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Judge rejects request from Trump allies to dismiss Dominion Voting exec defamation case: report

According to a report from CNN, a bid by allies of former President Donald Trump to get a defamation suit filed against them by a former Dominion Voting Systems executive dismissed was shot down by a Colorado judge on Friday.

The report notes that Eric Coomer was accused by lawyers Sidney Powell and Rudy Giuliani — among others — of involvement in a plot to rig the 2020 election against Donald Trump.

As CNN’s Tierney Sneed reports, District Judge Marie Avery Moses ruled the trial can go forward and that more “extensive” discovery can also proceed.

In the ruling, Moses wrote, “There is no constitutional value in false statements of fact or the deliberate spread of dangerous and inflammatory political disinformation designed to sow distrust in democratic institutions. The public has an active interest in ensuring that there are remedies for defamatory statements.”

She added, “There is evidence that Giuliani’s allegations against Coomer conformed to a preconceived storyline of fraud given his allegations of fraud after the election. Further, there is evidence that Giuliani had incentive to defame Coomer both in support of former President Trump and to maintain national attention. This evidence is sufficient to support a finding of actual malice.”

According to CNN’s Sneed, “Already, the case has revealed that Trump allies did little to investigate uncorroborated claims of election fraud before repeating them on the public stage. The discovery Coomer was entitled to at the motion-to-dismiss stage produced a Trump campaign memo — written days before Giuliani and Powell held their infamous RNC news conference where they promoted election fraud claims — that debunked several of the allegations the Trump lawyers went on to make,” adding, “As part of the motion to dismiss, Powell, Guliani and others who boosted Trump’s lies about election fraud sat for depositions in which they said they only minimally reviewed the claims about Coomer before touting those allegations in front of a national audience.”

You can read more here.

5 best coffees for making cold brew, according to a home coffee enthusiast

With temperatures slowly creeping up across the country, it appears that cold brew season is finally officially upon us. So, let’s clear something up: While some folks use the terms “cold brew” and “iced coffee” interchangeably, the two drinks are actually distinct. 

Iced coffee is, as the name suggests, coffee served over ice. When you order it at your local café, it’s likely a chilled version of whatever batch brew they’ve made that day.

Related: How to make better coffee at home, simply and without expensive gear

Cold brew, however, refers to a process for making coffee. Coarse coffee grounds are mixed with cold (or sometimes room temperature) water. The mixture steeps sometimes for up to 24 hours before being served over ice. This process brings out different flavors in the coffee than hot brewing the same batch of beans would.

As someone who has been on a years-long journey to make a better cup of coffee at home, cold brewing appeals to me because you don’t need any fancy equipment. All you need is a grinder, water and time. 


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Oh, and good coffee helps, too. 

While homebound during the pandemic, I tried dozens of different beans from roasters across the country in my search for the best coffee for cold brew. I’m always on the hunt for new and interesting things to try, but here are 5 of my favorites. 

1 Whirling Dervish — Dancing Goats Coffee

This medium-dark roast from the Atlanta-based Dancing Goats Coffee roastery (formerly Batdorf & Bronson) is like taking a sip of a chocolate-covered cherry, especially when served over ice. While some perfectly lovely coffees can get a little acrid when cold brewed, Whirling Dervish’s velvety citrus notes pop even more when chilled. 

2 Aire — Dark Matter Coffee

Per Dark Matter, its Aire blend comes from Finca San Jorge and “is honey processed, leaving the sticky mucilage on the pulped coffee to increase fermentation levels producing a juicy, sweet cup.” It stands up to the cold brewing process really beautifully. The resulting cup has top notes of apricot and plum, underscored by a caramelized molasses sweetness. If you’re a fan of adding coconut milk or cream to your cold brew, this would be the ideal coffee for that pairing. 

3 Kenya Karatina AB — ReAnimator Coffee Roasters

A coffee-loving friend sent me this limited release from Philly’s ReAnimator Coffee Roasters. As soon as I opened the bag, I knew I’d have to stock up in preparation for the first few truly hot weeks of summer. It smells like it tastes, with notes of dark fruit, candied grapes and a little black licorice-Cola kick. It’s also strong enough to stand up to cream but fruit-forward enough to drink black. 

4 Dark Roast, Cold Brew — Stone Street Coffee Company

Dark chocolate notes reign supreme in Stone Street Coffee Company’s dark roast, which was formulated specifically for being cold brewed. It’s rich and robust but has low acidity, which means it won’t wreck your stomach if you’re a multi-cup drinker like me. While Stone Street markets itself as “serious coffee for serious New Yorkers,” it’s definitely worth brewing in your home kitchen wherever you are. 

5 Guatemala El Injerto Bourbon — Stumptown Coffee Roasters

For something a little more mellow, try Stumptown Coffee Roasters’ Guatemala El Injerto Bourbon. This single-origin coffee tastes a little bit like a milk chocolate candy bar flecked with orange peel, filled with a streak of cherry preserves. It’s buttery and smooth on the palate, perfect for augmenting with a little vanilla-flavored creamer. 

More ways to up your at-home coffee game: 

A DIY potting tarp to make indoor gardening mess-free

Can You Dig It is a new monthly series by Kristin Guy in which a real-life garden DIY is tackled with real style. Whether you’ve got an expansive outdoor plot or just a few houseplants, Kristin will inspire you to grow even more with easy-to-tackle projects and horticultural know-how.

Spring is here, and with it the anticipation of more plant projects both indoors and out. With daylight lingering longer, no matter where you live, it’s hard to want to stay indoors any longer than you need to. Right now I’m harvesting the remainder of my winter greens and tinkering with them in the kitchen, starting seeds, and focusing on the new delicious season ahead (I see you, tomatoes!). I guess you could say for most gardeners it’s go time — aka, the most exciting (and busiest) time of the year.

But before things get too hectic, it’s important to pause, plan, organize . . . even dabble in a few fun creative projects. While designing and building your own vegetable plot or apartment garden can challenge you artistically, I find it just as much fun to get creative with tools and accessories to use towards those goals — DIY garden gear, if you will.

Whether you’re repotting indoor plants or transplanting seedlings on the patio this week, an easy-to-store (and, more importantly, easy to make) potting tarp is a particularly fun DIY for you to try — and will help keep your indoor or outdoor workspace tidy. With just a few simple tools and a whole lot of color and material options to customize, this is also the perfect gift to make for anyone in your plant loving posse (or yourself).

If there’s one thing we’ve learned over the last two years, it’s that growing and nurturing something green (be it a herb bed or a propagated Peperomia) has really lifted a lot of people’s spirits, and this DIY is the perfect way to further cultivate that positivity. Now let’s get growing!

How to make a DIY potting tarp

All the tools you'll need.
All the tools you’ll need. (Photo by Kristin Guy)

Makes: A 24″ x 34″ medium-sized potting tarp 

You’ll need
– 1/2 yard waterproof canvas or heavy duty outdoor fabric 
(Material swap: You can also use waxed canvas, vinyl or leather; the thicker weight and structure to the fabric the better) 
– 16-17 inch belting/strapping material 
(Material swap: Jute rope, waterproof ribbon — anything that is durable and ties easily) 
– Snap Plier Kit & 5 Heavy Duty Snap Fasteners (5/8-Inch) 
(Material swap: Sew on buttons, use no-sew velcro — anything that will create a substantial closure for your four corners) 
– Scissors 
– Measuring tape 
– X-Acto knife 
– Nylon or heavy duty thread (optional
– Fabric Pins (optional
– Sewing machine or sewing needle (optional)

Directions: 
1) Cut fabric of choice into a 24-inch x 36-inch rectangle 

2) If you’d like to have a tidy hem, fold fabric over 1/4 inch and secure it with fabric pins. Using a sewing machine, sew along the edges, or hand-stitch with needle and thread, to avoid the edges fraying. 

Note: This step is optional, and a design choice. Depending on the type of fabric used no hem may be needed at all ie: leather, vinyl and most heavy duty coated canvas. 

3) Using a snap plier kit and 5/8-inch snap fasteners, apply one snap in each of the four corners with snapping parts facing inwards. Make holes for each of the two snap parts 4 inches from the corner and 2 inches from seams.


(Photo by Kristin Guy)

(Photo by Kristin Guy)

4) Follow the instructions of your particular snap plier kit to cut holes and insert snap, cap, and socket. You may need an X-Acto knife to assist in making the holes due to fabric weight. Snaps should clasp together on the inside of your tarp creating an upright edge when all four corners are fully fastened.


(Photo by Kristin Guy)

(Photo by Kristin Guy)

5) For easy storage, sew on a small belt with additional snap closure. Simply fold your tarp into quarters, wrap belt around it, pinning one snap side down and hand- or machine-sew in place. Apply snap closure where the belt overlaps. 

6) Your tarp is ready for action! After use, simply shake off any soil and wipe clean with a damp cloth if needed before rolling up and storing.


(Photo by Kristin Guy)

Apple’s gothic “The Essex Serpent” needs more bite, despite Claire Danes and Tom Hiddleston

It’s been a bit of a gold rush for adaptations. As streaming services dominate programming, they need something to stream. A lot of somethings. Stories just don’t seem to be written fast enough, and Netflix especially has been gobbling up the rights to published (and publishing) books. Other streaming services aren’t far behind. “Station Eleven,”Shining Girls,” “The Queen’s Gambit” and “Anatomy of a Scandal” make up just a handful of recently adapted fare.

But not all fiction lends itself to the screen. Some novels just aren’t successful as shows, not without serious reworking. Needs more snake is not a note I ever thought I’d be writing to myself, but that was before I’d seen “The Essex Serpent.” Based on a 2016 novel by British author Sarah Perry, the Clio Barnard-directed series with Anna Symon as head writer is the latest in Apple TV+’s adaptations. It’s unfortunately also one of the weakest. Meandering, ponderous and lacking tension, “The Essex Serpent” is in desperate need of more bite.

RELATED: The best character on “The Gilded Age” is the bustle, adding an extra party to the back

“The Essex Serpent” stars Claire Danes as Cora Seaborne, a wealthy widow, mother and amateur naturalist in 19th century England who journeys to the small, damp county of Essex, following rumors of a serpent sighting. Cora brings along her young son (Caspar Griffiths) and her lady’s companion, possibly more than a companion, Martha (Hayley Squires), leaving behind a young doctor, Luke Garrett (Frank Dillane), who’s become smitten with her after her older husband’s death. In the English countryside, she discovers a group of fearful, superstitious villagers, convinced a giant serpent – like Nessie but for the moors – has risen from the muddy waterways and has dragged off a young girl gone missing.

The girl seemingly called the serpent to her after a ritual at the beginning of “The Essex Serpent.” It’s a darkly mysterious start. Unfortunately, it doesn’t set the tone for the rest of the show, whose conflict, like the mythical serpent, occasionally drifts near the surface, promising hints of substance that never fully materialize.

In Essex, Cora also discovers the local vicar, Will Ransome (Tom Hiddleston), whose saintly wife Stella (Clémence Poésy in a gently powerful performance) is a near lookalike to Cora and whose daughter (Dixie Egerickx) is best friends with the sister (Lily-Rose Aslandogdu) of the missing girl. Will attempts to calm the villagers by insisting the serpent isn’t real. He and Cora butt heads as, like Fox Mulder, she wants to believe. Her theory is that the serpent is a living fossil, a type of plesiosaur. She believes so strongly, she moves her small family to the coastal village of Aldwinter. She keeps running into Will, who is dashing in his long scarves and chunky knits and frustrated by Cora’s headstrongness. They rescue a sheep stuck in the mud together and matters progress. Not far, though.

If you’re expecting “The Thorn Birds” but with a dinosaur, you’ll be disappointed. The plot twists and curves like the water, never really leading anywhere and just as murky and clotted with weeds. A criticism of the source material was that the novel contained a lot of ideas, something that echoes in the show as the meditations knock around but never come together. Martha is a Marxist, committed to social change. Luke has ambitious plans for radical surgery, and is always on the hunt for prospective patients. They’re both in love with Cora – everyone’s in love with Cora, for some reason — who has survived a terribly abusive marriage, seen only in brief, sadistic flashbacks. 

Danes and Hiddleston both appear drained, muted as the landscape, the chemistry between them less believable than the Loch Ness Monster. 

This is both a lot and oddly, not enough. The subplots are not given the time they need and all feel distinctly hollow, brittle as the china Cora smashes in a bizarre montage that splices scenes of her anger, Will’s prayer, Luke being injured and the creature swirling around in the murk together, like the weirdest “Gray’s Anatomy” episode ending ever (which “Scrubs” mocks perfectly). 

Part of the issue here is that most of the characters are not given enough backbone to feel real. Luke is rash and self-centered, his attention to Cora bordering on creepy, which makes the sardonic lines that Dillane delivers so well fall flat. Jamael Westman is a standout but his character Dr. George Spencer doesn’t have much to do. Danes and Hiddleston both appear drained, muted as the landscape, the chemistry between them less believable than the Loch Ness Monster. 

The best elements of “The Essex Serpent” seem out of time. Squires sparks as the possibily bisexual Martha, who sleeps in the same bed as Cora and flatly declares she wants more from their relationship. Many reviews of the novel described Cora’s son as being on the autism spectrum, a disability that would simply be “viewed in the nineteenth century [as] (a bit eccentric and not prone to affection).” Some of the strongest scenes of the show feature the talented Griffiths as a budding naturalist himself, interacting with the world with earnest curiosity. He befriends Stella, and there is an emotional scene of the two of them lining a wooden boat with blankets and trinkets like the send-off for The Lady of Shalott.   

Restrained as a corset, “The Essex Serpent” doesn’t want us to excite ourselves.

Visually, “The Essex Serpent” looks gorgeous but subdued, as if filmed mostly on an overcast evening. It often seems to be twilight in Aldwinter. Stella wears almost entirely beautiful blue, a sharp contrast to the overwhelming grays of Cora. The muted scenery echoes the flat storyline. It just doesn’t go far enough.


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It’s strange to say a story with a mythical serpent, accusations of witchcraft and a sacrificed goat is too subtle, but “The Essex Serpent” is. Elements of the supernatural, the creepy and the just plain interesting are few and far between. The superstition of a seagull flying into the house, mass hallucinations possibly prompted by a panic attack are not returned to nor allowed the space for any tension to develop. 

The 19th century is a rich setting, especially when it comes to scientific discoveries (and thanks to Mary Shelley, the burgeoning genre of science fiction) but the show does not take advantage of that or give much animation to its aspiring female scientist. Restrained as a corset, it feels as if “The Essex Serpent” doesn’t want us to excite ourselves or to get any ideas beyond the ones drolly lined out for us. And that’s a shame.

The first two episodes of “The Essex Serpent” are now streaming on Apple TV+ with new episodes released on Fridays. Watch a trailer for it below, via YouTube.

More stories like this:

7 misconceptions about the Civil War

The American Civil War is a pivotal and ugly moment in American history, but it’s more misunderstood than you would think. We’re breaking down some myths about Lincoln, women soldiers, racist Northerners, and Southern Union sympathizers, adapted from an episode of Misconceptions on YouTube.

1. Misconception: Lincoln’s policies enjoyed widespread support in the North.

The story of the Civil War is all about division within one’s own country. But the schisms ran deeper than just North against South—there were also cracks within the Union itself, even after the Southern states seceded.

Up North, a group called the “Peace Democrats” opposed everything about Lincoln’s leadership and his war. In time, these dissidents would be nicknamed “Copperheads,” after the venomous snake. Some of them were Southern loyalists; others were Democrats who strictly adhered to a reading of the Constitution that privileged states’ rights above federal powers.

One of Lincoln’s most notable critics was Horatio Seymour, the governor of New York. Tensions between the two leaders came to an ugly head during the Civil War Draft Riots of 1863.

Many of New York’s working-class citizens were incensed over the Enrollment Act of 1863, which established a draft lottery and provided a means for wealthy draft-eligible men to avoid conscription by paying a hefty fee instead. What might have begun with principled indignation towards the legislation soon devolved into terroristic violence and destruction. The rioters targeted African Americans and the businesses that catered to them, killing many and even setting fire to an orphanage.

Governor Seymour, for his part, was not only seen by the public to be potentially siding with the rioters, he even referred to them as “my friends” in a speech shortly afterward.

Elsewhere in the country, when former Ohio congressman Clement L. Vallandigham made an anti-war speech, he was seized by Union troops and tried by a military court. Vallandigham was all set to go to prison until Lincoln decided to commute his sentence and banish him to the Confederacy.

