to prescribe wouldn’t counteract the kind of urinary tract infection she had.

He wouldn’t listen, even when she mentioned her professional credentials. She asked to see someone else, to no avail. “I was ignored and finally I gave up,” said Whitney, who has survived lung cancer and cancer of the urethra and depends on a special catheter to drain urine from her bladder. (An outpatient renal service later changed the prescription.)

Then, earlier this year, Whitney landed in the same emergency room, screaming in pain, with another urinary tract infection and a severe anal fissure. When she asked for Dilaudid, a powerful narcotic that had helped her before, a young physician told her, “We don’t give out opioids to people who seek them. Let’s just see what Tylenol does.”

Whitney said her pain continued unabated for eight hours.

“I think the fact I was a woman of 84, alone, was important,” she told me. “When older people come in like that, they don’t get the same level of commitment to do something to rectify the situation. It’s like ‘Oh, here’s an old person with pain. Well, that happens a lot to older people.'”

Whitney’s experiences speak to ageism in health care settings, a long-standing problem that’s getting new attention during the covid pandemic, which has killed more than half a million Americans age 65 and older.

Ageism occurs when people face stereotypes, prejudice or discrimination because of their age. The assumption that all older people are frail and helpless is a common, incorrect stereotype. Prejudice can consist of feelings such as “older people are unpleasant and difficult to deal with.” Discrimination is evident when older adults’ needs aren’t recognized and respected or when they’re treated less favorably than younger people.

In health care settings, ageism can be explicit. An example: plans for rationing medical care (“crisis standards of care”) that specify treating younger adults before older adults. Embedded in these standards, now being implemented by hospitals in Idaho and parts of Alaska and Montana, is a value judgment: Young peoples’ lives are worth more because they presumably have more years left to live.

Justice in Aging, a legal advocacy group, filed a civil rights complaint with the U.S. Department of Health and Human Services in September, charging that Idaho’s crisis standards of care are ageist and asking for an investigation.

In other instances, ageism is implicit. Dr. Julie Silverstein, president of the Atlantic division of Oak Street Health, gives an example of that: doctors assuming older patients who talk slowly are cognitively compromised and unable to relate their medical concerns. If that happens, a physician may fail to involve a patient in medical decision-making, potentially compromising care, Silverstein said. Oak Street Health operates more than 100 primary care centers for low-income seniors in 18 states.

Emogene Stamper, 91, of the Bronx in New York City, was sent to an under-resourced nursing home after becoming ill with covid in March. “It was like a dungeon,” she remembered, “and they didn’t lift a finger to do a thing for me.” The assumption that older people aren’t resilient and can’t recover from illness is implicitly ageist.

Stamper’s son fought to have his mother admitted to an inpatient rehabilitation hospital where she could receive intensive therapy. “When I got there, the doctor said to my son, ‘Oh, your mother is 90,’ like he was kind of surprised, and my son said, “You don’t know my mother. You don’t know this 90-year-old,” Stamper told me. “That lets you know how disposable they feel you are once you become a certain age.”

At the end of the summer, when Stamper was hospitalized for an abdominal problem, a nurse and nursing assistant came to her room with papers for her to sign. “Oh, you can write!” Stamper said the nurse exclaimed loudly when she penned her signature. “They were so shocked that I was alert, it was insulting. They don’t respect you.”

Nearly 20% of Americans age 50 and older say they have experienced discrimination in health care settings, which can result in inappropriate or inadequate care, according to a 2015 report. One study estimates that the annual health cost of ageism in America, including over- and undertreatment of common medical conditions, totals $63 billion.

Nubia Escobar, 75, who emigrated from Colombia nearly 50 years ago, wishes doctors would spend more time listening to older patients’ concerns. This became an urgent issue two years ago when her longtime cardiologist in New York City retired to Florida and a new physician had trouble controlling her hypertension.

Alarmed that she might faint or fall because her blood pressure was so low, Escobar sought a second opinion. That cardiologist “rushed me — he didn’t ask many questions and he didn’t listen. He was sitting there talking to and looking at my daughter,” she said.

It was Veronica Escobar, an elder law attorney, who accompanied her mother to that appointment. She remembers the doctor being abrupt and constantly interrupting her mother. “I didn’t like how he treated her, and I could see the anger on my mother’s face,” she told me. Nubia Escobar has since seen a geriatrician who concluded she was overmedicated.

The geriatrician “was patient,” Nubia Escobar told me. “How can I put it? She gave me the feeling she was thinking all the time what could be better for me.”

Pat Bailey, 63, gets little of that kind of consideration in the Los Angeles County, California, nursing home where she’s lived for five years since having a massive stroke and several subsequent heart attacks. “When I ask questions, they treat me like I’m old and stupid and they don’t answer,” she told me in a telephone conversation.

One nursing home resident in every five has persistent pain, studies have found, and a significant number don’t get adequate treatment. Bailey, whose left side is paralyzed, said she’s among them. “When I tell them what hurts, they just ignore it or tell me it’s not time for a pain pill,” she complained.

Most of the time, Bailey feels like “I’m invisible” and like she’s seen as “a slug in a bed, not a real person.” Only one nurse regularly talks to her and makes her feel she cares about Bailey’s well-being.

“Just because I’m not walking and doing anything for myself doesn’t mean I’m not alive. I’m dying inside, but I’m still alive,” she told me.

Ed Palent, 88, and his wife, Sandy, 89, of Denver, similarly felt discouraged when they saw a new doctor after their long-standing physician retired. “They went for an annual checkup and all this doctor wanted them to do was ask about how they wanted to die and get them to sign all kinds of forms,” said their daughter Shelli Bischoff, who discussed her parents’ experiences with their permission.

“They were very upset and told him, ‘We don’t want to talk about this,’ but he wouldn’t let up. They wanted a doctor who would help them live, not figure out how they’re going to die.”

The Palents didn’t return and instead joined another medical practice, where a young doctor barely looked at them after conducting cursory examinations, they said. That physician failed to identify a dangerous staphylococcus bacterial infection on Ed’s arm, which was later diagnosed by a dermatologist. Again, the couple felt overlooked, and they left.

Now they’re with a concierge physician’s practice that has made a sustained effort to get to know them. “It’s the opposite of ageism: It’s ‘We care about you and our job is to help you be as healthy as possible for as long as possible,'” Bischoff said. “It’s a shame this is so hard to find.”

***

We’re eager to hear from readers about questions you’d like answered, problems you’ve been having with your care and advice you need in dealing with the health care system. Visit khn.org/columnists to submit your requests or tips.

KFF’s Kaiser Health News and The John A. Hartford Foundation will hold a 90-minute interactive web event on ageism in health care beginning at noon Eastern Time on Thursday, Oct. 21. Join us for a frank, practical and empowering conversation about this pervasive, systemic problem of bias, discrimination or stereotyping based on age.

Meghan McCain expands on her family’s “blood feud” with Donald Trump

Meghan McCain called her family’s long-running beef with former President Donald Trump a “blood feud” during a Sunday interview on Fox News, and likened the conflict to the existential questions facing the Republican party as it attempts to change its direction in a post-Trump era.

She was responding to a bizarre statement Trump released this week, seemingly in response to a new audiobook she recently released in which she dishes on her poor relationship with co-hosts on daytime talk show “The View,” where she served as a co-host for most of the Trump Administration. Trump called her a “bully” and a “lowlife,” while also taking a dig at McCain’s father, the late Sen. John McCain, saying that he made it possible for the self-professed “Maverick” Republican to have “the world’s longest funeral.”


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At the time, McCain responded succinctly on Twitter, “Thanks for the publicity, boomer.”

But during an interview on the Fox News program “MediaBuzz” with host Howard Kurtz, McCain expanded on her animosity with the ex-commander-in-chief.

“I think this part of what my memoir is about,” she said. “It’s about being a bad Republican at The View, when just being a Republican in general means you’re the villain at The View, and then it means me being a bad Republican in the Republican Party right now because I’m not a Trump supporter.”

RELATED: Meghan McCain is still milking “The View” plus more revealing moments from her late-night interview

“My family and him have a blood feud at this point,” McCain added. “It’s about what conservatism looks like post-Trump, which I think is something Republicans will have to take a hard look at one way or another, even if he ends up running in 2024.”

Watch below, via Fox News:

The psychology of gore: Why do we like graphic blood and guts in our entertainment?

Geysers of blood soared toward the sky as the machetes fell upon their victims, showering all who saw them.

Kevin Greutert sat down so he wouldn’t faint. He was attending a funeral ceremony in Sulawesi, an Indonesian island east of Borneo, and ten buffalo had been sacrificed with the sharp blades, “‘Apocalypse Now’-style,” as their legs were bound to each other by rope. Greutert has always been sensitive to blood and would pass out as a child when he saw it, but it wasn’t merely the gore that disturbed him.

“It was the shining, ecstatic faces of the local Torajan people smiling as they watched the animals dispatched,” Greutert recalled to Salon in writing. “I had gotten to know the family that invited me, and some came over to me as I sat on the ground, no doubt pale as a sheet. They asked what was wrong, and I could only vaguely gesture to the fountains of blood spraying ten feet away.”

He added, “They smiled brilliantly and exclaimed, ‘But it’s beautiful!'”

Greutert knows a thing about blood and gore being beautiful: He directs horror movies. His most famous films include “Jessabelle,” “Visions,” “Saw VI” and “Saw VII,” the latter two of which belong to a franchise that is frequently derided with the epithet “torture porn.” Greutert is a specialist in using make-up and other visual effects to create the illusion of graphic horror, even though he still gets queasy around real blood. He recalled that while shooting “Saw VI,” he and his special effects crews would often spend hours in a day setting up a single gory scene. Rubber limbs, blood-filled squibs and blood tubes are attached to actors who rehearse reactions of agony and terror; gallons of (fake) blood are pumped through hoses so they can be sprayed at precisely the right moment.

“Whenever you have to do a gore shot more than once, this usually involves cleaning up the set, replacing the actor’s bloody wardrobe and washing their hair and body off, re-rigging the special effects, and cleaning blood off the camera lens,” Greutert explained. “Sometimes the schedule doesn’t allow for any of this. The pressure to get it right is tremendous.”

It may seem strange that this much craft and artistry is invested in splatter horror. If so many of us are repulsed by bloody violence in real life, why would we want it simulated on the big screen? It is one thing to merely enjoy being scared; horror movies do not have to include gore to be frightening. Yet studios are willing to invest millions in graphic horror franchises from “Halloween” and the Chucky series to the supposed “torture porn” like the “Saw” and “Hostel” universes. What is behind humanity’s macabre love of viscera?

Part of the explanation, psychologists say, can be seen in Greutert’s contrasting responses to real-life and fictional gore. We find it gratifying to experience that which would normally upset us, but from an emotionally secure point of view.

“We get to consume something we see little of in real life, in a controlled and safe environment, where we can test the limits of our emotive response in comfort,” British psychologist Dr. Lee Chambers told Salon by email. In this sense, there is an undeniable overlap between the appeal of horror and the appeal of gore.

“Both are deeply intertwined with the concept of evil, something that again fascinates many of us but we experience minimally,” Chambers explained. “In an increasingly sanitized and protected life, the chance to experience fear and emotional pain can be appealing and a novelty.” Audiences of horror and gory violence also experience pleasure through the release of adrenaline, endorphins and dopamine.

At the same time, there are things offered by gory entertainment — within or outside the horror genre — that are distinct from horror on its own.

“Gore can also be quite desensitizing, but used well it can generate a strong emotional response that becomes a stand out moment,” Chambers said. “But in turn, this can cause us to forget the smaller details around it. Sometimes gore can be used in such a comical way. It opens a facet of evil which is no longer scary, but actually funny to consume.”

Matthew Strohl, an assistant philosophy professor at University of Montana and author of “Why It’s OK to Love Bad Movies,” elaborated on the different kinds of emotions that can be evoked through gore.

“For one thing, gore can elicit a disgust response,” Strohl wrote to Salon. “On leading theories, the evolutionary basis of disgust is that it helps motivate us to avoid pathogens by steering us away from raw viscera and bodily excretions.” A talented artist can draw from this habitual response to advance their story. Strohl pointed to the 2000 horror film “Ginger Snaps” as an example: In that tale, a teenage girl is attacked by a werewolf and must go through puberty while her body changes in unnatural as well as natural ways.

“It draws parallels between puberty and lycanthropy and uses gore effects to evoke a disgust response in part as a comment on the way menstruation can be the subject of ridicule and shame in a high school setting,” Strohl observed. At the same time, not all horror movies use gore for the ostensibly noble purpose of exploring deeper issues. Sometimes a movie seems to be made where the gore is an end unto itself, not a means to that end.

“These are the movies that we aren’t allowed to see as kids, that pearl-clutching commentators tell us are bad and wicked and evil, and that come with warnings for the faint of heart,” Strohl told Salon. “These movies appeal to us in part because they are dangerous and transgressive. Nothing is a surer guarantee that I will go see a movie than outraged controversy or nauseated critics.”


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Did any of those critics have a point, though? Should gory horror movies be regarded as immoral, a charge Pulitzer Prize-winning film critic Roger Ebert made against the classic slasher “Friday the 13th: The Final Chapter”?

In terms of influencing how people treat each other, absolutely not. Indeed, research indicates that horror movies can have a bonding effect. People will often seek out graphic horror in groups, forging connections over their common interest. As they experience stress and fear together (but in a safe environment), they feel on some level as if they’ve gone through a mutual journey. When they return home, they do so not only with those warm friendships, but with an increased capacity to conquer their fears and display resilience during adversity. In many ways, seeing a disturbing horror movie can be a team building exercise or a therapeutic experience.

This isn’t to say that gory horror is completely harmless. Its dangers, though, are pretty much the same as any form of media that can become habit-forming.

“It does have the potential to be unhealthy, especially if overconsumption impacts fundamental aspects of our wellbeing,” Chambers explained. “Due to the physiological reactions of watching horror and gore, we can find ourselves euphoric and highly stimulated, making it much harder to sleep. Due to sleep importance in our overall health, continued disruption can compound negatively.” He added that people who are sensitive to fictional gore and horror may have nightmares, which in turn can increase their overall anxiety.

These are basic physical and mental health questions which, again, apply to any stimulating form of media. In terms of whether gory entertainment is immoral, it is important to note that even if you aren’t watching it in a group, to appreciate artistic quality or to garner some personal reward from it, that’s also okay.

“Not everything needs to be healthy,” Strohl explained. “I can’t imagine anything more boring than a steady diet of art aimed at moral improvement. I want to visit the dark side, and I don’t need to be morally improved while I’m there. Am I worried that a love for gory movies will make me morally worse? No, I am not.”

He added, “I am not a computer that takes in movies as input and spits out a moral outlook as output. I am capable of separating my aesthetic joys from my moral convictions.”

Greutert knows a lot about those aesthetic joys. He mused to Salon that “even the crassest slasher film is speaking in a profound way to our existence as fragile bags of protoplasm protected from the infinite nightmare of deep space by only the thin atmosphere of the earth.” In his mind, they are stand-ins for ancient blood sacrifice rituals such as those which existed among the Aztecs at Teotihuacan’s pryamids.

“Perhaps part of the ecstasy I feel when it all goes right is just professional responsibility and the desire to not waste other people’s time and money,” Greutert explained. “But who can argue with the spectacle of seeing someone realistically decapitated with a chainsaw before your very eyes, and knowing that you orchestrated this modern blood sacrifice, and it will be shared with millions?”

Fox News host says Jen Psaki “one of the best press secretaries ever”

Former White House correspondent and current Fox News host Chris Wallace had some high praise for President Joe Biden’s press secretary, Jen Psaki, this week, calling her “one of the best press secretaries ever.”

He made the comments on Friday while talking about an especially heated back-and-forth between Fox News reporter Peter Doocy and Psaki, that he referred to as “two people at the top of their game.”

“I think that [Doocy] has become the Sam Donaldson of this White House press corps,” he said, referring to the ABC News White House correspondent known for his tough questions during the Ronald Reagan Administration. “And Jen Psaki, I think, is one of the best press secretaries ever.”


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“I don’t know that anything was particularly accomplished, but they both gave and got pretty good,” Wallace added.

Wallace also said he gave the comments “grudgingly,” since he knew Donaldson personally and worked as a White House correspondent during the Reagan years at NBC News.

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How higher education can win the war against neoliberalism and white supremacy

The exhaustion of the future does not even leave us with the past. Tradition counts for nothing when it is no longer contested and modified. A culture that is merely preserved is no culture at all. — Mark Fisher

Since the 1980s, higher education has been subject to devastating attacks as a result of punishing neoliberal austerity policies and ongoing attempts by conservatives to both privatize and defund public institutions. Right-wing attacks on the public good, the corporatization and militarization of higher education and a growing authoritarianism in the culture have led, as Christopher Newfield observes, “to the abandonment of egalitarian and democratic impulses.”

