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In “The Other Fellow,” real people named James Bond reveal the blessing and curse of the 007 moniker

What’s in a name? Plenty if your name is Bond. James Bond. Matthew Bauer’s illuminating documentary, “The Other Fellow,” explores the lived realities of those individuals who have the name James Bond. Some, like New York theater director James Alexander Bond, are born with it. Some, like James Bond, Jr. and James Neal Bond, have it handed down to them by their fathers. And others, such as Gunnar James Bond Schäfer, have adopted it. There are also cases of James Hart (nee Bond) disowning it, and another James Bond whose name was legally changed to match that of the super spy. Lastly, there is the original James Bond, an ornithologist whose “flat, quiet name” was co-opted by Ian Fleming for his fictional character. 

Bauer’s film explores the “blessing and curse” of being known as James Bond. Gunnar James Bond Schäfer embraces the identity to creating a Bond Museum, while James Alexander Bond trades on his name only when gets paid — as when he plays himself for a commercial. “The Other Fellow” shows how the famous name is a double-edged sword. It can be helpful or cause a real issue as in the case of two Bonds — one white, one Black — who recount how their name, respectively, got them released and arrested after an encounter with the police. 

The filmmaker spoke with Salon about his new documentary and the myth of and experience being James Bond.

So, I have a James Bond story. When I got a landline in 1993, the last four digits of my phone number were 1007. It gave me a little, unexpected cachet. Do you have a James Bond story?

You’re not going to believe this, but my phone number also ends in 1007. I purchased it off eBay for 10 pounds. Sam Mendes, who directed “Skyfall,” his phone number also ends in 007. What’s interesting is that that was how I got a flavor of what it is like for the subjects of my film. You probably got a bit of that as well. But whenever I have to hand over that number, especially in England, I get a joke about half the time. I try to hide it half the time to stop the joke from happening. So, my James Bond story is just like yours!

What image do you have of James Bond? What does he mean to you and what is our collective fascination with him?

I grew up as a James Bond fan. I discovered him when I was 8 years old. I came in while my father was watching a James Bond film on TV. It wasn’t, “Who is this guy?” It was, “Oh, that’s James Bond.” This was a term I heard in the zeitgeist. James Bond was an interesting part of my upbringing. I’m a gay James Bond fan. Surprisingly, there are a lot of gay James Bond fans out there. It was a weird dichotomy of being really into this figure of masculinity. When I came out to my mother, the first thing she said to me was, “What happened to my little James Bond?” As if the Bond fandom thing put them off the scent, if you will. From that experience, I got an interesting viewpoint on Bond and its place in our conceptions of masculine identity.

Bond is the 20th century’s epitome of that alpha male figure in a very “duty free store” way with the tie-in products. You know what cologne he wears, the cigarettes he smokes, the vodka he drinks, what kind of the car he drives. There’s a commercial masculinity there, the kind you can buy. Frankly, it’s been acknowledged that James Bond is a bit naughty and a bit un-PC. People think that it’s only in 2023 that we came up with the idea that he’s out of date, but in 1969 the flower power generation was saying this — and that is part of the mystique as well, this idea of a certain masculinity from slightly previous age. 

How did you meet the various James Bonds and get them to participate in “The Other Fellow”? 

I had the idea out of nowhere. I went on Facebook and LinkedIn to look for real James Bonds. On Facebook, they are all called Bond James because you can’t actually be James Bond on Facebook. I wrote to them and said I am considering making a documentary, have you got any stories to tell? I expected all the stuff we give you in the first part of the film — all the Aston Martin jokes, and the name is good for picking up women, that sort of thing— but the first one who wrote me back was the last James Bond in the film. That story was one I was never expecting. When I spoke with the other James Bonds in my research, his story made more sense, that was my impetus to say there was a film here. James Hart is the most like Bond, but he struggled the most. I wanted to find Bonds who were the opposite of our conception of James Bond and when you do that, you find diversity. Whenever a new Bond is being chosen, a lot of right-wing media does the clickbait thing that the new James Bond is going to be Black or gay or a woman – even though the producers have never said this! But we kind of went down that road a bit with a homosexual James Bond, and a Black James Bond

The Other FellowThe Other Fellow (Gravitas Ventures)

As the subjects recount their experiences you use interviews, archival and news footage, and recreations. Can you also talk about assembling the narrative to tell the story? 

We didn’t want to make some crazy, tongue-in-cheek documentary. The film never stops and comments that this film is about these guys named James Bond. We wanted to focus on the subjects and their stories. I wanted the subjects in the film to be active not passive. We see the Swedish James Bond turning into James Bond, and the New York James Bond dealing with being in the media and making commercials while “Spectre” is being released. With the Indiana James Bond, it involves the police. Through these dramatic storylines, we found moments that are more cinematic than Bond-esque, but it allowed us to have shots of police and helicopters and people on the run. The most fun we had was with our composer when we went to big Bond music. There is a cut to the aerial of Atlantic City, NJ. We had Bond-esque title card and shots of casinos, but it’s like Trump casinos, so we had the composer do the most lush James Bond intro possible so it calls out to the Bond films but in opposing ways.

Gunnar James Bond Schäfer actively emulates Bond in part because he wanted a role model. In contrast, James Alexander Bond is hardly the suave, womanizing Bond of fiction as he is a gay theater director. Another James Bond is a daredevil, and seen jumping out of a plane, but having no love or for or connection to the character. How did the dozen or so James Bonds you met in this project lean into or subvert your expectations of Bond’s masculinity? 

We tried to find a variety of people who had different points of view. We worried about it being repetitive. If everyone was like James Alexander Bond and bitched for two hours, this film wouldn’t work. With Gunnar, we were cognizant that the film needed someone who loved James Bond to act as a counterpoint. Another story, we wanted an instance where the name had done a profound amount of good. In terms of the masculinity thing, they all have different takes on it, but the most interesting story for me is James Hart who changes his name. He is James Bond’s age, he is incredibly handsome like James Bond, and English like James Bond. He’s the most James Bond of all of the subjects and he found it the worst and changed his name. He took his wife’s name when he got married, which is an emasculating thing, but he did that to get away from this thing. Our gay James Bond and our Black James Bond, contrary to what I was thinking going in, it is actually easier for them because they can fall back on, “I’m different from him because I’m gay or my skin color.” But for the guy most like James Bond, it made not living up to the masculine archetype harder.

You present the stories in a very non-judgmental way, and your film presents the original James Bond’s wife, Mary Wickham Bond (Tacey Adams in the recreations), writing Fleming a letter threatening to sue him for defamation of character. Do you think these folks have a case? Is there a harm being done? 

I don’t think any of my Bonds have a case against Ian Fleming. What frustrates me with some reactions to the film is that it can’t be that bad. The film isn’t about how terrible it is to be James Bond. But it’s about more than people complaining about their name. Fleming chose real people’s names, but then he outed those people in the press and said, “I stole it from this specific person,” which made them the object of press attention. I can see a slight wrong being done there. In the UK we had the great brutalist architect, Ernö Goldfinger. Fleming hated his buildings and used his name as the villain in one of his novels, and that got Goldfinger’s back up. He got his lawyers involved. And they had to put a disclaimer in the book. I wanted to include that in the film but there wasn’t time. Fleming loved [ornithologist] James Bond’s book and used it to name his hero. The fault of it is sheer popularity. Millions of fictional characters are named constantly. Bond happened to be the most famous name in the world, and it had an unexpected longevity to it. He didn’t want a ’50s noir hero name like Bulldog Drummond. Bond is an ageless name. Peregrine Carruthers. He wanted a flat quiet name. Bond is an ageless name.

What do you think about parents who name their children after someone famous or a reluctance that these James Bond have about changing their names legally, as some do? 

A lot of people we spoke to get an association with this film that I didn’t expect in that they have some “name thing.” 


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Yes, my last name is Kramer, so I got “Kramer vs Kramer” growing up, then “Seinfeld” came out, and . . .

We spoke to a reporter named Josh Gay, who is straight, and has spent his life receiving homophobic abuse because of his name. Someone called Hannibal gets Lecter jokes. I didn’t find one case — and there isn’t one in this film — where parents are idiots and called their sons James Bond for a laugh. It’s easy to go to that place and call those parents stupid. But in my film, the James Bonds were born in either the ’60s or the ’70s, and a sequel was a new concept. Sure, it was a character in a film, but we didn’t expect these films to go on forever. By 1971, they were halfway through adapting Fleming’s books. There are millions of people called Bond out there, and 1% of those decided to call their son James. The people in the film were named that because there is family lineage reason. Or there’s someone like Gunnar, who changed his name to it. But I never came across someone who did it for frivolous reasons. I’m sure they are out there, but I didn’t find them for this film.

Who is your favorite Bond actor from the Hollywood films? 

My favorite Bond is Roger Moore because he was my first. I think most people’s first James Bond is their James Bond. I have a lot of time for Timothy Dalton. I think he’s absolutely wonderful as well. I wish there were more of his movies.

And who is your favorite Bond in “The Other Fellow”?

There’s a Bond in the film that is my favorite character and telling their story has been meaningful for me. But I don’t want to spoil that. 

“The Other Fellowis in select theaters, and expanding to other markets, as well as on demand Feb. 17.

We need a bigger recovery “tent”: It’s time to think beyond 12-step programs

Though being fifteen years into rock-solid recovery from opioid addiction, I have intimately experienced a wide variety of treatment modalities, many mandated at the time by the medical board and the courts. Through the treatment I’ve provided as a doctor to thousands of patients suffering from addiction – from the super-rich, to other doctors to the homeless, for all sorts of addictions — I feel certain that there needs to be a Copernican revolution around how we view recovery.

Two of the main components of a healthy and successful recovery program are medications that can greatly assist treatment (e.g., methadone, Suboxone, and, increasingly, psychedelics and cannabis) and peer support. Arguably, these are the two magic ingredients. Unfortunately, due to the ideological vise grip that the at-times cult-like Alcoholics Anonymous (A.A.) has had on the recovery world since it burst onto the scene in 1937, these two critical components are on a collision course with each other.

Time to enter a more modern age

It is worth noting that A.A. was established and took root in 1937, before we had modern medicine, current study designs, neuroimaging, plausible theories of addiction or any medications to help addiction. At A.A. meetings, hundreds of which I’ve been forced to attend, one has very little sense that anything from the modern world has seeped in since 1937, except for more contemporary brands of cigarettes and coffee – the “good drugs.” How is it that this old-fashioned, non-science based, and very religion-y ideology has cornered the market of our modern, medical recovery paradigm almost a century later?

The “twelve step” groups and programs are unquestioningly very helpful to a self-selecting group of people. I’ve had friends solidly recover through A.A. Yet, we need to challenge the ‘abstinence only’ model that A.A. has imposed on tens of millions of us in the recovery community. There are several issues here, such as the Puritanical idea is that if you’ve ever used one intoxicating or potentially enjoyable drug, you can’t ever use a different one for the rest of your life — “One is too many, 1000 is never enough.” If an unhappy youth was addicted to cocaine at age twenty, according to doctrine, he or she can’t safely enjoy a glass of wine with dinner in his or her 50’s. There is no evidence for to support such a draconian rule.

More concerning, according to a hardcore but hardly uncommon interpretation of the 12-step ideology:  you aren’t really in recovery if you are on Suboxone or methadone, or other potentially pleasurable or abusable drug (e.g., valium for anxiety), even if they are prescribed by a doctor and are being used solely to help with your addiction or your mental health.

Medications work

Thousands if not millions have used cannabis to transition off of opioids, alcohol and other deadly drugs, or to minimize their dangerous usage. 

Medications such as Suboxone (buprenorphine) and methadone offer a 50 to 80 percent reduction in overdosages and deaths. These are a critical treatment that need to be made more widely accessible, without stigma or barriers. At my hospital, Massachusetts General, we view the use of these medications, for the disease of addiction, as analogous to the use of insulin for diabetes. No one says, “You aren’t really in recovery from diabetes because you are cheating by taking insulin.” Yet stories abound of people, early in recovery, hanging on by a thread, being shamed at A.A. and N.A. meetings due to their usage of these medications.

Recently, there has been an explosion of interest in, and studies demonstrating, the helpfulness of psychedelics such as psilocybin mushrooms and LSD, to treat a wide variety of addictions, including two of the deadliest: opioids and alcohol. Ironically, the founder of A.A., Bill Wilson, used LSD to facilitate his recovery from alcoholism. He believed it could help with the “spiritual awakening” so critical to recovery.  Yet he still somehow managed to come up with a rigid abstinence-only paradigm.

What about cannabis?

Most Americans have woken up to the fact that they’ve been sold a bill of goods about cannabis and stand behind legalization. Cannabis certainly has its potential harms, especially for teens and pregnant/breastfeeding women, but, for countless other patients, it can be a relatively non-toxic remedy for a wide variety of symptoms and maladies. Thousands if not millions have used cannabis to transition off of opioids, alcohol and other deadly drugs, or to minimize their dangerous usage. I have had great success with this in my practice and this is what harm reduction is all about. In my own struggle with opioid addiction, cannabis was indescribably more helpful than anything else was in alleviating the soul-crushing withdrawal effects from abrupt opioid cessation.