2. Misconception: Robert E. Lee and Jefferson Davis were staunch secessionists.

Jefferson Davis, the man who would eventually become the Confederacy’s first and only president, was originally a senator from Mississippi who opposed early calls for secession. But when Davis learned that his home state officially voted to leave the union in January 1861, he decided to stick by his state, rather than his country. He did so with a heavy heart, saying it was “the saddest day of my life.”

This was a time when many politicians and citizens thought of themselves in terms of state first, country second. In Davis’s eyes, there was no other choice, and he eventually headed to Montgomery, Alabama, where the heads of the recently seceded Southern states were planning to meet and form the Confederate States of America.

Even when Davis had his doubts about secession, his mind was entirely made up about the war’s defining ideological difference: In 1857, a newspaper reports him proclaiming that “African slavery, as it exists in the United States, was a moral, a social, and a political blessing.” Even if there were plenty of racists in the North and unionists in the South, the question of slavery largely defined the outlines of the war.

Robert E. Lee followed a similar ideological trajectory on the issue of secession. Though he was initially against it, his real loyalties were with his home state of Virginia. After Virginia’s state convention voted to secede by a count of 88 to 55 on April 17th, 1861, Lee resigned from the United States military, where he was a colonel, and went to work for the Confederate army.

While in command, Lee served under Davis, who apparently got over his whole secession-phobia in a big way. In a late 1862 speech to the legislature of Mississippi, he declared, “After what has happened during the last two years, my only wonder is, that we consented to live for so long a time in association with such miscreants . . .”

3. Misconception: The Emancipation Proclamation ended slavery

When President Abraham Lincoln delivered the Emancipation Proclamation on January 1, 1863, it declared: “[All] persons held as slaves within any State or designated part of a State, the people whereof shall then be in rebellion against the United States, shall be then, thenceforward, and forever free.”

Old-timey jargon aside, Lincoln was basically saying “Slaves in the rebelling states are free … if we win.” It was what many people wanted to hear, but it still had some important limitations. First, it left out border states like Kentucky and Delaware. And none of it would really matter if the Union didn’t prevail.

Despite that, it was also a huge win for abolitionists. This was really an announcement that the Civil War was no longer a war just to preserve the Union; freeing the enslaved population was now an official objective for Lincoln and his army. It emboldened the abolitionists in the North and made opposing countries like France and the UK bristle at the thought of supporting the pro-slavery forces of the Confederacy.

Still, it would be another two years before slavery would actually come to an end in the United States. In June 1865, Union troops led by General Gordon Granger arrived in Galveston, Texas, and announced that all 250,000 enslaved people in the state were officially free. Today, Juneteenth is celebrated on June 19 to honor this occasion, though it’s worth noting that even after that date, slavery continued in some places within the United States. Neither Delaware nor Kentucky ended slavery during the Civil War, so some historians estimate there were still around 65,000 enslaved people in 1865.

In December 1865, the end of slavery was finally put into law when Congress passed the 13th Amendment, which stated “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.”

4. Misconception: All amputations were done without anesthesia.

Plenty of Civil War movies show screaming soldiers having their mangled limbs amputated with hacksaws in a medical tent while wide awake. But despite what Hollywood says, anesthesia is estimated to have been used in around 95 percent of all surgeries during the war, according to the National Museum of Civil War Medicine.

Ether had made its way into medicine as a general anesthetic in 1846, with chloroform arriving the very next year. American military doctors started using ether during the Mexican-American War, and chloroform was employed during the Crimean War of the mid-1850s.

That being said, this new-fangled way of putting people under in order to operate was still somewhat controversial at the time, and the Civil War doctors who used it actually had very little — if any — hands-on experience with it. Of the two, chloroform was the preferred method of anesthesia, because it worked faster and was far less likely to explode.

There were times when anesthesia couldn’t be used, but according to “The Medical and Surgical History of the War of the Rebellion,” prepared under the direction of Surgeon General Joseph K. Barnes, many of those cases might have been shot injuries, where there were concerns about negative side effects from the drugs. Even then, just 254 of the many thousands of Civil War operations were unanesthetized.

5. Misconception: Only men fought during the Civil War

While it’s true that women weren’t legally permitted to serve in the military during the Civil War, stories have come to light over the years indicating that anywhere from 400 to 750 women actually managed to sneak through to the front lines and pick up arms to fight for their country, or for the Confederacy. That’s an impossibly small percentage of the 2.75 million soldiers that fought in the war, but the question remains: How did they do it?

Some likely found a way to pass as men during pre-combat physicals, while others might have snuck into camps once the fighting began. Once they were in, these women were just as involved as the men. There are accounts of women directly involved in spy missions, reconnaissance, and active combat.

One famous individual that may fit under this category is Jennie Hodgers, who fought for the Union under the name Albert Cashier. We have to qualify that last sentence because some historians argue that Cashier is more likely to be a trans man than a disguised woman, even if we didn’t have the vocabulary to identify him as such in his time. In any case, legend places Albert at dozens of battles during his three years at war, and at one point it’s said he escaped from a Confederate prison by overpowering a guard and fleeing. Albert survived the war and remained under this assumed identity the rest of his life.

6. Misconception: Abraham Lincoln was the keynote speaker on the day of the Gettysburg Address.

On November 19, 1863, a crowd of 15,000 gathered to witness the dedication of a military cemetery on the battlefield of Gettysburg, Pennsylvania, where thousands of Union and Confederate soldiers had died over a three-day span in July.

Coming in at around 270 words, President Lincoln powered through the Gettysburg Address in less than three minutes. And contrary to what you might have heard, no, Lincoln didn’t scribble the speech onto an envelope on the way to the battlefield. Lincoln’s secretary later commented that with all the noise, distractions, and rockings and joltings, it would have been impossible to write anything on the moving train, and the surviving drafts of the speech are written in Lincoln’s normal, steady handwriting. She did note that Lincoln finished up the speech that morning, but romanticizing it as history’s greatest rush job is definitely overstating it.

One thing that you might not know about the address is that Lincoln wasn’t pegged to be the main speaker on that day. That honor belonged to Edward Everett, a distinguished scholar and orator who took the stage before the president.

Everett’s speech would go on for around two hours, totaling upwards of 13,000 words. It was a speech he poured his heart and soul into, along with months of research. He obsessed over every account of the battle, from both the Northern and Southern perspectives, in order to get the words just right. Throughout the speech, he retold the story of the Battle of Gettysburg, interspersed with flowery ruminations on the idea of liberty and a plea for unity, saying, “these bonds of union are of perennial force and energy, while the causes of alienation are imaginary, factitious, and transient. The heart of the People, North and South, is for the Union.”

After Everett finished his speech, the president shook his hand and told him, “I am more than gratified, I am grateful to you.” Then the Thunder-Stealer-in-Chief rang out with “Four score and seven years ago . . . ” and made Everett’s magnum opus a historical footnote in under 180 seconds.

Even Everett himself knew he was one-upped by Lincoln, writing soon after that, “I should be glad if I could flatter myself that I came as near to the central idea of the occasion in two hours as you did in two minutes.”

7. Misconception: The war was fought entirely in the U.S.

Gettysburg is, perhaps, the classic vision of a Civil War battlefield: green, hilly fields ensconced in artillery smoke. In reality, though, the Civil War was far from land-locked. Naval warfare played a huge role in the conflict, with the Union victory at the Battle of Port Royal and the standstill at the Battle of Hampton Roads among the most pivotal maritime clashes. The Civil War also made a little naval history when the Confederacy’s Hunley became the first submarine to sink an opposing warship when it attacked the USS Housatonic in 1864.

One naval battle is noteworthy because it didn’t take place in the waters of America at all. In June 1864, the North and South came to blows in the waters off Cherbourg, France, in the English Channel. The battle began brewing when the Confederate ship, the CSS Alabama, was docked at Cherbourg Harbor hoping for some repairs. For years, this ship had been wreaking havoc on U.S. vessels, resulting in the plunder of more than 64 ships and causing millions of dollars in damages.

The USS Kearsarge, helmed by John A. Winslow, had been pursuing the Alabama for months, and once Winslow got word from the U.S. minister in Paris that the ship was docked and prone, he moved in for the kill. Upon hearing that the Kearsarge was ready for a battle, Alabama captain Raphael Semmes prepped his ship and met his Union foe nine miles off the coast of Cherbourg. The Alabama was the first to fire—but there was just one problem: The Kearsarge was draped in a thick anchor chain that protected it from enemy artillery.

Soon, the Alabama was taking on water, the white flag was up, and Semmes was all but defeated. Instead of capture, though, Semmes and some of his surviving men were saved by a nearby British ship. In all, around 20 Confederate troops died, compared to just one Union soldier.

This article originally ran in 2021; it has been updated for 2022.

 

Why you have a headache right now — and the surprising way you can prevent the next one

There’s a sound so frequent and familiar in my home, I know it like I know the click of a key in the front door. It’s the low squeak of the opening of the medicine cabinet, followed by the rattle of a jumbo sized bottle of pills. A few times a week, at least one person in my house has got a headache. Do you, too, have a headache right this minute, even as you read these words? Odds are good that you do.

In April, a narrative review from the Norwegian University of Science and Technology and published in The Journal of Headache and Pain revealed that each and every day “15.8% of the world’s population had headache, and almost half of those individuals report a migraine (7%).” The Australian Standard starkly notes, “that means 1.1 billion people have a headache today.” And as the study’s lead author, Lars Jacob Stovner, said in a news release, “the prevalence of headache disorders remains high worldwide, and the burden of different types may impact many.” 

“Each day, 15.8% of the world’s population had headache, and almost half of those individuals report a migraine.”

Over the years, I had come to take headaches so for granted in my life that I rarely even thought much about them. I’m hungry, I eat. I’m tired, I rest. I get a headache, I take Excedrin. That’s just how the days go, right? But on a much too sunny recent afternoon, I found myself among that 7% of people all around the world each day who are hit with a migraine. As I closed my eyes and quietly sobbed in the snack bar of a local Target, I remembered that just because a condition is common, that doesn’t make it inevitable — or easily managed.

More than half of us have had a headache in the past year, and as Northwestern Medicine reports, they are “more common, longer-lasting and frequent in women.” We’re also far more likely to suffer migraines. It’s not just COVID-19 sending Acetaminophen flying off the shelves, it’s our heads.

RELATED: One-fifth of American adults live with chronic pain. Why aren’t we talking about it more?

But are headaches actually on the rise, or does it just feel that way all the time underneath our tense faces? The authors of the Norwegian study, who reviewed the findings of 357 publications, are cautious about drawing conclusions. They observe that while “headache disorders remain highly prevalent worldwide,” and that they “found an apparent increase in prevalence of migraine,” there are “large variation between study findings.” Populations with greater awareness of migraine disorders, for example, unsurprisingly reported higher prevalence of them.

What seems indisputable, however, is that we’re creating plenty of headache-inducing conditions for ourselves all over the place. We typically spend upwards of twelve hours each day on our devices, staring at text and inhaling blue light. We ingest a lot of caffeine — 93% of us consume it at least sometimes, and among those who indulge, 25% of us have it three or more times a day.

Maybe that’s one reason why we are getting less sleep. A 2019 Ball State University study found 35.6% of respondents said they were getting fewer than seven hours of sleep a night, with police officers and health care workers reporting they’re getting by on five or six. Those numbers have not improved in the past two years — a HealthDay survey earlier this year found that one third of respondents said they were more tired now than at the start of the pandemic. And 28.5% said they were getting less sleep.


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This brings us to the pandemic in the room. A 2021 study from the American Psychological Association found nearly half of those surveyed said they were more stressed now than in previous years. Stress is a headache-bringer of its own, but then you can escalate the problem by throwing in everything stress brings with it. As NPR has reported, “Over 40% [of respondents] said they’d gained weight during the pandemic. Nearly a quarter said they are drinking more. Nearly two-thirds are sleeping too much or too little.”

Then there’s COVID-19 itself. In January, the National Institutes of Health called for “increased research into the underlying causes of Long Covid and possible ways to treat its symptoms,” including neurological ones such as headaches. “My head felt like it would explode,” one such patient told the CBC in April, “and no medication was enough to make it better.” 

Is it any wonder your head is splitting? I’d be surprised if it wasn’t. Yet maybe like me, you’ve become so accustomed to the pain you’ve normalized it. Let’s not. My recent migraine was a reminder that it shouldn’t have to get that bad before I take my own well-being seriously, and that preventing pain is a whole lot less intrusive than a full blown, weekend-killing neurological meltdown.

Hormones, illness, vision problems and the legitimate psychological burden of living through this moment in history can’t always be controlled. Of course, persistent, intense or otherwise concerning headaches should be assessed by a doctor. But there are pretty simple steps we can take to reduce the risks of the typical headaches that plague so many of us, many of which we already probably know.

Here’s the least expected headache blocking trick of all — reconsider how much headache medicine itself you’re consuming.

As the Mayo Clinic advises, get enough sleep. Watch your caffeine consumption. Exercise and maintain a regular eating schedule. Work on your stress reduction. Those are the basics, but there are others. Cultivate awareness of your own individual triggers. Do certain foods seem to set you off? Are bright or flashing lights a problem? (That was the main culprit for my last migraine.) But here’s the least expected headache blocking trick of all — reconsider how much headache medicine itself you’re consuming.

Using headache medication, including over the counter products like acetaminophen as well as prescription migraine drugs, “more than a couple of days a week” can cause rebound headaches, according to the Mayo Clinic. Harvard Health describes the problem as a “vicious cycle,” one I’ve fallen prey to, when “the same medications that initially relieve headache pain can themselves trigger subsequent headaches if they are used too often.” 

Concerns about the relationship between overuse and increased pain also made headlines this week when a McGill University study published in the journal Science Translational Medicine warned that “clinical data showed that the use of anti-inflammatory drugs was associated with increased risk of persistent pain, suggesting that anti-inflammatory treatments might have negative effects on pain duration.” While the study focused on back pain, the implications for other forms of pain bear deeper investigation.

I’ve been doing my best lately to avoid another four alarm migraine any time soon. I’m also working on simple day-to-day tweaks to stave off the regular headaches I thought I’d just had to live with, by turning off my laptop a little sooner in the evening and going to bed earlier. But the biggest change is that I’m trying to open the medicine cabinet less often now, hoping that fewer rattles of the Excedrin bottle may, somehow in time, lead to fewer occasions I’ll feel like reaching for it.

More on pain and how to treat it: 

The easiest chocolate cheesecake in the world

Big Little Recipe has the smallest-possible ingredient list and big everything else: flavor, creativity, wow factor. That means five ingredients or fewer — not including water, salt, black pepper, and certain fats (like oil and butter), since we’re guessing you have those covered. Inspired by the column, the Big Little Recipes cookbook is available now.

So far as baked goods go, cheesecake is famously fickle.

Books and blogs are full of tips and tricks to outsmart a cracked top: Add flour. Add cornstarch. Add eggs one at a time. Add eggs at the end. Bake in a water bath. Bake covered in foil. Bake at a low temperature. Bake at a really low temperature. Bake until the center jiggles a lot. Bake until the center jiggles a little. Let cool in the turned-off oven. Let cool at room temperature.

I have an easier idea: Skip the oven altogether. And, while you’re at it, skip most of the grocery list, too.

In the refrigerator, nothing can go wrong. While the difference between underbaking and overbaking cheesecake is a matter of minutes, the difference between underchilling and overchilling — are these real words? — is hours.

Which means you can throw the cheesecake in the fridge, then forget about it. Go outside, walk around the block, soak up the sun. This is possible because all of the ingredients that would need to bake, like raw flour and eggs, aren’t around.

The filling is just chocolate and cream cheese. And the crust is just crackers and butter. I know it sounds too good to be true. It’s not.

Instead of looking to other no-bake cheesecakes for inspiration, I looked to ganache. This two-ingredient template — chocolate plus heavy cream — could turn into a glaze, truffle, tart, or frosting, depending on the ratio and use. We’re simply swapping in cream cheese and a springform pan.

The result is intensely chocolatey, with confident tang and a fudgy-custardy bite. Additional sugar isn’t needed because semisweet chocolate is exactly that — just a little bit sweet. And resist the temptation to add vanilla extract or espresso powder. These adornments creep up in a lot of chocolate cheesecake recipes. But like a glare on a television screen, they distract from what we’re trying to focus on: the bitterness of chocolate, the funkiness of cheese.

The base doesn’t need any sugar, either. While a lot of crumb crusts insist upon a spoonful for flavor and binding, you won’t notice its absence. In fact it yields a less cloying, more balanced, more nuanced dessert. Whichever crackers you’re using likely include sugar already.

Which reminds me: The crackers are up to you. There are no wrong answers. Ritz are buttery. Saltines are salty. Graham are classic. Or try chocolate graham for a double-chocolate cheesecake. I could go for a big slice of that right now.