The effects are visible in the gutting of tenure-track positions, increases in tuition, an onslaught of administrative positions, and the redefinition of higher education as a competitive and profit-making institution. The attacks on tenure have been especially effective in transforming higher education into an adjunct of corporate interests. Writing in the College Post, Marianne Besas reports that “in 2018, 23.7 percent of faculty members at institutions across the country were tenured, and 10.2 percent were on a tenure track.” Tenure, along with the power of faculty, is in absolute decline. Only about one in five of the overworked and beaten-down faculty members in the academic labor force have tenure. 

At the same time, students are relegated to the status of clients. No longer viewed as a democratic public sphere, post-secondary education has forfeited its willingness, if not its responsibility, to instill in its students and the wider public the shared values, ideals and social practices crucial to developing democratic institutions and an informed and critically engaged public. Instead, it has become complicit with a cultural and political crisis — characterized by lies and bungling political leadership — which on the one hand has turned lethal with regard to the COVID-19 pandemic and on the other hand has been mostly silent regarding the threat to democracy posed by the growing racism and authoritarianism in the wider society.

Under such circumstances, higher education has failed to create on a mass scale not only a shared national civic purpose, but also a wider formative culture promoting the habits, sensibilities, dispositions and values crucial to democracy’s survival. It has detached itself from the obligations of citizenship and social responsibility, while harnessing itself to economic interests. Defined by neoliberal values, higher education has surrendered its purpose and mission to a culture of commercialism and exchange. The new normal in higher education is based on the brutalizing assumption that knowledge, ideas and visions are only valuable if they can be measured and aligned with the culture of business and the market. Everything is rated according to its monetary value and turned into an object of consumption — nothing appears to escape its regressive spiral of commodification, social atomization, and reification. 

Neoliberalism freezes the scope, range and depth of education in the culture of market fluctuations and investor interests. This is especially detrimental to the role of higher education as a public good, considering that the fate of democracy’s future is linked to the domain of culture — a domain in which people have to be educated critically in order to fight for securing freedom, equality, social justice, equal protection and human dignity. Agency is not being eliminated; it is being reconfigured in the image of an instrumental rationality, a market-driven model that conceals its own aggression in the name of choice, meritocracy and individual interests. 

RELATED: Fighting back against the age of manufactured ignorance: Resistance is still possible

The signs of higher education’s failure to define itself as a public good are everywhere, but such signs are particularly resonant in its indifference to the dark and menacing forces of a racist and totalitarian cultural politics that now engulfs American society. The collapse of conscience is widespread in a system of higher education that defines itself as a satellite of corporations. One consequence is a growing indifference to addressing larger political and social problems such as the rise of right-wing extremist movements, the spreading racial hatred and the increasing resort by the state to violence against Black people, undocumented immigrants, public health workers, school board members and women arguing for reproductive rights. 

 Without apology and most distinctively, the legacy of Jim Crow, with its layered racist rage and propensity for violence, has returned, asphyxiating the United States in a toxic cloud of voter suppression laws, the resurgence of police assaults against Black people and the emergence of a right-wing cultural politics. Cultural politics has become a powerful medium for social and civic death, endorsing white nationalism, pseudo-appeals to patriotic education and ongoing attempts by right-wing politicians to implement a form of apartheid pedagogy at all levels of schooling. 

Rethinking cultural politics as an educational force

Education has always been a compelling element of politics yet is rarely understood as a crucial site of struggle over culture, agency, identities, values and the future itself. As Stuart Hall once noted, what has been lacking is a sense of politics being educative in order to change the way people see things and understand the larger world. The latter is an especially important insight given how the right-wing has weaponized social media as a pedagogical medium in order to spread its racist and anti-democratic ideas and values. Driving such a politics is a counterrevolutionary political and educational movement whose methods and goals are to destroy civic literacy and freedom and undermine the values and institutions necessary for sustaining human development, the planet and a thriving democracy.

What is new in the current historical moment is that right-wing cultural politics have influenced higher education and the larger society with unprecedented success. That is, as Paul Gilroy says, “the weaponization of culture and information has been much more successfully exploited by the neofascists than their disorientated opponents.” 

The culture wars waged against “critical race theory” have a broader political function, in that they are part of a larger battle waged by right-wing white nationalists to control and destroy education as a critical site of power, especially in its capacity to foster the common good and equip young people to hold power accountable. In the current historical moment, educating a critically literate citizenry has become dangerous. In the age of Trumpism, culture has become a battlefield, and the war is being won by extremists in the political and corporate worlds.

The current wave of Republican Party extremists understand a fundamental lesson about the power of culture, one that was brilliantly articulated by the great Marxist theorist, Antonio Gramsci. He noted that culture deploys power and that such power is always pedagogical. Moreover, in the current age culture is a crucial site and weapon of power and has assumed an unparalleled significance in the structure and organization of agency, identities, knowledge, social relations and the question of who inhabits the public sphere and who doesn’t.


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Unfortunately, resistance on the part of universities to the cultural assault waged by the current wave of white supremacist politicians has been timid. Nobel-winning novelist J.M. Coetzee is right in arguing that resistance has been “weak and ill organised; routed, the professors [have] beat a retreat to their dugouts, from where they have done little besides launching the intermittent satirical barb against the managerial newspeak they are perforce having to acquire.”

Repressive forms of education no longer exist on the margins of society, nor are they present in only public and higher education. They are now being enabled from the centers of power. Education infused with a neoliberal racist orthodoxy now permeates a range of corporate-controlled sites that extend from newspapers to the new digital platforms, which inundate the public with massive amounts of information defined mostly by the script of cost-benefit analysis and the need for ever-increasing profits. At the core of these repressive educational practices is a resurgence of white nationalism, a culture of fear and contempt for the truth. One result is not only the deterioration of political culture but also, as Gilroy observes, “The archive of ineffable horror [has drifted] into an indeterminate space where information is untrusted.”

White nationalist educational practices, infused with neoliberal racist orthodoxy and the politics of disposability, operate increasingly through state repression, the passing of racist and sexist policies, and sanctioned police violence. They are also present in the colonization of identities, the production of manufactured ignorance and the power of a cultural politics that creates zones of abandonment where those marginalized by race, class, and religion become voiceless and unknowable. This widespread assault on rationality and truth is part of an image-based and ocular pedagogy engaged in a politics of falsehoods and erasure. In its most extreme pedagogical forms, a politics of racial hatred and exclusion cloaks itself in the false claims of “patriotism” and the right-wing call for “patriotic education,” functioning largely as a form of  trickery, deceit, and organized irresponsibility. 

Historical amnesia coupled with a culture of lies runs amok in American society, assuming the force of a national disease, corrupting the public imagination and civic culture. Education as a vehicle for white supremacy now moves between the reactionary policies of Republican legislators who use the law to turn their states into white nationalist factories and a right-wing social media machine that uses the internet, Facebook and other online services to spread racial hatred and undermine the necessity to be reminded of the horrors of history that are resurfacing once again. White supremacy has once again turned deadly and has put democracy on trial.  

The spectacle of Trumpism and its brew of white supremacist ideology and disdain for the truth undergirds the further collapse of democratic visions in higher education and broader public spheres. This is reinforced by a pandemic-generated obsession in higher education with methodologies, the growing dominance of instrumental reason and, as Peter Fleming observes, the return of “unforgiving management hierarchies that have replaced academic judgment, collegiality and professional common sense.”

Universities increasingly define themselves as part of a business culture and education industry, which “incentivize students to envision themselves not as citizens of a republic but as self-marketing, indebted buyers and sellers.” This shift away from its civic mission makes it all the easier for higher education to become obsessed with technocratic methods focusing on delivery platforms such as Zoom and Teams. The robotic language of instrumental rationality is everywhere in higher education. The English critic Marina Warner sums it up well:

As universities are beaten into the shapes dictated by business, so language is suborned to its ends. We have all heard the robotic idiom of management, as if a button had activated a digitally generated voice. Like Newspeak in Nineteen Eighty-Four, business-speak is an instance of magical naming, superimposing the imagery of the market on the idea of a university – through ‘targets’, ‘benchmarks’, time-charts, league tables, ‘vision statements’, ‘content providers’ [terms] that accumulate like dental plaque.

The Return of Jim Crow politics and the attack on “critical race theory”

Jim Crow politics are back with a vengeance, worn as a badge of honor. The signs are everywhere. Both during and in the aftermath of the Trump presidency, the Republican Party has dropped any pretense to democracy in its affirmation of authoritarian politics and embrace of white supremacy. Moreover, it has become a party of unhinged cruelty. This has been evident in the weaponizing of identity, support for a range of discriminatory policies of exclusion, construction of a border wall that has become a symbol of resurgent nativism and, under the Trump regime, the internment of children separated from undocumented parents at the southern border.

The rush to construct a homegrown form of authoritarianism is also clear in the passing of a barrage of voter suppression laws introduced in Republican-controlled state legislatures, all based on baseless claims of voter fraud. Voter suppression has become the new currency of a rebranded form of racialized fascist politics. As of Sept. 1, 361 bills had been put into play in 47 states, while 19 states had enacted 33 laws that make it harder for Americans to vote, particularly poor Black people.  

Voter suppression laws breathe new life into white supremacy and fit nicely into the racist argument that whites are under siege by people of color who are attempting to dethrone and replace them. In this case, such laws, along with ongoing attacks on equality and social justice, are defended by right-wing extremists as justifiable measures to protect whites from the “contaminating” influence of immigrants, Black people and others considered unworthy of occupying and participating in the public sphere and democratic process. Similarly, voter suppression laws are defended as legitimate attempts to provide proof that votes are cast by “real Americans,” code for defining people of color as “counterfeit citizens.” In actuality, these laws are not only racist in intent but also meant to enable permanent minority rule for the Republican Party, the endpoint of which is a form of authoritarianism. 

The attacks on critical race theory are a barely disguised effort by white supremacists to define who counts as an American, and form part of a long legacy in which those groups deemed unworthy of citizenship disappear. The language of historical and pedagogical erasure extends from the genocide inflicted on Native Americans to the horrors of slavery and Jim Crow. It includes the incarceration of Japanese Americans during World War II and the current rise of the racialized carceral state. Forgetting has become a convenient adaptive strategy for privileging the eternal present while emptying the past of its contradictions and genocidal horrors. There is more at work here than the whitening of collective identity, the public sphere and American history. There are invocations of whiteness, as Paul Gilroy suggests, that enhance “the allure of [a] rebranded fascism.” 

The Republican Party’s labeling of critical race theory as “ideological or faddish” both denies the history of racism as well as the ways in which it is enforced through policy, laws and institutions. For many Republicans, racial hatred takes on the ludicrous claim of protecting students from learning about the diverse ways in which racism persists in American society. For instance, Republican Gov. Ron DeSantis of Florida has stated, “There is no room in our classrooms for things like critical race theory. Teaching kids to hate their country and to hate each other is not worth one red cent of taxpayer money.” DeSantis has not only labeled critical race theory as “false history,” but has extended the discourse of his unhinged attack on any vestige of critical education and critical race theory to almost unrecognizably repressive lengths. As Eric Lutz points out, DeSantis has taken

the deranged culture war a step farther, signing laws that will require students and staff at public universities to be surveyed on their political beliefs; bar higher education institutions from preventing access to ideas students may find “uncomfortable, unwelcome, disagreeable, or offensive;” and force-feeding K-12 students “portraits in patriotism” that contrasts America with communist and totalitarian regimes.

In this updated version of apartheid pedagogy and historical cleansing, the call for racial justice is equated with a form of racial hatred, leaving intact the refusal to acknowledge, condemn or confront the history and tenacity of racism in American society in the public imagination. Apartheid pedagogy transforms the criticism of racial injustice and structural racism into a breach of law and makes it an object of malignant state oppression and violence. Borrowing from Judith Butler’s critique of the criminalization of knowledge in higher education, apartheid pedagogy interprets the call for democracy as sedition, and the call for freedom as a call to violence.  

The attack on critical race theory restricts what educators can say and teach in the classroom and does so by invoking the language of fear and retaliation. Many teachers are not just confused about what they can and cannot say in the classroom about social justice issues but also live in daily fear over the consequences they may face “for even broaching nuanced conversations about racism and sexism.” Such fears point to more than the curtailing of freedom of expression and the idealizing of history by whitewashing it. They also identify America’s slide into a rebranded fascist politics that is difficult to ignore. The threat of white supremacy has even been acknowledged by President Joe Biden in a speech he delivered marking the centennial of the Tulsa race massacre. Biden warned that U.S. democracy was not only in danger but that Americans had to recognize and challenge the “deep roots of racial terror.”

Legalizing racial oppression and apartheid pedagogy

The racialized climate of fear, intimidation and censorship is spreading in the United States. This is evident in the fact that anti-CRT bills have become law in eight states, while 15 state legislatures across the country have introduced bills to prevent or limit teachers from teaching about the history of slavery and racism in American society. These reactionary attacks on critical thought and emancipatory forms of pedagogy echo an earlier period in American history. Such attacks are reminiscent of the McCarthy and Red Scare period of the 1950s when heightened paranoia over the threat of communism resulted in a slew of laws that banned the teaching of material deemed unpatriotic “and required professors to swear loyalty oaths.”  

Such repression is never far from an abyss of ignorance. Right-wing attacks on critical race theory also ignore work by prominent Black scholars ranging from Frederick Douglass and W.E.B. DuBois to Angela Y. Davis and Audre Lorde. There is no mention of Derrick Bell, the founder of critical race theory in the 1980s. Nor is there room for complexity, evidence or facts, just as there is no room for either a critique of structural racism or the actual assumptions and influence that make up CRT’s body of work. Such attacks raise fundamental questions about the goal of higher education and the role of academics in a time of mounting authoritarianism.

This is especially true at a time when higher education has become a site of derision, an object of censorship and a way of demonizing faculty and students who critically address matters of racial inequality, social injustice and other crucial social problems. Let’s be clear. For the Republican Party, higher education has become a battleground for conducting a race war waged in the spirit of the Confederacy, conducted through the twin registers of censorship and indoctrination.

Right-wing politicians now use education and the power of persuasion as weapons to discredit any critical approach to grappling with the history of racial injustice and white supremacy. In doing so, they undermine and discredit the critical faculties necessary for students and others to examine history as a resource in order to “investigate the core conflict between a nation founded on radical notions of liberty, freedom, and equality, and a nation built on slavery, exploitation, and exclusion.” Novelist Francine Prose observes that educating young people through the indoctrinating policies and practices of  “patriotic education” will further America’s slide into

 a nation of con artists and their hapless marks, a country of liars and of people who have never been taught how to tell when they are being lied to…. Children who are prohibited from discussing the most critical issues of the day will gravitate into progressively more atomized and irreconcilable factions, unable to participate in the free and open exchange of ideas on which our democracy depends.  

Apartheid pedagogy is about denial and disappearance. It promotes a manufactured ignorance in the service of civic death and a flight from ethical and social responsibility. The right-wing attempt to impose “patriotic education” on educators is part of a longstanding counterrevolution that conservatives have waged since the student revolts of the 1960s. The calls in that decade to democratize the university and open it up to minorities of race and color were considered by many liberals and conservatives as dangerous expressions of dissent. In one famous instance, this was duly noted by ruling-class elites such as Harvard professor Samuel Huntington in the Trilateral Commission of 1973, who complained about what was called an “excess of democracy” in the United States.

This counterrevolution also fueled the ongoing corporatization of the university, in which business models defined how the university is governed, models that viewed faculty as part-time workers and students merely as customers and consumer-spectators. Another register of this ongoing counterrevolution with its embrace of apartheid pedagogy includes an attempt by university trustees to remove faculty from making decisions regarding matters of administrative governance, faculty appointments and control of tenure. 

In addition, right-wing legislators have introduced laws to limit funding for higher education institutions that teach critical race theory. For instance, Ohio state Rep. Sarah Fowler Arthur, a Republican, introduced a bill titled the “Promoting Education Not Indoctrination Act,” which threatens to cut state funding by 25% to any Ohio public university that allows the teaching of critical race theory. Arthur’s disdain for democracy was also evident in her attempts to erase from state-mandated curriculum guidelines any mention of the notion of the common good, a view in sympathy with her repugnant views of racism, environmentalism and critical thinking itself. 

Such attacks are being funded by foundations such as the Heritage Foundation and Manhattan Institute, which often rely on the endorsement of conservative scholars such as Thomas Sowell. Some of the most powerful enablers of the attack on “anti-racist programs” in higher education and elsewhere include organizations such as the Koch brothers’ foundation and the American Legislative Exchange Council (ALEC). The latter is particularly pernicious given that it increasingly provides the template for anti-critical race theory bills, which are then used by many state legislators. This is apartheid pedagogy parading as educational reform. 