While cannabis can be addictive, it is less addictive than alcohol and opioids, and the quality of the addiction usually tends to be less life-destroying. No one is robbing pharmacies. We are learning more, every day, that the “gateway hypothesis”, which claims that cannabis use leads to other drug use — a foundational talking point of the War on Drugs – has no evidence to support it. For many, cannabis has proven to be a ‘gateway’ off of alcohol, opioids and other drugs, rather than a gateway onto addition. Many people are choosing to be “Cali Sober” – meaning, no drugs except cannabis, and they seem to be doing quite well, though this needs further study.

(Disclaimer: In my practice, I treat active opioid addiction with Suboxone not with cannabis, as there is a far better evidence base for this practice).

We need a bigger recovery tent

If the hardcore denizens of A.A. dismiss methadone and Suboxone – both FDA approved meds — one can only imagine how they many of them may view psychedelics and cannabis. However, times change, and we need to break with the old ideologies when they stop helping many of us. We need to provide a ‘big tent’ for people limping into recovery, so that they feel welcomed. We need to provide a tent that freely includes methadone, suboxone, cannabis and psychedelics.


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It is cruel and dangerous to stigmatize and shame people – many of whom are barely holding it together in early recovery. Further, there is no evidence for the morally stark, abstinence-based mode of recovery. The one credible study I’ve seen, published in JAMA in 2014, showed that “As compared with those who do not recover from a Substance Use Disorder (SUD), people who recover have less than half the risk of developing a new SUD. Contrary to clinical lore, achieving remission does not typically lead to drug substitution, but rather is associated with a lower risk of new SUD onset.”  The hard work of getting yourself into recovery teaches you the tools and coping mechanisms to keep you healthy and safe.

We need a bigger recovery tent, one that incorporates the last century or so of both lived experience and scientific discovery. Clinicians and scientists need to meet people where they are. So does the recovery community. Rather than shunning people, let us embrace them. Getting into recovery from my opioid addiction was the most difficult thing I’ve ever done. The stakes truly are life and death. Let’s welcome all of my brothers and sisters in recovery — from all backgrounds, with different philosophies and definitions of recovery — into our shared goal of a healthy way of being in the world, together, free of the death grip which our respective “drugs of choice” formerly had on us.

A new rating system aims to help shoppers parse which foods are more and less healthful

Many people aim to start the year off with healthier food choices. But how do you choose between seemingly similar foods, snacks or beverages? How does a bagel with cream cheese compare to toast topped with avocado, for instance? Or a protein-based shake compared to a smoothie packed with fruits? Or two chicken dishes, prepared in different ways?

As nutrition scientists who have spent our entire careers studying how different foods influence health, our team at Tufts University has created a new food rating system, the Food Compass, that could help consumers and others make informed choices about these kinds of questions.  

Food rating systems explained

Many such systems exist and are widely used around the globe. Each one combines facts about different nutritional aspects of foods to provide an overall measure of healthfulness, which can be communicated to consumers through package labels or shelf tags. They can also be used to help guide product reformulations or socially conscious investment goals for investors.

Examples of common systems include Nutri-Score and Health Star Rating – widely used in Europe, the U.K., Australia and New Zealand – and “black box” warning label systems, which are increasingly used throughout Latin America.

All such food rating systems have strengths and limitations. Most aim to be simple, using data on just a few nutrients or ingredients. While this is practical, it can omit other important determinants of healthfulness – like the degree of food processing and fermentation and the presence of diverse food ingredients or nutrients like omega-3s and flavonoids, plant compounds that offer an array of health benefits.

Some systems also emphasize older nutrition science. For example, nearly all give negative points for total fat, regardless of fat type, and focus on saturated fat alone, rather than overall fat quality. Another common shortcoming is not assessing refined grains and starches, which have similar metabolic harms as added sugars and represent about one-third of calories in the U.S. food supply. And many give negative points for total calories, regardless of their source.

 

           


           

Enter the Food Compass

To address each of these gaps, in 2021 our research team created the Food Compass. This system assesses 54 different attributes of foods, selected based on the strength of scientific evidence for their health effects. Food Compass maps and scores these attributes across nine distinct dimensions and then combines them into a single score, ranging from 1 (least healthy) to 100 (most healthy). It incorporates new science on multiple food ingredients and nutrients; does not penalize total fat or focus on saturated fat; and gives negative points for processing and refined carbs.

We have now evaluated 58,000 products using Food Compass and found that it generally performs very well in scoring foods. Minimally processed, bioactive-rich foods like fruits, veggies, beans, whole grains, nuts, yogurt and seafood score at the top. Other animal foods, like eggs, milk, cheese, poultry and meat, typically score in the middle. Processed foods rich in refined grains and sugars, like refined cereals, breads, crackers and energy bars, and processed meats fall at the bottom.

We found Food Compass to be especially useful when comparing seemingly similar food items, like different breads, different desserts or different mixed meals. Food Compass also appears to work better than existing rating systems for certain food groups.

For example, it gives lower scores to processed foods that are rich in refined grains and starch and to low-fat processed foods that are often marketed as healthy, like deli meats and hot dogs, fat-free salad dressings, pre-sweetened fruit drinks, energy drinks and coffees. It also gives higher scores to foods rich in unsaturated oils, like nuts and olive oil. Compared with older rating systems, these improvements are more aligned with the latest science on the health effects of these foods.

We also assessed how Food Compass relates to major health outcomes in people. In a national sample of 48,000 Americans, we calculated each person’s individual Food Compass score, ranging from 1 to 100, based on the different foods and beverages they reported eating.

We found that people whose diets scored higher according to Food Compass had better overall health than those with lower scores. This includes less obesity, better blood sugar control, lower blood pressure and better blood cholesterol levels. They also had a lower risk of metabolic syndrome or cancer and a lower risk of death from all causes. For every 10-point higher Food Compass score, a person had about a 7% lower risk of dying. These are important findings, showing that, on average, eating foods with higher Food Compass scores is linked to numerous improved health outcomes.

 

Fine-tuning

While we believe Food Compass represents a significant advance over existing systems, more work is needed before it can be rolled out to consumers.

As one step, we’re investigating how the scoring algorithm can be further improved. For example, we’re considering the most appropriate scoring for food items like certain cereals that are high in whole grains and fiber but are also processed and have added sugar. And we’re looking at the scoring of different egg, cheese, poultry and meat products, which have a wide range of scores but sometimes score a bit lower than may make intuitive sense.

Over the coming year we will be refining and improving the system based on our research, the latest evidence and feedback from the scientific community.

 

           


           

In addition, more research is needed on how a consumer might understand and use Food Compass in practice. For example, it could be added as a front-of-pack label – but would that be helpful without more education and context?

Also, while the scoring system ranges from 1 to 100, could it be more accessible if scores were grouped into broader categories? For instance, might a green/yellow/red traffic light system be easier to understand?

And we’re hoping that future Food Compass versions might contain additional criteria to filter foods for people who follow special diets, such as low-carb, paleo, vegetarian, diabetic-friendly, low-sodium and others.

 

The big picture

Food Compass should not be used to replace food-based dietary guidelines and preferences. Raspberries and asparagus score really well – but a diet of only these foods would not be very healthy. People should seek a balanced diet across different food groups.

To help, Food Compass may be most useful to compare similar products within a food group. For example, someone who prefers eggs for breakfast can look for higher-scoring egg dishes. Those preferring cereal can look for higher-scoring cereals. And even better, Food Compass can help people add other highest-scoring foods to their plate – like veggies and healthy oils to eggs, and fruit and nuts to cereal – to increase the overall health benefits of that meal.

To make use by others as easy as possible, we’ve published all the details of the scoring algorithm, and the scores of the products evaluated, so that anyone can take what we’ve done and use it.  

Stay tuned – as we complete additional research, we believe Food Compass will become an important tool to clear up confusion in the grocery store and help people make healthier choices.

Dariush Mozaffarian, Dean of Friedman School of Nutrition Science and Policy, Tufts University; Jeffrey B. Blumberg, Professor Emeritus in Nutrition Science and Policy, Tufts University; Paul F. Jacques, Professor of Nutrition Science and Policy, Tufts University, and Renata Micha, Associate Professor in Human Nutrition, Tufts University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

“Magic Mike’s Last Dance” is a film about female desire that never fully grasps “what women want”

“Magic Mike” is back for one last dance in the male stripper franchise’s third and final installment. After Mike’s (Channing Tatum) furniture business falls on hard times post-COVID, he finds himself working as a bartender.

At a charity fundraiser, he meets Max (Salma Hayek Pinault) – a wealthy socialite who offers to pay him to accompany her to London to put on a stage show of male dancers at her theatre.

Max says boldly: “I want every woman who walks into this theatre to feel that a woman can have whatever she wants, whenever she wants.”

The first two “Magic Mike” films have already suggested that this wish can be fulfilled by male strip shows. In the first film, Dallas (Matthew McConaughey) tells The Kid (Alex Pettyfer) that he is “fulfilling every woman’s fantasy.” In “Magic Mike XXL,” Andre (Donald Glover) and Ken (Matt Bomer) are depicted as “healers” who listen to women, unlike the other men in their lives.

The notion that male dancers know exactly what women want was also present in my own research with male dancers and women customers in strip shows in the UK. Male dancers frequently held one-dimensional views about what women wanted, which reverted to sexist ideas about women’s desire as “naturally” sexually passive and something that needs to be elicited.

They often performed the same routines each week, with the same costuming and choreography, which gave the impression that there was a singular way to sexually entertain women. As one dancer told me:

That’s what women want, they wanna see a little bit of nakedness but they’re also shy and a little bit reserved and . . . they don’t want it too full on.

“Magic Mike’s Last Dance” seems to subscribe to this idea. There is certainly less nudity than in the previous films and at times, it suggests that men know what is best for women better than they do themselves. Mike even tells Max that it is “chauvinistic” if she doesn’t include a female lead in a show about women’s empowerment.

Permission and empowerment?

While some of the women customers that I interviewed spoke of times where they were forcibly grabbed and flung over the shoulders of male strippers, or where they had a dancer’s genitalia “thrust” in their face, “Magic Mike’s Last Dance” overtly centers consent.

In this way, the film departs from previous conventions in both striptease films and real male strip shows.

We see Mike teaching new dancers how to obtain “permission” for a dance, through taking a woman’s hand and looking deeply into her eyes. When giving Max a striptease, Mike asks her to give him a signal if he takes her out of her comfort zone – to which she replies: “I’ll f**king slap you.”

The language of “Last Dance” is of women’s empowerment. Max speaks of the “ecstasy” that women can feel, how they can “transcend” into the “promised land” of their desires. When her show runs into licensing issues which throw its future into jeopardy, Max reflects: “The law is useless when you’re dealing with entrenched male power structures.”

She also critiques the way Mike keeps women sat in a chair during his dances and encourages him to allow their interaction to take up more space on the stage. It’s clear that women’s agency is becoming more central to his show in the final performance, when a microphone descends from the ceiling for a female MC. The metaphor is clear – she is being given a voice to articulate what she wants.

“Last Dance” also dabbles in the taboo subject of older women’s sexual desires. This centering of diverse women’s bodies contrasted with my research on real male strip shows, where I often witnessed women being ridiculed by club hosts for their appearance, including class-based insults. One host commented on a customer’s clothing: “It looks like you’ve got that down Primark, love.”

The absence of women customer’s voices

Given the progressive depictions of consent and power dynamics, it’s surprising that none of the women customers in “Last Dance” are consulted about what they want.

In one scene, the MC showcases the “types” of men that women can “have,” cutting to shots of women enjoying the show, but that is the end of the audience engagement. We are told this is a “zombie apocalypse of repressed desire,” yet we don’t hear from the “zombies” themselves – those women who allegedly need “waking up” from a sexually repressed state.

My research highlighted that interactions between women are also a key element of watching a male strip show. Women spoke of “bonding” but sometimes experienced “competitive femininity,” where they vied for the attention of dancers. Women also spoke of wanting “one-on-one” encounters:

It’s just not private enough, if you fancy a man and you think he likes you . . . there’s . . . nowhere you can be alone.

For a film that claims to center women’s experiences of the strip show, we see little about how women’s interactions with male dancers – and with each other – might play out. Despite claiming to center what women want, “Magic Mike’s Last Dance” leaves little space to explore women’s own desires.

Katy Pilcher, Senior Lecturer in Sociology, Aston University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Roald Dahl’s “Charlie and the Chocolate Factory” rewritten to include gender neutral Oompa Loompas

Publisher Puffin has hired a team of sensitivity readers to make massive changes to several of Roald Dahl‘s children’s books in an effort to make them align with the times.

According to The Telegraph, the most notable changes will be made to the physical descriptions of characters that could now be deemed offensive. Where as the character Augustus Gloop in “Charlie and the Chocolate Factory” was previously described as being “fat,” he will now be written as “enormous” in new editions. The use of the word “ugly” to describe a character will also be changed, such as in the case of the character Mrs Twit in “The Twits,” who will now be called “beastly” instead. 