Recipe: Salty Chocolate Cheesecake

“The Flight Attendant” recap: I will not be you

I have a theory about shows like “The Flight Attendant,” or any show, for that matter, and it’s a theory that I’ll be taking no notes on at this time. As soon as Sharon Stone is introduced into the mix, the watchability of a show doubles. There’s no proving me wrong on this, because I’m too correct.

The first season of “The Flight Attendant” clicked along just nicely all on its own with a fresh new take on a pretty standard thriller format. And season 2 is reaching cruising altitudes of dramatic intrigue with a whole new grab bag of troubles that Cassie (Kaley Cuoco) is wrapped up in, entangling everyone in her life who gets close enough to become sucked into her funnel of chaos. It’s all been great. And more than enough to keep us engaged. But now, with the addition of Sharon Stone as Cassie’s mom, Lisa Bowden, we’re dealing with some first class stuff here. I mean, as far as I’m concerned Sharon Stone is a powerhouse, gold-plated star who can do no wrong. Iesus Christus, have you SEEN “Casino?” 

The destructive sadness of Cassie’s life at this point, pitted up against one of the elements that got her to where we’ve found her, adds a great deal of emotional bleakness to what is already turning into a very dark season.

I knew that Sharon Stone was going to be playing this role, but I gasped the first time she appeared nonetheless. The destructive sadness of Cassie’s life at this point, pitted up against one of the elements that got her to where we’ve found her, adds a great deal of emotional bleakness to what is already turning into a very dark season.

RELATED: “The Flight Attendant”: Easy does it

In last week’s episode we not only saw Cassie dive deeply back into the bottle, but we learned that she’d been lying about her one year of sobriety. Any sobriety she’d accumulated was actually hard won in fits and spurts, and not in a full calendar year, but it’s the ability to wake up the morning after a massive misstep and try again that matters. Cassie is doing a great job. Messy, but great. The intrusive thoughts plaguing her mind just won’t let her realize it.

These intrusive thoughts are delivered via visions of her past selves that poke and prod at her when she’s down but, as I hinted before in the last recap, I personally think this is the least enjoyable aspect of this season. Cassie does a good enough job inserting these plot pushers all her own without the assistance of all these different versions of her, a tactic that can often teeter towards cheesy, or heavy-handed. It’s understandable how the showrunners chose this as a new, and useful method, but I’d much rather rely on good story writing and solid acting, which there’s no shortage of here. Especially (yeah, I’ll say it again) with the addition of Sharon Stone.


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We see the aftermath of Cassie’s fall from “sobriety” when Annie (Zosia Mamet) and Max (Deniz Akdeniz) return to Cassie’s house and find her passed out on the floor, the place in shambles. Cassie admits to Annie that she hasn’t been honest about her drinking and then, feeling ashamed, tries to push her away. Annie, being the reliable friend that she is, just grabs her and pulls her in closer, walking her through the steps she needs to go through in order to get herself back on track.

Cassie says she needs to focus on herself, and stay away from all the CIA stuff for the time being, but shortly after she expresses this to Annie we see Benjamin (Mo McRae,) Cassie’s handler, come in nosing around. He’s trying to track down Cassie, as so many others are, but Annie distracts him long enough for her to sneak out.

One of the most stressful aspects of this show is that Cassie never gets any downtime to process the numerous upsets and tragedies in her life. As soon as one thing happens, she’s swept off to another. Before her hangover from the night before has even had a chance to fade, she remembers that she needs to catch a flight with her brother Davey (T. R. Knight) to go help clean out their mom’s house. When she asks for Davey to assure her that their mom won’t be there, and that she’s actually at a meditation retreat like he promised, we get tipped off to the kind of relationship she has with her. Not a good one.

Sharon Stone as Lisa Bowden in “The Flight Attendant” (Jennifer Rose Clasen/HBO Max)

When Cassie and Davey get to the house and it turns out that this whole thing was a setup on Davey’s end so that mother and daughter could reconnect, the walls close in around these two women who are both, in their own wounded ways, not ready to open up to that possibility.

Just prior to them arriving at the house, Davey and Cassie stopped by the cemetery so that Cassie could read a letter to their dad, the man who got her into drinking in the first place. “I will not be you,” Cassie says at the foot of his grave, hands shaking while holding on to the letter. Now in her family kitchen, she stands in front of her mother and hears a similar sentiment directed towards her. Different words, but with the same hurt behind it.

“I love you. I do. But I don’t like you at all,” her mom says to her before touching her face lovingly, and then finishing it off with a slap and leaving for work.

All of this just makes the choice to quit drinking harder and harder. Life’s pains are often cruelly circular in that way.

From an upstairs window Cassie looks out at her mom sobbing in the driver’s seat down below. If she wanted to drink the gasoline out of the cars in the parking lot of the cemetery earlier, she wants to do a keg stand on a jetliner now. Ironic that she started drinking because it brought her closer to her dad, but that closeness created a divide between her and her mom that is now too wide to jump. And all of this just makes the choice to quit drinking harder and harder. Life’s pains are often cruelly circular in that way.

Six episodes in, and with everything else going on in Cassie’s life, we don’t seem to be getting any closer to figuring out who is trying to frame her for murder, but we do get bits and pieces here and there. While Annie and Max are talking about personal stuff in Cassie’s house we see her blond doppelganger sneak in and hide a bloody knife. At the very end of the episode, we see that same woman (or we think it’s the same woman) shoot ol’ milky eye in his good eye. And earlier, while at her mom’s house, Cassie finds a box with a lipstick-stained note in, reeking of Santal 33. The note is next to a bunch of loose Viewmaster reels and scrawled on it is “I.O.U,” indicating that the Viewmaster containing the clues that Cassie, Annie, and Max have been poring over was stolen from the childhood possessions stored at her mom’s house during one of two recent break-ins. Heaps and heaps of clues, and no one to pin them on just yet. Something tells me that Dot (Cheryl Hines), Benjamin’s boss at the CIA, has a bigger hand in this than we’re being led to believe. 

The North Koreans know where Cassie’s mom lives. That’s bad news. Either this will end up being some great adventure that Cassie and her mom can bond over (unlikely) or it will, somehow, bring danger closer to Cassie’s friend Megan (Rosie Perez), the person being sought through Cassie. I have a headache just thinking about all of this. Is it bad to say I need a drink?

“The Flight Attendant” debuts new episodes on Thursdays on HBO Max.

Read more:

How Democrats dumped secularism, found God — and doomed Roe v. Wade

The leaked draft Supreme Court opinion in Dobbs v. Jackson Women’s Health Organization has led many to recognize the grim ends-justify-the-means relentlessness of the American religious right. It should also be recognized that the movement’s half-century assault on reproductive freedoms has ridden shotgun alongside a broader crusade: the endeavor to dismantle, brick by brick, the purported wall of separation between church and state. 

That wall’s ramparts were at their sturdiest in the 1960s. That was a moment in American history when separationist secularism was pushing prayer out of state-funded schools, abolishing religious tests for public employment and showing unprecedented concern for the rights of religious minorities. The judicial and legislative aspiration of that era was well summarized by John F. Kennedy’s ringing affirmation: “I believe in an America where the separation of church and state is absolute.”  

Traditionalist Catholics, as well as evangelical and fundamentalist Protestants, never believed in such an America. In the 1970s,  these “co-belligerents” surged back into the public square — a space they decreed to be “secular,” “godless,” “communist,” “nihilistic,” “leftist” and even “demonic.” The story of how the Roe decision galvanized right-wing Catholics, and a few years later, conservative Protestants, is well known. The story of the latter’s newfound alliance with the Republican Party and its contribution to “the Reagan landslide” (white evangelicals, incidentally, had previously favored the Democrats) is also well known. 

RELATED: Separation of church and state? Let’s get real — that’s over. So what do we do now?

Less well known are the Democrats’ missteps in staving off white Christian nationalism’s furious onslaught against political secularism. The leaked Supreme Court decision of last week, with its ominous potential to enable the clawback of even more existing rights, is a consequence of the wall of separation’s reduction to smoldering rubble. How else does a conception of “life” unique to one particular strain of Christian theology come to dominate the laws of a polity with numerous Christianities, numerous non-Christian religions and vast numbers of non-religious citizens? That is an outcome that every credible form of secularism is built to prevent.

*  *  *

To understand how the party of JFK came to shun secularism, we must return to the autopsy that Democrats performed after John Kerry’s defeat in 2004. How, they wondered, could George W. Bush possibly have been re-elected? How did an incumbent who had presided over an unprecedented attack on U.S. soil, an increasingly unpopular war in Iraq and a sputtering economy, prevail? (Indeed, Bush in that election became the last Republican, to date, to win a plurality in the popular vote.)

John Kerry’s defeat in 2004 led Democrats to conclude they’d never be out-Bible-thumped again, and by 2007 Mike McCurry spoke of the party’s “Great Awakening.” 

The solution centered on the aforementioned co-belligerents, now called “values voters.” Outrage over gay marriage and legalized abortion, among other vices, propelled them to the ballot box. In swing states like Ohio, their intervention likely determined the outcome of the election. 

The 2004 disappointment led Democrats — and their battalions of consultants with divinity degrees — to conclude that the party needed to become more “faith-friendly.” Never again would a presidential candidate wait until just nine days before the election to deliver a “Faith and Values” speech, as Kerry did in 2004.

By the 2006 midterms, Democrats like Ted Strickland in Ohio, Robert Casey Jr. in Pennsylvania and Heath Shuler in North Carolina Bible-thumped on their way to victory in their respective gubernatorial, senatorial and congressional races. On the stump, they God-talked and reflected on their personal faith journeys. As former Bill Clinton press secretary Mike McCurry mused in 2007: “There is something of a Great Awakening happening among many Democratic political operatives.” 


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No one did more to pitch the revival tent than Barack Obama. In his 2006 book “The Audacity of Hope,” the then-senator portrayed secularism as an electoral liability. “The Democratic Party,” the future president opined, “has become the party of reaction.” He continued: “In response to religious overreach we equate tolerance with secularism, and forfeit the moral language that would help infuse our policies with a larger meaning.” 

Regardless of what this confounding declaration meant —  how precisely is a state supposed to respond to “religious overreach”? — a paradigm shift was afoot. Democratic politicians now rarely uttered the S-word, or the phrase “separation of church and state.” Instead, Obama and his principal 2008 primary rivals set out to close “the God gap.” 

John Edwards talked about his daily prayer regimen. The North Carolina senator, who would later be mired in an infidelity scandal, remarked, unconscionably, that “freedom of religion doesn’t mean freedom from religion.” Hillary Clinton reminisced about childhood Bible classes at First Methodist Church in Park Ridge, Illinois (although, at the 2008 Compassion Forum, she expressed pangs of conscience about the party’s new steeple fetish). Candidate Obama upped the anti-secular ante by pledging to supersize George W. Bush’s much-maligned and scandal-ridden Office of Faith-based Initiatives.

RELATED: Bias, theocracy and lies: Inside the secretive organization behind the National Prayer Breakfast

At National Prayer Breakfasts (!), President Obama would refer to Oklahoma Sen. Tom Coburn, a staunch opponent of legal abortion, as “a Brother in Christ,” or pray for the Rev. Billy Graham’s good health. During the 2011 Easter Prayer Breakfast — another D.C. ritual that secularists experience as a microaggression — Obama unspooled a veritable Christology, actually speaking of “the resurrection of our savior Jesus Christ.” 

“Faith and values” politicking, once an affectation of the religious right, had now become a  Democratic “best practice.” 

*  *  * 

In the aughts, the Democrats “got” religion. Perhaps that contributed in some hard-to-quantify way to getting the White House for two terms. Yet their renunciation of Kennedy-era separationism came at a cost: secularism, a vital tool of governance in any liberal democracy, fell into disrepair. 

The problems began with framing and strategic messaging — a hill upon which Democrats seem perennially determined to die. Obama and the “faith and values” liberals exacerbated popular confusion about what secularism is — and what it isn’t. In “The Audacity of Hope,” Obama implied that being “secular” was irreconcilable with being “spiritually awakened.” He alluded to a secular life as akin to a journey “down a long highway toward nothingness.” 

Why Obama echoed the talking points of the religious right so, well, faithfully, is anyone’s guess. For the latter, secularism was a malign atheistic ideology deeply opposed to God and Country. Never mind that classical secular theory has nothing to do with nonbelief (though there’s nothing wrong with nonbelief). Never mind that secularism emerged from centuries of Christian theological inquiry about proper relations between crown and cross. Never mind that communities of faith, such as religious minorities, can be, and often are, politically secular; they dread establishments of religion.

Why Obama surrendered to religious right talking points is anyone’s guess. But secular theory has nothing to do with nonbelief — it emerged from centuries of Christian theology.

Never mind that, to the best of my knowledge, no major Democratic constituency in 2006 was complaining about there being too much secularism in America. Obama and his party were now speaking the religious right’s anti-secular dialect, and mimicking its drawl. They became so fluent in that tongue that today they have a hard time code switching, and de-drawling, even when addressing their supposed liberal base. 

This problematic messaging also had the effect of stifling common-sense inquiries into the “dark side” of religious passions. It’s fine to speak of religion as a social “good,” or “moral glue.” Yet the Democrats’ feel-good, ecumenical God Talk prevented them from confronting the obvious: Civically speaking, there is definitely such a thing as “bad religion.” 

Bad religions seek to impose their theological imperatives on all others. Bad religions care little about the common good — and if that means worshiping en masse during a global pandemic, so be it. Bad religions endanger the well-being of other citizens and the state itself. Those Jan. 6 insurrectionists who prayed in the Senate chamber were freely exercising their religion; a bad interpretation of the free exercise clause (which itself is a bad bit of constitutional drafting). 

Kerry’s defeat led Obama and the Democrats to develop a moral messaging posture about faith. In the process, they ditched any pretense of developing coherent political policies for addressing how government is to interact with religion. For nearly two decades, the party has eschewed the S-word and failed to ponder the exceedingly complicated question that all functioning forms of secularism must address:  How should government engage with religions, especially the bad manifestations mentioned above.

“Religious overreach,” to use Obama’s phrase, is a question of acute interest to those whom demographers call “Nones,” meaning the massive cohort of religiously unaffiliated people. They comprise about 30 percent of the nation’s adult population and overwhelmingly support liberal policies. The secular-adjacent Nones have yet to be organized into a voting bloc. But that day will come; Democrats would be well-advised to stop antagonizing them at Prayer Breakfasts. 

Nones will demand effective policies for getting the Religious right out of their bodies, their libraries, and children’s lives. It won’t be helpful for Democrats to switch messaging codes and suddenly re-invoke “separation of church and state.” That mid-century relic–stomped into sand by conservative religious jurists — is desperately in need of a reboot. Distracted by two decades of faith-based messaging (directed, by the way, to the wrong faith-based communities), Democratic thinking about secular governance has gone stale. 

The looming nullification of Roe underscores the collapse of American secularism. My advice to Democrats is to say out loud and without fear, as John F. Kennedy did, that they believe in a secular America. Then they must engage in the complex work of reimagining how that America will assure equal rights for believers and nonbelievers alike.

Read more on Christian nationalism and Roe v. Wade:

The labor laws of the superhero universe amount to disturbing propaganda

One would think that telepathy is a power confined to superheroes, but many Hollywood writers appear to possess this ability too. Somehow, through some supernatural confluence of human thought, dozens of screenwriters working over decades have come up with the same rules for the same superhero movies without ever communicating aloud to each other. These surprisingly political “laws” of superhero movies aren’t regarding heroes or villains, but the way that labor is depicted in these films. And these labor laws are both astonishingly consistent — from DC to Marvel to off-brand superhero franchises — and surprisingly right-wing. They’re also probably not what you think.

The obsession with superheroes … is near-religious in its fervor, and any perceived slight against the genre … results in days of collective, aggrieved fuming.

Maybe you’ve already dismissed me as a culture-war obsessed SJW for obsessing over the way labor is depicted in superhero movies. Indeed, on the surface, superhero movies barely seem to say anything about labor at all; after all, these movies are CGI slug-fests, not John Sayles slog-fests.

Yet as with any media as popular as these movies and shows are now, the parables communicated in superhero movies have become deeply embedded in the collective psyche. They are to American children in the 21st century what Grimm’s folk tales were to German children in the 18th century — moral allegories about what it means to be human, how to live a virtuous and noble life, and the proper role of the individual in society. From their youngest years, our children play with toy versions of Spider-Man and Captain Marvel as though they were tiny totems — which, in a way, they are. The obsession with superheroes, and the culture around the fanbase, is near-religious in its fervor, and any perceived slight against the genre from tastemakers results in days of collective, aggrieved fuming. That kind of vitriolic reactionary fanbase is too reminiscent of the Christian culture war for my comfort. 