Rethinking higher education as a democratic public sphere  

The U.S. slide into the chasm of white supremacy demands a revitalized understanding and rethinking of the relationship between democracy and higher education. One of the challenges facing the current generation of educators, students and others is the need to address the role and mission of higher education in a time of tyranny. Central to such a challenge is the question of what education should accomplish in a democracy. What will it take for higher education not to abandon its role as a democratic public sphere? What work must educators do to create the economic, political and ethical conditions necessary to endow young people and the general public with the capacities to think, question, doubt, imagine the unimaginable and defend education as essential for inspiring and energizing the citizens necessary for the existence of a robust democracy? What kind of language is necessary for higher education to redefine its mission, one that enables faculty and students to work toward a different future than one that echoes the authoritarian present, to confront the unspeakable, to recognize themselves as agents, not victims, and to muster up the courage to act in the service of a substantive and inclusive democracy? In a world where there is an increasing neglect of democratic and egalitarian principles, what will it take to educate young people and the broader public to be critically engaged citizens? 

Addressing this challenge means recognizing that over the last 40 years, under the reign of neoliberalism, the role of education in cultivating a critical citizenry capable of participating in and shaping a democratic society has been undermined, if not lost. Lost also is an educational vision that takes people beyond the world of common sense, functions as a form of provocation, teaches them to be creative, exposes individuals to a variety of great traditions, embraces the arts and creates the pedagogical conditions for individuals to expand the range of human possibilities.

Under the rule of a market-based society, higher education is largely defined as a financial investment whose goal is to ensure that young people are trained to compete in a global economy. In this logic, colleges and universities are reduced to sites for training students for the workforce — a reductive vision now being imposed on higher education by Big Tech companies such as Facebook, Netflix and Google that advocate what they call the entrepreneurial goal of education.

Increasingly aligned with neoliberal interests, higher education is mostly primed for teaching business principles and corporate values, while university administrators are prized as CEOs or bureaucrats in an audit culture. Many colleges and universities have been McDonaldized as knowledge is increasingly viewed as a commodity, This results in curricula that resemble a fast-food menu while devaluing knowledge that stresses humanistic values.

In the age of precarity and flexibility, the majority of faculty have been reduced to part-time positions, have been subjected to low wages, have lost control over the conditions of their labor, and have seen their benefits slashed or eliminated. Many of these academics are barely able to make ends meet because of their impoverished salaries, and some even receive food stamps.

If faculty are treated like service workers, students fare no better, and are relegated to the status of customers and clients. They are not only inundated with the competitive, privatized and market-driven values of neoliberalism, but are also punished by those values in the form of exorbitant tuition rates, astronomical debts owed to banks and other financial institutions and, in too many cases, a lack of meaningful future opportunities once they graduate. 

What might it mean to make pedagogy meaningful in order to make it critical and transformative? What might it mean to defend education as a bulwark of a democratic society and use higher education as a protective space where young people can articulate their needs and learn how to write themselves back into the script of democracy?

Given the crisis of education, agency and memory that haunts the current historical conjuncture, educators need a new political and pedagogical language. Such a language needs to be self-reflective and directive without being dogmatic and needs to recognize that education is always political because it presupposes a vision of the future, legitimizes specific forms of knowledge, values and social relationships and, in doing so, produces particular forms of agency. 

Educators also need to connect the rigor of their scholarship with the clarity necessary to address a wider public. They must be attentive to the everyday conditions that shape people’s lives, and be willing and able to speak to them. In this case, academics need to use a language in which people can recognize themselves and the problems they face. They need to merge theoretical rigor with the language of accessibility, without compromising either. At stake here is a pedagogical principle that recognizes that for a successful mode of communication to take place, there has to be a moment of identification on the part of the reader. To put it differently, such interventions must engage in a form of pedagogical recognition that sheds light on the everyday problems under which most people labor in the public domain.

There can be no authentic politics without a pedagogy of identification. Lacking this understanding, pedagogy all too easily either becomes irrelevant or is reduced to a form of academic jargon, one that assaults and shames, in one instance, and obfuscates and confuses in the other. At the same time, if academics are going to function as public intellectuals, they need to combine the mutually interdependent roles of critical educator and active citizen while developing a language that connects everyday troubles to wider structures and presses the claim for economic and social justice. Such a language must offer a comprehensive politics capable of connecting diverse issues, move beyond a regressive notion of self-interest, reject a notion of freedom tied exclusively to consumerism and individualized responsibility, and develop a form of pedagogical citizenship that, when practiced thoughtfully, embraces a solidarity grounded in mutual responsibilities. In addition, such intellectuals can develop modes of pedagogy, along with a broader comprehensive vision of education and schooling, that are capable of winning struggles against those who would deny education its critical function — and this must apply to all forms of dogmatism and political purity across the ideological spectrum.  

One of the challenges facing the current generation of educators, students and others is the need to address the question of what higher education should accomplish in a democracy. How can educational and pedagogical practices be connected to the resurrection of historical memory, new modes of solidarity, a resurgence of the radical imagination and broad-based struggles for an insurrectional democracy? How can education be enlisted to fight what the cultural theorist Mark Fisher once called neoliberalism’s most brutal weapon: “the slow cancellation of the future”?

Such a vision suggests resurrecting a democratic project that provides the basis for imagining a life beyond a social order immersed in massive inequality and endless assaults on the environment, and which elevates war and militarization to the highest and most sanctified national ideals. Under such circumstances, education becomes more than an obsession with accountability schemes and market values, and an unreflective immersion in the crude empiricism of a data-obsessed market-driven society. Education and pedagogy should provide the conditions for young people to think about keeping democracy alive and vibrant, not simply training students to be workers. Yes, we must educate young people with the skills they need to get jobs. But as educators we must also teach them to learn, as Zygmunt Bauman wrote in 2001, “to live with less or no misery [and] to fight against those social sources” that cause war, destruction of the environment, “inequality, unhappiness, and needless human suffering.” 

As Christopher Newfield argues, “democracy needs a public,” and higher education has a crucial role to play in this regard as a democratic public good rather than defining itself through the market-based values of neoliberal capitalism. Moreover, if such a role is to emerge, the conditions of labor for faculty have to change. Educators must be given the opportunity to speak the truth to the dominated, and bring ideas to the public realm that bear on society as a whole. This is especially important at a time when neoliberalism, through the dictates of a finance-obsessed managerial elite, overwhelms faculty and students with what Terry Eagleton has called “commodity breeding.” The heads of universities are expected to govern as if they were running Goldman Sachs, the value of research is determined by its ability to secure grant funding, and faculty are expected to occupy academic silos from which they preach market values and disciplinary irrelevance.

Instead of students being provided with opportunities for civic responsibility and cultural literacy, they are offered high tuition rates, student centers that mimic the mall and crushing debts that close off the dreams of a dignified future. What gets lost here are not only radical ideas, socially engaged students and socially responsible academics, but also, in Eagleton’s words, “the very notion that there could be a serious alternative to the present.” As universities are turned into training centers, no longer invested in the life of the mind and its crucial connection to the common good, the toxic cloud of fascism and white supremacy expands, engulfing the nation in a fog of anti-intellectualism, manufactured ignorance, hate and a growing propensity for violence. 

One of the most serious challenges facing administrators, faculty and students in colleges and universities is the task of developing discourses and pedagogical practices that connect classroom knowledge, values and social problems with the larger society, and do so in ways that enhance the capacities of young people to translate private troubles into wider systemic issues while transforming their hidden despair and private grievances into critical narratives and public transcripts. At best such transcripts can be transformed into forms of public dissent, or what might be called moments of rupture or empowering transgressions. Democracy cannot work if citizens are not autonomous, self-judging, curious, reflective and independent — qualities that are indispensable for students if they are to make vital judgments and choices about participating in and shaping decisions that affect everyday life, institutional reform and governmental policy. 

Resistance in this sense begins with the refusal to accept a crudely functional view of education that only values those modes of research, knowledge and teaching that can turn a profit. It rejects educational views that consign administrators, faculty and students to the prison-house of common sense and cynicism. In this instance, education becomes a terrain of struggle, which refuses one’s erasure or voicelessness and resists the dictates of an audit culture. It is a type of resistance that speaks out against the power of bean counters to align educational research with the idolatry of data, which attempts to define the unmeasurable, promotes a deadening instrumental rationality that suffocates consciousness and rewards empirical frenzies that turn courageous ideas into ashes, all the while degrading civic virtue and ignoring the dark shadow of a fascist politics engulfing the globe. 

Elements of an alternative vision for higher education 

I want to offer several recommendations, however incomplete, that provide an alternative to some of the oppressive conditions now shaping higher education in the age of multiple pandemics and the rise of fascist politics. 

First, higher education needs to reclaim and expand its democratic vocation and, in doing so, align itself with a vision that embraces its mission as a public good. Educators need to promote a national conversation in which higher education is defended as a democratic public sphere, and the classroom as a site of deliberative inquiry, dialogue and critical thinking. The project of defining higher education as a democratic public sphere should also provide the platform for a more expressive commitment to reaching across national boundaries in order to develop an international social movement in defense of public goods. This is a vision driven not by profits, instrumental rationality, and military interests but by the battle over democracy itself. 

Second, educators need to acknowledge and make good on the claim that there is no democracy without informed and knowledgeable citizens. This suggests placing ethics, civic literacy, social responsibility and compassion at the forefront of our pedagogical practices. This necessitates taking seriously those modes of knowledge, ideas, values, traditions and histories that promote a sense of dignity, self-reflection and compassion. In addition, students need to learn to understand how power works across social, cultural and political institutions. This is crucial if they are to learn how to govern rather than merely be governed. Education should be a place where students realize themselves primarily as critically engaged and informed citizens contributing not simply to their own self-interest or self-development but to the well-being of society as a whole. 

Third, higher education needs to be viewed as a right and needs to be free, as it is in many countries such as Germany, France, Norway and Finland. When education is not free, it not only limits access to those who lack the wealth and resources to get into higher education, but also allows higher education to function as a sorting machine that largely reproduces social, racial and class hierarchies. Moreover, free access to higher education enriches a student body, through its diversity and the richness of its possibilities, to promote dialogue across a range of identities, backgrounds, religions, gender, class and ideological positions. Such diversity keeps alive the critical function of higher education at the level of everyday classroom and social interactions. In addition, by not saddling young people with crippling debt — a form of colonial control — it gives them the opportunity to choose careers dedicated to public service. 

Fourth, educators need to enable students to engage in multiple literacies extending from print and visual culture to digital culture. They need to become border-crossers, who can think dialectically and learn not only how to consume culture but also how to produce it. This presupposes learning how to situate ideas, facts and knowledge historically and relationally. Not only does historical memory become a consequential resource for thinking and acting, it also enables students to connect isolated issues to a comprehensive vision of society that does not rely on banking modes of education, insular disciplinary narratives and deadening forms of instrumental learning. A critical pedagogy needs to incorporate practices that enable students to become cultural producers both to expand their sense of agency and politics and their ability to shape the world in which they live. 

Fifth, critical education is about more than the search for truth, appropriating work skills and developing a broad and comprehensive form of literacy; it is also about the practice of freedom. Such a task suggests that critical pedagogy should shift not only the way people think but also encourage them to shape the world in which they find themselves for the better. As the practice of freedom, critical pedagogy arises from the conviction that educators and other cultural workers have a responsibility to unsettle power, trouble consensus and challenge common sense. This is a view of pedagogy that should disturb, inspire and energize a vast array of individuals and publics.

Such pedagogical practices should enable students to interrogate common-sense understandings of the world, take risks in their thinking, however difficult, and be willing to take a stand for free inquiry in the pursuit of truth, multiple ways of knowing, mutual respect and civic values in the pursuit of social justice. Students need to learn how to think dangerously, push at the frontiers of knowledge, and support the notion that the search for justice is never finished and that no society is ever just enough. These are not merely methodical considerations but also moral and political practices, because they presuppose the creation of students who can imagine a future in which justice, equality, freedom and democracy matter and are attainable. 

Sixth, in opposition to increasingly dominant instrumental views of education, I want to argue for a notion of education that is inherently political — one that relentlessly questions the kinds of labor, practices and forms of teaching, research and modes of evaluation that are enacted in higher education. While such a pedagogy does not offer guarantees, it defines itself as a moral and political practice that is always implicated in power relations, because it offers particular versions and visions of civic life and how we might construct representations of ourselves, others, our physical and social environment and the future itself. What it rejects is a form of politicizing education that imposes dogmatic certainties, refuses critical dialogue and engages in what might be called a form of pedagogical terrorism. In opposition to politicizing education, political education is directive and opens up the possibilities for students to learn how power works, engage in critical analysis, think beyond common-sense assumptions, learn how to be self-reflective and engage the conditions that bear down on their lives.

Neutral, objective education is an oxymoron. It does not exist outside relations of power, values and politics. Educators need to cast a critical eye on those forms of knowledge and social relations that define themselves through a conceptual purity and political innocence, clouding the fact that the alleged neutrality on which they stand is already grounded in ethico-political choices and never removed from relations of power. Higher education is a crucial space for creating knowledgeable, critical and engaged citizens.  

Seventh, another serious challenge facing educators is the need to make despair unconvincing and social change a possibility. Despair does more than undercut social change; it also isolates, alienates and ultimately depoliticizes people often paralyzed by cynicism. Without a mutually informing language of critique and what I call educated hope, educators become complicit with a culture of ignorance and repression now being reproduced at the highest levels of power, one that has become a signature feature of the current Republican Party. The effects of such ignorance are on full display when school board members are threatened for implementing rules to save children’s lives, COVID-19 testing centers are attacked, adults who wear masks are bullied while accompanying their children to school and science is undermined through the proliferation of conspiracy theories. This suggests not only a failure of politics and the collapse of conscience, but also the failure of education.

 A radical shift in consciousness on the part of the public is needed in order for matters of truth, justice and science to offer the resources necessary to protect human life and sustain an informed public. Learned ignorance is never innocent. In the face of a tsunami of lies, hope becomes senseless, and ignorance combines with rage and conspiracy theories as the first resort of the powerless. When shaping a mass movement, ignorance does more than expand the disintegration of political culture; it also makes possible the reproduction of the horrors of racial cleansing and violence as tools of governance. 

Conclusion

If higher education defaults on its role as a critical institution, it becomes either irrelevant or complicit with totalitarian politics. In the face of the rise of white supremacy and a fascist politics, students need to stretch their imagination to be able to think beyond the limits of their own experience. They also need to reject the disparaging notion that the future is nothing more than a mirror image of the present. In this instance, I am not referring to a romanticized and empty notion of making the impossible possible. I am suggesting an education that refuses an obsession with self-interest, expands the imagination, teaches students to live without illusions and embraces the practical difficulties and risks involved in meaningful struggles for real change, while at the same time being radically optimistic.

The late sociologist Zygmunt Bauman insisted that the bleakness and dystopian politics of our times necessitates the ability to dream otherwise, to imagine a society “which thinks it is not just enough, which questions the sufficiency of any achieved level of justice and considers justice always to be a step or more ahead. Above all, it is a society which reacts angrily to any case of injustice and promptly sets about correcting it.” While hope has fallen on hard times under the dark shadow of the resurgence of white supremacy, a sense of collective passion and struggle is far from a historical relic. 

As educators, we have a responsibility — as Primo Levi, an Auschwitz survivor, once warned — to recognize that “Every age has its own fascism.” In a society in which democracy is under siege, it is crucial to remember that alternative futures are possible and that acting on these beliefs is a precondition for making radical change possible. At stake here is the courage to take on the challenge of what kind of world we want. What kind of future do we want to build for our children? How might we reassert a notion of the social that reclaims through the radical imagination the terms through which we are connected to each other and the planet? What is the role of hope in an age of racialized visceral terror? Philosopher Ernst Bloch insisted that “hope taps into our deepest experiences and that without it reason and justice cannot blossom.” 

In his “Talk to Teachers,” James Baldwin went a step further, adding a sense of urgency and a call for resistance to this notion of hope. He wrote: “The obligation of anyone who thinks of himself as responsible has to examine society and try to change it and to fight it — at no matter what risk. This is the only hope society has. This is the only way societies change.”

Baldwin’s words are more resonant today than ever before. Democracy is in free fall and has reached a dangerous turning point. The horrors of a past committed to racial cleansing and a fascist politics are with us once again. But the tactics used in the past to fight fascism must be rethought and updated. The power to change consciousness by making education central to politics has to be married to the need to change material relations of power. There is more at stake here than the repudiation of manufactured ignorance, the scourge of white supremacy and a corrupt political system. In the shadows of this escalating crisis, it is crucial to mobilize a mass movement to uncover and fight on multiple levels this rebranded notion of fascism and its mounting wreckage before hope becomes an empty slogan and democracy a relic of the past. 

More on the education wars of the Trump era:

 

Biden gets some encouragement — and a shoulder rub — from his 2013 self in SNL’s cold open

A dismayed President Joe Biden got an uplifting visit from “the ghost of Biden past” in SNL’s Cold Open on Saturday night.

The sketch began with Biden, played by cast member James Austin Johnson, getting some bad news from White House Press Secretary Jen Psaki in the Oval Office.

“Your CNN Town Hall was watched by no one, and your approval rating is in the Dumpster,” Psaki says.