Other big changes are being made to gender specific character descriptions, swapping “female” with “woman,” or doing away with the mention of gender altogether. The Oompa Loompas, a favorite from Dahl’s “Charlie and the Chocolate Factory,” will now be called “small people” rather than “small men,” as they had been when the book was first published in 1964.

“When publishing new print runs of books written years ago, it’s not unusual to review the language used alongside updating other details including a book’s cover and page layout,” said a spokesperson for the Roald Dahl Story Company in a statement about the sensitivity edits. “Our guiding principle throughout has been to maintain the storylines, characters, and the irreverence and sharp-edged spirit of the original text. Any changes made have been small and carefully considered.”


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In addition to the edits, which will also include chunks of new text not found in the original works, a notice at the bottom of each new edition will read “The wonderful words of Roald Dahl can transport you to different worlds and introduce you to the most marvellous characters. This book was written many years ago, and so we regularly review the language to ensure that it can continue to be enjoyed by all today.”

No, dictatorships are not more “efficient”: See how Putin and Xi have wrecked their countries

Perhaps the most surprising story of the past year has been the abysmal performance of the Russian military in its invasion of Ukraine. Clumsy tactics, military trucks with dry-rotted tires, rations and medicines that expired decades ago, troops making targets of themselves by talking on cellphones, even the use of raw conscripts as human waves to detect Ukrainian positions in lieu of conducting proper reconnaissance. It has been a saturnalia of incompetence from a nation which most observers, including many military experts, had believed would roll over Ukraine in a couple of weeks.

Now consider China, a country that many Americans appear to think is almost diabolically efficient. As the COVID pandemic began to spread in early 2020, it quickly became evident that sensible social distancing measures were in order, calibrated to a level that most reasonable people could tolerate without being overly disruptive to social life. When highly effective mRNA vaccines became available early in 2021, it was imperative to administer them as widely as possible. 

Instead, Beijing ordered a draconian lockdown that reduced the country’s GDP by more than 3 percent, even as it refused to obtain Western vaccines. The apparent result is that inhabitants of the most populous country in the world have little immunity from prior exposure, while their government has refused a formal offer from the U.S. to provide vaccines that are effective. As a result, we can expect new waves of mutated COVID strains emanating from China as a direct consequence of its rulers’ obstinacy.

Under the presidency of Recep Tayyip Erdoğan, Turkey has moved inexorably away from democracy to one-man rule and a punitive crackdown on dissidents. Now that an earthquake has struck the country, the capability of Erdoğan’s government to expedite rescue and recovery is under the microscope. It is not encouraging. Erdoğan’s years-long campaign against foreign NGOs means there is far less domestic infrastructure to perform disaster relief. Amid the rubble, Turkey’s ruler has already preemptively threatened potential critics. As one observer has said, “He’s warning journalists and civil society that we will prosecute you if you criticize us. He’s trying to short-circuit any discussion about accountability.”

What Russia, China and Turkey have in common, beyond their incompetence in critical situations, is that they are authoritarian systems. The link between authoritarianism and habitual blundering ought to be obvious, yet a surprising number of people claim to admire dictatorships because they are “efficient” compared to the slow, messy, and contentious work of parliamentary democracy. Along with the illusion that tax cuts increase revenue, the notion that authoritarian regimes are clear-sighted, clever and efficient is one of the more persistent canards in political pathology.

The hysterical GOP panic-mongering over the Chinese spy balloon was an implicit attack on “weak” democracies for their alleged inability to protect “the people” (meaning Fox News viewers, of course).

Even our Sinophobes fall prey to this delusion, in the sense that building that country up into an immanent and existential threat paradoxically gives the Chinese system more credit than it deserves. The hysterical panic-mongering of Republican politicians regarding a Chinese spy balloon (duly parroted by the mainstream media) was not merely wildly disproportionate and dismissive of the U.S. capacity to gain valuable intelligence from it; the criticism was also an implicit attack on “weak” democracies for their alleged inability to protect “the people” (meaning Fox News viewers) from the paranoid fears that Republicans have labored so hard to instill in them.

The United States is as prone to the tug of authoritarian worship as anywhere else, as a review of the Trump administration — high-handedness tempered by incompetence, and ending in a failed coup — makes painfully evident. And the admiration for dictatorships among citizens of freer countries has a long and undistinguished pedigree.

Probably the first great object of this dictator worship in the modern era was Benito Mussolini. It was Mussolini of whom it was said, “he made the trains run on time.” For a while, he had quite a following among the rich and influential.

Thomas W. Lamont, a J.P. Morgan & Co. partner, was one of the most influential bankers of the early 20th century; a sign of his power was that he accompanied Woodrow Wilson to Versailles to negotiate German reparations (as opposed to assigning it to some mere lackey like the secretary of state). A few years later, he became quite the Mussolini admirer, saying that he had become “something of a missionary” for fascism, and calling Il Duce “a very upstanding chap.” 

Lamont was not alone. Politicians and businessmen all over America and Europe heaped praise on Mussolini. In 1927, in one of Winston Churchill’s less-than-finest hours, he said of the Italian dictator, “If I had been an Italian I am sure that I should have been wholeheartedly with you from the start to finish in your triumphant struggle against the bestial appetites and passions of Leninism.”


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But how efficient was Mussolini’s regime? Paul Corner, a noted scholar of the subject, says economic progress under fascism was largely propaganda. There were a few showy projects and some hideous monuments in Rome, but Italy built fewer houses between the wars than France or Great Britain, countries presumed to be mired in depression. By the late 1930s, there was de facto food rationing.

All of that could be rationalized, however, as necessary sacrifice for the martial glories to come. Mussolini never tired of speaking of war as the most sublime expression of the human spirit: “War alone brings up to their highest tension all human energies and imposes the stamp of nobility upon the peoples who have the courage to make it.” This mystical belief in military power and its triumphant exertion in war holds a peculiar fascination for authoritarian leaders.

But despite almost two decades of supposed preparation, the Italian military was woefully under-equipped in 1940: It was short on artillery, its tanks were deficient in every respect, and it was incompetently led by strutting martinets. Its navy, intended to secure the Mediterranean as mare nostrum (“our sea”) eventually lay at the bottom of that sea. Mussolini himself ended up being lynched alongside his mistress at a Milan petrol station by his own countrymen — hardly the Byronic man of destiny’s heroic death in battle.

Corner believes that postwar Italy never had a proper reckoning with its fascist past, preferring to forget the war, rationalize Mussolini as “not as bad as” Hitler (rather a low bar), and misremember prewar times as prosperous. Mussolini kitsch has long been for sale in Italian shops, and the removal of his portrait from a government ministry resulted — predictably! — in the Italian right wing declaring Mussolini a victim of cancel culture. Italy’s new government, whose prime minister, Giorgia Meloni, leads a right-wing party that traces its origin to Mussolini’s National Fascist Party, suggests that the dictator nostalgia is alive and well.

If Adolf Hitler is the standard that some Italians use to determine a “bad” dictator, that has not prevented him from gaining a flock of foreign admirers, both in his lifetime and afterwards. Everyone from the Duke and Duchess of Windsor to Charles Lindbergh to Henry Ford were ardent followers. Nazi parties like the German-American Bund sprang up in many countries. Almost eight decades later he still has a fan club, as the Camp Auschwitz T-shirt-wearers and Hitler impersonators among the Jan. 6 rioters suggest. Kanye West has lately proclaimed himself a devotee of the late Führer, a somewhat incongruous viewpoint in light of Nazi racial policies.

It can be tempting to cut through the Gordian knot of checks and balances and the rule of law by putting someone in charge to give orders and knock heads. But we must never underestimate a strain of masochism — the desire to bow down to the mighty.

While more “efficient” than its Axis neighbor to the south, Nazi Germany was hardly a consumer paradise. Adam Tooze, the definitive chronicler of the Nazi economy, points out that, like Italy, Germany already had de facto food rationing two years before the war. Workers had jobs, but at the price of low wages, long hours and a prohibition against quitting in many industries; labor unions had long since been smashed. By 1938, the coffee was mostly ersatz and gasoline increasingly scarce. Despite Albert Speer’s ostentatious public buildings, residential construction lagged: everything was being siphoned off into armaments.

Germany’s military was more effective than Italy’s, but that advantage was more than nullified by the dictatorship’s horrible judgment. The blunders Germany committed are too numerous to list; suffice it to say that levying war against the British Empire, the Soviet Union and the United States simultaneously did not prove to be an exercise in strategic wisdom. 

Even after Pearl Harbor, the American entry into war against Germany was not guaranteed, such was the isolationist sentiment and the desire to concentrate on Japan. But Hitler sealed the deal when four days after Pearl Harbor he nonchalantly declared war against the greatest industrial power on earth while his army was buried in snowdrifts before Moscow and suffering more than 130,000 frostbite cases. (As Napoleon had discovered more than a century earlier, it’s generally a bad idea to campaign in Russia without winter gear.)

The left is not immune from dictator syndrome. George Orwell, a man of the left himself, was revolted by the servile manner in which many Western intellectuals fawned over Joseph Stalin, one of the most disgusting murderers in history. Monstrous crimes like the Ukrainian famine were either denied outright by Stalin’s fans or replied to with the hoary truism that you can’t make an omelet without breaking eggs (given Russia’s miserable standard of living, one wonders where the omelet was). Stalin’s rooting section lauded his cynical deal with Hitler to divide up a prostrate Poland as a diplomatic masterstroke, when in reality it merely set the stage for Hitler’s eventual invasion of the Soviet Union itself.

One saw much the same spectacle among some Western students in the 1960s, who waved around copies of Mao Zedong’s Little Red Book. It appears to have escaped their attention that the Great Cultural Revolution was still going on in the country they idealized, resulting in roughly 1.5 million dead from government-inspired violence. 

As for the regime’s efficiency, the Great Leap Forward of 1959-61 is unquestionably the most disastrous industrialization policy in history. This scheme to force virtually the entire country to smelt pig iron in their backyards left crops untended. The catastrophic outcome was anywhere from 20 million to 43 million deaths (estimates have such a wide range because Beijing has suppressed the statistics, and even now forbids people any open discussion of the subject).

The left is not immune from dictator syndrome: Orwell was revolted by the way many Western intellectuals fawned over Stalin, one of the most disgusting mass murderers in history.

Why is there still the temptation to admire dictatorships by citizens in relatively freer and better-run countries? For some elements at the top layer of society, the attraction is straightforward and material: Dictatorships, or at least those of the right, are their best guarantee against pesky unions and people who demand a living wage or adequate and affordable health care. Plutocrats will not only preserve their wealth from progressive taxation, but an authoritarian regime will in almost every case enhance their wealth — possibly the only thing such a regime is “efficient” at doing. 

But what of the rest of society? Arms manufacturer Alfried Krupp may have made out like a bandit, but how do we explain the ordinary Germans who thronged the streets to cheer Hitler? For that matter, what did the pathetic, scruffy slobs who stormed the U.S. Capitol get out of it, other than prison sentences, social ostracism and probable unemployability for the foreseeable future?

The complexities and frustrations of exercising responsible citizenship seem to exceed the ability or patience of some people. To be sure, the wrangling of parties, the broken campaign promises, the sheer unruliness of it all, can turn people off. Having worked in Congress myself, I saw that it was frequently an unedifying spectacle — and that was before the current crop of lunatics with election certificates descended on the premises. It is tempting to cut through the Gordian knot of checks and balances and the inconvenient thing we call the rule of law by putting someone in charge to give orders and knock heads.

But we must never underestimate a strain of masochism in some people, the desire to bow down to the mighty as if they were prostrating themselves before a deity. This pathology was frequently on display during Trump rallies, creating scenes comparable only to the gyrations and speaking in tongues one might witness in the rituals of obscure Christian sects. 

Inevitably, there arose from the right-wing fever swamps a cottage industry churning out schlock paintings of Trump as a heroic figure who has miraculously shed 60 pounds and displays implausible muscularity. These efforts make Tijuana portraits of Elvis look like Rembrandt masterpieces, but they also reveal the Freudian subconscious of Trump worship to an embarrassing degree. Such failed attempts at art also echo earlier artistic idealizations of authoritarian leaders

There must be a deeper cause of this syndrome than mere dissatisfaction with present politics, given the abundant historical evidence that authoritarian systems are worse run, more corrupt and invariably contemptuous of human life. Perhaps some early childhood disturbance in interactions with authority figures like parents is the ultimate factor. In 1954, political scientist Richard Hofstadter may have put his finger on it when he described such a person as having “a disorder in relation to authority, characterized by an inability to find other modes for human relationship than those of more or less complete domination or submission.”

The excuse of efficiency is a feeble rationale. What appears instead to motivate popular attraction to authoritarian systems is what psychoanalyst Erich Fromm called the irrational drive for an “escape from freedom.” It is increasingly obvious that serious clinical study of the mental pathology that leads to an enthusiastic rejection of one’s own freedom and autonomy is as urgent as cancer research.