And just like the Christian Bible, which is full of rules about labor — including how quickly you should pay your workers — superhero movies have their own labor codes, though they’re never spoken aloud by any screenwriters or characters. Indeed, it seems like the unspoken commandment of labor in the superhero universe is that you don’t talk about labor in the superhero universe. But an unspoken rule is just as important as a spoken one; and that which is omitted is equally propagandistic as that which is overt. 

RELATED: We’re drowning in Marvel

Since superheroes have taken a consistent gritty and realist turn in the past two decades, let’s take that proposition to its logical conclusion and consider how “real” the depiction of labor is. When you look at the Batcave or Iron Man’s suit, at Kamar-Taj or Avengers Tower, you see massive, complicated works of architecture and machinery that require millions and millions of human hours of labor to maintain. But you don’t see a trace of those hands in these movies (with a few weird exceptions that we’ll get to). Rather, these things appear, fully formed, as though there was no contractor hired to build them; no penny-pinching construction manager trying to get away with using non-union labor; no overworked Chinese FoxConn worker soldering circuit boards.

This brings us to the formal declaration of the first labor law of superhero movies:

The superheroes do not use wage labor in the process of building their super-things.

Andy Serkis as Alfred Pennyworth and Robert Pattinson as Bruce Wayne in “The Batman” (Warner Bros. Pictures/John Olley/DC Comics)

The idea that labor works like this is pure libertarian propaganda.

They do everything themselves, or, occasionally, are aided by a selfless servant or partner. Even if they are engaged in child-rearing, the labor of childcare is seamless and beautiful, with none of the normal mess. Any other labor involved in the process of serving the super-beings is intentionally made invisible so as to hide the ethical quandaries it would create for these morally simplistic cinematic universes. 

As for those helpers: These include characters like Bruce Wayne’s butler, Alfred, recently depicted in 2022’s “The Batman” as utterly devoted to their boss to the extent that his job was his entire and sole passion. Alfred doesn’t seem to have a life beyond serving Bruce; and while I’m sure that the retirement plan is good, he is not the kind of human that would exist in a non-superhero universe, where things like illness, monotonous routines, family, and a rewarding career trajectory make having a devoted lapdog a challenging prospect. 

I don’t even need to tell you that the idea that labor works like this is pure libertarian propaganda. Just as Howard Roark’s skyscrapers sprang into existence solely because of his mighty, individualistic brain — the thousands of construction workers who actually built it were scarce in Ayn Rand’s novel — these super-objects come to be in the same manner, through invisible labor or labor executed solely by the hero. Tony Stark put together and maintained a whole suite of Iron Man suits without visible help from anyone besides a semi-sentient computer named Jarvis (who is essentially a digital version of Alfred); unlike the numerous service workers who keep most billionaire’s mansions from falling apart, his cavernous house was usually empty save for his ego and his inventions. Superman’s super-strength is a great kludge to eliminate the need to depict all the miners and plumbers it would take to carve out and maintain his Fortress of Solitude. 

Like the spurious right-wing myth of the self-made man, these stories elide the universal need for help.

This is one of the very peculiar things about being “super,” I’ve noticed, is that superpeople need no help. They don’t have to deal with the messy realities of wage labor. Like the spurious right-wing myth of the self-made man, these stories elide the universal need for help. In that sense, by ignoring the primary cornerstone that affects most of our lives — most of us must spend 40-plus hours a week for 35-plus years toiling to enrich someone else — superheroes ignore a fundamental aspect of the human experience. Though these movies are tales about the human experience, the most fundamental part of life under capitalism is ignored and replaced with an escapist monomyth.


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That brings us to the second law of the superhero universes:

The superheroes must not use coercive or exploitative labor. 

Benedict Wong in “Doctor Strange in the Multiverse of Madness” (Marvel Studios)No slavery (natch) or mind-control, nor even disgruntled workers clamoring for a union. There’s a scene in “Doctor Strange and the Multiverse of Madness” that shows a semi-repaired Kamar-Taj with scaffolding around it (implying labor at work!), the temple full of sorcerer journeymen selflessly training their magical powers for the venerable institution. Like Alfred, for the sorcerers employed at Kamar-Taj, their entire life is their work: they don’t seem to get paid, or if they do, they don’t complain about wages or work-life balance or lack of benefits. The temple’s magical reconstruction didn’t require any kind of exploitation or coercion, because labor in the super-universe isn’t really like normal labor.

But what about villains? Certainly, there are villains that enchant people to do their bidding, have disgruntled and/or underpaid staff, or even use slavery. That brings us to the third labor law of the superhero universes  — an equal and opposite to the first and second law. And it goes like this:

The villains alone are allowed to use coercive or exploitative labor. 

And: the villains’ coerced labor force may, from the heroes’ perspective, be viewed not as humans but as pawns who can be dispatched without thought for the human lives behind them. Maybe you’re a starving single mom who took a job as a janitor at Lex Luthor’s LexCorp, just to put food on the table. You clock in and out and don’t pay much attention to the rumblings of the megalomaniacal CEO; after all, a job is a job, and most CEOs are megalomaniacs these days.

But when the Justice League destroys your building and you die in a pile of rubble, your life won’t be counted among the casualties. After all, a bad guys’ evilness extends to his workforce — and they’re infinitely disposable, nameless faces to be punched, smashed, or vaporized.

Likewise, without giving anything away about the newly released movie, these two rules regarding coercive labor were also a major plot point in “Doctor Strange in the Multiverse of Madness,” in how they depicted the machinations between what makes Doctor Strange “good” and what makes Scarlet Witch “evil.”

The way labor is depicted in these movies is interesting because it’s unspoken — and whenever something is unspoken, that means that it is deeply rooted ideology.

Which brings us to the final law: All of a supervillain’s hired goons are considered to have the same totalizing physical and ideological dedication to their career, and as such:

The superheroes can dispatch the villainous labor force without hesitation nor regret. 

Elizabeth Olsen as Scarlet Witch in “Doctor Strange in the Multiverse of Madness” (Marvel Studios)Smash that hired goon’s face in, or toss the lackey off the moving vehicle; the signature on their paycheck attests to their complete dedication to the supervillain’s ideological project.

As much fun as it is to point out OSHA violations in the MCU, you might be asking what the larger point of this intellectual exercise actually is. First, the way labor is depicted in these movies is interesting because it’s unspoken — and whenever something is unspoken, that means that it is deeply rooted ideology, innate to the way that capitalism produces cultural products like movies. 

And second, inasmuch as superhero movies are often propagandistic in other ways — whether for their depiction of neoliberal values systems or as overt Defense Department propaganda — the way labor is depicted in these movies isn’t something that we often talk about. 

Goods do not emerge from thin air, nor do they emerge from selfless old butlers or ancient dwarf-gods.

Which is a shame, because this is propaganda that runs deep — and is enabled by a subterfuge occurring in these movies. The essential notion of superhero labor laws is this: that labor, done by anyone in these movies, is frictionless; that work and life are one. There is no direct “exploitation” happening on a real, apparent, material level; the conditions of workers’ exploitation are obfuscated. In other words, these films hide the truth at the heart of all labor: that all our buildings, cars, products, all the essence of life emerges from labor and exploitation. Goods do not emerge from thin air, nor do they emerge from selfless old butlers or ancient dwarf-gods. They come from humans with lives and families, sacrificing time that could be spent doing more productive things to make money for someone else and put a little food on the table.

Thus, the superhero world is a “post-labor” reality, one in which labor is no longer a factor that immiserates so many. And one of the ways that you can tell that there’s intention behind eliding depictions of labor is through the fact that there are many superhero parables that begin with poor superheroes, pre-superpower, working menial jobs: say, Spider-Man (an underpaid freelance photographer) or Deadpool (a disgraced ex-soldier) or Ant-Man (who has to resort to burglary for want of a job). For them, evolution into superherodom is an escape from the mundanity of wage labor, and provides them a means to leave “real” labor behind them. There’s something faintly sadistic about this trope, about imagining screenwriters rubbing the escapism in your face: Hey, do you hate your job? Well, you’ll never be a superhero, but at least you can escape into a world where labor doesn’t exist for a couple hours.

If these movies were any more “realistic,” the laborers tinkering in the background, serving the heroes’ food or sweeping their floors, would be the real heroes — without whom the Avengers skyscraper would collapse, the Batmobile engine would seize up, and the Fortress of Solitude would freeze solid.

Read more on superhero politics:

Jackie Robinson was a radical – don’t listen to the sanitized version of history

In our new book, “Baseball Rebels: The Players, People, and Social Movements That Shook Up the Game and Changed America,” Rob Elias and I profile the many iconoclasts, dissenters and mavericks who defied baseball’s and society’s establishment.

But none took as many risks – and had as big an impact – as Jackie Robinson. Though Robinson was a fierce competitor, an outstanding athlete and a deeply religious man, the aspect of his legacy that often gets glossed over is that he was also a radical.

The sanitized version of the Jackie Robinson story goes something like this: He was a remarkable athlete who, with his unusual level of self-control, was the perfect person to break baseball’s color line. In the face of jeers and taunts, he was able to put his head down and let his play do the talking, becoming a symbol of the promise of a racially integrated society.

With this April 15 marking the 75th anniversary of Jackie Robinson’s breaking baseball’s color line, Major League Baseball will celebrate the occasion with great fanfare – with tributes, movies, TV specials, museum exhibits and symposia.

I wonder, however, about the extent to which these celebrations will downplay his activism during and after his playing career. Will they delve into the forces arrayed against Robinson – the players, fans, reporters, politicians and baseball executives who scorned his outspoken views on race? Will any Jackie Robinson Day events mention that, toward the end of his life, he wrote that he had become so disillusioned with the country’s racial progress that he couldn’t stand for the flag and sing the national anthem?

Laying the groundwork

Robinson was a rebel before he broke baseball’s color line.

When he was a soldier during World War II, his superiors sought to keep him out of officer candidate school. He persevered and became a second lieutenant. But in 1944, while assigned to a training camp at Fort Hood in Texas, he refused to move to the back of an army bus when the white driver ordered him to do so.

Robinson faced trumped-up charges of insubordination, disturbing the peace, drunkenness, conduct unbecoming an officer and refusing to obey the orders of a superior officer. Voting by secret ballot, the nine military judges – only one of them Black – found Robinson not guilty. In November, he was honorably discharged from the Army.

Describing the ordeal, Robinson later wrote, “It was a small victory, for I had learned that I was in two wars, one against the foreign enemy, the other against prejudice at home.”

Three years later, Robinson would suit up for the Dodgers.

His arrival didn’t occur in a vacuum. It marked the culmination of more than a decade of protests to desegregate the national pastime. It was a political victory brought about by a persistent and progressive movement that confronted powerful business interests that were reluctant – even opposed – to bring about change.

Beginning in the 1930s, the movement mobilized a broad coalition of organizations – the Black press, civil rights groups, the Communist Party, progressive white activists, left-wing unions and radical politicians – that waged a sustained campaign to integrate baseball.

Biting his tongue, biding his time

This protest movement set the stage for Brooklyn Dodgers executive Branch Rickey to sign Robinson to a contract in 1945. Robinson spent the 1946 season with the Montreal Royals, the Dodgers’ top farm club, where he led the team to the minor league championship. The following season, he was brought up to the big leagues.

Robinson promised Rickey that – at least during his rookie year – he wouldn’t respond to the verbal barbs from fans, managers and other players he would face on a daily basis.

His first test took place a week after he joined the Dodgers, during a game against the Philadelphia Phillies. Phillies manager Ben Chapman called Robinson the n-word and shouted, “Go back to the cotton field where you belong.”

Though Robinson seethed with anger, he kept his promise to Rickey, enduring the abuse without retaliating.

But after that first year, he increasingly spoke out against racial injustice in speeches, interviews and his regular newspaper columns for The Pittsburgh Courier, New York Post and the New York Amsterdam News.

Many sportswriters and most other players – including some of his fellow Black players – balked at the way Robinson talked about race. They thought he was too angry, too vocal.

Syndicated sports columnist Dick Young of the New York Daily News griped that when he talked to Robinson’s Black teammate Roy Campanella, they stuck to baseball. But when he spoke with Robinson, “sooner or later we get around to social issues.”

A 1953 article in Sport magazine titled “Why They Boo Jackie Robinson” described the second baseman as “combative,” “emotional” and “calculating,” as well as a “pop-off,” a “whiner,” a “showboat” and a “troublemaker.” A Cleveland paper called Robinson a “rabble rouser” who was on a “soap box.” The Sporting News headlined one story “Robinson Should Be a Player, Not a Crusader.” Other writers and players called him a “loudmouth,” a “sorehead” and worse.

Nonetheless, Robinson’s relentless advocacy got the attention of the country’s civil rights leaders.

In 1956, the NAACP gave him its highest honor, the Spingarn Medal. He was the first athlete to receive that award. In his acceptance speech, he explained that although many people had warned him “not to speak up every time I thought there was an injustice,” he would continue to do so.

‘A freedom rider before the Freedom Rides’

After Robinson hung up his cleats in 1957, he stayed true to his word, becoming a constant presence on picket lines and at civil rights rallies.

That same year, he publicly urged President Dwight Eisenhower to send troops to Little Rock, Arkansas, to protect Black students seeking to desegregate its public schools. In 1960, impressed with the resilience and courage of the college students engaging in sit-ins at Southern lunch counters, he agreed to raise bail money for the students stuck in jail cells.

Robinson initially supported the 1960 presidential campaign of Sen. Hubert Humphrey, a Minnesota Democrat and staunch ally of the civil rights movement. But when John F. Kennedy won the party’s nomination, Robinson – worried that JFK would be beholden to Southern Democrats who opposed integration – he endorsed Republican Richard Nixon. He quickly regretted that decision after Nixon refused to campaign in Harlem or speak out against the arrest of Martin Luther King Jr. in rural Georgia. Three weeks before Election Day, Robinson said that “Nixon doesn’t deserve to win.”

In February 1962, Robinson traveled to Jackson, Mississippi, to speak at a rally organized by NAACP leader Medgar Evers. Later that year, at King’s request, Robinson traveled to Albany, Georgia, to draw media attention to three Black churches that had been burned to the ground by segregationists. He then led a fundraising campaign that collected $50,000 to rebuild the churches.

In 1963 he devoted considerable time and travel to support King’s voter registration efforts in the South. He also traveled to Birmingham, Alabama, as part of King’s campaign to dismantle segregation in that city.

“His presence in the South was very important to us,” recalled Wyatt Tee Walker, chief of staff of King’s Southern Christian Leadership Conference. King called Robinson “a sit-inner before the sit-ins, a freedom rider before the Freedom Rides.”

Robinson also consistently criticized police brutality. In August 1968, three Black Panthers in New York City were arrested and charged with assaulting a white police officer. At their hearing two weeks later, about 150 white men, including off-duty police officers, stormed the courthouse and attacked 10 Panthers and two white supporters. When he learned that the police had made no arrests of the white rioters, Robinson was outraged.

“The Black Panthers seek self-determination, protection of the Black community, decent housing and employment and express opposition to police abuse,” Robinson said during a press conference at the Black Panthers’ headquarters.

He challenged banks for discriminating against Black neighborhoods and condemned slumlords who preyed on Black families.

And Robinson wasn’t done holding Major League Baseball to account, either. He refused to participate in a 1969 Old Timers game because he didn’t see “genuine interest in breaking the barriers that deny access to managerial and front office positions.” At his final public appearance, throwing the ceremonial first pitch before Game 2 of the 1972 World Series, Robinson observed, “I’m going to be tremendously more pleased and more proud when I look at that third base coaching line one day and see a black face managing in baseball.”

No major league team had a Black manager until Frank Robinson was hired by the Cleveland Indians in 1975, three years after Jackie Robinson’s death. The absence of Black managers and front-office executives is an issue that MLB still grapples with today.

Athlete activism, then and now

Athletes still face backlash for speaking out. When NFL quarterback Colin Kaepernick protested racism by refusing to stand during the national anthem, then-President Donald Trump said that athletes who followed Kaepernick’s example “shouldn’t be in the country.”

In 2018, after NBA star LeBron James spoke about a racial slur that had been graffitied on his home and criticized Trump, Fox News’ Laura Ingraham suggested that he “shut up and dribble.”

Even so, in the past decade, athletes have become more outspoken on issues of racism, homophobia, sexism, American militarism, immigrant rights and other issues. They all stand on Robinson’s shoulders.