“I don’t understand. People used to like me,” Biden says to himself after Psaki leaves. “The press would call me Uncle Joe. I miss the old me. Where the hell did that guy go?”


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At that point, Vice President Biden from 2013, played by SNL host Jason Sudeikis, wanders in wearing aviator sunglasses and doing finger guns.

“How can you be me? You seem so happy,” the new Biden says.

The 2013 Biden explains that being VP was the “easiest gig in the world,” before giving his 2021 counterpart a shoulder massage and smelling his hair.

“I hope this doesn’t sound sexist, but you’ve got to smile more, sweetie,” the old Biden says.

When the 2021 Biden complains about Democratic senators blocking his agenda, his former self says, “Screw Joe Manchin. The only mansion I care about is the Playboy mansion. That’s classic 2K3 Biden!”

RELATED: Meghan McCain fumes over her “Princess of Arizona” SNL portrayal: “Laughing stock of the country”

The pair get a brief visit from a third Joe Biden, from March 2021, before the 2013 version prepares to go back in time.

“Don’t leave. I can’t do this without you,” the new Biden says.

“Of course you can, because guess what buddy, you are me,” the 2013 Biden responds. “I want you to stand tall, I want you to flash those 100 percent natural choppers we got, and remember, we may be from different eras, but at the end of the day, we’re both Joe freakin’ Biden.”

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On “Succession,” Shiv weaponizes womanhood

HBO’s “Succession” is finally back for its highly anticipated third season, once again embracing that there are no good guys. In the Roys’ orbit, even seeming innocents like Nicholas Braun’s baby-faced Cousin Greg are all eventually corrupted. And gender is not any barrier to this corruption, either. In fact, in Siobhan “Shiv” Roy, gender is the means.

Sure, Shiv (Sarah Snook) may be the odd one out in her family of slimy, right-wing businessmen who run the fictional, Fox News-esque news channel, ATN. But just because she’s the lone woman in the Roy clan, doesn’t mean she hasn’t figured out how to thrive. While she initially sat out her brothers Kendall (Jeremy Strong) and Roman’s (Kieran Culkin) Machiavellian sibling rivalry – scheming to replace their father, patriarch Logan Roy (Brian Cox), as Waystar Roy Co.’s CEO – she fully began to make her own moves last season to become his successor.

RELATED: “Billions” resumes within a pandemic that made the rich richer, making its cruelty more relevant

Her family may have at first dismissed Shiv because of her gender, they’ve soon found that she’s willing to use it as a weapon . . . against women. This lack of scruples comes in handy particularly with the family’s latest scandal and PR nightmare. You’ll recall that Waystar has been in hot water for heinous crimes that range from rampant sexual abuse of dancers and hospitality workers on its cruises, to exploiting and covering up the deaths of undocumented workers on said cruises. 

In last week’s Season 3 premiere, Shiv steps up in the aftermath of Kendall’s explosive betrayal, when he refuses to take the blame for Waystar’s crimes, and instead implicates his own father, claiming that Logan knew of the misconduct and worked to cover them up. While Kendall is off building a campaign against his father, and his father is hiding out in Sarajevo, someone needs to play interim CEO.

Shiv is only too happy to prove herself by landing the perfect legal counsel to represent Logan. From an optics perspective, hiring powerful female lawyer Lisa Arthur (Sanaa Lathan) is particularly appealing because she’s previously defended trafficked sex workers, giving her tremendous credibility that will help to counter the narrative of Waystar’s callous mistreatment of women.

Shiv’s friendship with and supposedly innate, woman-to-woman connection with Lisa seems like it could work in Waystar’s favor. However, Lisa is unenthused by the idea of legally representing a corporation accused of endemic sexual exploitation, at which point Shiv tries  another tactic by putting on a self-pitying performance about her place in the boys’ club that is Waystar..

“Honestly, I got nowhere to f**king turn here. . . . I’m in a position to come out as CEO — or I might have to leave the firm to protect my reputation,” Shiv says. “I don’t know what my dad did, and I don’t know what my brother did, and I don’t know what the firm did — I’m in a f**king f**k pie here, Lisa, and I have a plan, but I could easily get crushed between these two f**king men, and I need to game things out with someone who can give me a read legally and culturally and politically —”

It’s a transparent attempt to leverage her gender to convince Lisa to shrug off her values, and join Shiv, because #GirlPower, or something. At that point, Lisa cuts Shiv off. 

“I can’t give you legal advice; don’t give me any confidential information,” she warns.

That line is all Shiv needs to understand that Kendall has already reached out to retain Lisa’s services.


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While Shiv’s invocation of gender and the woes of being the only woman in a major, male-dominated corporation might not have worked this time, it’s been plenty effective before. 

Last season, when the Roys and their associates testify before Congress about the allegations against their cruises, Shiv once again steps up. She becomes the friendly female face that ultimately is only concerned with protecting the Roys from a survivor who could potentially provide damning testimony against Waystar. “If she speaks, and she’s compelling, then that’s it for my family’s company,” Shiv tells then-chosen CEO successor Rhea Jarrell (Holly Hunter).

What follows is a conversation between Shiv and the survivor that’s so convincing as to turn the audience’s stomachs. Shiv seems to believe her own false promises to the woman, that not testifying and exposing herself to retaliation, but rather, joining Shiv and reforming Waystar from the inside, is the best way to go.

Shiv is smart enough to know that no one with power at Waystar actually cares about women and victims, or protecting vulnerable workers on cruise lines. But Shiv will say anything to silence a victim from speaking the truth, possibly galvanizing other Waystar victims to come forward, and potentially take down her family’s empire. This means more to her than any decency or values she might have once held. 

Shiv’s gender and its implications are often a particularly salient plot point in “Succession,” well before she tried to seduce Lisa Arthur to join the dark side. Throughout Waystar’s long journey to attempt to acquire the progressive Pierce Media Group last season, Shiv’s gender and the supposed liberalism inherent to it were impressive to PMG, a matrilineal family business in contrast with Waystar Roy Co.’s almost violently masculine family patriarchy. PMG insists that they’ll only sell to Waystar if Logan promises to name Shiv as the next CEO, which Logan rejects.

It’s clear being a woman in a man’s world like Waystar doesn’t always get Shiv what she wants — not when powerful men like Logan are so unabashedly terrible as to be above any kind of shame, or when people with actual principles like Lisa Arthur aren’t afraid to tell her no. Nonetheless, Shiv and her story arc are so compelling because of the nuanced image they present of corporate America and its desperate, hollow “girlboss” feminisms

RELATED: Watch “Succession” to understand why media companies reward the worst people

Shiv openly capitalizes on a narrative of victimhood and marginalization at a male-dominated corporation to establish trust with the women she means to use for personal gain. She criticizes Waystar’s sexism while maintaining that she can fix it if other women just put their trust in her — all while Shiv actively silences the poor and marginalized women that her family’s company has exploited and abused. 

She embodies a hybrid of “Lean In”-era Sheryl Sandberg, and more recently, the leaders of Time’s Up, an organization founded to protect survivors of workplace sexual abuse that wound up frequently lending support to liberal male abusers like Andrew Cuomo. Shiv’s character is neither myth nor aberration. Rather, she’s the norm in a world of powerful women who gleefully screw over less powerful women to collect more power, and a world in which women and even survivors often cover for abusers, for a number of personal and professional reasons.

Shiv has a deep understanding of how to weaponize and maximize what she gets out of her gender because of her experiences acquiring power in the corporate world. As a Roy, she’s used to commodifying and leveraging any and all personal relationships or facets of her identity for profit and advancement, no matter the cost to anyone else. 

On a human level, and certainly a feminist one, we can’t help but be disappointed by Shiv, because she’s clearly smart enough and possibly decent enough to be a better person than she chooses to be. She began “Succession” working for a fictional, Bernie Sanders-esque U.S. Senator, after all. But instead, she chooses her family every time, unflinching in the face of what Waystar and Shiv herself have done to other women with less power in the process. 

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Joshua Jay explains how magicians think — without ruining the magic

Joshua Jay isn’t going to tell you how to saw a lady in half. He will leave it up to you to decide who the greatest magician of all time was. His new book, “How Magicians Think: Misdirection, Deception, and Why Magic Matters,” isn’t a how-to for aspiring prestidigitators. (If it’s tips and tricks you want, you can consult his previous books.) Instead, his latest work is candid appreciation of a unique and rare human resource. Why does magic matter? Because it is a gift to be able to wonder. To marvel. And to do it together.

I am at best a casual consumer of magic. But in reading “How Magicians Think,” I was swept up in Jay’s passion and dedication to his craft. There’s nothing quite like sharing in the enthusiasm of somebody who loves what they do, and Joshua Jay loves doing magic. In his book, he explores his own lifelong fascination with it, as well as the eternal dynamic between magician and audience. Reading it, I remembered the unparalleled pleasure of being astonished, and that surprise can actually be a joyful thing. I talked to Jay recently about his career, and why it’s so fun to be fooled.

This conversation has been lightly edited and condensed for clarity.

I can’t think of too many other art or entertainment forms that we have this strange relationship to as audiences. People love it, but they also deride it. What do you think it is about magic that is so polarizing?

I’m sure for somebody, it’s trauma from a really bad birthday magician. But on the whole, I would say two things. One is scarcity and the other has to do with ego. The scarcity thing is that magic has always been a rare art form. Music is everywhere. It’s in commercials we watch on TV, it’s in films, it’s in concerts. One of the opening lines in my shows is, I ask for a show of hands of who’s ever seen a magician before. Most people have never seen a magician in person. It’s just a rare art form. That’s one thing.

And the other thing is a lot of people think that if they can’t figure out a magic trick, that somehow makes them stupid. A lot of people think that if I am doing a magic trick, then I’m trying to fool you and be better than you. Actually, the reverse is true. When we’re fooled by a magic trick, it’s because we make the safe assumptions and our minds are working exactly as they’re supposed to work.  People who design magic tricks like me, we design the tricks to play on people’s assumptions. They’re designed to fool people who think in a logical way, and I hope that this book goes to some distance to make it a safer place for people to watch magic and be fooled and live in that moment and love it.


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When you’re in the presence of great magic, especially live, it’s delightful to be fooled. You say that yourself in the book, that you enjoy it as an audience member.

That’s right. One of the things I think is so true and tragic is the better I get at magic the less I’m able to see it, and I miss it. Remember, all magicians got into magic from seeing magic somewhere, somehow. I love being fooled. I love seeing magic that I don’t know the solution to. But the more you learn, the more you study, the more you practice, the less that happens, which is really a shame.

You tapped into something interesting very early in the book, and that is that sense of surprise and wonder. Magic represents a very safe outlet for surprise that is actually wonderful and good. I’m wondering how you feel that fits into this moment that we’re living in right now where surprises often just terrible and upsetting.

Larry Wilmore had me on his podcast the other day and he brought up exactly what you brought up. He said, when he teaches screenwriting, that there’s a difference between surprise and shock.

The way he defines surprise is something that deepens, in his case, character development. But I think that we can adapt it from magic and say surprise deepens our appreciation for what we’re watching. Shock does not. Shock is simply the guy that jumps out on screen or the car that comes and hits and kills the character mid scene. Magic is predicated on surprise. We have to surprise our audiences, but in a way that somehow the audience can look back and wonder how they didn’t expect it.

You’re also talking explicitly about suspense. You know as an audience member that you’re going to build me up to something that I’m holding my breath for.

In my craft, unlike filmmaking, I have to find the intersection point of suspense and surprise, and that’s very difficult. In a two hour movie, you get to alternate. You can have some surprises and lots of suspense, but in a magic show you have to have them together. That’s challenging, because the nature of suspense is buildup and the nature of surprise is no buildup. How do you bridge that gap? Of course, the answer is I hope people will come to my show and see how I bridge that gap.

I’m thinking about the line in your book about how magic is not in the magician’s hands, but in the audience mind. You talk a lot in the book about that collaborative relationship that the magician has to have with the audiences. You say if you’re doing magic in your own home, you’re just practicing.

I’m sitting in my apartment, and this is where I create all my magic. But it’s always at the top of my mind that whatever I create here in these four walls is really nothing. It’s just a theory. It’s only when I test it out and do it on somebody that I learn, “Oh, okay, I thought everybody would look here, ut it turns out they look there. I thought everybody would respond to this, but actually what’s most interesting is this other thing.”  

I have a newer piece that I created during the pandemic after the book was finalized. I’ve been working on this piece for months and I’ve just slowly started tiptoeing it out into the world and using it.

So how do you know when something feels ready? Is it just gut instinct? Is it trial and error?

I wish I could tell you some great new breakthrough in the creative process, but the truth is it’s always a gamble. When I get enough confidence of something, I will try it in a low stakes performance. It could for friends over dinner. It could be for family. It could be in a weak position in the show, near the front or the back of the show, so it kind of blends in the middle and you just have to try. It’s a leap of faith. I would say a little more than half the time, whatever the new idea is, comes right back out because it’s not showing the potential it needs.

Then once in a while it will show the potential, and once in a great while a brand new idea will hit hard, nd that’s what we all dream about. And you can improve it, but if it’s already in a good place when you try it, hopefully you’re going to make it better from there. It takes months and months for a trick to be worked into a show and can take just as many months to find its place. What’s so fascinating to me, and this is why magic is endlessly complex, is that sometimes the difference between a great trick and an average trick is just its placement in the show. A. trick might not hit very hard in the third position, but in the fifth position sandwiched by just exactly what it needs to be sandwiched by, it really fits in and reaches its full potential. It’s just like a complex puzzle a lot of the time.

What you’re talking about is timing. We are such a deeply, deeply distracted culture. We reward that kind of itchiness. Have you felt that that has an impact on the way in which audiences can understand magic, because it requires patience?

That is exactly right. It does require a lot from the audience and it requires a great attitude from the audience. You don’t always have that. People don’t realize that as a magician, I consider what I’m doing important. For a lot of people, they will never graduate beyond; magic is a distraction, magic is a trifling matter, it is not important, it is not a form of self expression. If somebody has made up their mind about that, can you imagine how hard it is to perform for them? If they’re never going to be open enough to see magic for what I think it is, it’s not easy to break their assumptions down.

You’re doing it for that number of people who love to feel, “Oh my God, you got me. You blew my mind.”

Exactly it. I don’t want this to come across as too negative because it also has to be said, there are a lot of audiences who are really open-minded and that’s so wonderful when that happens.

Our idea of magic is so different now, when you do have your Derren Browns, your David Blaines — people who are expanding what it means to do magic. What does it mean to you as an individual to do magic?

Well, magic is the way I see the world. That’s not some corny expression. I’m serious about that. I mean it. So when I’m sharing a trick with somebody, even if it’s in a coffee shop or in a formal show, this is my way of expressing myself and it’s everything to me. Truly, every performance I give feels very important to me because I’m not spending two minutes, five minutes, one hour, with my audience. I’m giving them the best of the fruits of all my labors up to that point. It’s everything I can give of myself in developing that trick to them in that moment.

The book is so comprehensive and so ambitious in its scope. You take on so many different preconception about magic and your own personal experience of it. What do you want somebody like me who is a very casual consumer audience member to come away from it understanding?

Let me tell you this story, which I think answers that question. I asked a friend of mine, Joe Posnanski, a bestselling author and a great sports writer, “I can’t get the manuscript sort of where I need it to be, do you have any advice?” He said, “Spend some time thinking about how to distill your entire book down to one core sentence. When you’ve got that sentence, write it down on little piece of paper and tape it to your monitor. That way that sentence is staring you in the face every time you sit down to write. Every chapter, every paragraph, every sentence, has to serve that core value you’ve created.”

That ended up being my north star. So to answer your question, I’ll tell you what that sentence was. I wrote down on that little piece of paper, I wanted to deepen people’s appreciation for magic and magicians. That’s what I hope people come away with. I know they’re not going remember the specifics about Houdini and what a great marketer he was or what an unusual person David Blaine is or what the names were of the famous magicians that I talk about. But I hope that people like yourself who aren’t magicians, but have what you described as an average interest in magic, come away surprised and delighted by the length magicians go to, to be great. And the artistry behind magic that maybe people didn’t realize was there.

It also gave me a deepened respect for mystery. A magician’s relationship with the audience and the audience’s relationship with the magician has to be, I trust you. I trust you to tell me this story and I trust you to not tell me everything That’s the fun.

I’m so glad you said that, because living in mystery is something that is rare and so important. Probably never been more important than in this moment. Absolutely.

Students can learn with their mouths as well as with their eyes and hands

The first time that I met a blind scientist, I was in an NSF Research Experience for Undergraduates at the University of Delaware, a program geared toward disabled students interested in pursuing STEM research. Until that point, it hadnever occurred to me how science education excludes blind students. My daily experience in classrooms consisted of professors drawing molecules on the board or writing out an equation with the assumption that students in the class could see what was being written, very rarely even stating what they were writing. But what about the blind and low-vision students in the classroom?