Yoko Ono’s approximately infinite artistic universe

Today is Yoko Ono’s 90th birthday. Since the late 1960s, John Lennon’s widow has served as a lightning rod for the ire of an overly large coterie of Beatles fans who would come to blame her for the group’s disbandment. In many ways, this rabid disgust can be attributed to unchecked misogyny, even racism, whose animus can be traced to an abiding disbelief by certain fans that Lennon could actually love someone like Ono, preferring to believe, it seemed, that she had somehow beguiled him.

In September 1980, during the final weeks of his life, Lennon confronted this issue, admitting his frustration to journalist David Sheff. “Anybody who claims to have some interest in me as an individual artist, or even as part of the Beatles,” he remarked, “has absolutely misunderstood everything I ever said if they can’t see why I’m with Yoko. And if they can’t see that, they don’t see anything.” Incredibly, not even Ono’s unfathomable trauma at having witnessed her husband’s senseless murder would quell the naysayers and detractors who disparage her name.

As we celebrate Ono’s ascent into the ranks of the nonagenarians, we can perhaps more profitably honor her aesthetic contributions by ignoring her detractors and highlighting her artistry. By the time that she met Lennon in 1966, Ono had successfully established herself amongst the Dadaesque group of artists known as Fluxus (from the Latin word “to flow”).

Ono had begun exhibiting her performance art in such works as “Cut Piece,” in which she reclined onstage while audience members cut off her clothing with a pair of scissors until she was naked. During the summer of 1966, Ono left New York in order to attend the “Destruction in Art Symposium,” an international congress that Fluxus was hosting in London. Before long, she took to hanging out with the gaggle of hipsters who frequented the Indica Gallery. It was there that she met Beatle John on November 9, 1966.

This was groundbreaking stuff, particularly during a hyper-masculinized era that wasn’t necessarily prepared nor ready to take responsibility for its, at times, emotionally dehumanizing practices.

As a way of introducing her upcoming exhibition at the Indica, which would be opened to the public the next evening, Ono handed Lennon a white card embossed with the word breathe. “You mean, like this?” he responded, before breaking into a pant. Almost immediately, Lennon found himself enjoying the humor behind her art. Following the diminutive Japanese woman around the gallery, he happened upon a ladder, above which hung Ono’s “Ceiling Painting.” “It looked like a black canvas with a chain with a spyglass hanging on the end of it,” Lennon remembered during an RKO Radio interview on the last afternoon of his life.

At the top of the ladder, John peered through the magnifying glass at the canvas, which sported a single word: yes. Years later, Lennon would fondly recall that “that’s when we connected, really.” While they wouldn’t become a couple for another 18 months, the die had been cast. “We looked at each other,” he recalled for RKO Radio, and “something went off.”

Working in partnership with Lennon, whom she married in March 1969, Ono expanded her multimedia artistry to include songwriting and rock ‘n’ roll musicianship, no doubt fanning the flames of her critics in the process. By 1973, with her marriage to Lennon in jeopardy during his so-called Lost Weekend, she entered a crucial artistic phase in which she benefitted from her temporary separation from Lennon. “I think I really needed some space because I was used to being an artist and free and all that,” she later remarked to Sheff, “and when I got together with John, because we’re always in the public eye, I lost the freedom. And also, both of us were together all the time.” During that period, she had been shifting her experimental music towards a more feminist-oriented rock ‘n’ roll, as revealed in her 1973 albums “Approximately Infinite Universe” and “Feeling the Space.”

Listeners interested in learning more about Ono’s work would be well-counseled to sample those records, especially “Approximately Infinite Universe,” in which Ono deploys early 1970s rock ‘n’ roll in the service of an unerring feminist philosophy. This aspect is especially evident in such songs as “Yang Yang” and “Death of Samantha,” compositions that ask penetrating questions about the toxic nature of masculinity. This was groundbreaking stuff, particularly during a hyper-masculinized era that wasn’t necessarily prepared nor ready to take responsibility for its, at times, emotionally dehumanizing practices.


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With these albums, Ono was clearly ahead of her time. She would be on a similar trajectory during the final days of her husband’s life, paving the way for one of their final shared triumphs in the form of “Walking on Thin Ice,” a poignant, disco-friendly composition that combined a New Wave presence with her philosophical lyrics about the inherently chancy nature of life.

During his final hours, Lennon marveled at Ono’s creation, with his wife’s eerie vocal sound effects and spoken-word poem sitting deftly alongside his wailing guitar solo. Lennon was ecstatic as he listened to the latest mix of “Walking on Thin Ice.” “From now on,” he told Ono, “we’re just gonna do this. It’s great!” — adding that “this is the direction!”

Remarkably, at 40 years old and after nearly two decades of being at the vanguard of pop music, Lennon admitted to only just beginning to glimpse his musical future. And it was Ono, his much-vilified wife, who had led the way for his transformation. In the new century, more than two decades after Lennon’s death, “Walking on Thin Ice” would emerge as a chart-topping dance hit and underscore the abiding power of her creative influence. An approximately infinite universe, indeed.

Sleep patterns changed in the past 200 years. Some experts think we were better off before

Sleep is a perennial problem in our gadget-obsessed industrial civilization, so much so that an entire industry has been built around trying to help us get more of it. From apps that track sleep to pharmaceutical drugs to sleep aids like white noise machines, the global sleeping aids market is expected to reach $118 billion by 2030. 

Though sleep seems like a ubiquitous problem, it hasn’t always been this way.

“Sleep is kind of a new topic in medicine, even 20 years ago, we didn’t know the role that sleep played in getting rid of amyloid plaques, which would lead to Alzheimer’s disease or cognitive impairment,” Dr. Pedram Navab, a neurologist, sleep medicine specialist and author of “Sleep Reimagined: The Fast Track to a Revitalized Life,” told Salon. “Now we know so much more about sleep and people have these trackers and these electronic devices.” 

Navab said he will have patients come in and make claims like they “didn’t get enough REM sleep.” He sees people who suffer from sleep disorders.

“And I’m like, ‘You know what? You need to get rid of that stuff,” Navab said. “You just need to go to sleep, you don’t need to figure out how much you have, if you’re able to go to sleep naturally you will get what you need, you don’t need to track it down.”

Humans weren’t always problematizing our sleep. In fact, sleep looked very different before the industrial revolution, which is when electrification began — and, in turn, electric lighting. Currently, the Centers for Disease Control and Prevention (CDC), suggests adults over the age of 18 need 7 or more hours per night. Yet before the invention of light, people frequently slept in two segments. 

“During the industrial revolution, when the sun went down, there was no electricity so people had to sleep,” Navab said. “And then they kind of woke up for the second time, [known as] the second sleep and they journaled or whatnot.” 

This is referred to as biphasic sleep. Prior to biphasic sleep, some historians believe that hunter-gatherer societies slept in one smaller stretch throughout the night — closer to how we do now. Indeed, when researchers studied the sleep patterns of three preindustrial societies in Africa and Bolivia they found that these ancient humans got only 6.4 hours of sleep within a 24 hour day in grass-made beds.


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Historian Roger Ekirch looked back at prayer manuals from the late 15th century, which offered specific prayers for the time in between sleeps. A doctor’s manual from the 16th century advised couples to conceive “after the first sleep.” “Families rose to urinate, smoke tobacco, and even visit close neighbors,” Ekirch wrote in his book, “At Day’s Close: Night in Times Past.” “Many others made love, prayed, and most important historically, reflected on their dreams, a significant source of solace and self-awareness.”  

Typically the first sleep began two hours after dusk. People woke up for an hour or two — after four to six hours of sleep — and then went back to sleep until dawn.

“What I have argued and feel confident doing so given the considerable evidence that I have uncovered over the last 20 plus years is that biphasic sleep was the predominant form of human slumber in the Western world, prior to the mid 19th century,” Ekirch told Salon in an interview.  “It began to fade gradually over the course of the 19th century while the industrial revolution was still, of course, fully underway.”

Navab said typically the first sleep began two hours after dusk. People woke up for an hour or two — after four to six hours of sleep — and then went back to sleep until dawn. 

But by the 1920s, the idea of two sleep sessions, and enjoying what happened in between, began to fade. 

“It was not an overnight transition,” Ekirch said. “It took place over the course of the 19th century, and there were still remote rural areas in the early 20th century in which the inhabitants exhibited biphasic sleep.”

Ekirch said the transition happened as a result of technological and cultural changes of the industrial revolution. Cities were lit up at night — first by gas lanterns, and then with electric bulbs. Electrification also meant that factories could operate 24 hours a day, which led to the prominence of night shifts in the industrial workplace. Within decades, the human relationship with sleep changed due to all of this.

“One reason why some people do suffer from what has been termed ‘middle of the night insomnia’ is that many individuals are experiencing a powerful remnant or echo of this long, dominant pattern of biphasic sleep.”

“People, especially in urban areas and primarily middle class, began adopting many of the values associated with industrialization, ambition, profit-seeking, efficiency, punctuality,” Ekirch said “And a widespread reform movement arose in the United States and in Great Britain, known as the Early Rising Movement, beginning roughly in the 1830s.”

From a medical standpoint, Navab said there isn’t an issue with segmented sleep. 

“I don’t think that’s an issue as long as you’re able to go back to sleep and get sufficient hours of sleep,” Navab said. “As long as they’re waking up when the sun is coming back up, I think that’s really the most important thing, and they’re going to bed when it’s night, those are really the most important things.”

In fact, Ekirch has argued that this is the more natural way to sleep. 

“My argument has been, and this has been backed up by some prominent sleep scientists, that one reason why some people do suffer from what has been termed middle of the night insomnia is that many of these cases, these individuals are experiencing a powerful remnant or echo of this long, dominant pattern of biphasic sleep,” Ekirch said. “I’ve been told over and over again that it eases the anxiety of individuals who suffer from insomnia.”

Another way that sleep has changed over the last 150 years is that more people sleep alone.

“Families used to have to sleep together, there was one big bed with like four or five people in the bed and so they all had to kind of learn to sleep together and try to suppress whatever issues they had during that period,” Navab said. “But I think that has actually created more insomnia.”

While it might sound counterintuitive, Navab said, people sleeping in more solitary environments gives them more room to ruminate.

“If you’ve got any issues going on, that’s going to affect your inability to sleep,” Navab said. “And then also, you’re kind of alone in the bed so you can do whatever you want without disturbing anyone.” In this case, it can be easier to stay up all night looking at one’s phone when there isn’t someone else in bed to tell them to stop it because they’re disturbing their sleep.

Overall, the focus on sleep in our modern society — Navab believes — is causing more anxiety.

“Everything was much more natural [back then],” Navab said. “The performance anxiety wasn’t there as it is now with all these new electronic gadgets.”

A cover-up fit for a coup: Georgia grand jury says witnesses in Trump probe lied

Imagine for a moment that you’re playing a video game, one of those combat games you can play with a friend or acquaintance or even someone you’ve met online.  In this game, you’re on the run in an urban environment and your opponent is getting the better of you. You’re running down a street with your opponent shooting at you, bullets ricocheting off walls to your left and right, just missing you.  You turn down another street to escape the pursuing opponent, another near miss by a bullet.  You spy an alley and run around the corner.

It’s a dead end.  You’re boxed in with nowhere to go.

That’s what it feels like to walk into a grand jury room in real life.  You’ve run from the grand jury for weeks, filing this motion and that lawsuit, claiming privilege from testifying or jurisdictional issues. Your opponent, meanwhile, has fired back with answers to your motions and countersuits and won every one of them.  Now you’re in the box.  You’re not allowed to have an attorney in there with you, although there is a door and your lawyer can stand outside in the hall or anteroom where you’re allowed to consult him or her.  But your lawyer is under fire, too.  Lawyers can’t advise you to lie, or they will be suborning perjury.  They can advise you to plead the Fifth Amendment, but that’s just dodging a bullet because the prosecutor can give you immunity from prosecution, which effectively compels you to testify truthfully. 

When prosecutors know or suspect that lies were told within a grand jury room where all testimony is given under oath and penalty of perjury, they conclude that crimes are being covered up.

Going before a grand jury isn’t a game, especially when you have been subpoenaed by Fulton County District Attorney Fani Willis, and she’s not playing games, video or otherwise.  She is a formidable opponent.  The year Donald Trump lost his race for president in Georgia, she won her election by 45 percentage points in a runoff against her own boss, six-term incumbent Paul Howard Jr. Willis, a graduate of Emory University Law School, has 16 years of experience with grand juries and courtroom trials as a deputy prosecutor in the office she now heads up.  

She put 75 witnesses before her grand jury in Fulton County since she requested the grand jury be appointed in January of last year – 23 citizens of the county chosen by lottery from voter registration and driver’s license records and state and county tax records. The makeup of the grand jury is unknown. So we don’t know how many members are male or female, Black or white or Latino or Asian, or what ages they are.

Their job, we do know, is to listen to prosecutors from the office of the Fulton County DA who present evidence to them. It could be written evidence, like emails or text messages, or in this case, the false statements signed by 16 prominent Republicans, including Georgia Republican Party Chairman David Shafer, asserting that they were “duly elected and qualified” electors for Trump, who they claimed was the real winner of the 2020 presidential election in Georgia.