It was Robinson’s strong patriotism that led him to challenge America to live up to its ideals. He felt an obligation to use his fame to challenge the society’s racial injustice. However, during his last few years – before he died of a heart attack in 1972 at age 53 – he grew increasingly disillusioned with the pace of racial progress.

In his 1972 memoir, “I Never Had It Made,” he wrote: “I cannot stand and sing the anthem. I cannot salute the flag; I know that I am a Black man in a white world.

Supply chain issues are getting worse — and climate change is a main culprit

As the economy continues to falter, the name of the game is product shortages. Supply chain disruptions have left grocery store shelves bare, forced gamers to suffer console and headset shortages and led to microchip shortages across the electronics industry. Higher prices for consumer goods are partly a result of such shortages. Now that Republicans are drawing attention to a baby food shortage, the question seems to have been politicized: Should the supply chain issues be blamed on the party which holds power?

The answer is that our supply chain issues are global in scope — and in more ways than one. The product shortages are caused by the fact that most of our goods are transported across long distances to be used for manufacturing, sold or otherwise utilized. Imagine a giant spiderweb stretching all across the planet. Like a baseball smashing through each strand, unexpected problems can destroy key routes that allow our supply chains to operate.

RELATED: Thanks to climate change, supply chain disruptions are poised to be the new normal

That is why climate change in particular is expected to lead to many more product shortages. Dr. Thomas Goldsby, a professor of supply chain management at the University of Tennessee — Knoxville’s Haslam College of Business, tells Salon that volatile and unpredictable weather patterns will fundamentally change our economy.

“The frequency and severity of these unpredictable weather patterns alters consumer shopping behaviors and also the provisions that companies take to address them,” Goldsby explained. “Companies have to build in more redundancy in their production and distribution networks to compensate for this volatility — and that all comes at higher costs.”

In addition to altering consumer behavior, scientists agree that climate change will alter the physical landscape in a profound and transformative fashion. For one thing, sea levels are expected to rise; even as that happens, heat waves will cause widespread droughts. Both of these things will have consequences for the economy.


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“Take the alarmingly low levels of Lake Mead that supplies vital water to parts of Nevada, Arizona and California,” Goldsby pointed out. “Water supplies are cut and farms lack essential hydration to make them viable. Quality of life for non-farmers gets affected, too. I’m hearing the term ‘climate refugees’ with more frequency.”

“Basically starting around the 1970s and 1980s, there was a dramatic acceleration of something that had been going on for a long time — the movement of jobs.”

As is so often the case when it comes to climate change, marginalized communities are expected to take a disproportionate hit. As Shahram Azhar, an assistant professor of economics at Bucknell University, wrote to Salon last year that “climate change has a demonstrably negative effect on the planet’s natural ecosystem (pests, coral bleaching etc.) which is pivotal for agrarian production. For working-class people, this basically means more food insecurity, malnourishment, and poverty through rising food prices on the one hand and instability in jobs and incomes on the other.”

It is tragically unsurprising that climate change, is going to hit marginalized groups most hard when it starts to shut down supply chains. These expansive supply chains exist in large part because wealthy interest groups wanted to exploit cheap labor, says University of Massachusetts Amherst economist emeritus Richard Wolff. That is why the supply chain breakdown can be described as a “global” problem in more ways than one. Not only is it heavily impacted by global events like climate change, but supply chain breakdowns exist because of globalization.

“Basically starting around the 1970s and 1980s, there was a dramatic acceleration of something that had been going on for a long time — the movement of jobs, initially in manufacturing although it has since spread to services as well,” Wolff told Salon. “And the impetus was profit, as always. Profit is the bottom line. Profit is the goal of enterprise because that’s what capitalism does. And thanks in part to the technology of the internet and the technology of jet travel, which became normalized in those years, it was now possible to take advantage, and there were political conditions as well of much cheaper labor elsewhere in the world.”

“Capitalists are always stimulated, when wages go up, to find a workaround, a way to avoid paying them,” Wolff explained. 

As wages in Western democracies like the United States went up, companies realized they could increase their profit margins by manufacturing different products at various points all over the globe. With transportation and communication costs down, this would prove cheaper than using domestic labor. Once the inevitable lengthy supply chains were created, businesses could then claim that this was an inevitable outgrowth of the economy, as opposed to being the accumulation of deliberate choices that would likely not have been made if our global economic system wasn’t profit-driven.

“Capitalists are always stimulated, when wages go up, to find a workaround, a way to avoid paying them,” Wolff explained, elaborating that this spans from automation to outsourcing jobs. In the process, they leave consumers vulnerable to disruptions caused by environmental issues — and this even predated the age of climate change.

“When we created dust bowls in various areas back in the 1920s and 1930s, it permanently altered the landscape of this country in terms of where people live and work and so forth,” Wolff explained, referring to a series of dust storms that swept the American midwest due to poor agricultural practices. “Once you make the thing global by moving abroad, then you obviously become vulnerable to droughts and floods and anything else that happens now, not just in the continental US, but on a global scale. You either have to take the steps to avoid climate change, or you spend the money to accommodate the adjustment process that is involved.”

Wolff added, “The problem with capitalism is these issues take time and money, and they don’t want to do either.”

For more Salon articles on supply chain issues:

The Supreme Court guards its privacy. Too bad it doesn’t care about yours and mine

To use Justice Samuel Alito’s criteria in his recently-leaked draft opinion overruling Roe v. Wade, where is it written in the Constitution that practically everything that happens at the Supreme Court is secret?

The answer, my worthies, is that it is nowhere to be found in the Constitution. Secrecy — or, if you will, privacy — at the court is another one of those invented rights Alito and his pals are so fond of yapping about. The secrecy of that august body is almost absolute: Everything that happens at the Supreme Court, with the exception of its hearings and the publication of its decisions, is secret. The court maintains complete secrecy about how and why it chooses which cases to hear. The conferences held by justices during which they decide cases and record their votes is so secret they don’t even allow their clerks inside the doors when they consider the arguments on either side of a case. Most justices demand that their clerks take an oath to keep secret everything they learn while carrying out their jobs. 

There are no federal laws which mandate or govern the secrecy enjoyed by the Supreme Court. In fact, whoever leaked the Alito draft opinion cannot even be prosecuted, because he or she broke no law. There is nothing in federal statute or in the Constitution itself, for that matter, which mandates that draft opinions — or any other document produced at the court by the justices or their clerks or anyone else — be kept away from the prying eyes of the press or the public which, by the way, pays the salary of everyone working in that pile of Vermont and Georgia marble located just behind the Capitol. 

RELATED: Anti-abortion zealots target Sotomayor aide as source of leak: Their threats are no joke

If you listen to the justices themselves or so-called court-watchers or even members of the bar who practice before the Supreme Court, the reason for all the secrecy is tradition. It’s always been that way, and so it should remain. In other words, everything at the Supreme Court is secret because they say so. 

The assumption has always been that the court can make its own rules because, well, it’s the Supreme Court. It’s like saying the court is so supreme, it’s the highest law in the land. 

Except it isn’t. The highest law in the land is the Constitution, and all that document does is establish the existence of the court and mandate that judges be paid a salary and serve lifetime appointments and that they can be removed if they don’t maintain “good behavior” and lay out what kinds of cases over which the court has original and appellate jurisdiction. One clause in Article III has been interpreted to say that the Congress has power to regulate the court, such as to write the laws setting the number of justices and of course to pay for the court by using its power to raise taxes and pay for the various parts of the government, of which the court is one.

But the secrecy the court maintains for itself and the way it goes about its business? Nope. Nowhere to be found. What the court keeps to itself and what it makes public is not a matter of law; it’s a raw assumption of power it does not statutorily have. 


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The court does not allow the public to witness its deliberations, which  take place within its super-secret conferences of justices, nor does it publish any notes or records of those deliberations. The nine justices could be behind those closed doors trading votes or talking about friends of theirs who have interest in the case before them or doing favors for each other or for powerful interests within the country or even within the political parties or other branches of government, and we would have no way of knowing it. They could be exposing their own prejudices or extolling religious doctrine and beliefs and we wouldn’t know about that either.

What little we do know about how the court does its job comes from the papers of a few justices who upon their deaths have donated them to universities or, in the case of Justice Thurgood Marshall, to the Library of Congress. There is no Official Records Act that applies to Supreme Court justices, and because of that gaping hole in the law, they wholly own and control all the records they produce while on the court, and have full freedom to release them or refuse to release them or, as several justices have done, command that their papers are burned upon their deaths. The records of their service on the court are thus private. As citizens, we may pay for those papers with our tax dollars, but they don’t belong to us, to the government or even to history. They are the private property of the justices, and by what convention is this so? Because they say so

For all we know, the nine justices could be behind closed doors trading votes or doing favors for each other or following the orders of powerful interests. We don’t know, and they don’t have to tell us.

Most justices during recent times have donated their personal papers to colleges or universities with restrictions on when they can be released. The most common restriction is that a justice’s donated papers may be made public after the retirement or deaths of all the justices who served with him or her, apparently because they don’t want their buddies to suffer any embarrassment. The reason for this convention is because of  what Justice Marshall did: upon retiring, he donated his personal papers, some 170,000 items in all, to the Library of Congress and allowed them to be released upon his death, which occurred only two years later. 

The Washington Post and other news organizations quickly published several series of articles on the inside information about the court revealed in Marshall’s papers. His colleagues were sufficiently perturbed by this invasion of their privacy that they prevailed upon the Senate Government Affairs Committee to hold hearings on what should be done to protect judicial papers.

Chief Justice William Rehnquist made it clear that the justices were not pleased by the quick release of Marshall’s papers, but the Senate took no action to regulate the personal papers of the justices because, as the committee explained later, “the separation of powers and the traditions that surround the court, it is not clear what, if anything, Congress should do about regulating preservation and access.”

We could write this off to typical congressional stasis and inaction if it weren’t for the fact that the Congress had no such compunction when, after the Watergate scandal, it passed the Official Records Act, mandating that presidents preserve and keep all their records. It was correctly pointed out at the time that presidential records were the product of work paid for with taxpayer dollars. The same is true of the work papers of Supreme Court justices, of course, but at least until now, the impenetrable mysteries of the court have survived attempts to open up its records and deliberations to more public scrutiny.

The leak of the Alito opinion has changed things a bit, even though it was not technically the first leak of a Supreme Court decision. The original Roe decision, in fact, was leaked to a reporter for Time Magazine in 1972 and appeared in the magazine a few hours before it was publicly announced. That caused a brouhaha that, while now forgotten, created quite a political stir. The Time reporter was roundly attacked from all sides, including the Supreme Court bar and the press corps that regularly covered the court, for his outrageous violation of … well, what did he violate exactly?

Protocol. That’s what he violated, and that’s what the reporter or reporters for Politico who leaked the Alito draft violated, too. What is protocol? Well, the dictionary defines it as an official set of rules governing affairs of state or other governmental occasions. Protocols can be established by laws, but in the case of the Supreme Court, they aren’t. The court’s protocols exist because they say so. 

The whole thing about the Alito leak is something of a tempest in a teapot containing leaves we’re supposed to read about the court. The court has increasingly been seen as politicized in recent years, not least because one of our two political parties, the Republican Party, and the last president did not conceal their intentions to appoint arch-conservative justices who would carry out the will of the party and its adjunct, the Heritage Society, to overturn Roe v. Wade. The hypocritical political machinations gone through by Mitch McConnell to deny Barack Obama his appointment of Merrick Garland to the court — while performing an insta-confirmation on Amy Coney Barrett just a month after she was appointed and eight days before Joe Biden was elected president — have been beaten to death, so I won’t go into any of that now. Suffice to say that any claim that the Supreme Court is apolitical (which was always doubtful) has now become ridiculous. 

What remains is an uncomfortable truth about the Supreme Court: The justices, the clerks, and everyone who works there are public employees paid with taxpayer dollars. The Supreme Court building itself, constructed with tax funds during the public building surge of the Depression, “is a relatively new addition to its image,” having been constructed in 1936, as Politico pointed out in a story following its publication of the leaked Alito opinion. Before that, the court conducted its business out of the Capitol building, where only the chief justice had an office. The other eight justices worked at their homes. 

But even back then, the work the Supreme Court did was paid for by the public, and a good argument can be made that the public should have had more access to the court’s business, including its hearings, which while technically held in public are almost impossible to attend. It took the COVID pandemic, which forced the court to hold hearings by phone, for the Supreme Court to open itself to live broadcasts. Before that, if a reporter or member of the public wanted to hear the Supreme Court consider one of its cases, they had to stand in line, sometimes for hours or even days, to get one of the prized seats in the court reserved for the public. 

The court has consistently resisted calls to televise its hearings, citing bogus reasons, such as fear that lawyers will grandstand for the cameras or that demonstrators may interrupt the court seeking to publicize their opposition to one side or the other in the case being argued. This despite the fact that courts across the nation have opened themselves to televised coverage of trials and other proceedings without any major problems. 

In answer to a question in 2018, Chief Justice John Roberts even had the gall to assert, “It’s not as if we’re doing this in secret. We’re the most transparent branch in government in terms of seeing us do our work and us explaining what we’re doing.” Roberts appeared to be referring to the publication of Supreme Court decisions with their lengthy reasoning. But the court’s recent use of the so-called shadow docket to dispose of some of its most controversial decisions — such as an appeal of the recent Texas “heartbeat” anti-abortion law — without publishing opinions or even the individual votes of the justices proves that is just bullshit. 

The only law to which Supreme Court justices are subject that even marginally opens them up to scrutiny is the requirement that senior government employees file an annual financial disclosure form. But even that document, while revealing outside income and stocks and bonds held by justices, does not require them to list the amount of money they receive as gifts from corporations or overtly political organizations (such as the Heritage Society) in the form of free flights on corporate jets or stays at luxury resorts in the Caribbean or luxury hotels in Zurich and Rome while they give speeches or receive awards. And Supreme Court justices, like members of Congress and the president, are free to trade stocks and bonds based on information gleaned from the cases they decide. Justices don’t have to tell anyone what they’re doing because they say so.

Justice Antonin Scalia was notorious for accepting the largess of wealthy individuals, corporations and political organizations. Between 2004 and 2014, he took 258 subsidized trips to places like Hawaii, Ireland and Switzerland, according to the New York Times, without having to list the amounts of money involved in the payments made for his travel, accommodations, meals or anything else. In fact, Scalia died while on a hunting trip at a luxury preserve in Texas owned by John Poindexter, a wealthy industrialist from Houston whose firm had had cases before the Supreme Court while Scalia was a justice. Just before he died, according to the Times, Scalia had been on all-expenses-paid jaunts to Singapore and Hong Kong. Neither he or any other justices are required to list the amounts of free stuff they are given, nor are they required to recuse themselves from cases involving the people who have given them gifts of luxury travel and accommodations at resorts like the Texas hunting preserve owned by Poindexter.

Supreme Court justices officially earn just north of $200,000 a year, but they are able to live like millionaires on weekends and during their annual breaks for Christmas and summer holidays. They own all the product of the work they do, and they can use it to write books or give paid speeches and profit from the work we pay them to do. And they don’t have to tell us a thing about it. 

How can the court be expected to do its job when its privacy has been invaded? Such was the cry from the right-wing commentariat and sold-out congresscritters.

Last week, the curtain was pulled back just a bit on all the secrecy and privacy enjoyed by the justices of the Supreme Court when Politico got hold of the draft opinion overturning Roe written by Alito, a longtime abortion foe. Chaos ensued. How can the court be expected to do its job when its right to privacy is invaded in such an outrageous manner? That was the chorus heard from the conservative commentariat and sold-out congresscritters seeking to curry favor with their favorite justices. 

What right to privacy? The same right to privacy guaranteed by the 14th Amendment they’re about to throw in the trash when they throw out the right to abortion in Roe? It’s hard to keep a straight face as I type these words: Like everything else in the Constitution, the right to privacy is a right afforded to the following people, first among them Supreme Court justices. Supreme Court justices enjoy the right to the privacy of their chambers, the privacy of the conferences during which they decide the fates of others on a weekly basis, and the privacy of their personal papers, which they can do with as they please, because they say so.

Everybody else, get in line over there with your hands out, and we’ll see what privacy rights you’re entitled to. For the time being, you can marry whomever you want, you can practice sodomy in the privacy of your bedroom, you can use contraception to prevent pregnancy, and you can marry or have a relationship with a person of a race different from your own. All of those privacy rights are yours because they say so.

For now.

Meanwhile, stop peeking under our robes. What we’re wearing under there is private, don’t you understand?