According to the National Science Foundation’s 2021 report on Women, Minorities, and Persons with Disabilities in STEM, as of 2019, 9.1 percent of those graduating with a doctoral degree reported having a disability, a figure that includes people who are blind or low-vision. Inclusive teaching methods are needed to increase accessibility in STEM.

A recent paper from Baylor University, led by Katelyn Baumer and published in Science Advances, was inspired by exactly this problem. Shaw designed a study to assess whether people could learn to recognize 3-D models, like those often used to teach science, with their mouths instead of with their eyes. “I probably wouldn’t be working in this area if it was not for my own child who is visually and hearing impaired and autistic,” Shaw stated in an email interview. Having his son be diagnosed with retinoblastoma at such a young age changed Shaw’s view of science and encouraged him to increase accessibility for blind or low-vision scientists within his field.

Shaw is certainly not the first person to take advantage of the ability of our mouths and lips to spatially discriminate between items. For example, a Hong Kong student named Tsang Tsz-Kwan has taught herself to read Braille with her lips. Although not a traditional method to learn Braille, this case suggests that the mouth is able to recognize and distinguish patterns.

Shaw’s research builds on the fact that brain imaging has revealed that the feeling of touch, called somatosensory input, from our tongues, lips, and teeth converge onto the primary somatosensory cortex to produce an image generated entirely by signals from our mouths. The primary somatosensory cortex is a region in the brain that receives input to produce images.

A 2021 paper in Nature found that when primates showed the same brain circuit activation when grasping objects with their hands and when moving an object with their tongue. This indicates that there may be underlying similarities of physical manipulations of the hand and the mouth, but much remains unknown. Signals from manipulation with either the hands or the mouth are sent to the cerebral cortex, but as Shaw points out “the fine structure of how it is all sorted and processed remains unknown.”

Baumer, Shaw, and their colleagues found that there was comparable manual touch recognition with hands to mouth manipulation recognition when using these models. Both college students and grade-school students (4th and 5th grades) participated in the study, with 365 college students and 31 elementary school students represented. The participants were blindfolded and then split into two groups, one assigned to manipulate objects by hand, and one to manipulate the objects with only their mouths. Each participant was given a single model protein to study. They then were asked to identify whether each of a set of eight other protein models matched the original they were given. Of those eight, one was a match.

Shaw expected the results to be similar across the two age groups, as “Oral somatosensory perception is hardwired into us, the tongue develops very early and we likely start doing oral somatosensory perception in utero.” The research team saw that both age groups of students were able to successfully distinguish between models, and the accuracy of recalling the structures was higher in people who only assessed the models through oral manipulation in about 41 percent of participants.

Part of the design process was to have the models be portable, convenient and affordable, since they would eventually have to be produced in mass quantities. As noted by Shaw, often biochemistry textbooks have over a thousand illustrations, which further emphasizes the need of the models to be small and cheap. The first person Shaw gave the models to was Kate Fraser, a science teacher at the Perkins School for the Blind in Massachusetts, which also was Helen Keller’s alma mater. He chose the school because they offered significant support by personally traveling to his family’s apartment and offering interventional help after Shaw’s son had his eye removed.

Although this study did not involve blind or low-vision students, it sets the basis for expanding into them next. These models have shown comparable results to manual manipulation and may offer a way to have science become more accessible, which is the ultimate goal. By increasing the number of disabled scientists, STEM will benefit from the diverse perspectives which will ultimately lead to better science.

Netflix execs and “Squid Game” VIPs are playing from the same out-of-touch handbook

Netflix has been in the news a lot of late, in part for the runaway global success of South Korean drama “Squid Game.” The series’ sadistic premise of having desperate, impoverishsed people competing in deadly games for a chance at winning millions – all for the entertainment of a mysterious, wealthy elite – immediately captured the world’s imagination. It’s prompted hilarious memes, while simultaneously inspiring conversations about capitalism and inequality.

But just as the spotlight has been shining on that achievement, it’s also glared upon the darker side of the streaming service. Dave Chappelle’s comedy special “The Closer” received backlash for his bizarre fixation with attacking the LGBTQ+ community, particularly devoting a significant amount of time on transphobic material. While this content was bad enough, Netflix’s co-CEO Ted Sarandos released an initial statement supporting the offensive special, and shortly afterward doubled-down and defended it again in a Variety interview, convinced that he knew better about what affected the trans community than the community itself.

RELATED: Dave Chappelle and the warped self-victimhood of transphobes

Needless to say, having such an influential, global company supporting such harmful speech – especially at a time of surging violence and political attacks on trans people – created an even greater furor. Since then, the Verge reports Netflix has fired a trans employee, helping to spark a full-day employee walkout and boycott of Netflix by supportive consumers on Wednesday.

Oddly enough, much of this backlash seems to have taken Netflix by surprise; it’s a company that is supposedly known for its supportive workplace culture. How then, did all of this come to pass?

Perhaps the biggest clue about the widening gulf between Netflix’s leadership and its employees emerged over this past week, as Netflix executives appeared to dress in the signature green “Squid Game” tracksuits on a remote Zoom earnings call. On the surface, this is nothing but a bit of fun, as co-CEO Reed Hastings has a penchant for appearing on these calls in clothing promoting Netflix shows, ranging from “Stranger Things” to “BoJack Horseman.” Spencer Wang, the service’s VP of investor relations and corporate development, was similarly attired.

Had the past few weeks been business as usual for Netflix, this would have passed as nothing more than synergistic pre-Halloween dress-up. However, with the $283 billion company receiving so much negative press and attention lately, the costuming carried extra weight. In “Squid Game,” it’s the impoverished contestants risking their lives who wear the green tracksuits. Hastings and Wang doing so at a time when Netflix execs have been ignoring the pleas of its most vulnerable employees took on a sick, out-of-touch sigificance. 

Many have decried it as a sort of poverty-class cosplay and pointed out the execs should’ve instead dressed as the “Squid Game” VIPs whose affluence fuels the death games. While it’s an imperfect metaphor, anything “Squid Game” is speaking Netflix’s language these days. Therefore, taking a closer look at how the elite are portrayed on the show could shed some light on ways that Netflix’s leadership operates and is perceived.

“Squid Game” VIPs and Netflix execs call the shots

Squid GameFront Man punishes a worker who broke the rules (Noh Juhan/Netflix)

Let’s review, shall we? The mysterious VIPs of “Squid Game” are a group of vastly wealthy people, mostly men, whose gambling funds the death game operations. When they visit the South Korean operations as spectators to the final matches they don elaborate, terrifying masks of animal predators to conceal their own identities. 

The South Korean-based VIP actually runs the operation, with the dark-hooded Front Man who is seen ensuring the proper gameplay day-to-day. He commands the pink jumpsuit-wearing workers who faciliate the games and keep the competitors in line under threat of force. Sadly, these employees who wear dark, fencing-style masks live a bleak existence and are presumably as exploited and option-less as the contestants they govern.

If the workers have friends or families, they don’t see them for the duration of gameplay. Instead, the workers are forced to reside in tiny, Spartan dormitories akin to prison cells at the on-site facilities on an island only reachable by ferry. An elaborate system of cameras capture their every moment – whether it’s in bed or walking along the hallway – and those monitoring the cameras are their fellow workers.

They must also abide by a strict set of rules and company policies . . . or else. A couple workers are killed as punishment for helping a contestant in the games. But even something as simple as removing one’s mask outside of one’s dormitory is forbidden. When one worker has his mask forced off by a contestant during gameplay, Front Man is merciless. He shoots the loyal employee point-blank in the face. Rules are rules.

Obviously, Netflix doesn’t go to those extremes, and we’re not saying that they do. But there are plenty of examples and evidence of protocol meant to control the work environment and keep workers biddable. The company’s campus, like many tech companies and start-ups, reportedly provides all kinds of seemingly lavish and generous amenities, such as: providing a wide range of complimentary foods and beverages at all times, chargers and tech gadgets, Japanese-style heated toilet seats and other comfortable amenities that make the offices feel like home — including an open invite for employees to bring their dogs.

On the surface this is great, and may even foster a sense of togetherness, but are ultimately ways to keep employees at the office and near their work. Consequently, this discourages them from going home and resting or having more balanced lives. 

And if one is perceived to have stepped out of line, well, action is swift. More recently, the company suspended three employees for allegedly attempting to crash a virtual meeting with top execs, according to the New York Times. One of them is Terra Field, a trans woman who has been outspoken about the harm that Chapelle’s special causes to the trans community. 

It wasn’t revealed until later that the employees had been emailed the link to this virtual meeting and therefore thought they had been invited to attend. Once the employees were reinstated, Field had Netflix put that significant fact into writing so that her name would be cleared.

One employee hasn’t been so fortunate. Netflix fired an unnamed employee – who spoke out against the company’s support for “The Closer” –  claiming that the worker had leaked metrics to Bloomberg about the cost of its programming. The report shows that Netflix has a reason to back Chappelle, and it’s not necessarily an artistic one. The company had spent a staggering $24.1 million on “The Closer” and $23.6 million on Chappelle’s 2019 special, “Sticks & Stones,” compared with $3.9 million on Bo Burnham’s “Inside” special, and $21.4 million on “Squid Game.”

The statement given by a spokesperson about the leak makes it clear how the employee’s concerns are dismissed as merely a personal pique. 

“We have let go of an employee for sharing confidential, commercially sensitive information outside the company,” Netflix told The Hollywood Reporter. “We understand this employee may have been motivated by disappointment and hurt with Netflix, but maintaining a culture of trust and transparency is core to our company.”

“Trust” is an interesting word here, and bears further investigation.

Superficial support and false notions of equality

The workers who help run “Squid Game” (Noh Juhan/Netflix)

In order to keep the action alive in “Squid Game,” the head VIP and Front Man perpetuate a narrative of equality. First, they keep the workers wearing their masks so they don’t reveal anything about the games to the contestants or form relationships with them that can be advantageous. The masks and pink jumpsuits act like a uniform, making it appear that all the workers are the same.

But the geometric shapes decorating the masks reveal a hierarchy. A circle denotes a grunt worker – a drone with no authority who basically is a body to serve food or move corpses. They are not allowed to speak unless a superior asks a question or gives a command. A triangle is a step above, a guard who is allowed a firearm to intimidate and when needed, execute the contestants when they fail at a game. Finally, a square denotes command, those who give the orders. 

Meanwhile, the contestants also have a uniform, the aforementioned green tracksuits, and are issued numbers instead of having their outside identities acknowledged. This helps to sell an idea of equality – that everyone comes in without any material things that could give them an advantage – and therefore have a “fair” chance at the $40 million pot. 

Whenever players are revealed to have any kind of advantage, they may be punished or killed. Take, for example the doctor, Byeong-gi or 111 (Yoo Sung-joo), whom workers help to cheat so that he can harvest organs from the eliminated players. Front Man kills him. Then, when Player 017 (Lee Sang-hee), a glassmaker, is able to perceive differences in a glass bridge, Front Man changes the lighting that gave him the advantage.

The problem, of course, is that just like in our world, many people have advantages that aren’t acknowledged, owing much of it to privilege. The men are bigger and stronger, which is an advantage in the tug o’ war contest. Some players were raised more comfortably, and therefore have the benefit of better education, a point that sketchy subtitling glossed over. But Front Man doesn’t do anything about those advantages, abiding by the idea that bootstrapping, just trying and applying oneself is all it takes for success. Some 455 dead players by the end of the game would probably like to argue with the idea that they didn’t try hard enough.

Squid GameSquid Game (YOUNGKYU PARK / Netflix)

Equality apparently is just an illusion in “Squid Game” — just as it is at Netflix, as a workplace.

The company offers similar stories and narratives of equity, inclusion and support. Its lineup certainly tries to provide something for everyone, and has been lauded for queer-friendly programming like the groundbreaking “Disclosure” documentary and shows like “Sex Education,” both of which have advanced the discussion of transgender issues. The company similarly hires a diverse workforce, many of whom are queer or transgender. Netflix claims to value and support queer employees’ struggles and by publicly pushing out its LGBTQ programming via its social media channels such as the queer-specific @Most on Twitter.


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So where was this much-vaunted “trust” when several employees brought the inflammatory and damaging nature of “The Closer” to execs’ attention before it premiered? 

Instead of trusting the word of employees who may have a stake in harm done to their own community or those of their friends, Netflix instead downplayed those concerns. In one of Sarandos’ defenses of “The Closer,” he said in a company-wide email,  “content doesn’t directly translate to real-world harm,” reports NBC. This, of course, willfully ignores how culture and comedy directly create the social conditions under which anti-trans violence is acceptable. In fact, “Disclosure” literally addresses how Hollywood depictions have led to harm in the trans community. 

By their actions, Sarandos and other Netflix executives demonstrate that their supposed kinship and connection with its queer employees and creators is a smokescreen, a game. The company is famously supportive of its onscreen talent, often helping small names become big stars or casting and recasting the same folks from within its network. But Netflix’s defensiveness of Chappelle is indicative of how this unwavering support for its biggest names is at the expense of its less famous employees.

Trust, it seems, only goes one way.

Netflix wants to trust its employees or they pay the price. But employees can’t trust the higher-ups to protect them or offer a safe work environment, especially if harmful specials like “The Closer” continue to be made in the name of comedy or, let’s be real, profit. To highlight this precarious position, just this week, the trans employees who helped to stage the company-wide walkout also issued a list of very basic demands. Pulling “The Closer” from the service was not on the list. 

Instead, they appear to ask Netflix for the bare minimum in actually supporting transgender causes, safety and empathy. The demands range from investing in trans and nonbinary talent to providing content warnings for transphobic and otherwise wildly bigoted content. These demands highlight a disturbing level of disconnect between Netflix leadership and the basic needs of their employees who feel their bosses don’t recognize their humanity.

It’s a chasm that exposes the vast inequality of power within the company, despite how Netflix has very publicly prided itself for years about its supposed bold inclusivity, posturing as the protagonist of its own narrative — all while queer and trans employees have been drowning. 

The ultimate cosplayer

Oh Young-soo, aka No. 001 or Oh Il-nam, in “Squid Game” (Noh Juhan/Netflix)

But it’s one “Squid Game” character in particular who provides the most insight into the inconsistency with the Netflix executives. 

Viewers are first introduced to 001 (Yeong-su Oh), an affable old man with terminal brain cancer, in the first episode when he befriends the contestants and builds a special bond with the show’s protagonist, Seong Gi-hun, or Player 456 (Lee Jung-jae). Even though he’s fairly frail and poses no threat to the others, over time he’s shown to be a tenacious and clever player, even helping his team win against a group of burly men in a tug o’ war using clever strategy.

It’s particularly heartbreaking then, when Gi-hun and 001 team up for a game, which is only later revealed to be a competition between the two of them. The loser is eliminated, aka executed. Gi-hun makes sure that he survives, which means that he feels responsible for the death of his friend.

But after Gi-hun wins the entire game, he once again comes face-to-face with 001, whom he thought was dead. It’s revealed that the old man is Oh Il-nam, who won the Squid Game years ago. The incredible amount of wealth he won and the ability to buy anything, however, had left him bored with life, and thus as the top VIP began funding the game every year, gambling on the fate of people as if they were animals in a race. 

Boredom and his looming death led him to donning the green tracksuit once again for this iteration of the Squid Game, masquerading as one of them, one of the desperate. It’s the most fun he’s had in years. He even makes an excuse to get out of hosting when the foreign VIPs visit, preferring to play the game with his green-clad pals instead.

But of course he’s never in any real danger. We see that during a dormitory riot turned into a murder free-for-all, when 001 climbs to the top of a barricade of bunk beds and screams for everyone to stop. It’s only when Front Man hears his boss’ order on the monitor does he then send in the guards to intervene. See, when 001 ultimately tires of playing the games — which makes sense because they’re all, you know, terrifying — all he has to do is leave. If anyone else wants to leave, their options include dying in the games or getting shot in the head by the guards.

And when 001 is ultimately eliminated in the marbles game, we only hear the shot offscreen, while we witness every other player’s shot to the head. No doubt 001 took great glee in watching his guards fire their guns into empty air. Hell, he may have even shot the gun himself before heading back to his cozy luxury apartment. This is impoverished cosplay at its most horrifying.

And though Netflix isn’t backing any real-life murder games, the actions of its executives have shown a preference for protecting the already privileged, not the employees who need the most while asking for the least. The company’s more recent betrayals of its queer and trans employees expose how its facade of supportiveness has always been a performance, not unlike its execs dressing in the “Squid Game” contestant costumes.

And really, at the end of the day, what is the difference between a multi-millionaire pretending to relate to hordes of impoverished people willing to die for a chance at wealth, and a Netflix CEO who pretends to relate to and support queer employees when it’s advantageous to do so, and throw them under the bus when it’s not? In wearing the “Squid Game” contestant costumes while hoarding wealth and subjecting its employees to highly questionable conditions, Netflix executives might just have inadvertently provided the social commentary of the year.