The witnesses called by Willis could be the fake electors themselves, or they could be Governor Brian Kemp, or Secretary of State Brad Raffensperger, or Trump lawyer Rudy Giuliani, or South Carolina Senator Lindsey Graham, one of the witnesses who filed a myriad of lawsuits and appeals trying but failing to avoid testifying before the grand jurors.

And now Willis has completed her investigation of the attempt by Trump to overturn the results of the presidential election in Georgia, and she has dismissed her grand jury. This week, Fulton County Superior Court Judge Robert McBurney, who has overseen the work of the grand jury over the past year, ruled that portions of the grand jury’s report can be released to the public in advance of prosecutorial decisions.  

I think it’s safe to assume that Willis has the GOP establishment in Georgia tied in knots at this point.  Governor Kemp and Secretary of State Raffensperger —  both of whom won their elections in 2020 and both of whom certified that the elections were free and fair and that no irregularities or election crimes had been committed — testified before the grand jury. So did the 16 fake electors. In fact, the Georgia Republican Party spent $200,000 last year to pay the legal fees for the 16 fake electors. Eleven of the fake electors were represented by two Republican lawyers until Judge McBurney ruled on a motion filed by the DA that there was a conflict of interest between Republican State Chairman Shafer and the other 10 Republicans represented by the same lawyers. According to a story by the Associated Press, McBurney ruled that Shafer’s interests were different than his fellow fake electors “because of his role in establishing and convening the slate of fake electors, his ‘communications with other key players’ in the investigation and ‘his role in other post-election efforts to call into question the validity’ of Georgia’s election results.”


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So, you can see how complex the defense of prominent Georgia Republicans in the face of Willis’ grand jury has been and how worried they must be that at least some of them will be swept up in a surge of indictments that may be on the way.

It is known that Willis has been interested in the now infamous phone call during which Trump asked Raffensperger to “find 11,780 votes, which is one more than we’ve got” so that Trump could be declared winner of the election in Georgia. Last month, after Willis dismissed the grand jury and began preparing its final report, Trump sent out a message on his Truth Social app that he wasn’t worried about being indicted because “My phone call to the Secretary of State of Georgia, and a second call which the Marxists, Communists, Racists, and RINOS don’t even want to talk about, were ‘PERFECT’ calls.” Recall, however, that a previous “perfect” phone call Trump made to Ukrainian President Volodymyr Zelenskyy got him impeached in 2019. 

It’s safe to assume that Willis has the GOP establishment in Georgia tied in knots at this point. 

Willis also subpoenaed former White House Chief of Staff Mark Meadows, former Assistant Attorney General Jeffrey Clark and Trump lawyer John Eastman, questioning them about their roles in the fake elector scheme in Georgia.  Clark and Eastman have also been the targets of subpoenas and search warrants issued by the Department of Justice (DOJ) in its continuing investigation of Trump’s attempts to overturn the election.  Eastman’s cell phone was seized, and Clark’s home was searched by the DOJ Inspector General who was looking into whether Clark abused his office when he pressured his superiors to send a letter to officials in Georgia falsely stating that the DOJ had evidence the election was stolen and advising that the Georgia legislature could decertify the 2020 election and issue its own slate of Trump electors.

On January 6, Michigan Attorney General Dana Nessel reopened an investigation into the Republican slate of fake electors who had attempted to send their fake ballots for Trump to the Senate in advance of its certification of electoral votes on Jan. 6, 2021.  Nessel told the Michigan press she is looking at charges for “forgery of the public record,” and other crimes that may have been committed in the fake elector scheme in her state.

Meanwhile, Special Counsel Jack Smith has subpoenaed officials in all seven states Trump targeted in his attempts to overturn the election, including fake electors in at least six of those states who signed documents falsely asserting that they were legitimate electors for Trump.  It is a federal crime to sign a false statement and submit it to a federal agency or office, in this case, the National Archives, which collects all electoral ballots before submitting them to the Senate for official certification.

What has become known as the fake elector scheme has emerged as a central focus of Smith’s investigation, apparently because it crosses all the t’s and dots all the i’s in the Trump conspiracy to overturn the 2020 election. The scheme was discussed by Trump and his lawyers, including Giuliani and Sidney Powell and John Eastman in the Oval Office. A plan for the scheme was actually written down by Eastman and passed out to state officials so they could carry it out. Trump discussed the scheme with state legislators he invited to the White House and in group phone calls with legislators for Pennsylvania and other states. Many of those involved in the scheme have been subpoenaed by the Washington D.C. grand jury investigating Trump and others for having committed federal crimes when they attempted to overturn election results in multiple states.

This week, in the portion of the Georgia grand jury report that was released by Judge McBurney, we learned that the grand jury suspects that multiple witnesses perjured themselves while giving testimony. There is one thing I can assure you about grand juries and the prosecutors who run them: they hate, and I mean hate being lied to. A grand jury can tell when lies have been told because they listen to the testimony of multiple witnesses and have access to all the documentary evidence, and they can compare one person’s testimony with the testimony of others questioned about the same subjects. 

When prosecutors know or suspect that lies were told within a grand jury room where all testimony is given under oath and penalty of perjury, they conclude that crimes are being covered up — and they are more likely to issue indictments of those whom they suspect of committing those crimes.

That’s where we are in Georgia, with indictments of suspects expected at any moment. And that’s where we are in Washington, D.C., where the Special Counsel has also been comparing the testimony of witnesses for conflicts and differences with other witnesses questioned about the same things.

It’s only a matter of time before more Republican Party coffers will have to be opened to pay for more Republican lawyers to represent more Republican defendants. It’s going to be a very expensive year for Trump’s Grand Old Party.

‘This is absurd’: Train cars that derailed in Ohio were labeled non-hazardous

Nearly two weeks after a train carrying hazardous chemicals derailed in rural Ohio, questions still linger about the lasting effects of the incident and the speed at which residents were returned to their homes. 

Around 9 p.m. on February 3, a train operated by Norfolk Southern Railway derailed in East Palestine, Ohio, located on the border of Pennsylvania and roughly an hour from Pittsburgh.

Among the chemicals the freight was carrying, five cars contained vinyl chloride, a colorless gas that is linked to various cancers and is used in a variety of plastic products and manufacturing. In the initial days after the derailment, temperatures rose in the cars holding the vinyl chloride and officials at both the railroad company and the U.S. Environmental Protection Agency, or EPA, ordered that residents evacuate East Palestine. 

Speaking at a press conference on Tuesday, Republican Governor Mike DeWine said he learned that the train cars were marked as non-hazardous, and thus officials weren’t notified that the train would be crossing through the state.

The governor called on Congress to look into the regulations that would allow a train carrying multiple cars with hazardous substances to be labeled non-hazardous.

“Frankly, if this is true, this is absurd and we need to look at this,” DeWine said. “We should know when we have trains carrying hazardous materials that are going through the state of Ohio.”

DeWine also said that prior to the decision to release the chemicals, he was presented with “two bad options.” 

One was to do nothing and risk that a train car full of vinyl chloride would explode, which would have been “catastrophic,” resulting in shrapnel flying out in a one-mile radius. The second option won, and officials conducted a controlled burn of the chemicals. 

Skepticism over the decision to return residents back to their homes has grown since the initial burn. A local environmental group is calling on DeWine to declare an emergency to receive additional federal support.

Norfolk Southern spokesperson Connor Spielmaker said the decision to conduct a controlled burn was reached as a group, which echoed DeWine’s recent update.

“Norfolk Southern hazardous material personnel were on-scene and coordinating with local first responders immediately following the derailment,” Spielmaker told Grist. 

According to the EPA, contaminated soil at the site was covered to rebuild the rail line. 

The release of hazardous chemicals barrelling through rural Ohio late in the night have caused a variety of concerns. Residents have reported headaches, dizziness, and fevers since returning home on February 8 as they continue to conduct voluntary home air and water tests. 

“We basically nuked a town with chemicals so we could get a railroad open,” Sil Caggiano, a hazardous materials specialist, told WKBN.

The derailment did not result in any immediate human fatalities, but residents are now reporting deaths of pets, chickens, and foxes. Given the spill’s proximity to the Ohio River Basin, which touches 14 states in the region, concerns of surrounding pollution have popped up in middle Tennessee, Kentucky, Cincinnati, Ohio, and West Virginia

In addition to the vinyl chloride, various other chemicals were spilled, leading to concern for water, soil, and groundwater pollution.

According to the manifest of contents inside the railcars provided to the EPA from Norfolk Southern, undisclosed amounts of butyl acrylate, a hazardous chemical known to cause skin irritation that is used in plastic production, and propylene glycol, a generally non-toxic chemical used in food packaging, spilled during the derailment. Additionally, undisclosed amounts of ethylhexyl acrylate, a carcinogen linked to aquatic death, and petroleum spilled at the site.

On Tuesday, Ohio environmental regulators confirmed that butyl acrylate was found in nearby waterways and that the spill did make its way to the Ohio River.

Tiffani Kavalec, division chief of the Ohio Environmental Protection Agency, said the state agency is monitoring a moving plume of contaminants in the Ohio River. But, she said, there is no concern that the chemicals will make their way into drinking water systems connected to the Ohio River due to the size of the river and its ability to self-filter. 

Closer to the derailment site, however, officials with the Ohio EPA and the state’s Department of Public Health urged those on private drinking water to drink bottled water as agencies continue to monitor groundwater. 

The Ohio Department of Natural Resources confirmed 3,500 dead fish in waterways as well as deceased hellbender salamanders, an endangered species in the state. 

In a statement to Grist, Debra Shore, Ohio’s regional administrator for the federal EPA, said the agency has issued a letter to the rail company that outlines Norfolk Southern’s potential liability caused by the release of hazardous chemicals. 


This article originally appeared in Grist at https://grist.org/accountability/derailed-train-cars-ohio-not-labeled-toxic-cargo/.

Grist is a nonprofit, independent media organization dedicated to telling stories of climate solutions and a just future. Learn more at Grist.org

“Quick buck”: New report shows how MAGA election grifters “cashed in the first chance they got”

A growing number of right-wingers who peddled debunked conspiracy theories about the 2020 election are profiting from promoting election denial and efforts to challenge election results, according to a new report from the left-leaning watchdog group Accountable.US.

Some of the individuals who remain at the center of the movement include people like attorney Kurt Olsen, newly elected Arizona State Senator Jake Hoffman and “election integrity” activists Catherine Engelbrecht and Gregg Phillips.

“These grifters happily peddled known conspiracies that planted the seeds for January 6th — and cashed in the first chance they got,” said Derek Martin, an Accountable.US spokesperson. “It couldn’t be clearer where their priorities lie. Not even an attempted insurrection would stand in the way of them making a quick buck.”

Olsen, who was an unknown private attorney before the 2020 election, quickly rose to prominence after he started promoting unproven legal theories denying the results of the election that would have helped Trump remain in office. 

For 18 years, he worked as a partner at Klafter, Olsen & Lesser – a small New York-based law firm he co-founded, according to the Daily Beast. But once, Olsen signed on to help Texas Attorney General Ken Paxton’s failed bid to overturn the 2020 election at the Supreme Court, the firm changed its name and created a new website excluding Olsen’s name in the URL.

While Paxton’s Supreme Court suit eventually failed, Olsen continued to gain notoriety among the bizarre community of “Stop the Steal” individuals.

Since then, Olsen has taken on the role of co-counsel in a number of cases on behalf of 2020 election deniers. In 2021, alongside celebrity attorney Alan Dershowitz, Olsen represented a group of Michigan poll challengers who sued Dominion Voting Systems.

Although the case was later dismissed, Olsen has continued to build his reputation as a prominent election denier, representing other notable individuals in the movement like MyPillow CEO and Trump loyalist Mike Lindell and failed Arizona gubernatorial candidate Kari Lake.

After her election loss, Lake filed a lawsuit asking the Maricopa County Superior Court to issue an order “setting aside the certified result of the 2022 Arizona gubernatorial election and declaring that Kari Lake is the winner” or alternatively “vacating the certified results…[and] requiring that Maricopa County re-conduct” the election.

Lake was represented by Olsen and Bryan James Blehm. Lake’s campaign paid Olsen more than $187,000 for his services after her loss while she continued repeating unsubstantiated claims of election fraud. 

On December 28, 2022, Lake’s campaign paid Olsen $3,314.00 in “attorney fees” and then another $183,754.29 on December 31, 2022.

Olsen also represented Lake and failed Arizona secretary of state candidate Mark Finchem in a lawsuit seeking “to prohibit the use of electronic voting machines” during the 2022 midterm election. 

But he isn’t the only individual who has benefitted from promoting falsehoods regarding election results. 


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Jake Hoffman, the Arizona state senator representing its 15th district, has also been a vocal supporter of the election denial movement and has quietly collected payments through his Arizona-based company 1TEN (Or “110”) LLC. 

Put Arizona First, a state political action committee supporting Lake’s candidacy, paid 1TEN LLC more than $2.1 million to support her candidacy.

After Lake’s defeat in the recent midterm election, Hoffman argued that Arizona should not certify the results of the 2022 gubernatorial election.

“There is no question in my mind that [the election] should be certified by [Arizona governor] Doug Ducey, and it should not be certified by Katie Hobbs,” Hoffman said in an interview with Turning Point USA’s Charlie Kirk on Nov. 23, 2022.