Read more on the Supreme Court and the leaked Roe v. Wade opinion:

There is hope for coral reefs

Juli Berwald’s love affair with coral began when she saw her first reef in college — and it changed her life. Mesmerized by the beauty of these underwater animals, she set out on a path to study marine biology, eventually earning a Ph.D.

But events took her away from the sea and ocean research. Living in landlocked Austin, Texas, she became a science writer. Years later, on a family trip to the Caribbean, she dipped beneath the surface of the water again. This time she wasn’t greeted by vibrant colors and teeming life but by the quiet horror of a dead reef.

All the news she’d read about bleaching reefs and the myriad environmental pressures facing coral came viscerally to life. The grief from that experience stayed with her — along with a renewed concern for the future of the world’s coral reefs.

She channeled all that into a new book, “Life on the Rocks“, about the search for solutions and the science that’s driving “nuggets of hope” even in the face of a grave prognosis for corals. Already three-quarters of the world’s reefs have been damaged by warming ocean waters. Climate change poses existential threats to corals, and so do other human activities.

The book is also firmly rooted in time. In the years that Berwald spent researching and writing, her own life was a bit on the rocks as well. The story of coral is interwoven with a narrative about Berwald’s daughter suffering from a mental illness, a global pandemic upending life around the world, and a nation erupting in outrage over the murder of George Floyd and ongoing violence against Black Americans.

Berwald at first hesitated to include all those threads, but realized that climate change, racial justice and health are firmly intertwined. And sometimes, she says, we forget that science isn’t separate from the rest of life.

“Scientists are affected by sick children and political events, and I think we do a disservice to science when we don’t see it as part of what it is to be human,” she told The Revelator.

We talked to her about whether restoration efforts can be scaled, why the ocean needs an advertising agency, and what gives her hope.

You’ve been interested in ocean life for a long time. Why a book about coral and why now?

I grew up in the Midwest, and the first time I really realized there was an ocean on this planet was in college. I went to Israel and I was miserable with the program I was on. There was a marine ecology course offered for a week in the Red Sea, so I signed up on a lark.

When I put my head in the water for the first time and saw coral, I couldn’t believe we lived on the same planet with these animals. And these were animals that were building these forests, but they were like fairy lands. The incredible diversity of shape and form and texture I saw — it just changes you forever.

I fell in love with the ocean because of the coral. And then, of course, your career doesn’t always take you exactly where you want it to go. I thought I would study coral biomechanics because I was a math major, but that didn’t work out. I instead studied satellite imagery.

Sometimes you have to leave something behind in your life. And so I did. But then after my book Spineless, about jellyfish, came out in 2019, I’d sort of found an audience. I decided with a lot of trepidation that I needed to go back to the coral because it’s really the first great ecosystem on our planet that is threatened by climate change in a very critical and existential way.

I really wanted to go back and see how these animals — these great ecosystems that I first fell in love — are doing. What is the hope and what is the reality of what they’re up against?

What did you find are the biggest threats facing coral reefs?

Climate change is definitely number one on the list. If we don’t deal with climate change, the coral reefs have really big problems in front of them. It’s worth saying, though, that geneticists are finding incredible amounts of genetic diversity on the reef, and we don’t yet know how much that will allow them to adapt to this future warmer world.

Another big problem is water quality. Coral evolved in tropical waters where there aren’t a lot of nutrients. But once we started fertilizing land and having more people creating sanitation issues, there’s more nutrients in tropical places now and that’s hard for the coral to tolerate. It has led to a whole flurry of diseases that have knocked out a lot of coral.

The other thing that’s been really bad is overfishing and illegal fishing, which destabilizes ecosystems. But practices like blast fishing and cyanide fishing and just dragging nets and anchors over reefs can also physically damage reefs.

What is the role that algae play in coral reefs, and how is that changing with warming waters?

The reason that coral can exist and create these incredibly rich ecosystems in tropical places is because they form this amazing alliance with algae that live in their tissues. And those algae photosynthesize, and they feed up to 90% of the sugar that they make directly to the coral.

That gives coral this incredible power source, and with that they make the great limestone reefs everywhere.

But what happens is when the water temperature increases by a few degrees for a few weeks, that alliance breaks up. And that’s what bleaching is — the color of the coral comes from the algae, and without the algae the corals are just clear.

The question of why the alliance breaks up is a super-active area of research. We really don’t even know who throws the switch, which one goes first. Is it the coral kicking the algae out? Or is the algae saying, “See you, I don’t like being in this stressed animal”?

The cool thing is that it turns out the coral can make alliances with several different kinds of algae, and what the scientists are finding is that after bleaching sometimes a different species of algae will colonize the coral. And some of those species actually have higher thermal tolerances, so they can remain in the coral under hotter conditions. But some of these new algae are actually more selfish and they feed the coral less sugar. So there’s a lot of tradeoffs happening.

It could be that the coral can survive on these more limited energy supplies until we’re able to deal with climate change. It also may be that some coral can switch to these new algae and some can’t. There’s lots of possibilities, but it’s what scientists call a “nugget of hope.” It’s really an evolving story that’s fascinating.

You visited projects around the world focused on reef restoration. Which of those did you find particularly hopeful … and scalable? 

The scalable issue is the hardest part because reefs are massive. The Great Barrier Reef is bigger than Italy. When we think about restoring a few acres, and you compare that to the size of Italy, you see what a massive issue it is.

But one place where I saw a lot of hope was in Indonesia with a project by Mars, the candy bar company. It’s right in the middle of the coral triangle, which is the place of the highest diversity of coral in the world. This is between the Philippines, Papua New Guinea and Indonesia. There’s about 400 or 500 species of coral that live in that region compared to in the Caribbean where there’s about 40.

The problem in this part of Indonesia is blast fishing, where fishermen, driven by poverty, use explosives to collect fish, and that destroys coral. Even though it’s illegal, I heard one or two bombs explode every time I dove. But Mars, which has chocolate factories there, wanted to do something to bring back the coral reefs in this region.

They came up with this really simple rebar structure that’s about as big as if you put your arms out in a circle. It has six legs on it and you tie broken pieces of corals to each of the legs in certain places. And then network a whole bunch of them, like 100 or 200 or 300 together underwater, and stake them down on these reefs that have become rubble.

Within 18 months the corals regrow, and within three years, you can’t even see the rebar structures at all. And it feels like a very vibrant, beautiful, intricate reef. The cost per coral planted is about $1 to $2. That’s a great number because you have to replant hundreds of thousands of corals in order to make a reef healthy.

Then in the Caribbean, a lot of the corals aren’t really reproducing like they need to sustain themselves. So there’s neat projects going on with massive in-lab fertilizations, like these huge orgies, where they collect the coral spawn. Then they mix them all together and you get these larvae that they plant on Tinkertoy-shaped ceramic pieces.

Then they protect the coral and let them lay down their little baby skeletons and get big enough to have a better chance of survival once they put them on the reef. They’re able to replant tens of thousands at a time. Those projects are still ongoing, but hopefully that will help bulk up the amount of coral out there.

In the past we’ve sort of just looked at conservation in the ocean, like “let’s just protect regions and the ocean will come back.” But scientists have realized that coral are in such dire conditions, and it’s such a critical time for them, that we have to actively go out there and do things to make the reef more healthy [while efforts are ongoing to fight climate change].

At the same time coral scientists are actively looking for genetic strains that are more resilient to the thermal changes that are happening.

It seems there’s more reporting and concern now about climate change — at least as it concerns what’s happening on land. Is the story about what’s happening in the ocean being conveyed well enough?

I would say no. In the book one of the people who I follow is Richard Vevers, who’s in the documentary Chasing Coral, which follows the terrible coral bleachings in 2016 and 2017. He’s an advertising executive who started an advertising firm — the Ocean Agency — to get information to people about what’s happening to coral.

As I’ve followed him, I’ve seen his frustration at trying to get people to understand just how dire things are, and also how important coral is as an ecosystem. The numbers are stunning. A quarter of all marine species depend on coral at some point in their life. And between a half a billion and a billion people depend on coral ecosystems for their primary source of protein.

He gets so frustrated that some see coral as a lost cause already and throw up their hands. And that politicians are just not taking climate change as seriously as they should be. I recently spoke to him about the next [international global climate meeting] COP 27, which will be in Sharm El-Sheikh, Egypt. That’s on the edge of the coral reef where I first fell in love with corals.

These corals — their lives, their futures — will be decided just a few miles away up on land by people sitting in these convention halls. Richard wants to take the people from that meeting out onto this reef to say, “This is literally what’s at stake here.”

Republicans want Supreme Court demonstrators arrested. Is that legal?

Hundreds of pro-choice demonstrators have gathered outside the homes of conservative Supreme Court Justices Samuel Alito, Brett Kavanaugh, and John Roberts since a draft decision reversing Roe v. Wade, the landmark 1973 decision affirming America’s constitutional right to abortion, leaked. The protests – featuring signs, chants, and candle-lit vigils – have remained peaceful demonstrations. But while no threats or acts of violence have been reported in connection to these demonstrations, Republicans are already tarring them as immoral, illegal, and even terroristic, going so far as to call on the Justice Department to prosecute individuals. 

On Wednesday, Sen. Tom Cotton, R-Ark., said that the protesters “should be arrested for protesting in the homes of judges, jurors and prosecutors.”

RELATED: “Clean up your mess”: Cops called to home of Sen. Susan Collins over chalk protest

“There is a federal law that prohibits the protesting of judges’ homes,” Cotton told NBC News. “Anybody protesting a judge’s home should be arrested on the spot by federal law enforcement. If [protesters] want to raise a First Amendment defense, they are free to do so.”

“The President may choose to characterize protests, riots, and incitements of violence as mere passion,” Sen. Chuck Grassley, R-Iowa, echoed in a Wednesday letter to Attorney General Merrick Garland. “But these attempts to influence and intimidate members of the federal judiciary are an affront to judicial independence.”

The Republican governors of both Virginia and Maryland, where the three justices’ homes are located, have also joined the chorus, urging Garland to “provide appropriate resources to safeguard the justices and enforce the law as it is written.”

Even some Democrats came forward to condemn the demonstrations, including most notably Sen. Dick Durbin, D-Ill., who this week went so far as to call the protests “reprehensible.”

“Stay away from the homes and families of elected officials and members of the court,” Durbin told CNN. “You can express yourself, exercise your First Amendment rights, but to go after them at their homes, to do anything of a threatening nature, certainly anything violent, is absolutely reprehensible.”

RELATED: Virginia’s GOP Gov. Glenn Youngkin hit by conservatives for failing to crack down on SCOTUS protests

To make their case, Republican pundits and politicians have for the most part hung their hat on an esoteric legal statute, first enacted in 1950, that makes it illegal to picket or parade “in or near a building or residence occupied or used by [a] judge, juror, witness, or court officer” with “the intent of influencing [that] judge.” The statute, 18 U.S. Code § 1507, is seemingly designed to protect members of the judiciary from protests that might obstruct justice through fear or intimidation and was first enacted as part of the “Internal Security Act of 1950,” a McCarthy-era law that sought to address fears that communism was creeping into the judiciary. 

Historically, the courts have hewed closely to laws that protect juries and justices from any outside political influences, as Law & Crime noted. Still, the legality of the protests remains something of an open question.

Alvin B. Tillery, Jr., an associate professor of political science at Northwestern University, told Salon that it’s unlikely this week’s demonstrations would be ruled illegal under 18 U.S. Code § 1507.

“I always have read [that statute] as ‘impeding the officers ability to get to the court, or from the court to take part in proceedings’ … or terrorizing them with loudspeakers in front of their houses,” he explained in an interview. “There’s really no interpretation by which one could say that [the protests are] untoward or illegal in my understanding of the law and the Constitution and the history of protest in our country.”

Anuj C. Desai, a professor of law at the University of Wisconsin, expressed a little more doubt, arguing that the statute could be applied. But still, he added, very little case law in the U.S. has actually ventured into the territory of the situation at hand.

“I think if [the protesters] did get prosecuted, there would be reasonable arguments about the interpretation of the statute that have not played out in the courts.”


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One pertinent legal case, Desai said, is Cox v. Louisiana, a 1965 case in which the Supreme Court affirmed a state law that made picketing before a courthouse illegal. The case specifically centered on Benjamin Elton Cox, a civil rights activist who was convicted of disturbing the peace after organizing a thousands-strong march outside of a Baton Rouge courthouse. The facts around Cox v. Louisiana “were relatively sympathetic” for the protestors, DeSai said, “and the Supreme Court still said [Louisiana’s statute] is carefully drawn.” 

Another past case that stands out, as The Washington Post notes, is Frisby v. Schultz, which stems from a 1988 picket organized in Brookfield, Wisconsin by two anti-abortion activists outside the home of an abortion doctor. Both activists claimed that a town ordinance banning the demonstration violated their First Amendment rights. Citing “a special benefit of the privacy all citizens enjoy within their own walls,” the Supreme Court ultimately upheld the ordinance, arguing goals of the protests could be achieved through other means of communication.

“I do not believe that picketing for the sole purpose of imposing psychological harm on a family in the shelter of their home is constitutionally protected,” wrote then-Justice John Paul Stevens, adding that there is “little justification for allowing them to remain in front of his home and repeat it over and over again simply to harm the doctor and his family.”  

Apart from local ordinances, like Wisconsin’s, a judge might also consider state codes. This strategy could prove especially successful in Virginia and Maryland, both of whose criminal statutes put a strong emphasis on the preservation of the home as a place of tranquility.

“The practice of picketing before or about residences and dwelling places causes emotional disturbance and distress to the occupants,” states the Maryland criminal code. “The purpose of this practice is to harass the occupants of the residences and dwelling places.”

Virginia statutory law imposes a similar restriction: “Any person who shall engage in picketing before or about the residence or dwelling place of any individual, or who shall assemble with another person or persons in a manner which disrupts or threatens to disrupt any individual’s right to tranquility in his home, shall be guilty of a Class 3 misdemeanor.”

RELATED: Right-wing Twitter is obsessed with the Supreme Court leak — but there’s a human cost

All a prosecutor would need to do, then, under Virginia or Maryland law is establish that the demonstrations disrupted the tranquility within Alito, Kavanaugh, or Roberts’ homes.  

But if prosecutors were to argue that the demonstrations violated 18 U.S. Code § 1507, they would have to establish that the protesters intended to distress these three justices – a task which would likely require a lot of heavy lifting, suggested Sheila Bedi, a clinical professor of law at Northwestern University.

“A prosecutor could look at things like notices of the protest, if there’s any social media posts, but again, I think it’s highly unlikely that anybody out there protesting really believes that Justice Alito is going to change his opinion as a result of the protests. And because of that, I think anybody who was charged under the statute would have a strong defense,” Bedi said. “I think the reality is that the movement has known that this was a possibility for a long time because of the organizing that happened on the right. And this is about harnessing the political moment far more than it is about trying to influence the judges.”

RELATED: Samuel Alito’s use of ancient misogyny: SCOTUS rewinds to centuries-old common law for abortion ban

Desai likewise said that prosecutors would be bedeviled with “proof problems” relating to mens rea, or the state of mind protesters were in during the demonstrations. “This one just looks like it would be that aspect of it that would be hard to prove,” Desai said. 

Thus far, the Justice Department has not signaled that it will be pursuing legal action against any of the demonstrators, and there have been no arrests at this point. Department spokesperson Anthony Coley on Wednesday said that the agency “continues to be briefed on security matters related to the Supreme Court and Supreme Court justices.

Grandmother “terrified” after New Mexico MAGA audit group sent alleged sex offender door-to-door

An election “audit” carried out by Donald Trump supporters sent a purported sex offender knocking on doors in New Mexico to investigate baseless claims of voter fraud.

Newly revealed communications show Otero County residents expressing concerns to elected officials about the door-knocking campaign, saying they had heard a sex offender had been sent out to investigate conspiracy theories promoted on the “New Mexico Audit Force” channel on Telegram, reports The Daily Beast.

“My neighbor was a volunteer for [children’s aid group] CASA and she recognized someone who came to her door asking how she voted in November 2021 as someone who either was convicted or pleaded guilty to sex with a child,” a Otero County resident wrote on Feb. 23. “She is terrified. She has grandchildren she cares for. Did the County perform background checks on the volunteers going to voters homes?”

The commissioner forwarded the message to county attorney R.B. Nichols, who then texted the group’s leader, Erin Clements, asking whether background checks were performed.

“No,” Clements replied. “we’re not doing formal background checks. Please have this person call me if they’d like to discuss any concerns they have.”

The county attorney passed Clements’ number on to the concerned resident, but Nichols said the county had not investigated the allegation.