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Remember the president before Donald Trump? History definitely will

Claude A. Clegg III’s book “The Black President: Hope and Fury in the Age of Obama” accomplishes various things. Foremost among them, it serves as an antidote to Donald Trump’s gaslighting. Clegg, a history professor from the University of North Carolina at Chapel Hill, first explores how Barack Obama’s presidency was experienced by the Black community, an issue central to any account of the Obama era. In addition, Clegg punctures many of the myths about Obama’s administration that have been endlessly repeated by Trump and his right-wing allies.

When Obama took office in 2009, America was teetering on the verge of economic collapse. The Illinois Democrat’s policies not only prevented another Great Depression, but saved multiple industries and put the country on a path to long-term prosperity. Trump inherited that economy and falsely claimed credit for it, over and over again, during his single term in office. With the unwitting complicity of the media, which obsessed over his every move, Trump then tried to erase Obama’s other achievements — both as policies and from the public’s memory — so they would either disappear forever or, if they happened to be popular, get attributed to him. Obama’s record on issues from immigration to foreign policy has either been downplayed or revised. His presidency was virtually scandal-free, while Trump’s resulted in two impeachments for highly justifiable reasons, a fact no one bothers to mention. This kind of gaslighting can only succeed when there is a narrative void, one which malicious actors operating in bad faith can take license to fill with self-serving revisionism.

Clegg’s book is a comprehensive rebuttal to those efforts, and it comes not a moment too soon. While Obama was certainly not a perfect president, he was more successful at pushing through liberal policies than any president of the previous half-century. His election in 2008 and subsequent success at governing appeared to forge a viable long-term political coalition, forcing the far right to resort to literal fascist techniques in order to short-circuit an era of likely Democratic dominance. If the story of the early 21st century is going to be told correctly, Obama’s leadership needs to be remembered. He came close enough to dashing the dreams of economic and social reactionaries that they elected a sub-Paris Hilton reality TV star trafficking in demonstrable lies as a panicked last effort to alter the course of history.

In so many words: Obama succeeded, if not entirely in the way he had hoped. If liberals want to again capture political momentum, they can’t allow the lessons of his presidency to be lost and distorted. I spoke to Clegg recently about his book and the Obama legacy.

This interview has been edited for length, clarity and context.

You talk about making sure that the history of the recent past is understood, because right-wing misinformation might otherwise fill that void. What lies are being told about Obama’s presidency? What specific myths do you see being perpetuated that need to be debunked?

There are several. We could start with the original sin of birtherism — that is, that this guy was not even born here and thus was not legitimate.. Of course, this gave us the rise of Donald Trump within the Republican Party. His ascendancy was based on that lie. Even though Trump in 2016, right before the election, had this press conference and said, “Oh, I don’t believe in this anymore,” he was still peddling the whole notion that it was illegitimate to have a Black president in the first place. There is a philosophy in the Republican Party tied very closely to the whole idea that it is illegitimate to have a Black president, and that Barack Obama had no business being in the White House at all.

That’s one. Then there is the notion that once Trump comes into office, he can more or less take credit for all the good things that were happening in the economy — creating jobs and employment going down and so forth — which was a trend of the Obama presidency, and a trend that was in play long before Donald Trump declared that he was running for office [in 2015], and certainly before he assumed office [in 2017]. This notion of a “Trump economy,” which was his doing as opposed to this being years in the making over the course of the Obama years, would be the other Big Lie that Trump peddles.

There are several others. Immigration is another one, the idea of the Obama administration just having open borders until Trump showed up and planned to build his wall. Of course, we know that Obama was criticized as being the “deporter-in-chief” while he was in the presidency. He deported hundreds of thousands of people over the course of his presidency! As you stated in one of your articles, the immigration issue was never satisfactorily resolved by either Trump or Obama, but it was not the case that the Democrats had an open border where anyone could come in, and you needed to have Trump to come in and build a wall and deport people and put them in cages. 

Obama was actually harder on the immigration issue than many in his coalition would have liked. Of course, there is DACA [Deferred Action for Childhood Arrivals], which softens some of the rougher edges of his immigration policy, but there is a myth that Barack Obama was soft on immigration. Actually he enforced the law in ways that many in his own coalition saw as problematic. His thinking was that if he was enforcing the law, Republicans would see it and say, “You know, this guy is not soft on immigration. Maybe we can make a deal with him and so forth.” But as you know, the Republican Party was trending more and more toward a very hardcore nativism that made any kind of deal on immigration impossible.

The zone is flooded with all this misinformation and disinformation about Obama during the course of the Trump presidency. I think that makes it necessary for historians to really get on record with the fact pattern of his presidency.

You already know that I rank Obama very highly among presidents. How do you feel his presidency should be ranked? What would you say were the main narratives of his administration, in terms of his legacy?

I think history is going to be kind to him, and historians are going to be unfavorable to Trump overall. It’s funny: People tend not to notice good administration or good management, but they really notice bad management and bad leadership. If you save the country from another Great Depression with the stimulus package, and save the automobile industry and other measures, people don’t give you a lot of credit for that. They don’t give you a lot of credit for what you prevented from happening, as opposed to giving you the blame if the bad thing actually does happen. I think he has to be given credit — along with those who voted in favor of it in the Congress — for the stimulus package, which was around $800 billion. We don’t talk in hundreds of billions of dollars anymore, we talk trillions, but $800 billion was a lot of money in 2009. He was able to get that through the Congress. It saved millions of jobs in the public and private sector. It fortified the social safety net in regard to keeping public school teachers working, in regard to investments in clean energy, in regard to investments in infrastructure.

RELATED: Barack Obama was an awesome president — and Democrats shouldn’t forget that

It was probably still too small, and it made the country sort of have to crawl out of the Great Recession, but it was a big deal in regard to keeping the worst of the worst from happening. It slowed down some of the home foreclosures. It saved the banks, as noxious as that was to a lot of people. I think it was a necessary thing to save the banking industry and the mortgage loan industry and so forth, even though these guys were some of the rogues that led us down the path of economic crash in the first place. Of course, the automobile industry has a lot of other industries adjacent to it, so it’s not just the car industry: it’s the glass industry, it’s the metal industry, the electronics industry and all the other industries that pool into automobiles. This crisis started during the [George W.] Bush administration, and he did set the ball rolling in regard to an auto bailout during his administration, but it came to fruition during the Obama administration.

There were several other things that came out of this administration that were positive. There was, of course, capturing and killing Osama bin Laden. There was the winding down of the Iraq war and some winding down of the Afghanistan war. Obama was a wartime president for the entirety of his years. Bush had been before him, and Trump was as well. But he did wind down those wars.

Most of the missed opportunities had to do with him having an unwilling Congress. As you know, they lost the House in 2010 and the Senate in 2014. In terms of anything infrastructure, clean energy, a jobs bill, of course all those things were obstructed. Criminal justice reform, immigration. The missed opportunities and shortcomings of his administration have a lot to do with just having a Republican Congress that was either outright uncooperative in the House or filibustering everything in the Senate. Even when it came to the basics of governance, like lifting the debt ceiling so you can pay your bills, there was a lack of cooperation on that score to the point that we almost defaulted.

The Affordable Care Act has been more durable than many of us thought it would be. It survived some challenges from the Supreme Court and the Trump administration and so forth. It is more or less a middle ground between our previous system and a system that may not be single payer, but will approach a system more robust than anything that Obama was able to put in place. Maybe a public option is on the table. I don’t know about Medicare for All, but I think he set into motion this idea that the government has an obligation to provide health care and make it accessible to people in the richest country in the world. I think that idea, that health care is a right, has been sort of naturalized by the Obama administration. I think an administration in the wake of a pandemic is going to push that even further.


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I want to discuss Joe Biden for a moment because it occurs to me that Biden, like Trump, could never have become president without Obama, but for different reasons. Biden is to Obama what George Bush senior was to Ronald Reagan, in that he was the clear successor to a political brand. If Biden had not been Obama’s vice president, it’s absurd to think he would have been nominated in 2020. He would have been an elderly former senator from a moderate state with a moderate record. People talk a lot about how Trump needed Obama to become president, but that’s just as much true of Biden, if not more so. I’m curious how you feel about Biden’s presidency, as part of the larger Obama story.

Great question! I remember during the campaign that Biden said that he was an “Obama-Biden Democrat,” which is an interesting characterization. It’s a very clear appeal to Black voters and the Obama coalition — young voters, urban voters and so forth. I think that you’re exactly right about that, that he needed Obama’s brand. Honestly, without it he looks like all the other people who are running, but even less interesting because he’s very much a creature of Washington. This is a guy in his late 70s. He’d be the oldest person ever elected. This is his third run for the office. He would almost look a bit pathetic, actually, to a lot of people, but for the fact he was a loyal and capable vice president under the presidency of Barack Obama. Obama served for two terms and was the last two-term Democratic president who had convincing margins in the House, in the popular vote and in the Electoral College vote.

At the same time, the Trump presidency was so out there, in regard to his use and abuse of the office — the inside dealing, the nepotism, the Ukraine phone call, the Russian taint — that was all over his presidency from 2016 on. So the promise of Biden was also, sort of, “We’re going back to the Obama presidency” — as you were saying, the third term — but I think even further than that, the promise of stability. What’s more stable than this guy who’s been in the Senate for 20 or 30 years, and then was the vice president for eight years? So going back to a certain sort of assumed stability and assumed competence that Biden seemed to promise, and that people who were exhausted by the Trump presidency felt they needed.

I think we can’t understand Biden’s election without the pandemic as well. I think that the country facing a Depression-level unemployment and economic catastrophe, a country that was sicker and poorer than it had been in many decades, provided an opening. I don’t know if Trump is beatable without it.

The way I look at the 2020 election — and I’m curious if you agree with me — is pretty straightforward. It starts with the fact that Trump made it clear from before the 2016 election that he would never accept an election unless he is the winner. So everything that happened after Election Day was completely predictable, and it didn’t matter which Democrat beat him. If Trump lost, he was going to do what he did. It didn’t matter who he lost to.

I think in hindsight that’s probably true. We couldn’t have actually seen that in 2016. I think if he had lost to Hillary Clinton, we could have actually seen that movie four years earlier. He was heading in that direction, that he could not lose, and if he did lose it was tainted. I don’t know if he would have been able to push this as far in 2016, because in 2020 he had the machinery of the executive branch.

In terms of why Biden won, I think it boils down to several very basic dynamics. The Democratic Party establishment was threatened by Bernie Sanders. Once he started doing well, they were going to unite behind a “moderate” alternative. Biden had tremendous advantages because of his association with Barack Obama’s brand, so he won primaries and immediately emerged as the “logical” alternative. So they united behind him and he stopped Sanders. And I completely agree, I think Trump had the incumbency advantage and had been able to suppress votes through various legislation. He would have been reelected without COVID-19. 

I think that’s a very reasonable way of looking at things. I think the pandemic is vital to the collapse of Trump’s reelection hopes and the emergence of a possible Democratic candidate winning, in this case being Biden. I think the pandemic and the protests in the wake of the killing of George Floyd and so forth, and mobilizing those folks, whether in the South Carolina primary or getting folks to come out and vote in November on the promise that not only do you have Obama’s guy, but he’s saying the right sorts of things to Black voters. Biden says things that Obama himself couldn’t get away with saying. I can remember him saying, “The Black community has always had my back and I’m going to have their back.” Obama would never say anything like that because of the fear of how white voters would see it. He was allergic to the idea that he might be construed as having a black agenda, or there might be some inside track for African Americans in his presidency. He advocated these broad-brush race-neutral policies like the Affordable Care Act, raising Pell grants, saving the automobile industry and so forth. He would have never gone to the places that Biden has gone to, at least rhetorically, in regard to saying he’s going to fix the police, and he’s going to have the back of African-American voters, and he’s going to do these special things for historically Black colleges and universities.

I think that, foundationally, you’re right in regard to the basic part of the story — that without the pandemic, we don’t have the collapse of Trump’s re-election prospects and Biden being an acceptable choice. I think you’re right about Sanders too, insofar as he’s the guy that you date, but not the guy that you marry. And I think the Democratic electorate came to that realization in the midst of the pandemic and right before the South Carolina primary. At the same time, I think Biden was making the right kinds of messaging, especially to the African-American electorate. He was making moves and making commitments that were beyond Obama, really. It’s funny. He is even further leftward, in regard to his embrace of not-quite-a-Bernie-Sanders-level of big government. It is certainly far beyond where Barack Obama would have gone in regard to the child care expenditure, health care, the stimulus packages and so forth. I think a lot of people rate him as a centrist, but he’s a bit more left of center. And I think he was pushed a bit more left by people like Bernie Sanders and so forth, in ways we didn’t see Obama being pushed.

Obama, of course, is in a different time. I think Biden has turned out to be a bit more than just a third term of Barack Obama, probably not for reasons that he hoped. I think the politics have changed beneath his feet.

In the beginning of your book, you write that you want to discuss how Obama engaged “the aspirations, struggles and disappointments of his most loyal constituency, and how representative segments of Black America engaged, experienced, and interpreted his historic presidency.” Which specific examples do you consider most salient?

There are several things that come to mind. One of the core themes of the book is his relationship with African Americans, and one of the main arguments of the book is just how diverse “Black America” is. It really comes out during the Obama administration, even though he was, on average, somewhere around 89% job approval among African Americans for the duration of his presidency. (He had 95% of the Black vote in 2008 and 93% in 2012.) There was an array of reactions, experiences and imaginings of the Obama presidency from various cores of the Black community during that time.

One of the tensions that really showed the diversity of Black opinion of him is this notion of what he owed, as the first Black president, to the larger Black community. There were those who would argue, “Well, this guy got 95% of the black vote in 2008, he owes you. You do something for me and I’ll do something for you.” Even beyond that, in the face of this economic catastrophe, African Americans are at the bottom of it. They suffered the highest poverty rates. They suffered the highest unemployment rates. They have suffered the highest home foreclosure rates. You just go across the board with every metric and statistic. And so the idea was even beyond Obama getting such a high share of that vote, because they’re at the bottom of this economic crisis, he had a moral obligation — and the country had a moral obligation — to address this most vulnerable group. 

So there are those in academia, there are those in the clergy, there are those in the Congressional Black Caucus and others who say that politically, we have a moral obligation to these folks who weathered the Great Recession so poorly. Obama’s thinking was that the store of white guilt is more or less exhausted in this country, and the argument about correcting historical racism, historical injustice, systemic injustice and so forth doesn’t sell very well anymore, if it ever did. So a person who is trying to get a second term, to get re-elected, cannot target remedies towards one particular group, no matter how deserving, no matter how much they’ve suffered, no matter about arguments about historical injustice and discrimination and ongoing systemic racism and so forth. That just doesn’t fly with the majority of the electorate, which is white.

Most of the folks who voted for Obama were white Americans, white voters. So instead of targeted remedies that were designed to address the particular situation among African Americans, he instead put in place or advocated for broad-brush policies that on their face were race-neutral. But if you looked under the hood, these universalist policies promised additional or extra or disproportionate benefits to the most vulnerable, including African Americans. I think the Affordable Care Act is the quintessential example of that, in which you have a bill that on its face is race-neutral. Wasn’t it just trying to get everyone to buy health insurance? There are many people who it could cover, and also it expanded Medicaid. But those who benefited most from the expansion of Medicaid and from the subsidies were African Americans, Hispanics, poor people, working-class people and so forth.

Look at expanding Pell Grants. You’re helping all students who needed this particular government assistance to afford college. Again, if you look under the hood, it’s African Americans and others, working-class people, poor people, who are benefiting from Pell Grants disproportionately. So that was his counterargument to this notion of targeted remedies. So, yeah, the way African Americans experience this is as ongoing tension over these targeted policies that folks in the Congressional Black Caucus and black academics and others are saying, “He’s not doing enough.” And then Obama himself is saying, “I’m the president for the entire United States. And the re-election math does not work if in the midst of this economic crisis I’m viewed as picking and choosing winners and losers, especially if I’m picking and choosing winners among my own group. That just doesn’t work.”

Obama vs. Trump: More of Salon’s coverage of these very different presidents:

Facebook allegedly made special rules for Breitbart: “You want to start a fight with Steve Bannon?”

Facebook reportedly exempted the right-wing site Breitbart and other “select publishers” from rules against spreading false news reports, according to a new whistleblower who filed a complaint against the social-media company with the Securities and Exchange Commission on Friday.

The whistleblower, a former member of Facebook’s Integrity team, told the Washington Post that Joel Kaplan, a former Bush administration official who led the company’s Public Policy team, once defended the decision to “white list” Breitbart.

“When a person in the video conference questioned this policy, Kaplan, the vice president of global policy, responded by saying, ‘Do you want to start a fight with Steve Bannon?'” the whistleblower told the Post.


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Kaplan, who has long been accused of using his role at Facebook to protect conservative interests, denied the whistleblower’s account.

“No matter how many times these same stories are repurposed and re-told, the facts remain the same,” Kaplan said in a statement. “I have consistently pushed for fair treatment of all publishers, irrespective of ideological viewpoint, and advised that analytical and methodological rigor is especially important when it comes to algorithmic changes. There has never been a whitelist that exempts publishers, including Breitbart, from Facebook’s rules against misinformation.”