Without any proof to back his claims, Hoffman alleged that “tens of thousands of voters” in Maricopa County were disenfranchised during the election – the same claim Lake’s team pushed out.

1TEN LLC also received more than $2 million to support Lake’s campaign for governor from the Turning Point PAC, which paid the company $256,517.91 alone for “media” and “text services” in non-federal races between July and September 2022. Turning Point continued to use social media to spread incendiary misinformation about the elections. 

Campaign finance reports filed with the state of Arizona also reveal that Turning Point PAC paid 1TEN LLC to specifically oppose Katie Hobbs – Lake’s opponent. A day before the election Lake’s Campaign paid Hoffman’s company once again, this time a total of $135,611.28 for “telemarketing/auto dialers” services on Nov. 7, 2022.

After Lake lost the election, Hoffman continued to push out falsehoods regarding the midterm election and repeatedly called not to certify the Arizona gubernatorial election results.

“The attorney general has outlined a litany of alleged violations of Arizona election law at the hands of Maricopa County, and the people of this state deserve nothing less than full cooperation by county officials in the attorney general’s investigation into the cause and scope of voter disenfranchisement stemming from those violations,” Hoffman said in an interview with Reuters.

He also called for investigations into the election’s administration when the state legislature reconvened in Jan. 2023. Hoffman continued to receive payments from the Lake campaign. On November 14, 2022, Lake’s campaign paid Hoffman’s company $270,897.11.

It’s a moneymaker both for the lawyers that are involved and the people who work for the nonprofits, said Heidi Beirich, co-founder of the Global Project Against Hate and Extremism. At the same time, she added, it keeps people like Lake in the news.

“There’s a whole crew of people who spend their time talking about how electronic voting machines are somehow corruptible, and all of this is fodder for the millions of people in the Republican Party,” Beirich said. “In general, this has almost become an industry on the right. You have the lawyers who are fighting for this. You have people like the MyPillow guy and others who are still going around the country holding events, like Mike Flynn, talking about how the elections were stolen.”

Catherine Engelbrecht and Gregg Phillips, who are both tied to a Texas-based based non-profit True the Vote, similarly benefitted financially from promoting conspiracies about the 2020 election. 

Their non-profit, which has been accused of engaging in voter suppression and intimidation, worked with volunteers on election day to challenge voters as they showed up to cast their ballots. 

The pair was also a part of the core team behind the 2021 film “2000 Mules,” which amplified voter fraud claims that have been widely discredited. 

Engelbrecht and Phillips met with Dinesh D’Souza, the conservative filmmaker who made the movie, and told him they could “detect cases of ballot box stuffing based on two terabytes of cellphone geolocation data that they had bought and matched with video surveillance footage of ballot drop boxes,” The New York Times reported

As they promoted falsehoods regarding the election being fraudulent, the pair also collected payments for their companies.

The Center For Investigative Reporting found that companies connected to Engelbrecht and Phillips collected nearly $890,000 from True The Vote from 2014 to 2020 – including $750,000, which went to Phillips’ company OPSEC Group LLC to do voter analysis in 2020. This was not mentioned in TTV’s 2020 990 form.

On top of this, an analysis of the organization’s financial records done by The Center For Investigative Reporting revealed that TTV “enriches Engelbrecht and partner Gregg Phillips rather than actually rooting out any fraud.” 

Heading closer to the 2024 presidential election, efforts by election conspiracy theorists are only bound to get much worse.

“We’re going to have more and more people picking up this line,” Beirich said. “Because if you’re running for office, and you don’t ever want to accept that you could possibly lose, why not push the election denial whether you win or you lose in the actual race, right? And I think that we’re going to hear a ton of this in the coming two years as we approach 2024.”

Chris Brown rants about people “running with the narrative” that he assaulted Rihanna

In a series of statements posted to his Instagram stories on Friday, rapper Chris Brown expressed anger over people still “hating him” for assaulting Rihanna back in 2009 when they were a couple. 

“If y’all still hate me for a mistake I made as a 17-year-old please kiss my whole entire a**,” Brown said. “I’m f**king 33. I’m so tired of y’all running with this narrative . . . All y’all can suck my d**k disrespectfully.”

Following his initial statement, Brown shared a selection of photos of white male and female celebrities who have also been accused of physically assaulting partners, offering them as examples of times in which cancel culture did not go after them in the way it was applied to his own “narrative.”

Along with images of Sean Penn, Mel Gibson, Nicolas Cage and Emma Roberts — to name a few — Brown posed the question, “Where are [sic] the cancel culture with these white artist that date underage women, beat the f**k out their wives, giving b**ches AIDS. Oh. That’s right . . . they are your buddies. No more fake love from me . . . stay out my way or get ran over. Simple as that.”

Brown’s assault against Rihanna took place in their rented Lamborghini after a pre-Grammys party in 2009, and resulted in both of them canceling the performances they were scheduled to give at the awards ceremony later than night. 

According to a sworn statement given to a Los Angeles detective, Brown had “punched Rihanna repeatedly in the face and arm, even biting her ear all while maneuvering their rental down the street,” per reporting from E! News. Photos of Rihanna’s battered face, leaked by a person the performer referred to in a Vanity Fair article as “a very nasty woman who thought a check was more important than morals,” still circulate to this day. 


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In 2010, Rihanna spoke about the assault in an interview with W Magazine saying “At first, I completely shut down. But now I feel like this happened to me so I could be a voice for young girls who are going through what I went through and don’t know how to talk about it.”

Rihanna is currently expecting her second child with A$AP Rocky and performed a fantastic halftime show at the Super Bowl. 

Chris Brown, prior to his statements made tonight, most recently made headlines in 2022 when a civil suit was filed by a woman who claimed he’d raped her on a yacht in Miami in December 2020.

“A damn legend”: Outpouring of love and admiration for Bruce Willis

Hollywood and Bruce Willis‘ many fans were left reeling after it was revealed Thursday that the “Die Hard” star was diagnosed with frontotemporal dementia (FTD). 

“Bruce has always found joy in life – and has helped everyone he knows to do the same. It has meant the world to see that sense of care echoed back to him and to all of us. We have been so moved by the love you have all shared for our dear husband, father, and friend during this difficult time,” read a statement from his family.

Posted on The Association for Frontotemporal Degeneration website, the statement by wife Emma Heming Willis, his ex-wife Demi Moore, and his daughters Rumer, Scout, Tallulah, Mabel and Evelyn also thanked everyone for “the outpouring of love and compassion for Bruce over the past 10 months.”

As of now, there are no treatment options for FTD, a disorder involving the progressive degeneration of the frontal and temporal lobes, which may affect language, emotions and behavior. Willis’ dementia disclosure comes after the announcement last March that he would be “stepping back” from his acting career after he was diagnosed with aphasia

“Bruce always believed in using his voice in the world to help others, and to raise awareness about important issues both publicly and privately,” the statement continued. “We know in our hearts that — if he could today — he would want to respond by bringing global attention and a connectedness with those who are also dealing with this debilitating disease and how it impacts so many individuals and their families.”

Demi Moore and Rumer Willis also reiterated the message on their respective Instagram accounts

https://www.instagram.com/p/Cou_eUSOCaw/?hl=en

Most of Hollywood, such as Willis’ “The Story of Us” costar Michelle Pfeiffer, commented on those posts with sentiments such as “Sending love.” This was similarly echoed by performers such as Selma Blair, Wilmer Valderrama, Sophia Bush, Paris Hilton, Demi Lovato and more. 

“Breaking Bad” actor Aaron Paul added to Rumer Willis’ post, “Love you so much my friend! Sending hugs to you and that beautiful family of yours. Your pops is such a damn legend.”

Meanwhile, Treat Williams – who starred in the 1981 film “Prince of the City” that Willis was an uncredited extra in at the beginning of his career, tweeted, “I ran into Bruce Willis years ago after not seeing him for [a while]. We went and played paintball in Malibu and [then] spent an afternoon on the beach in Malibu. That was our last time together and I am grateful.”

Carl Weathers tweeted a tribute to Willis as well, one veteran action star star to another: “Yours truly sends love and positivity to Bruce and his family. His talent has been enjoyed ’round the world’! DIE HARD; SIXTH SENSE; PULP FICTION! Love his work.”

“Supernatural” actor Jim Beaver, who also shared the screen with Willis, posted his reaction to the news. 

“The news of Bruce Willis’s diagnosis of dementia is sad. I got my first real break as an actor playing his buddy Earl in IN COUNTRY, Norman Jewison’s moving drama about Vietnam veterans, and it was a transformative experience for me,” Beaver tweeted, adding, “I send him and his family love.”

Maria Shriver addressed the FTD diagnosis. “My heart goes out to Bruce Willis and his family, & also my gratitude for shining a much needed light on this disease. When people step forward it helps all of us. When people get a diagnosis it’s extremely difficult, but also for most a relief to get a diagnosis,” Shriver tweeted

CNN’s Jake Tapper tweeted his support for and shared his own family’s experience with the disease. 

“Bruce Willis has been diagnosed with Frontotemporal Dementia, his family says. FTD is a profoundly cruel disease, my beloved father-in-law Tom suffered from it for years before he died. Sending all my love and prayers to their family,” Tapper wrote. 


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Joe Russo, screenwriter for Willis’ 2020 film “Hard Kill,” also posted his admiration for the actor. 

“Thinking of Bruce Willis and his family today. The movie went in a very different direction from the screenplay we sold, but I’m still very proud of the fact I share a credit with one of the greatest on-screen actors of all time,” Russo tweeted alongside a photo of Willis from behind the camera. 

Alan Zweibel, writer for Willis movies “The Story of Us” and “North,” joined in on the love.

“I wrote two movies Bruce Willis appeared in. Sure,he’s uniquely funny, but what got me is his family devotion & sincere generosity. My heart goes out to him & his family on his Frontotemporal Dementia diagnosis.The only consolation-they will shine a light on this cruel disease,” Zweibel tweeted.

tweet from “Guardians of the Galaxy” actor Alexis Rodney, who posted a clip from “Pulp Fiction” featuring Willis, summarized the overall sentiments.

“So many of us have been entertained over the years by Bruce Willis. I watched this scene on a loop as a kid. I’m sure you’re with me in sending prayers of good wishes to him and his family. A true Hollywood legend,” Rodney said. 

“Feeling emotionally tired and a bit overwhelmed, yet in awe of the love so many people have for my papa,” Scout Willis posted on her Instagram story, which was later shared by her sisters Tallulah and Rumer. 

Ann Coulter thinks Nikki Haley should “go back to her own country” where they “worship rats”

During a taping of “The Mark Simone Show” this week, conservative media pundit Ann Coulter made a series of racist comments about Republican presidential candidate Nikki Haley, suggesting she should “go back to her own country.”

After lashing out at Haley, who was born in the U.S. to Indian immigrant parents, Coulter then branched out to further degrade India as a whole.

“Her candidacy did remind me that I need to immigrate to India so I can demand they start taking down parts of their history,” Coulter said. “What’s with the worshipping of the cows? They’re all starving over there. Did you know they have a rat temple, where they worship rats?”

Elsewhere in the segment, Coulter also referred to Haley as a “bimbo” and a “preposterous creature,” according to coverage from NBC News

“I don’t support Nikki Haley, but this is disgusting behavior by Coulter,” tweeted MSNBC’s Katie S. Phang in response to the racist remarks. 

“Here we go. The ‘I don’t see color’ party aka @gop‘s ignorant dog whistler @AnnCoulter tells @NikkiHaley to ‘go back to her country,’ insults India & Hindus. Mocking cows while US pardons turkeys. Still wanna be conservative, Desis? This is how they see us,” writer and producer Natasha Chandel weighed in.


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After officially announcing her plan to run as the first major challenger to former President Donald Trump for the 2024 Republican nomination, Haley made a statement saying “Republicans have lost the popular vote in seven out of the last eight presidential elections . . . That has to change. Joe Biden’s record is abysmal, but that shouldn’t come as a surprise. The Washington establishment has failed us over and over and over again. It’s time for a new generation of leadership.”

After stating two years ago that “she would not challenge Trump for the 2024 election if he decided to run,” this change in tune has irked many of Trump’s main supporters. 

The basics of fair trade labels

You might not know it from its generally low price tag, but chocolate has a host of production issues, from child labor on cacao farms to issues with deforestation. Chocolate isn’t alone in this either: Many of our everyday foods, like coffeebananas and more, are tropical products with invisible supply chains. A number of labels, especially those that invoke “fair trade,” market themselves as a more ethical option, but they usually come at a price premium. So how can you tell if paying extra is worth it? How do fair trade products differ from their conventional counterparts? And does paying more for these products actually guarantee anything meaningful for the people who produced them?

What is the fair trade movement?

At its core, fair trade is meant to empower producers in the Global South — economically disadvantaged countries where colonialism and ongoing economic exploitation have contributed to low incomes and standards of living, mostly in the southern hemisphere — by giving them a more equitable place to trade goods than they can normally access on the global market. While fair trade can cover any number of items, fair trade in the food system tends to focus on tropical products like cocoa, coffee and bananas, which most people in the U.S. expect to be readily available. But in order to keep these beloved products cheap, most companies have developed opaque supply chains that have serious problems with child labordeforestation and more, trapping farmers and workers in poor conditions that local governments, which have little incentive or ability to fight powerful corporations, don’t protect them from.