“The county’s position is that those were volunteers,” Nichols said. “We weren’t supervising or running the canvassing. Those were all volunteer efforts.”

The Daily Beast was unable to verify the allegations about a convicted child sex offender working with the group, and it’s not clear what involvement the group has with the county.

Emails obtained by the American Civil Liberties Union of New Mexico show county officials discussing a possible audit with Clements in November 2021, and pro-audit commissioner Couy Griffin — who was recently convicted for his involvement in the Jan. 6 insurrection — told the group the county would likely approve the effort if it cost less than $50,000.

Clements presented a proposal for the audit in December to be conducted by the tech company EchoMail, which worked on the Arizona election audit, and she and her husband made another presentation the following month at a county commission meeting, and a draft was later circulated but never ratified showing the county would sign off on the audit if canvassers did not portray themselves as government authorities.

“I was visited yesterday by two ‘Otero County Canvassing’ officials, as they stated they were,” wrote one man after the volunteers started knocking on doors. “They wanted to ask me a few questions. I answered on my video doorbell, and stated I was not interested and to have a good day. The gentleman pressed me to answer a few questions, again I stated I was not interested and to have a good day. Upon leaving the lady stated ‘Did you vote, it says here you voted.’ This is all on video and record. They clearly represented themselves from ‘Otero County Canvassing.'”

The “shadow Trump administration” quietly undermining Biden’s agenda

Former President Donald Trump appointed more than 200 judges to the federal bench during his four years in office. Immigration advocates say those judges today are operating like a “shadow Trump administration” as they decide cases in which President Joe Biden has sought to undo some of his predecessor’s strictest policies.

As NPR reports, lawyers for Arizona, Louisiana and Missouri went “judge shopping” when they wanted to go to court to challenge the Biden administration plan to lift Trump’s Title 42 pandemic border restrictions. Title 42, under the guise of COVID-19 safety, gave the federal government the power to return migrants at the southern border to their home countries without affording them a hearing.

Instead of filing the challenge in a court in a state capital or near the border, they opted to bring their case in the Western District of Louisiana where it will be heard today in oral arguments in front of a Trump-appointed judge.

U.S. District Judge Robert Summerhays is scheduled to hear oral arguments today in a courthouse in Lafayette, LA, which is more than 500 miles from the U.S./Mexico border.

Immigrant advocates say states are deliberately steering cases to federal judges appointed by Trump, where they believe they’ll get a sympathetic hearing.

“To date, these states have brought no less than 17 lawsuits challenging President Biden’s immigration moves,” said Karen Tumlin, the founder of Justice Action Network, on a call this week with reporters. In effect, these states are using the courts to “keep a shadow Trump administration in office on immigration issues,” she said.

“Firestarter” taught me the mighty power and powerlessness of childhood

“Firestarter” is hot. It’s not only that the 1984 classic has been given the Blumhouse Productions remake treatment, out in theatres and streaming on Peacock, but the beloved ’80s ensemble “Stranger Things,” which seems heavily influenced by the Stephen King story, returns to Netflix this month. 

“Firestarter” was one of star Drew Barrymore’s first films, after “E.T.,” and it helped launch her career. Nominated for her first Golden Globe that year for her performance in “Irreconcilable Differences,” she was 7 years old at the time.

As a child of the ’80s, I also strongly linked “Firestarter” with “Escape to Witch Mountain,” the 1975 film where children have powers, powerful men want them and keep the children prisoners in a rich estate. As in “Firestarter,” there are horses (classic manipulation tactic for psychic little girls).

Does “Firestarter” hold up? It never really held much to begin with — Roger Ebert gave it two stars, and most critics reacted similarly — but the film still looms large in the ’80s imagination. Like some children, I bet, I saw the movie on afternoon television when I was too young to have done so. It was remarkable at the time to see a little girl, a child my age, conjuring forces, withstanding brutal heat, killing people. 

It taught me the power of children (good practice for when I became a parent). But “Firestarter” also reminds me of the powerlessness of being young and the consequences of not being listened to, of never being believed. 

RELATED: The Salon Interview – Stephen King

Based on a 1980 King novel, 1984’s “Firestarter” is about a little girl, Charlie (Barrymore), who develops pyrokinesis, the ability to create and control fire with one’s mind. Charlie has inherited her physic ability after her parents Vicky (Heather Locklear) and Andy (David Keith) both participated in a paid scientific experiment as college students where they were given a hallucinogenic solution known as LOT-6. As a result of the experiment, Vicky developed the power to read minds while Andy acquired the ability to control minds (though not without increasing pain and harm to himself). Charlie can see into the future as well. 

These were years of dark and weird deaths, even in children’s shows, even from household appliances.

As you might imagine, the government is interested: specifically, a shadowy operation known as the Shop. They want to turn young Charlie into a weapon and dispose of her parents. 

Charlie is a powerful character, and portraying her was an emotional experience for the child actor. As an adult Barrymore told ET Canada: “when you’re seven and you think you can blow people away with a fireball it’s really empowering.” Not only does Charlie conjure fire hot enough to cause a concrete wall to burst into flames, but wind picks up when she uses her powers, brushing her feathered blond hair back like a supermodel. This is an iconic image “Stranger Things” paid homage to in one of its season 2 posters. 

“Stranger Things” also recalls “Firestarter” from big plot points (secret government operations in a small town, children inheriting psychic abilities after their parents participate as youth in LSD-like experiments, nosebleeds when Andy uses his powers) to minor details (white vans, men in silver fire suits).

Like Eleven, Charlie barely breaks a sweat when she conjures flames, though hurting people causes her emotional torment. She’s caught in a confusing and ethically nebulous position; her parents, especially her dad, want her to control and mind her fire, yet they also want her to turn it on their enemies at a moment’s notice. 

In her child’s mind, she conflates accidentally minorly burning her mom with her mom’s (unrelated) death — something I also linked together when I was a child watching. Though tame for 2022 (I wonder what Blumhouse is going to do here), the original film does have some grotesque moments, made more horrifying by their confusing brevity, like Vicky’s death. Another example: the other participants in the experiment don’t fare as well as Vicky and Andy, with one man seemingly gouging out his eyes. 

These were years of dark and weird deaths, even in children’s shows, even from household appliances. The spinning clothes dryer in “Firestarter,” with blood drops around it, and the folding ironing board, took on menacing, larger than life qualities for me, as the blender and microwave did in “Gremlins.” 

At every turn, her physical appearance as “a pretty little miss” is remarked upon.

Charlie can’t stop obsessively feeling guilt about her mom. Along with her powers of fire and telling the future, she has a strong sense of moral justice, more developed than most of the adults around her. She burns a man verbally abusing and dismissing his very pregnant girlfriend. As Andy says, her power “always goes out at somebody you don’t like.” 

Charlie also adapts. She’s a natural-born criminal because she’s had to be. When she and Andy go on the lam, running from the Shop, she lies with ease. She doesn’t break their cover, and gets upset at her dad when he does. 

But for all her professionalism, Charlie is still very young. Her emotions flip quickly, something Barrymore does masterfully, switching from fine to petulant to rage-filled to sorrowful. That’s just being a little kid. The difference is, her meltdowns can kill people. And the way other people talk to her and treat her regarding her ability, even her parents, not only illustrates her power, but her powerlessness.

Yes, she can conjure a fireball. But her dad physically shakes her when she goes too far. She’s manipulated into performing displays for the Shop. And at every turn, her physical appearance as “a pretty little miss,” as the farmer who stops to help her and Andy says, is remarked upon.

Charlie may have powers. But she’s also a child, a girl child at that. Probably the best example of the powerlessness that comes along with that is her relationship with John Rainbird: George C. Scott playing a Native man who’s a Shop assassin disguised as an orderly who befriends Charlie. Whew. John is pretending to be Charlie’s friend to get her to do what the Shop wants. But his price is that he wants her afterward, when the Shop is through with her, in part because, as he says, she’s so young and beautiful. 

It’s hard being a little girl. Most of us can’t obliterate creepy old men with a fireball that comes from our brain.

It’s impossible to watch the original “Firestarter” without reading some darkness here, even beyond the assassin’s obvious psychopathy. He desires to be the one to kill her. Does he want more than that? When John tries to shoot Charlie, he insists she look him in the eye and he tells her he loves her. (Insert gagging sounds from my son, a young horror fan, who I introduced to “Firestarter” on this rewatch.)


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It’s hard being a little girl. Most of us can’t obliterate creepy old men with a fireball that comes from our brain. So, good on Charlie. She uses what she has. And while she’s not a manipulator — as my son pointed out, she’s a good liar but she trusts the wrong people  –  she turns people’s belief in her gift (that she can control it, that it’s not that extreme) against them. Underestimating any child, especially a girl, is a bad idea.

The “Firestarter” remake is in theaters and streaming on Peacock. Watch a trailer for it below, via YouTube.

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5 horror movies on Netflix to stream on Friday the 13th

Friday the 13th is coming so, of course, those looking to celebrate the inauspicious day are in search of movies to watch. Streaming will be your best bet to find terrifying tales for this unofficial holiday. If you’re looking for horror movies on Netflix, we’ve got you covered!

While the streamer has more than one classic, we’ve decided our list of five thrillers would run the gamut of horror potential. From period pieces like “We Summon the Darkness” to the teen slasher “Fear Street,” there’s something on our list for the most enthusiastic fans of the genre and those who just like to dip into a slasher for the holidays to get their thrills, chills, and frights.

Also on our list is a reboot of a classic starring two CW stars. Horror is typically the genre many actors start out in or TV celebrities end up leading. Remember, the ’90s and ’00s were fueled by thrillers starring Hollywood’s most sought after heartthrobs and leading ladies. That’s been less of the case in the decades that have followed, but it’s still nice to see familiar faces from our favorite television shows. There’s even a film with a “Stranger Things” actress on this list.

So, without further ado, here are five horror movies on Netflix to watch on Friday, May 13!

Horror movies on Netflix to stream on Friday the 13th

“Friday the 13th” (2009)

Cast: Jared Padalecki, Danielle Panabaker, Amanda Righetti, Derek Mears, Travis Van Winkle, Aaron Yoo, Jonathan Sadowski, Julianna Guill, Ben Feldman, Arlen Escarpeta, Ryan Hansen, Willa Ford, Nick Mennell, America Olivo, Kyle Davis, and Richard Burgi

Synopsis:

This reboot sees “Supernatural‘s” Jared Padalecki in the lead role as Clay Miller, a young man in search of his missing sister at Crystal Lake. His search, however, puts him in the path of the hockey-masked serial killer, Jason Voorhees. In a night, he and the other young adults at the camp site, will never forget, Clay will have to fight to survive. The movie also stars “​​​​​​​The Flash’s Danielle Panabaker.

The Conjuring (2013)

Cast: Patrick Wilson, Vera Farmiga, Ron Livingston, Lili Taylor, Shanley Caswell, Hayley McFarland, Joey King, Mackenzie Foy, Kyla Deaver, Shannon Kook, John Brotherton, Sterling Jerins, Marion Guyot, Morganna Bridgers, and Amy Tipton

Synopsis:

When the Perrons moved into their Rhode Island farmhouse, they’d anticipated an adjustment period as they got used to their new home. The family didn’t realize that the house came with occupants of the supernatural variety until strange and terrifying incidents began to happen.

Unsure of how to cleanse their home of spirits, the Perrons reach out to Ed and Lorraine Warren, paranormal investigators and demonlogists who may have the solution to their horrifying problem. “The Conjuring” is the first movie in a series.

“Hush” (2016)

Cast: John Gallagher Jr., Kate Siegel, Michael Trucco, Samantha Sloyan, and Emma Graves

Synopsis:

From the mind of Mike Flanagan and Kate Siegel, Hush is a horror movie that plays into its lead’s experience of the world. Maddie Young is both mute and deaf. She’s also a critically acclaimed writer whose book, “Midnight Mass,” has received rave reviews. In order to capture more success, Maddie sequesters herself in a house in the woods. Her decision, however, puts her in mortal danger when a masked killer appears in her window.

“We Summon the Darkness” (2020)

Cast: Alexandra Daddario, Keean Johnson, Maddie Hasson, Amy Forsyth, Logan Miller, Austin Swift, Johnny Knoxville, Allison McAtee, and Tanner Beard

Synopsis:

When Alexis, Val, and Beverly head out on a road trip to a heavy metal concert, they’re expecting a great show and some wild times. What they get, however, are some unexpected new friends and a satanic murder spree that upends their plans.

“Fear Street Part One: 1994” (2021)

Cast: Kiana Madeira, Olivia Scott Welch, Benjamin Flores Jr., Julia Rehwald, Maya Hawke, Charlene Amoia, David W. Thompson, Darrell Britt-Gibson, Ashley Zukerman, Fred Hechinger, Jeremy Ford, and Matthew Zuk

Synopsis:

The first movie in the “Fear Street” trilogy will have you hooked and ready to dive deeper into this film series. It all starts in Shadyside, a town notorious for its murder rate. Deena and her friends accidentally awaken a legendary witch who’s hellbent on punishing the town’s residents for what was done to her 300 years ago. Expect blood, gore, and flashbacks mixed in with a little teen romance, angst, and a killer soundtrack.

Farewell, Fred Ward, best buddy ever

In my first glimpse of Fred Ward, he was snoring, sleeping it off in a dusty sleeping bag in the back of a truck in the 1990 film “Tremors.” After his friend and fellow handyman Valentine “Val” (Kevin Bacon) decides to wake him roughly by pretending a stampede is approaching in the Nevada wilderness, Ward snake crawls out of the truck, landing in the dirt. Still in the sleeping bag, he lifts his head up to reveal an unmistakable expression: one eye squinted, his mouth open in a Popeye snarl. 

Ward was a leading man who often played the sidekick. He died on May 8 at the age of 79, as reported by his publicist Ron Hofmann. No cause of death has yet been given. 

RELATED: The baptism of Nic Cage in the bloodbath of “Mandy,” one of the actor’s most underappeciated roles

As NPR wrote, Ward “brought gentlemanly gruffness to films.” He was handsome enough to be the star, but frequently played second fiddle to stars like Bacon, Leslie Nielsen and Clint Eastwood, who headlined the film in which Ward got his first big break, 1979’s “Escape from Alcatraz.” Ward first started acting in Europe, dubbing Italian films. He had served several years in the U.S. Air Force, and then studied acting at Herbert Berghof’s Studio in New York.

Ward was also a former boxer who had his nose broken multiple times in the ring. His tough but gentle mannerisms, combined with, as IMDb writes, “[His] looks often saw him cast as law enforcement or military characters.” His publicist described his career choices as “unpredictable.” 

In “Tremors,” older (but not grumpier) than Bacon’s Val, Ward’s character Earl repeats his tall tales, yet also keeps track of the two’s agenda: “Here it is Monday, and I’m already thinking of Wednesday.” Ever the philosopher handyman, “I ask you, is this a job for intelligent men?” he questions Val as the two attempt to fix a barbed wire fence. He dreams of “real employment” and when the duo literally run into an attractive seismology student, Earl steps aside, allowing Val to become the hero of the film and get the girl.

This didn’t make a whole lot of sense to me as a young viewer of the film, not understanding stars and star billing. Earl was smarter than Val, Ward more attractive than Bacon in his mullet phase and unlike Val who dismisses the grad student initially because she’s not the bombshell of his dreams (and collaged on the back of his driver’s mirror), Earl is continually kind to her. And to everyone.

Kindness is the main takeaway from a lot of Ward’s performances, even when he’s kicking ass and taking names in one of his many action roles (he was named one of the 10 Top Action Film Stars by Action Film Magazine in 1990). There’s heart beneath his grit, a trustfulness and intelligence behind his sly grin. He made Henry Miller not seem like a creep but joyful and loving in “Henry & June,” gave an astronaut vulnerability in “The Right Stuff.”

But I’ll always remember him as Earl.


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“Tremors” was one of my favorite films from childhood, a creature feature exciting enough to keep my horror-loving heart enthralled but relatively tame enough to screen for my less-bloodthirsty friends at sleepovers. There are curse words, but despite the monster that starts killing townspeople, not much gore. It’s the film I’ve probably re-watched the most, after Jim Henson’s “Labyrinth.”

The lesson I take from Ward’s performance is how to be subtle but effortlessly magnetic in every scene. The lesson I take from Earl is how to be good.

Earl chastises Val for being shallow when it comes to love, but his character is nothing if not loyal and he will stand by Val come romantic relationships, new job or weird giant slugs that try to eat people. In “Tremors,” as in so much of his work, Ward embodied the best buddy. You could count on him.

Born in San Diego in 1942, Ward leaves behind his wife of 27 years, Marie-France Ward and a son Django Ward.  