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Florida surgeon general booted from at-risk state senator’s office after refusing to wear a mask

According to a report from Christine Jordan Sexton of Florida Politics, Florida’s newly-appointed Surgeon General Joseph Ladapo was asked by a state senator to leave her office after he and his two aides refused to put on masks.

Lapado, who has already been accused of spreading Covid-19 misinformation, showed up at the Tallahassee office of State Senator Tina Polsky (D) as he made the rounds to meet with my multiple lawmakers. However his meeting with Polsky never happened after he and his legislative aides refused to put on masks to protect her even after she informed them she is immunocompromised.

RELATED: Florida’s new surgeon general, Dr. Joseph Ladapo, has ties to fringe group pushing bogus COVID cures

According to Jordan Sexton, “Sen. Tina Polsky, who was diagnosed with stage 1 breast cancer in August, asked state Surgeon General Joseph Ladapo and his two legislative aides to leave her office after Ladapo refused to comply with her request to put on a mask.”

In an interview, Polsky explained, “I told him I had a serious medical condition,” adding that the doctor “offered to go outside when she asked him to put the mask on, but she declined,” according to Jordan Sexton.

“I don’t want to go outside. I want you to sit in my office and talk to you,” Polsky recalled before adding, “He just smiles and doesn’t answer. He’s very smug. And I told him several times, `I have this very serious medical condition.’ And he said, ‘That’s OK,’ like it basically has nothing to do with what we are talking about.”


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She also stated that Ladapo attempted to make light of the situation on the way out, telling her, “Sometimes I try to reason with unreasonable people for fun.”

A Department of Health spokesperson confirmed Ladapo’s comment, but claimed it was not aimed at the lawmaker.

You can read more here.

“Climate crisis” has made it into the Oxford English Dictionary

As formerly green forests turn into charred remains and glaciers melt away to reveal bare mountainsides, the effects of climate change on the landscape are hard to miss. But there are less obvious results, too, as our conversations adapt to a rapidly changing climate, ushering in new words.

In a special update this month, the Oxford English Dictionary reviewed the scope of this “rapidly changing area of vocabulary” encompassing words and phrases like eco-anxietynet-zero, and climate strikes. The dictionary’s editors updated old entries and added new ones ahead of the U.N. climate summit in Glasgow, Scotland next week, where world leaders will meet to hash out their climate pledges. Among the new entrants: global heatingfood insecurity, and climate crisis.

The update reflects the urgency and the often complicated emotions that people feel when confronted by rising seas, worsening floods, and hotter temperatures. The editors picked eco-anxiety — “apprehension about current and future harm to the environment” — to make its dictionary debut, a signal of climate change’s psychological toll. According to Google Trends, search interest for climate anxiety has gone up 565 percent over the past year.

Even the name for climate change itself has undergone some adjustment as people have begun to use more intense language to describe what they see happening. The phrase climate crisis, which appeared in the dictionary for the first time this month, became 20 times more popular from 2018 to 2020, and climate emergency increased 76 times, the OED found. The phrase greenhouse effect, popular back in the ’90s, has dropped by the wayside; the once-common global warming has also gradually fallen out of favor.

Language nerds love the Oxford English Dictionary because it attempts to trace words back to their origins and documents how their meanings have changed over time. Today, the phrase climate refugee refers to someone who has been forced to relocate in response to rising seas, wildfires, drought, or other environmental disasters. But the OED places climate refugee‘s entrance into the lexicon back in 1889, when the phrase was a disparaging name for someone who moved somewhere for a more mild or pleasant climate. (“He is a climate refugee from the frigid east, and is looking for a home under genial skies of Southern California,” read an Indiana newspaper article in 1911.)

While the dictionary update includes some downers — including mass extinction — it also reflects a growth spurt in solutions. Words related to electric vehicles are gaining ground as drivers talk about smart charging their vehicles to optimize their battery life and report range anxiety that the battery will run out before they finish their journey. 

The phrases renewable energy and fossil fuels are both increasing in use, according to the OED. However, the words used alongside fossil fuels are becoming more negative in tone (divestmentphasing out, and transition), reflecting the need to cut greenhouse gas emissions.

In what might cause a chemistry class flashback for some, the OED decided that CO2 — aka carbon dioxide, the main greenhouse gas heating up the planet — merited its own entry, since people have started to throw it around in the same casual way they talk about H2O.

Sex in trees

I’ve always had sex in cities. That my sexual preferences were entangled with the sounds of traffic, midnight sirens, the mad ravings of lovers’ disputes outside my window, the too joyful soundtrack of an ice cream truck approaching, I took for granted. Cities had been a constant witness to when I wanted to make love, and when I wanted to fuck. My own windows at night, glowing and golden, were the unblinking gaze to my neighbors’ fantasies as much as they offered these strangers glimpses of my body twisted under cotton sheets, my muffled moans, my pleasure and humiliation. Even with the blinds shut, sex in the city is always on display.

* * *

As my husband and I prepared our move from Brooklyn to the countryside in upstate, New York, I told him that I was going to miss the seven coffee shops within a few blocks of our apartment, the ability to walk anywhere, my group of friends that I rarely see but felt they were around, within reach, and all the other abundance, riches, conveniences that a city offers. The day before we left, we laid in bed, held each other and cried. It seemed artificial to mourn a city, but moving always involves a kind of loss.

What I didn’t anticipate was the difference in how I experience sex without the anxiety of being overheard, the sense of being simultaneously voyeur and voyee, looking and unlooking. Outside the window of our cabin — trees and their shadows. The first time we made love in the country, I was distracted by the silence. Against this thick muteness, my ears strained to listen for something, anything.

“It’s just us here,” my husband said, smiling. “So private.”

Anechoic chambers are rooms designed to eliminate reflection and noises caused by electromagnetic waves. There is no echo, no feedback. Visitors have reported hearing their own heartbeat, the rushing sound of their blood flowing, their bones crunching as they turn their head. In short, you are the only source of sound you’ll hear. Forty-five minutes is the record time that a person has been able to stay in this state. The body craves feedback, so much so that it hallucinates in order to give us something to react to. Across from the Whole Foods in my old neighborhood in Brooklyn is a business offering float tanks, a kind of sensory deprivation chamber. I’d walked past it hundreds of times, but never gone in despite my curiosity. After all, I’d always had the country.

* * *

Sex is assumed to be an intensely private experience, but like much else, we experience one thing in relation to another. In that sense, sex is advertisement, sex is food, sex is car insurance, and mothers in Alo Yoga uniforms; sex is expensive baby strollers, and Seamless, a rat coming out of a garbage bag with a chicken bone in its mouth. Sex is subliminal. In the city, sex is ambitious, overwhelmingly so. How many times must we do it daily? Sex is competition. Sex is public.

For over seven years in the city, my husband and I were conscious that we must protect our sex lives, lest it get swallowed up in a smog of unrequited dreams, organized orgies, replacement therapy. We were overstimulated, perhaps oversexed, saturated with it not only via our bodies, but our minds. We wanted sex, but was it because we truly did so, or because the city wanted us to want sex? All day long, our libidos are saturated with messages from billboards, the lyrics to a song, other attractive people. By the time we approach each other in the bedroom, despite our best intentions, our desires are not our own. And yet, I asked myself if all desires must inherently involve the other, external to the self. Can desire ever be authentic?

On the roof of my apartment building, I looked into the window of a building opposite — a couple is engaging in foreplay. They are not thinking about me, of course, a stranger to them. They are engulfed by one another. An unconscious part of them must know that they’re on stage, in full view to anybody who might be looking intentionally or unintentionally. I myself have stepped out of the shower, changed, vacuumed, washed the dishes, in little to no clothes. I hope nobody is looking, the thought tugged at me every time, but closing the blinds only for a few minutes also seemed like a waste of effort. Fuck it, was another thought. I oscillated between modesty and indifference.

* * *

Sex in cities can sometimes be painful. Disembodied. My friends and I laughed about just getting it over with. We’ve all read “Cat Person.” We all agreed that despite the fear, the humiliation, the regret of having stepped foot inside a stranger’s apartment, it was still easier to get it over with, easier than confronting our own weakness, than saying no, feeling guilty, an infinite of unknowns. As women who live in cities, we are not precious, not fragile, not afraid of bad sex — how often was it good, anyway? We could have watched another episode of “Chef’s Table.” Sex is but another way to pass the time.

RELATED: A spy in the house of my first love

We can take off our own bras because in a few minutes, 30 tops, and often much less than that, we would be out on the street again, on our way to the subway, home to the comfort of our own bed, our familiar tea mug with a chipped rim we got at the farmers market. Soon after this dull exchange we’d engaged in with mechanic expertise, we would suddenly be empowered.

“Staying over?” asks Anonymous.

“No, thank you,” we say. This part is easy. Just like that, our underwear back on, we are back out in the city streets.

* * *

We are city people, we function within the market exchange of sex. We have sex while never having sex at all. Despite our liberal approach, we feel shame. Many of us do our best to repress our fantasies, key elements of who we are. In the many volumes of literature on various addictions, shame is the underlying common denominator. We feel shame, I believe, only in relation to other people or other entities, like God, but always we’re ashamed to be discovered.  A city is perhaps a breeding ground for shame, layering one on top of another, substituting one for the next. Cities offer corners in which we can hide, and yet as we know from our childhood games, hiding is only worthwhile when somebody is looking for you. There is always the chance of being found, found out. We’ve woven shame with pleasure to make it more bearable. We do not know how to extract ourselves from this pattern. For me, sex in cities has been circuitous, an intricate labyrinth of self-realization, discovery, punitive, wonderful, debilitating.

* * *

From this vantage point, only about a hundred miles from New York City, a short distance in the scheme of things, I am undergoing a transformation, perhaps a nicer word for utter confusion. Among the trees, I am lost to the world and to myself. I cannot be seen and I cannot see. At night, I walk my dog on the dirt road by our cabin — no street lamp to illuminate our path, only the stars obscured by dense gray clouds. Perhaps it will rain tomorrow. Unlike in the city, here my dog rarely pulls on the leash to sniff at a fire hydrant or an electric pole. She just walks, occasionally stopping to chew on a blade of grass. I wonder if she misses the scents of the city, indications of other dogs in the neighborhood, the ongoing refrain of life. I also wonder if she might feel freed from such compulsion, the urge to lunge from temptation toward another, never being quite satiated, never enough, choking herself on the leash.

I am learning to attune my senses to subtleties. Upstate New York has served as the inspiration to the backdrop to my novel “Constellations of Eve,” three incarnations of one love story, except I’m a few steps behind my characters. In one version, Eve moves to the country with her husband. In another, they do not and neither are they married. We do what we think best holds our relationship together, even if it doesn’t make sense to anyone else. An intentional life, one we must design, redesign, edit, rewrite, demolish, reconstruct, rarely makes sense from the outside in.


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“I’m isolated from everything,” I said to our couple-therapist. “This morning I panicked because I thought we lost our duvet cover. We’ve been doing laundry at laundromats and at various people’s houses, so it could be anywhere. I don’t normally care about things, but here — it’s what I have of my old life.” I rambled, resisting the impulse to describe in minutiae my unexceptional, white duvet cover.

“You chose this,” our therapist said matter-of-factly.

I understand he’d not meant it unkindly. I’d chosen this.

“Something will turn up,” he said, sounding a bit like an oracle. I believe he meant more than just the blanket cover.

* * *

In “Cities & Desire,” Italo Calvino wrote of Anastasia, a fictional city, “the city appears to you as a whole where no desire is lost and of which you are a part, and since it enjoys everything you do not enjoy, you can do nothing but inhabit this desire and be content….your labor which gives form to desire takes from desire its form, and you believe you are enjoying Anastasia wholly when you are only its slave.” Out the car window, I watch hills of greenery roll past. I do not know, I do not know, are thoughts that flash across my mind. The weekend ends, cars are rushing back to the city, but not ours. I can no longer use pleasures to distract myself from pain.

I’m outside the city, external to a vacuum of speed, urgency, drive. Tonight, I stare into the fireplace and occupy myself with swatting mosquitoes.

An absence of desire. An absence of anxiety. Absence.

I’m afraid of what I do not know. I’d never been without ruthless wanting. I feel like crying at the suspicion that the construction of the self I’d labored over had perhaps been only reactions to circumstance. Which thoughts of mine are actually my own? I’m mourning for my city self, its booming energy, its ceaseless striving, its deafening cacophony of sounds, mutterings, that I’ve grown fond of, that I’ve integrated into my personal identity.

* * *

What has silence to teach me? I strain my ears — but wait, was that — the wind? And — were those chirps from crickets or frogs? It is terrifying when there is nowhere left to hide. In a bush of hundreds of species of plants, in stillness, my husband points out a sole leaf swinging to and fro like the pendulum of a clock. How bizarre, we both marvel over it. Perhaps a bug is climbing over it on the other side, hidden from our view. There are mysteries in the trees, slow secrets, waiting to be found. We are invited to look, leave damp footprints on a bed of fallen leaves, inhale the exquisite emptiness of nature.  

More from Life Stories: 

Razor blades and weed edibles: Behind the enduring Halloween “candy poisoning” urban legends

In the summer of 1998, food writer and TV host Kae Lani Palmisano‘s family had just moved into a new house in a new neighborhood. She was eight years old, and when Halloween rolled around several months later, her father had an idea for a prank. 

“My dad thought it would be hilarious to have an actual bowl of candy, but before presenting that to the children, he would present them with a bowl of apples with razor blades and syringes very obviously sticking out,” Palmisano said. “He had a very dark sense of humor.” 

That said, according to Palmisano, the joke was incredibly short-lived. 

“He was like, ‘Oh, man, people are just like, not enjoying this joke,” she said. “He abandoned the mission immediately within the first half-hour of trick-or-treating.” 

RELATED: These salty-sweet popcorn balls will convert candy corn haters into true believers

Every year, as soon as the weather begins to take on an autumnal chill, the warnings begin: Beware of tainted trick-or-treat candy. The method of purported contamination varies — broken glass, cyanide, drugs, injectable poison, splintered needles — as do the motivations behind why someone would distribute such candy, but parents are cautioned every Halloween to check their children’s trick-or-treat buckets. 

There have been some tragedies involving poisoned candy; most notably, Ronald Clark O’Bryan, who was nicknamed “The Candy Man,” was convicted for the murder of his son in 1974 after feeding him a potassium cyanide-laced Pixy Stix. However, the number of incidents have been relatively small in comparison to the amount of panic that the concept of malicious strangers handing out bad candy elicits year after year. 

So how did this idea, which is largely an urban legend, start? And why has it persisted generation after generation? 

The origins of trick-or-treating are murky. In Scotland and other parts of Britain, the practice of “guising,” putting on a small performance in exchange for a sweet treat or change, has been a Halloween tradition since the 16th century. In the U.S., the first use of the term “trick-or-treating” appeared in a national publication, “The American Home,” in 1939. The practice was solidly embedded in American culture by the 1940s as several popular radio dramas, and children’s magazines mentioned it, followed by an early 1950s Walt Disney cartoon called “Trick or Treat” starring Donald Duck.


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Originally, handmade treats and candies were the standard, but by the 1960s, things shifted. Women were working outside the home and remaining unmarried with more frequency, and convenience foods were on the rise. Neighborhoods were slowly becoming more integrated, and people became more wary of who was giving their children candy due to racism, sexism and general anxiety about a society in transition, according to Samira Kawash, author of “Candy: A Century of Panic and Pleasure.”  

In an interview with Food52, Kawah said, “Candy makers started promoting candy for trick-or-treating in the 1950s and offering treat-sized packaging, but it was in the 1960s that candy really started dominating.”

“It was a lot easier to just pick up a package of pre-portioned treats at the grocery store, for one thing,” she said. “But Americans were also becoming more suspicious of strangers and of unwrapped treats and homemade goodies that seemed like they might not be safe. Wrapped and branded candies seemed inherently safer.” 

Culture continued to shift through the 70s, which led to moral panic and the earliest threads of Satanic panic, which, honestly, persists in evangelical communities even today. (Growing up in a conservative Baptist church, I personally grew up hearing that Halloween was “the devil’s holiday” or “the devil’s birthday.”)

“There’s a nascent opposition to Halloween,” Jason C. Bivins, author of “Religion of Fear: The Politics of Horror in Conservative Evangelicalism,” told TIME. He cited anxiety over the glorification of “occult themes” by rockers like Black Sabbath and the fear that devil-worship might be taking place. 

“There’s a real sense in the early 1970s that people are starting to almost aestheticize evil, and [opponents] see that in rock music and the increased popularity of Halloween,” Bivins said. 

This led many leaders in Christian communities to stoke fears about allowing children to participate in typical Halloween festivities like trick-or-treating, and community and religious leaders hosted alternative costumed activities in response such as “trunk-or-treats” or contained trick-or-treating at shopping complexes and malls. There, parents could be assured that the candy their children receive is “safe,” as are the adults with whom they come into contact. 