The fair trade movement’s philosophy asserts that if inequitable trade practices create these dynamics, better trade systems can reverse them and become an engine for equity and development. So what does that look like in practice? This varies based on what organization you talk to, but fair trade arrangements usually group producers or workers together into cooperatives, where they can ensure they meet certain production standards. This allows them to connect with businesses and traders with more leverage than they would otherwise have. Businesses and brands that buy from fair trade producers agree to pay a higher price for goods than would otherwise be offered, with that money returning to the producers and stabilizing incomes.

Worldwide, the fair trade movement has organizations operating at several different scales. Many of the early players in fair trade were individual companies or cooperatives, but several larger organizations have influence worldwide today. Fairtrade International is the largest of these organizations, with business networks bringing products that they certify as “Fairtrade” to markets in Europe, India, Asia, the Americas and the Pacific. The World Fair Trade Organization has a similar reach, but operates on a slightly different model, certifying businesses and organizations rather than individual products — although their label does end up on products from organizations that qualify. And then there’s the Fair Trade Federation, which is an association of businesses in the U.S. and Canada that adhere to fair trade principles. But while businesses and brands that are a part of the Fair Trade Federation are expected to source their agricultural goods from “economically and socially marginalized producers in a manner consistent with Fair Trade Federation principles,” there’s not a requirement for external auditing and an actual fair trade certification from another agency isn’t required for membership in the Federation. Ultimately, some of the companies in the Federation do have certification from one of the other organizations, but not all of them do. The Federation itself doesn’t offer a certification or label, but companies may market their products based on their membership in the Federation.

Fair trade organizations in the US

Of the various fair trade organizations, two are prevalent in the U.S.: Fairtrade America, a branch of Fairtrade International, and Fair Trade USA. If the names of the organizations weren’t already confusingly similar, the certifications they offer — the Fairtrade Mark and Fair Trade Certified, respectively — even have similar logos, stylized human figures over green and black circles.

But there are some critical differences between the organizations that impact how they do business today, and by extension, who they’re willing to certify. Fair Trade USA originated in 1998 as TransFair USA, certifying coffee, then eventually adding tea, cocoa and a few other products. It worked closely with other fair trade organizations and was a part of Fairtrade International until 2011, when it announced it would be splitting with the international system over different approaches toward growing the fair trade sector.

Per Fair Trade USA’s logic, growing the umbrella of fair trade products was ultimately more important than stringently enforcing standards, leading them to step away from strict worker coops and partner with companies like Walmart, Dole and Kroger, large multinationals whose reputations for low-cost products and opaque supply chains don’t make them natural partners for a fair trade certifier. Fair Trade USA’s decision to certify coffee some plantations (which most alternative trade organizations viewed as fundamentally incompatible with worker-owner ideals) if they met labor standards was particularly controversial, attracting derision from other organizations like the Institute for Agriculture and Trade Policy and companies which previously held certification from Fair Trade USA like Equal Exchange and Dean’s Beans.

Critics held that Fair Trade USA’s approach to governance didn’t center on farmers, and while it still represented a more socially responsible approach than conventional trade, it was no longer fair trade in its proper form.

But the split ultimately belied a deeper issue common to all the large fair trade organizations. As Rudi Dalvai, Former president of the WFTO opined at the time of the split, by focusing on certifications that provide guilt-free products to consumers, the fair trade movement’s focus had effectively moved towards supplying consumer demand over empowering producers. And brands that carried a limited number of fair trade products or sourced even a few fair trade ingredients could exploit labels by claiming to be invested in fair trade, even when the majority of their products still utilized conventional supply chains, leading to a situation where “a development tool becomes a marketing tool.”

Clearly, shopping at a grocery store for products with a fair trade label isn’t a complete divestment from the exploitative global economy that made fair trade a necessity in the first place; the current, certification-focused fair trade movement has fallen short of providing disadvantaged farmers a genuinely equitable position in the global marketplace because it still relies on a broader capitalistic economy. As Dalvai argued, however, just because the new “market-focused” fair trade model might be different from fair trade in its original conception doesn’t mean it can’t be useful at establishing more ethical ways to buy certain goods, and this is ultimately the framework to understand how these labels operate today. Both major fair trade labels do come with certain assurances that make them a better choice than the commodity goods next to them on the shelf, even if they don’t necessarily fix the fundamental inequities in the global economy.

Differences between the US fair trade labels

So what do the fair trade certifications guarantee? On paper, both cover many of the same stipulations: Fair Trade Certified and products carrying the Fairtrade Mark both ensure farmers are given a floor price for commodities, set minimum standards for working conditions and ban child labor. They also come with environmental stipulations, though these are less comprehensive than other, more environmentally focused labels (such as certified organic), requiring training and plans to improve biodiversity and soil health rather than setting concrete targets that need to be met and documented.

The major differences between what the two labels offer happen off farm and have more to do with the structure of the fair trade system in question. Traders, brands and retailers that are Fair Trade Certified pay a guaranteed minimum or “floor” price for certain goods, which is important in volatile global markets that frequently offer prices for commodities that are lower than what farmers pay to produce them. Those traders also pay an additional premium for fair trade products. That money returns to producers and workers through the Community Development Funds, which they decide how to use based on a democratic process. However, this system stops short of being a genuine worker cooperative, and while workers and producers do determine how funds get used within their communities, they have less power with the wider organization overall. Fairtrade International and its affiliates use a similar system to return value to communities but have a few additional stipulations that more fully represent workers and producers throughout their governance structure. With the 2013 announcement that there would be a minimum 50% worker ownership of Fairtrade International, the organization has further invested in the worker cooperative model that Fair Trade USA no longer embodies.

But Fair Trade USA’s theory that abandoning the coop model would allow them to bring more products to consumers has borne out; Fair Trade Certified covers a broader range of products in the U.S. and has recently expanded to include wild-caught seafood and dairy in addition to the more traditional products like cocoa, coffee and produce, which the Fairtrade Mark still covers. However, a number of companies with long-term ties to the fair trade movement shifted from Fair Trade Certified to the Fairtrade Mark at the time of the split between the organizations, in keeping with their perception that Fairtrade International’s system did more to empower producers.

Ultimately, if you’re a consumer looking for more ethical ways to buy problematic goods like coffee and chocolate, both of the mass market fair trade labels are a good launching point. From the perspective of the fair trade movement, supporting Fairtrade America/Fairtrade International may do more than Fair Trade USA (and its Fair Trade Certified label) to further truly equitable access for disadvantaged farmers. But with a more limited product range, this might not always be an available choice. As with other kinds of labels, there are valid concerns about a pay-to-play system, where producers who can’t afford certification might miss out on benefits, but the auditing systems both labels employ means that the presence of either label is still usually a step up from products that make claims about being fair trade but that don’t have any certification.

In an effort to help you make the best sense of these labels, we have updated the fair trade labels that appear in our Food Label Guide. For additional guidance specifically on chocolate, look at earlier pieces we have written about chocolate and labels.

Thousands of bottled Starbucks drinks recalled because they may contain glass

PepsiCo — the company that sells and distributes ready-to-drink (RTD) Starbucks beverages — is recalling more than 25,000 cases of bottled frappuccinos.

The voluntary recall involves more than 25,000 cases of Starbucks Frappuccino Vanilla drinks in 13.7-ounce glass bottles. The impacted products, which were distributed nationwide, have best buy dates of March 8, 2023; May 29, 2023; June 4, 2023; and June 10, 2023.

The possible presence of a foreign object — in this case, glass — is cited as the reason for the Class II recall, according to the U.S. Food and Drug Administration. Per the federal agency, this type of recall is “a situation in which use of or exposure to a violative product may cause temporary or medically reversible adverse health consequences or where the probability of serious adverse health consequences is remote.”

In a statement to ABC News on behalf of the North American Coffee Partnership, PepsiCo said “the removal of these products from the marketplace is currently underway.”

The items involved in the recall aren’t sold at Starbucks retail locations, according to the statement. Often, these RTD products are sold at gas stations, drug stores, convenience stores, airports and similar retail outlets.

According to the FDA, the recall was initiated on Jan. 28, and its status remains ongoing.


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If you purchased any of the items with the above best buy dates, do not consume them. In its statement, PepsiCo provided a number that you can contact.

“Delivering a quality experience to our consumers is our top priority, and we always act with an abundance of caution whenever a potential concern is raised,” the statement said. “If a consumer has purchased a product and has questions or concerns, they can call Consumer Relations at 1-800-211-8307.”

The unreasonable, degrading expectations imposed on stars’ bodies

Between awards season and the Super Bowl, we can typically rely on some celebrity’s midwinter show to remind us of where our culture stands socially and politically speaking. This time that dubious honor fell to – or to be more accurate, was forced upon – Madonna and Rihanna.

Different circumstances surrounded each but they are tangentially related. The Grammys enlisted pop music’s elder stateswoman to introduce Sam Smith, a nonbinary performer, and Kim Petras, a trans woman, on the occasion of their history-making Grammy win for their chart-topping duet “Unholy.” But that moment’s significance was swallowed by the shock over, yes, Madonna’s face.

One would think that over four decades we would have acclimated to her various transformations, sartorial or surgical. Apparently not. Twitter came alive with horrified reactions to her taut skin, line-free brow and cheekbones not chiseled by nature. The reception for Rihanna’s halftime show debut of her baby bump, announcing a second child on the way, was much warmer. Who doesn’t love a bombshell pregnancy reveal? People who demanded that a very pregnant woman dance like Beyoncé and sing unassisted by a pre-recorded track, that’s who.

The consensus is that Rihanna was singing into a live mic with a backup track underneath, by the way, which is standard for all Super Bowl performances. The NFL requires artists to pre-record their sets as a safeguard against live broadcast fumbles. Regardless, even among those who accepted that were disgruntled murmurs that she didn’t prance enough while standing on a platform suspended in the air, with child, and surrounded by scores of dancers stomping the slats to “B***h Better Have My Money.”

There’s a vast chasm between the scale of revulsion that met Madonna’s altered visage and the perturbation over Rihanna refusal to somersault while gestating a human being. But those opinions originate from the same hopeless place that keeps affirming the widespread belief that a woman’s anatomy doesn’t entirely belong to her.

The American pop icon’s presumed function is to reflect some ideal of who or what we dream of being.

We know this. We’ve read it all before. Nevertheless, how many people who know better jumped into the fray to attack a 64-year-old woman who has the means to do whatever she wants, including facelifts? How many reacted to the first pregnant woman to star in a Super Bowl halftime show and all but levitate, by expressing dismay at her measured hip grinds and tamed twerks?

The American pop icon’s presumed function is to reflect some ideal of who or what we dream of being. That’s why we emulate their moves in TikTok challenges and purchase exorbitantly priced tickets to their live shows even if it means a few utility bills will go unpaid. People aspire to capture their essence by wearing their fragrances and makeup, which Rihanna acknowledged by subtly promoting her Fenty cosmetics line mid-performance with an on-camera touch-up. Thanks to Spotify, the art itself is insufficient to pay the bills. RiRi earned her billion-dollar fortune through her product lines.

Rihanna Super Bowl Halftime ShowRihanna performs during Apple Music Super Bowl LVII Halftime Show at State Farm Stadium on February 12, 2023 in Glendale, Arizona. (Kevin Mazur/Getty Images for Roc Nation)

In exchange for this entirely optional tithing we want them to meet impossible standards. If one’s brand is sexuality or insurgence, she can never age, never allow her skin to lose its elasticity or let the world see their energy flag. In live shows, a star who performs to full stadiums is not allowed relative stillness or careful movement, even when she surrounds herself with athletic artistry.

This mode of thinking holds that true pop idols should be willing to break themselves on our desires. Whether those people agree doesn’t matter – that is the implied bargain. In buying what they produce, we supposedly purchase a say over what they do with their bodies.

By extension this is the bargain forced on women, and while we can’t say this is unique to American women we are the ones screaming “my body, my choice” to a Supreme Court who let us know last year that it doesn’t agree. We learn at a very young age that however our bodies show up in public, they will be subject to commentary, advice, criticism and on occasion, persecution. 

Both of them are reminding the world, each in their way, that their bodies – women’s bodies – are no one’s business but their own.

Sometimes, we only realize how effective and insidious those teachings can be when we see them normalized in the public sphere. This is not a proposal that one should feel sorry for Madonna or tut-tut at her devotion to vanity which, again, has always been the case. Rather, I submit that the face that launched thousands tweets and ruminations in respected publications, and from every imaginable angle, is simply a face. One that Generation X and a few Millennials may have worshipped as tweens and teens while knowing we could never keep up with. A face Madonna didn’t hide and, in fact, has been showing off on Instagram for some time now.

But celebrity nip-and-tucks have been classic reader bait since long before news consumption was measured in clicks, and pop star outrage pulls in eyeballs. Madonna is a popular target, having already gone through versions of this at different stages of her life.