Farewell Fred Ward, film’s wingman and the best friend a star — or a starry-eyed kid — could hope for. 

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“Pleasure” is a gutsy, empathetic film about the ambitions of porn stardom

In director/cowriter Ninja Thyberg’s auspicious film debut, “Pleasure,” Bella Cherry (Sofia Kappel) arrives in LA from Sweden full of aspiration and determination. Underneath her self-confidence, however, belies an air of fragility and insecurity. This is a story of a 19-year-old girl who is eager to enter the adult film industry. What drives Bella to do what she does in front of (and behind) the camera — fame, money, the joy of sex — is deliberately left ambiguous in a film full of explicit sex scenes.

Thyberg’s feature is expanded from her 2013 short of the same name. The story follows the rather conventional arc of a young actress looking to make it in Hollywood. It presents the industry in a matter-of-fact way and addresses issues of consent and control. It is compelling (and depressing) even if it does not reveal anything particularly new.

The characters may be uninhibited — the full-frontal nudity by both women and erect men is plentiful — but “Pleasure” is rarely erotic. The various sex scenes are appealing and fascinating because of how Bella experiences them. Kappel’s performance is sensational, and not because she is “adventurous” on screen doing explicit acts. The actress (in her screen debut) engages viewers emotionally with expressions that range the gamut from boredom to anger, jealousy to acceptance. Plagued with self-doubt, she calls home for a pep talk from mom. Ambitious, she betrays a friend for the sake of her own career. And self-aware, she apologizes to a costar after a difficult shoot. But she often has agency. Even as she makes poor choices, Bella endears herself to viewers as she observers and absorbs things about the industry in her efforts to achieve her goal of being the next big porn star

RELATED: Making “Bad Luck Banging or Loony Porn” required a “banal” sex tape to test how we police each other

Watching the crew on her first shoot care for Bella — who is so green she doesn’t know about douching — is oddly touching. Bella is asked about “nos, dos, and don’ts” when she is doing her initial paperwork and she listens to the useful tips and coaching she receives. When the filmmaker is reassuring as Bella experiences a bout of stage fright, his compassion allows Bella to perform well. Taking sticky selfies after her first scene, Bella lets her guard down and is funny, even playful. A star is born — but will she survive and thrive, or crash and burn? 

“Pleasure” portrays the ups and downs in the industry as Bella sets her sights on becoming an A-list “Spiegler Girl,” like Ava (Evelyn Claire), a cool beauty who bewitches her. The allure of this celebrity is emphasized in the film; it involves photo shoots, interacting with fans at conventions, developing social media content and followers, and building oneself as a brand. “Pleasure” never lets viewers forget porn is a business. The behind-the-scenes peek at this insular world may be what is most alluring here, and Bella is a terrific tour guide, even as viewers watch her prepare herself for anal, which she is initially reluctant to do.

PleasurePleasure (Neon)

At a networking party Bella meets porn director Aiden Starr (playing herself) and gets cast in a “rough shoot” for her. The episode, which again involves a crew taking considerable care of Bella’s safety — she is tied up throughout — empowers her. “I’m submissive,” she says, almost gleefully afterwards, as if discovering something she didn’t know about herself. Such are the layers of Kappel’s performance.

However, another rough shoot is less protective and more intense. Scenes of the director cajoling Bella to finish filming is easily the creepiest scene in “Pleasure.” Moreover, it prompts Bella to cut ties with her agent Mike (Jason Toler). An amusing line in the film refers to porn agents as pimps. Hoping to advance (or relaunch as it were) her career, Bella does an extreme fetish job for no pay to prove herself. The sequence is handled with considerable empathy — perhaps too much.  


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Significantly, “Pleasure” only touches on the real dark side of the industry. Women (and men) in porn battle drug abuse and addiction, poor/unsafe working conditions, employment discrimination, low/unequal wages, physical and psychological abuse, pregnancy, STDs, and other health issues, and more — but little of that is covered here. (The film drops a few hints to these issues.) However well researched and respectful Thyberg’s film is, the lack of the seedy underbelly inadvertently glamorizes this business. Tellingly, a scene where one of Bella’s roommates, Joy (a feisty Revika Reustle) is harassed and abused by her male scene partner, Ceasar (Lance Hart), who has a beef with her, does not go as far as it might even as it makes its valid point about how women are belittled and debased — and that they do the more difficult work. It underlines an earlier scene of Bella’s roommates talking about wanting more power in an industry that generally exploits them. 

Thyberg is not being exploitative here; she is telling a story that happens to be set in the adult film industry. But it ultimately feels more conventional and less critical than it could, or should, be. “Pleasure” is a gutsy, well-made, and purposeful film. It provides a cautionary tale that only warns, “Be careful what you wish for.”

“Pleasure,” which is unrated, releases Friday, May 13. Watch a trailer for it below via YouTube.

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Astronomers capture the first-ever image of our own galaxy’s supermassive black hole

As one might imagine of a massive, collapsed star within which the laws of physics seemingly break down, black holes occupy a special place in human culture — spurring all kinds of creative science fiction, creative real physics theories, and creative metaphors. Yet even as we gape in awe at the astronomical bodies first known to theorists as “dark stars,” we still have not been able to image the incredibly massive black hole at the center of our own galaxy, and around which the rest of the galaxy’s stars spin.

Until now, that is.

Scientists from the Event Horizon Telescope Collaboration (EHT) announced on Tuesday that they had coordinated eight synchronized telescopes around the world to capture an image of Sagittarius A*. Four million times more massive than our own sun, Sagittarius A* has long been theorized to be a supermassive black hole, but experts could not know for sure because of the difficulties of imaging that part of the sky with great precision. The new image shows a ring of orange and golden light that becomes particularly bright in three locations. In the center, and colored black, is a slightly-bean shaped hole.

RELATED: Astronomers see a big boom when a black hole’s magnetic field suddenly flips over

“Although we cannot see the black hole itself, because it is completely dark, glowing gas around it reveals a telltale signature: a dark central region (called a ‘shadow’) surrounded by a bright ring-like structure,” the astronomers explained in a statement. One of them, EHT Project Scientist Geoffrey Bower from the Institute of Astronomy and Astrophysics in Taipei, added in the statement that “We were stunned by how well the size of the ring agreed with predictions from Einstein’s Theory of General Relativity. These unprecedented observations have greatly improved our understanding of what happens at the very centre of our galaxy, and offer new insights on how these giant black holes interact with their surroundings.”


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The first-ever direct image of a black hole was obtained in 2019, and was the culmination of years of astrophotography and research. That black hole was the supermassive black hole at the center of the galaxy M87, which has a mass of about 6.5 billion suns and is 50 million-light years away. Sagittarius A* is a mere 27,000 light-years away, far, far closer; yet because of its position in the night sky and the relative clear field of view, it was easier to image a distant galaxy’s black hole before seeing our own.

It must be emphasized that, while we are in one sense seeing the black hole, in another sense the very concept of “seeing” one of these objects is absurd. The term “event horizon” is more than the title of a classic 1997 sci-fi horror film. It refers to the threshold which surrounds every black hole, and through which nothing can escape. The gravitational force is so strong that everything which falls in stays within the black hole forever. 

This, naturally, includes light itself. That is why, to “see” a black hole, what you really observe are the objects that orbit around it, sometimes very close and very fast. That includes the accretion disk, the accumulation of space junk — gas and dust – that whips around most black holes near the event horizon, generating a faint aura of light from the heat of collision and motion.

“Some of it’s falling in, some of it just forms this disc around it and that stuff glows,” Seth Fletcher, the Scientific American chief features editor who wrote a book about the EHT, recently explained. “The black hole, because of the way it warps space, time around it, because of the incredible force of gravity, it casts a shadow against that glowing matter — and so that’s actually what we see in this picture.” 

Saying that this is a long-distance photograph would be a drastic understatement. We live in a barred spiral galaxy, or one that swirls around with waving arms and has a bar-shaped structure in the middle composed largely of stars. Our planet is located in one of those spiral arms, and Sagittarius A* is 27,000 light-years away. This means that if one were traveling at the speed of light, it would take us 27 millennia to reach Sagittarius A* from our celestial home.

The research team from EHT which made this discovery published their findings in the scientific journal The Astrophysical Journal Letters. In closing the announcement of their discovery, they noted that more than 300 people from across the globe participated in this effort, and EHT has more ambitions.

“Since those observations, the EHT has continued to observe and to grow in its capabilities through the addition of new stations, the widening of bandwidth, and the introduction of a higher frequency capability,” they wrote. “Existing and new observations with the EHT of Sgr A* and M87* coupled with innovations in analysis and theoretical modeling will drive discovery in these unique laboratories for black hole physics.”

While black holes that weigh at least 4 times the mass of our sun are routinely created in supernova explosions of massive stars, supermassive black holes like Sagittarius A*, which weigh millions or billions of solar masses, emerge differently: either through a bizarre process of gas coalescing in the early universe; or when thousands of stellar black holes merge over billions of years; or a combination of both. Supermassive black holes have unique properties compared to their much smaller peers. Some scientists theorize that, because of the great distance between its event horizon and its central singularity, if one fell into a supermassive black hole, one would not immediately be stretched to oblivion by its immense tidal forces as one would in a quotidian black hole of 4 to 100 solar masses. Rather, an observer falling into a supermassive black hole might have a few hours or more of time before they were killed by tidal stretching; in that span, if they were to look back out of the black hole, and towards the event horizon, they would see future events in nearby space happening at a hyper-accelerated pace, as outside time would appear to speed up as they approach the singularity. Unfortunately, this observer would never be able to communicate this information as there is no escape. 

For more Salon.com articles about black holes:

Wanda was supposed to “kill more” people in “Doctor Strange 2”

“Doctor Strange in the Multiverse of Madness” is currently tearing up the box office, and for my money, easily the best thing about it is Elizabeth Olsen as Wanda Maximoff, aka the Scarlet Witch. We saw a little of Wanda’s dark side come out in “WandaVision,” but nothing in there prepared us for the horror she would bring in “Multiverse of Madness.” Wanda is a vicious villain in this, killing anyone who stands between her and reuniting with her children in an alternate universe.

In fact, Wanda is so extreme in this movie that it’s kind of hard to wrap your head around the idea that this is the same woman from “WandaVision.” And according to Olsen, things were originally supposed to be even grimmer. “I was also supposed to kill more,” she told Variety. “I had a hard time with it. I was like, these are human beings and Wanda is OK with ending their lives? But I just had to buckle down and think all these people are in her way and she’s warned Doctor Strange [Benedict Cumberbatch] not to get in her way. And he did. He didn’t listen. And so I just had to go from that point of view.”

The movie does point out the evil spellbook Wanda is using — the Darkhold — can corrupt the user. So that could be an explanation for why Wanda is suddenly so hardcore, although that’s less satisfying to me than developing a proper character.

Why didn’t Wanda look for Vision in “Doctor Strange in the Multiverse of Madness”?

Another thing Marvel fans noticed about the new movie is that while Wanda is desperately searching for some version of the children she created in “WandaVision,” she doesn’t seem to be thinking about their “father” Vision (Paul Bettany). Surely there are versions of him out there in the multiverse, but we see Wanda zero in on an alternate version of herself who’s living with her two sons. Vision is barely mentioned in the movie, even though there’s an all-white version of him flying around the normal MCU; we met him at the end of “WandaVision.”

Olsen gave her take on this absence to Collider:

I think the main reason when we would talk about if there is this multiverse, and in the version of the universe this woman wasn’t with Vision. We liked having that be a mystery. For some reason he’s not in her world. I always thought of her as more of a domestic Wanda. They got divorced. They’re separated. She’s not wearing a wedding band for a reason. Like those kinds of things. We liked the idea of her being on her own. The idea really is that the most important thing once you become a mother in the world are your children, and that’s why.

Either that or there was some contract thing with Paul Bettany. Maybe some insider will tell us at some point.

Will Wanda return to the MCU after “Doctor Strange in the Multiverse of Madness”?

Finally, there’s a million-dollar question: Will Eilzabeth Olsen return to the MCU as Wanda? True, this movie ended with her collapsing a temple around herself, seemingly dying, but does anybody believe that’s going to stick?

“I think fans usually have the best ideas and I genuinely don’t know where we go from here and what the limitations are of the MCU because I don’t follow what their plans are,” Olsen told ComicBook.com. “I feel like the fans always know what the plans are, even when they’re not announced. And so I don’t.”

That said, Olsen is optimistic she’ll be back. “It’s weird that I’m expecting to return but no one’s told me I’m doing anything!” she told Variety. “But in my mind, I’m just making the assumption that they’ll have me again. I don’t know to what capacity, but I hope I’m back. I hope there’s also more fun to be had in something different. Where do we go? I feel like we’ve done so much with her. It’s been really a wild couple years with her.”

One option: Wanda could be part of however Marvel introduces the X-Men into the MCU. After all, in the comics, Wanda is the daughter of the mutant Magneto. “Someone just said, ‘Because you’re bringing in X-Men, Wanda’s a part of the X-Men franchise. Why can’t Wanda be there too?’ In my mind I’m like, ‘Yeah. Why can’t Wanda be with the X-Men too?'” Olsen told Collider. “I have no idea. I don’t know what I want. I know I want it to matter. There’s no reason to continue to tell these stories unless they’re really strong, good stories, and that they’re adding something to the entirety of the MCU. I will be there if there’s a great idea.”

In fact, Olsen even has ideas of what she’d like to do with the character next. “There are a few images in my head of, I think they’re from Witch’s Row, as she’s aging and decaying, while using her power and there’s something in that, this older woman, who’s aging from her power, that I’m interested in,” she told ComicBook.com. “And I don’t really know what that means, but I kind of would love to be old.”

Georgia election official allowed conspiracist to breach voting system in search of “fraud”: report

A former Georgia county elections supervisor opened her offices to an election-denying businessman shortly after the 2020 presidential election, granting access to voting equipment that election-deniers claim was vital to rigging the election, according to a Washington Post report.

Misty Hampton told the Post that she cannot remember when the walkthrough took place or what was done during the visit but recalled giving access to Scott Hall, the owner of a Georgia bail bond business. 

“I’m not a babysitter,” she reportedly said of her past role in the Coffee County office.  

RELATED: Trump’s Georgia election revenge plot backfires: Every poll shows his candidate losing “bitter” race

In an interview with Post, Hampton said that she was unaware that the visit might contravene the state’s guidance barring voting equipment from being released to the public. 

“I don’t see why anything that is dealing with elections is not open to the public,” Hampton said. “Why would you want to hide anything?”

Even though Donald Trump had won the county by a 40-point margin, many election officials “voiced suspicions of fraud” after the 2020 election, according to the Post. Hampton reportedly spread the baseless notion that “rogue” administrators might have tampered with the ballots in order to give then-President-elect Biden a bigger edge. 

Hall’s visit first came under federal scrutiny as part of a months-old lawsuit filed by the Coalition for Good Governance, which calls into question the integrity of Georgia’s election system. Court documents related to the suit reportedly reveal a March 2021 call between Hall and Marilyn Marks, the executive director of the Coalition for Good Governance, during which Hall told Marks that he chartered a plane to transport people to Coffee County in order to copy voting data.

RELATED: Georgia Republicans speed through another massive “anti-voter bill” inspired by Trump’s Big Lie

The group reportedly “went in there and imaged every hard drive of every piece of equipment,” Hall said in the phone conversation. “We basically had the entire elections committee there,” he added. “And they said: ‘We give you permission. Go for it.'”


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According to the Post, Hall and Hampton were accompanied by one county elections board member, Eric Chaney, during their visit. 

On January 6, 2021, during the Capitol insurrection, Hampton reportedly texted Chaney that Hall was considering analyzing “our ballots from the general election like we talked about the other day.”

Chaney’s lawyers told the Post that the elections officer does not know Hall and did not take part in any visit where people “illegally accessed the server or the room in which it is contained.”

By May of that year, after Hampton had been fired over a separate offense, her replacement, James Barnes, found a business card belonging to Cyber Ninjas, the Florida-based firm that led a carnivalesque “forensic audit” of the election in Arizona’s Maricopa County. After Barnes sent an email regarding the business card to Georgia Secretary of State Brad Raffensperger, state officials replaced the elections server in Coffee County with a new one. Last month, attorneys for Raffensperger claimed that a former elections official reportedly changed the password for the old server, rendering it impossible for other officials to gain access. 

Hampton’s office tour is just the latest in a pattern of improprieties by GOP election officials at the state and local level. As the Washington Post notes, suspected and attempted breaches in election security have prompted multiple investigations in states like Ohio, Colorado, and Michigan