Still, the potential for danger has been largely overstated. 

According to a study by Joel Best, a sociologist at the University of Delaware who has studied candy-tampering legends, fewer than 90 instances from 1958 to 1983 might have qualified as “actual candy tampering,” but in none of those cases does he attribute them to “random attempts to harm children.” When candy tampering has occurred, it’s often — as in the case of “The Candy Man” — carried out by relatives or someone else who knows the child. 

So, why does the urban legend persist? According to Kawash, “candy [is] just an easy scapegoat for many other ills,” and it gets tied up with new anxieties. 

Pastry chef Harry Rubenstein grew up in Long Island and remembers his parents checking his candy. 

“We weren’t allowed anything that wasn’t wrapped,” he said. “I always resented having to throw out a great-looking candy apple one year.” 

He recalled that this was connected to his parents’ anxieties surrounding the then-recent 1982 Chicago Tylenol murders, during which seven victims took Tylenol-branded acetaminophen capsules that had been laced with potassium cyanide. They all died. 

Each new generation brings a new fear — from the Tylenol murders, to anthrax, to the legalization of marijuana. 

In September, Philadelphia news anchor Jaclyn Lee tweeted a photograph of several snack foods that contain THC. While they are clearly branded as edibles, with names like Stoner Patch Gummies and Medibles Cheetos, Lee wrote: “BEWARE: As Halloween gets closer, @BensalemPolice are warning parents to LOOK at your child’s candy before they eat it. They confiscated these snacks that look a lot like the real thing. All are laced with THC.” 

The tweet went viral, with many Twitter users admonishing Lee for alleged fearmongering and taking a police statement at face value without fact-checking. And, as one commenter wrote, “Is this the new razor blades in candy thing that also never happened? Because people are not going to be giving away their expensive, beautifully packaged edibles to kiddies.”

The prevailing message in the comments was encouraging people — parents and children — to just use common sense, both when it comes to consuming candy from strangers and in the narratives you believe about the communities in which you live. 

It’s the same message, Kae Lani Palmisano, said that her father was trying to get across through his icily-received Halloween prank back in 1998. 

“I think from his perspective, he was just kind of like, “Use your common sense,” she said. “The bowl of apples with literal razors sticking out is a bad choice. Use your common sense when going out and trick-or-treating and be the judge of what is safe for you.”

More stories about sweet treats: 

Alec Baldwin’s fatal film set shooting followed union workers’ outcry over safety issues

The news of the fatal shooting of a cinematographer on a Hollywood film set intersected with the nationwide surge in labor movement activity Friday, as reports surfaced about unsafe working conditions and protests by union crew members on the set.

As the Los Angeles Times reported late Friday, the accidental shooting death of Halyna Hutchins on the New Mexico set of “Rust” took place six hours after several union crew members left the location and were replaced by non-union workers.

In the days preceding the shooting, crew members raised concerns about numerous safety issues on the set, including the requirement that employees drive 50 miles from Albuquerque to the filming location near Santa Fe each day after working 12- to 13-hour days, as well as several accidental discharges of prop guns.

On October 16, a stunt double for Alec Baldwin—who fired the shot that killed Hutchins Thursday afternoon—accidentally fired a gun that he had been told was not loaded, prompting one crew member to express concerns to the unit production manager in a text message.


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“We’ve now had [three] accidental discharges,” said the worker. “This is super unsafe.”
 
Another crew member told the Times that following the accidental firing of the prop gun, producers did not conduct an investigation into how or why it had occurred or review safety protocols with the cast and crew.
 
The Times reported that Hutchins “had been advocating for safer conditions for her team” during the 21-day shoot.
 
“The backstory about the failure to listen to the union workers who had fought for the set to be safe is vital to know,” tweeted Randi Weingarten, president of the American Federation of Teachers.
 
Liz Shuler, president of the AFL-CIO, called the incident “a tragedy and a heartbreaking example of why production companies MUST take the safety and protection of our filmmakers more seriously.”

Early on Thursday morning, several members of the camera crew reportedly arrived on set and submitted their resignations due to the safety concerns. The workers are represented by the International Alliance of Theatrical Stage Employees (IATSE), which nearly staged a work stoppage including 60,000 film and TV crew workers last week over widespread concerns regarding labor conditions in the industry, before reaching a tentative three-year deal with the Alliance of Motion Picture and Television Producers (AMPTP).

RELATED: Alec Baldwin “cooperating” after fatally shooting one, injuring another with prop gun on set

According to Variety, producers called security officers to remove the union crew members who had submitted their resignations and quickly replaced the workers with non-union workers. Hutchins and a Steadicam operator were the only original members of the camera crew left on the film set when the fatal accident occurred.

On Thursday, Baldwin was reportedly told by crew members that the prop gun he was using in a scene was “cold,” or not loaded with any ammunition including blanks, but when he fired the weapon a bullet hit Hutchins as well as the film’s director, Joel Souza. Hutchins was rushed to a hospital, where she later died, and Souza was briefly hospitalized.

According to Variety, a 911 caller from the film set was heard telling a crew member they were supposed to check the prop guns to ensure they weren’t loaded.

“When union members walk off a set about safety concerns, maybe ‘hiring scabs’ isn’t the solution you think it is,” tweeted author and actress Quinn Cummings.

 

12 Martha Stewart recipes we can’t stop making — from one-pan pasta to slab pie

According to my mother, Martha Stewart is the queen of, well, everything. From her chic crafting supplies and flower-arranging tips to her party decor ideas and her cooking show with Snoop Dogg (yes, that Snoop Dogg), there doesn’t seem to be anything she can’t do. And at 80, the lifestyle guru continues to evolve. She has launched a line of CBD products for both humans and dogs; written close to 100 books; starred in a mini-series on HGTV called “Martha Knows Best” featuring a very handsome lineup of guests like Richard Gere, Antoni Porowski, and Zac Posen; and she even will soon be in the freezer section of your grocery store (in the form of high-quality prepared dinners). But of all the things Martha has mastered, her recipes are her greatest contribution — at least to my life. And on Oct. 12, 2021, Martha will be releasing her 99th (!) cookbook, “Martha Stewart’s Fruit Desserts: 100+ Delicious Ways to Savor the Best of Every Season.”

Timeless and foolproof, Martha Stewart’s recipes have been a staple in my kitchen ever since I moved into my first apartment (we inaugurated those digs with her classic macaroni and cheese). And while I’ve never had a Martha recipe steer me in the wrong direction, there are a handful of favorites I turn to time and time again, most of which happen to live right here on Food52. One of her most popular recipes of all time is One-Pan Pasta, which calls for cooking spaghetti, cherry tomatoes, garlic, basil, and onions all in one large pasta pot in less than 10 minutes. It looks just as good cooking in the pan as it does when it’s twirled into a perfect mound on the plate, and it’s perfect for days when sweating over the stove for a long time is not an option. Martha also makes use of beloved appliances like the Instant Pot and slow-cooker for recipes like Vietnamese-Style Chicken Soup and Italian-Braised Pork

From her über-famous one-pan pasta (make it once and you’ll understand why it’s so popular) to a bright and spicy Thai soup you can make right in your slow cooker, here are our nine best Martha Stewart recipes:

* * *

Our best Martha Stewart recipes

1. Martha Stewart’s Cranberry Meringue Tartlets

The beauty of these individual tartlets is, yes, their appearance (the dollops of glossy meringue! The ruby red filling!), but also the fact that you can make them in advance, which is always a winner in our book come the holidays. Martha’s trick to getting a super-smooth filling is straining the curd through a fine-mesh sieve before pouring it into the tartlet crust — because we all know that lumps can ruin an otherwise perfect dessert.

2. Martha Stewart’s One-Pan Pasta

This Genius-approved one-pan pasta is famous for a reason: It cooks in just one pan (obviously) and makes its own sauce in under 10 minutes flat. And the ingredients list couldn’t be simpler — linguine, grape tomatoes, onion, garlic, basil, red pepper flakes, extra-virgin olive oil, and a generous sprinkle of grated Parmesan cheese on top.

3. Martha Stewart’s Macaroni and Cheese

I can’t count how many times I’ve made this bubbly, lusciously cheesy macaroni and cheese complete with buttered bread crumbs. It comes out perfect every single time. Martha likes a combination of Gruyère and sharp white cheddar cheese, so we like a combination of Gruyère and sharp white cheddar cheese, too.

4. Martha Stewart’s Pineapple-Banana Upside-Down Cake

Martha is, well, good at everything, but where she excels is with recipes for classic treats like pineapple upside-down cake. But she wouldn’t be the queen of baking (and gardening and home-keeping and horseback riding) without a little innovation. Enter: bananas. In this recipe, they’re mashed until smooth and folded into the cake batter (like banana bread!) for moistness and sweetness.

5. Martha Stewart’s Slow-Cooker Tom Kha Gai

This bright, just-spicy-enough soup can easily be made on the stovetop in under an hour, but using the slow-cooker really allows the flavors to develop and the chicken thighs to get extra tender.

6. Martha Stewart’s Whole-Lemon Pound Cake With Pomegranate Glaze

Martha says often that lemon desserts — particularly Lemon Meringue Pie — are her favorite sweets to eat, so it’s no surprise that her new book would include a recipe for an extra-lemony cake. A whole lemon (rind and flesh) are used in this buttery twist on a classic pound cake. A vibrant pink frosting made with pomegranate juice and arils not only introduces even more tartness, but it’s also a stunning contrast against the bright yellow cake.

7. Martha Stewart’s Sweet Potato, Celery & Apple Salad

This Genius salad recipe is classic Martha: easy to make, yet totally refined (and very worthy of a dinner party), and it transforms simple ingredients (raw sweet potatoes, celery, apples, and other veggies) into an extraordinarily delicious dish.

8. Martha Stewart’s Instant Pot Vietnamese-Style Chicken Soup

This extra-brothy Vietnamese-style chicken soup is like a big bowl of comfort. The best part: It’s ready in under an hour, so whatever’s ailing you (from a cold to a crummy day at work) can be remedied in a hurry.

9. Martha Stewart’s Slow-Cooker Italian-Braised Pork

You can serve this succulent, fall-apart Italian braised pork any which way you like (over creamy polenta, pasta, or couscous, take your pick), but a glass of red wine on the side is an absolute must.

10. Martha Stewart’s Slab Pie

This any-berry slab pie feeds more people and makes way less mess thanks to a single sheet pan and small ingredients list. In place of the berries, feel free to use fresh sour cherries, peaches, or any fruit that suits your fancy.

11. Martha Stewart’s Instant Pot Beef Stew With Dijon & Tomato

Keep this Instant Pot beef stew recipe on file for winter — the tangy Dijon mustard unites all the other ingredients in a hearty, meaty broth that can take the chill off even the most frigid night.

12. Martha Stewart’s Slow-Cooker Persian Lamb Stew

This slow-cooker Persian lamb stew was born for the weekend — or a weekday morning when you have time to prep the ingredients (there’s not a whole lot you have to do), then just “set them and forget them” to finish while you’re at the office. Martha’s recipe calls for a 4-to-5-pound lamb shoulder, which becomes super tender as it cooks over the course of several hours. And it wouldn’t be a Martha Stewart recipe without a little something extra…a large pinch of saffron threads adds an earthy, floral note to the stew.

Why the latest “What We Do in the Shadows” twist makes sense in The Great Resignation era

Beloved TV characters leave us all the time, and we don’t necessarily receive warning of when or how. Even so, this TV season seems distressingly attuned to The Great Resignation.

October isn’t even spent, and we’ve already said goodbye to Mark Harmon’s Special Agent Jethro Gibbs, the face of “NCIS” for 18 seasons (and part of the 19th). “Chicago Fire” bid farewell to Jesse Spencer, whose firefighter Matt Casey spent 10 seasons on the show.

It’s hard to process these goodbyes or others like them, but there’s small comfort in knowing those characters have simply moved to a part of their shows’ worlds where we can’t watch them. That means they can always return.

Characters who were never entirely alive to begin with are a different matter. Being supernatural means death contains loopholes: Reincarnation, resurrections, time travel, timeline jumping – everything’s on the table.

That’s what a lot of people may be telling themselves after the most recent episode of “What We Do in the Shadows,” another show that shocked its audience by suddenly doing away with a fan favorite at what should have been the height of revelry in his long life.

RELATED: The sobering truth about quitting my job

Celebrity guests from the Supreme Worldwide Vampiric Council dropped in, including bloodsuckers played by David Cross, Khandi Alexander and a vampire version of Donal Logue. A sex show was mounted in the parlor, and a playlist including “The Humpty Dance” loaded upon the MP3 player.


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Sadly for our poor dear energy vampire Colin Robinson (Mark Proksch), he only made it through the first course. At the top of the episode he was hale and hardy, excited to turn 100. By the end he was little more than a fragile husk that could barely contain its goo, his face easily shattered by one tap on the forehead from Nandor the Relentless (Kayvan Novak).

People have plenty of reasons to hope that this isn’t actually the end for Colin Robinson, is what we’re saying. Never mind that Laszlo (Matt Berry) found a book in the very exclusive Supreme Council library warning him that his roommate’s time was nearly up.

What We Do in the ShadowsMark Proksch as Colin Robinson & Natasia Demetriou as Nadja in “What We Do in the Shadows” (Russ Martin: FX)

This explains his sudden urge to drag Colin Robinson through an assortment of bizarre escapades while his lady wife Nadja (Natasia Demetriou) and Nandor were busy jockeying for top leadership. For a time it appeared that Nandor was the one on his way out; his frustration over having to run the Vampire Council made him drop into such a funk that he announced his retreat into a centuries-long “super slumber.”

Laszlo may be a tool, but he’s a softie when it comes to helping people in need, even the housemate he usually ignores. Knowing the Staten Island vampire brood’s resident day-walker only had a few days left, he focused on making them silly ones.

One of TV’s sacred rules is that you can never count out a character until you see a body. Even then, in the event of magical circumstances, an actor can return via any number of twists, including the enduring, delightfully dumb twin gambit.

Still, if this ends up being permanent death for Colin Robinson that would be appropriately in line with our current sentiment about, well, everything. Proksch’s lethally boring character is popular because versions of Colin Robinson walk in our world.

He’s the weirdo at the office who reels you into conversations you can’t leave. The roommate who’s really into cannabis and its scores of applications, all of which he’ll tell you about right now. The rando grocery store customer who responds to the cashier’s polite, “How’s it going?” with a dull, interminable testimonial about the extraordinary powers of apple cider and how he uses it to treat his toenail fungus, which is a textbook case; no really, his doctor told him so, a great guy who also happens to be his lawyer, and a pastor, which reminds him that he’s been meaning to ask: are you interested in hearing about his relationship with his good friend Jesus?

A version of him also takes the shape of the undermining fair-weather friend who dropped off your radar in 2020; that gaping hole of learned helplessness your parents cajole you into enabling; the esteem-deflating relative you’re grateful won’t be seeing for the second Thanksgiving in a row, hallelujah.

Ours is not only a time of a supposed Great Resignation. We’re also Extremely Exhausted. And while energy vampires certainly aren’t the main reason people are resisting going back to the office, Colin Robinson’s preferred feeding ground, or deal with the uncertainty of house parties, the threat of encountering one anywhere is a damn good reason to stay in.

With so little energy left to give, one encounter with such a demon might kill us.

And yet, Proksch is (was?) excellent at playing his slippery parasite, always finding ways to snack off his immortal roommates’ bad moods and preternatural prana. An episode in which he receives a promotion leads to him sucking so much vital essence out of his co-workers and subordinates that he threatens to leech the will to live from an entire section of the city.

It’s inconceivable that someone or something like that could fade out in the space of an hour and in a cloud of flatulence, p-b-b-b-b-t, just like that. Then again, as recently as a couple of years ago it was inconceivable to think a virus would bring the world grinding to a halt and that the nation would face shortage on such mundane necessities that we take for granted as bottles.

The Law of Conservation of Energy states that energy can neither be created nor destroyed, it can only be transferred or changed from one form to another. “What We Do in the Shadows” may interpret this any number of ways when it comes to Colin Robinson. Laszlo happened upon that grim page portending his roommate’s demise because so little is known about Colin’s kind – not where energy vampires come from and, until this episode, nothing about how they die.

Our three remaining vampires aren’t the most careful of characters. Who knows whether Laszlo bothered to read the next page? It could be that this is merely the close of one part of his story, marking the start of something new. Coupled with The Great Resignation is the assumption that people who have left their jobs are embarking on entirely new adventures, morphing their lives into a form that’s fulfilling.

The writers of this strange comedy may be on to something in dispatching with a man who isn’t entirely human and is mainly known for being tolerable only to a point. We may find that Colin Robinson and everyone like him being gone from our lives is a gift, an absence that makes room for something better and more satisfying.

But beware: they could always return as ghosts.

New episodes of “What We Do in the Shadows” air Wednesdays at 10 p.m. on FX and stream the next day on FX on Hulu. 

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