Colombian singer Maluma (R) performs on stage along with pop icon Madonna during his concert “Medallo in the Map”, in Medellin, Colombia, on April 30, 2022. (FREDY BUILES/AFP via Getty Images)

Somehow, though, this round feels different from those moments when Cher or Jane Fonda or Demi Moore or Renée Zellweger premiered their latest looks. There was an underlying ugliness in the mildest takes, most of which express noble distress about the double standard women face as they mature.

One charitable if eyebrow-raising take deemed Madonna’s face a “provocation,” an extension of her decades of shapeshifting and moving culture alongside her change. Trashier takes are easier, as lazy as heckling at a basement comedy club, which is why Rupert Murdoch’s New York paper harrumphed, “Madonna’s new face is an eyesore and a complete betrayal.” But the most sober and sensible take comes from Maria Guido.

Madonna’s face is making everyone realize that they too will die some day, and people hate it. We love our icons, but we hate to see them age, and when they happen to be women, we simply don’t allow it. So when you have an aging icon, doctors who will do literally anything to your face that you ask, and a lot of people who are not okay with women aging (but also not okay with them trying not to age), you’re going to get the uproar like we’ve seen recently over Madonna’s face.

Negative reaction to Rihanna’s performance was minimal in comparison, and mainly came from eternally desperate attention seekers or Super Bowl gawkers who know nothing of her catalog beyond the ubiquitous hits. Professions of choreographic disappointment reveal those folks straightaway. Those who know her performance style knew what to expect, and were in awe that she found a way to give more than that. Rihanna’s strengths are her voice and her eye for style and pageantry. She sets the mood, commanding it for the world to dance with its beat, hiring professionals to show them the way.

“But Beyoncé,” some haters crowed in rebuttal, and predictably. Parasocial fandom loves pitting artists against each other in imaginary rivalries, but this was truly an apples-to-pears comparison. Beyoncé’s 2016 Super Bowl performance left the world breathless, yes. But if you want to place one live performance-while-pregnant against another, a better comparison would be her luminous 2017 Grammy performance, pulled off while expecting twins. She dazzled with a flower-strewn set, surrounded by Duncan-style dancers and effected a similar impact with decidedly less movement on her part.

In that appearance, Beyoncé pulled off her riskiest move while sitting in a chair. So: Rihanna only stood at a microphone. On a platform moving up and down, and held between 15 and 60 feet aloft by cables. One wonders how many of the complainers who aren’t pregnant get dizzy on the top rung of a kitchen stepladder.


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Madonna built her career on sublimating transgression, of which she’s determined to remind us by touring; go ahead and assume a few critics will give her lower marks for not matching the stamina she displayed in her 40s. Rihanna has made a fortune by transcending the mundane and probably broke a few hearts by showing us, without saying anything at all, that while she’s still determined to fascinate us, our entertainment is not her main priority right now. And that probably ticks off a few people.

RihannaRihanna is seen outside the Dior show, during Paris Fashion Week, on March 01, 2022 in Paris, France (Edward Berthelot/Getty Images)

Rihanna’s pregnancy is acceptable, and there are reams of intrusive legislation worming its way through state governments to back up that statement. Madonna’s aging is unacceptable no matter what form it would have taken. There would be no such thing as “aging gracefully,” whatever that means, for a star whose music and image defined several generations’ youth. We knew that too.

Both of them are reminding the world, each in their way, that their bodies – women’s bodies – are no one’s business but their own, even when their bodies are central to their material business.

“I have been degraded by the media since the beginning of my career,” Madonna responded on Instagram, “but I understand that this is all a test and I am happy to do the trailblazing so that all the women behind me can have an easier time in the years to come. In the words of Beyoncé: ‘You-won’t break my soul.'”

Rihanna’s response has been as strategic as her pregnancy reveal, meaning she’s said nothing and let her music speak for itself. Those perpetuating this shallow discourse hooked on cheap shots and psychic corrosion feel they can demand more of her. She knows she doesn’t owe us a thing – not a new banger, and certainly not a say in what she does or doesn’t do for our satisfaction.

Scott claimed Biden lied about his plan to sunset Medicare, Social Security — then quietly edited it

Sen. Rick Scott, R-Fla., has amended his contentious plan to sunset federal legislation every five years to include exceptions for Medicare and Social Security after months-long criticism from both parties.

The change comes just over a week after President Joe Biden’s State of the Union address, when he called out Republicans over Scott’s proposal. Scott and other Republicans criticized Biden over the comments, claiming the party had no intention to sunset the programs.

Scott’s “Rescue America” plan would have required all federal legislation to be renewed every five years, and while Medicare and Social Security were never explicitly mentioned, Democrats pointed out that both programs would be affected.

The new version of Scott’s plan reads: “All federal legislation sunsets in 5 years, with specific exceptions of Social Security, Medicare, national security, veterans benefits, and other essential services. If a law is worth keeping, Congress can pass it again.”

Senate Minority Leader Mitch McConnell, R-Ky., pushed back on the plan since it was first introduced last year and stated last week that Scott was not speaking on behalf of all Republicans on the issue. 

“It’s clearly the Rick Scott plan. It is not the Republican plan. And that’s the view of the speaker of the House as well,” McConnell told Kentucky radio host Terry Meiners.

During his State of the Union address, Biden mentioned that the GOP wanted to sunset Social Security and Medicare, drawing heckles from Republicans like Rep. Marjorie Taylor Greene, R-Ga., who called him a “liar.” 

“As we all apparently agree: Social Security and Medicare is off the books now, right?” Biden said in response to the jeers, prompting applause from the GOP. “We’ve got unanimity!”

“It looks like we negotiated a deal last night,” Biden said in Wisconsin the next day, referring to the exchange.

“A Senator from Florida is in hot water right now because of his plan to sunset Medicare and Social Security every 5 years,” Biden tweeted on Thursday. While the programs are still on the table, The Washington Post reports that the federal government will have a hard time keeping them afloat after 2028 and 2035, when funding runs out. Republicans have opposed tax increases to keep the programs going, which Biden will likely propose in his upcoming budget to keep Medicare functioning.

Scott responded to Biden’s comments by calling on him to resign in an ad, and telling CNN that he does not support cutting the programs.


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Former Rep. David Jolly, R-Fla., called the quiet change an “embarrassing reversal” for Scott that “can only be interpreted as a huge political victory for Joe Biden.”

“Going into debt ceiling talks, Republicans have now been castrated on the issue,” he added. “Just a remarkably quick victory by the President.”

Igor Bobic, a senior politics reporter at HuffPost noted that “this is actually the second time Rick Scott has amended his plan after bipartisan blowback. The first reversal was after he called for a tax hike on low-income working families.”

MSNBC host Mehdi Hasan also pointed out how Scott backtracked on the issue.

“Why did he feel the need to exempt them from his sunsetting plan if they were never part of it? Oh wait! They were!” he wrote. “The White House was right and Rick Scott was… gaslighting us.”

“She feels things deeply”: How “A Radiant Girl” slowly realizes the persecution of the Holocaust

“A Radiant Girl,” written and directed by actor Sandrine Kiberlain, is a potent tale of Jews in Occupied France seen almost entirely from the perspective of a teenage girl, Irène (Rebecca Marder). 

Studying to be an actress, Irène is almost insufferable with her theatrics — she fakes fainting to distract her brother Igor (Anthony Bajon) and pesters her father André (André Marcon) and her grandmother Marceline (Françoise Widhoff) to help her rehearse as she is hoping to get accepted into a conservatory. Irène also has a suitor, Gilbert (Jean Chevalier), whom she is not sure she likes, especially after she meets Jacques (Cyril Metzger) a dreamy assistant to a doctor she sees for her real-life fainting spells. Irène and Jacques do start seeing each other, and one stylish sequence has them kissing during a series of blackouts.

Kiberlain lets “A Radiant Girl” unfold impressionistically, creating a tone and atmosphere that subtly builds to its powerful conclusion. The filmmaker avoids showing Nazi flags but does features scenes of the family being required to stamp “Jew” on their identification papers, hand in phones, radios, and bicycles, as well as wear yellow stars on their clothing. However, Kiberlain also uses anachronistic music — songs by Tom Waits and Metronomy — to create a mood that suggests this kind of persecution could happen anytime, anywhere.

The filmmaker spoke, with the assistance of Interpreter Ellen Sowchek, with Salon about making “A Radiant Girl.”

Most folks will know you as an actress. You have two films screening at the upcoming Rendezvous with French Cinema program, “Diary of a Fleeting Affair” and “The Green Perfume.” What prompted your shift to becoming a director, and why at this project and at this point in your career?

I’ve been an actress for 30 years, and I found that when you start as an actor you are very concerned about pleasing the director, and what the director is asking of you. But as time goes on, and you become more experienced, you realize how much of a contribution the other people on the set are making — with sound, and cinematography — so you are responding to everything, not just the director. As I became more aware of what everyone else was doing, which paralleled my work as an actress, I became much more interested in what a director does.

About five years ago, I made a short film, and it was my way of trying to express myself. And one of the only ways to express myself is through cinema. When I made this short, I knew a lot about framing and shooting a film, and that was when I decided to make a feature. I zeroed in on the angle I wanted to film — the 1940s from the point of view of an adolescent girl in France. It is a unique point of view, and once I found that, it became necessary for me to make that film. 

You use this narrative approach, seeing the film through Irène’s point of view, as a way of making viewers consider how they might have behaved at 19 in 1942 France?

What I wanted to do is give a sense of a personal diary or a personal journal. You are seeing these things from her point of view, but we, as an audience, know what is going to happen. Irène doesn’t know what tomorrow would bring, so it’s a way of building up a kind of suspense, almost to the point where you feel the film is a thriller. I don’t put a lot of symbols, or historical information in the film. Audiences aren’t stupid. They know the period and what’s in store for her. Irène can’t imagine the danger; her vivaciousness and joy builds the tension.

I appreciated not having all the symbols and signposts telling us what to think. 

I know there are a lot of films made about this particular period of time — many good, important films — but for me, I wanted “A Radiant Girl,” to show, from my perspective, how this one young woman would have dealt with this situation through her eyes. We see her feelings about life and what is to be 19 and experiencing first love, her love of the theater. For me, this was important because it increases the sense of danger that we feel for her. The only thing that really could destroy this joy she has for living is something that is the worst. I think that by seeing it through her point of view and at her age when things are purest and strongest, it renders the violence of the Holocaust that we know is going to come even worse.

One of the things I wanted to do was tell the story of all the “Irènes,” to make it timeless, not anchored to the period of time she is in. It could be to girls in Afghanistan or Iran. In doing this, it’s a way I can reach some of the young people and make them aware. I remember when I was an adolescent, I read “The Diary of Anne Frank,” as I turned the page, wanting to know what was going to happen, suddenly, there was nothing. I wanted to recreate that sensation, which just stopped. The darkness in the end of the film lasts nine seconds. To quote Agnès Varda, “I don’t want to show things, I want to give people the desire to imagine what they are seeing.” That was very important to me.

Your use of anachronistic music to create a mood that suggests this kind of occupation could happen anytime, anywhere.

I was very precise in the way I wanted to use the music in the movie. The music you hear is contemporary with Irène’s life, so Charles Trenet’s song “Que reste-e-il de nos amours?” is one he wrote prior to 1942, so it would be contemporary. With other scenes, I didn’t have that same anchoring, of a piece of music from that time. For the romantic scene in the stairway, I wanted the music to be very cinematic, something you would associate with a love scene in a film, and not from a specific time period. Music that when you are 19 and you hear it, it transports you. I wanted to create that emotion in the audience watching it. But then we go back to scenes more contemporary to her life, those scenes I wanted music that was contemporary. 

One could argue that there is a threat all around Irène, but she almost doesn’t see it because she is so focused on herself.

In response to your thought of her knowing that there is something there, she sees what she wants to see. But at the same times, on another level, she knows something else is going on but it’s not being expressed. Her spells of fainting show she feels things deeply, but it’s not put into words. She is as aware, or perhaps, more aware, than her father or grandmother are. On a certain level, she is more tuned in but has chosen not to focus on it but on moving ahead and focusing on what she wants. 

On that same note, the film also features subversive behavior. This is a story of great change and fear. Marceline is adamantly resisting the occupation, while André cooperates. Jacques presents Irène with a bicycle to ride freely. What observations do you have about how people coped during traumatic times? 

What I really wanted to do was to show all of the ways people would react in this position. The father who is very protective, and wants to protect the family at all costs, is something I experienced in my own family, although not exactly in the same way. The grandmother who is much more free in her way of thinking, and she has the soul of a resistance fighter in her. Igor her brother flirts with the enemy in a way that is seen almost as fashionable to go along with the Occupiers. It is different ways different individuals have with dealing with the different situations, The two grandmothers, this was what Irène would be like when she becomes an older woman, that she would have the same sense of freedom and liberty. The grandmothers read the definition of fear. They don’t think they have fear, but when the read [the definition], they realize this is exactly what they are experiencing. 

The film presents Judaism in a very specific way — these are secular Jews, who celebrate some rituals. There are supporting characters who like Jews, and others who do not. What prompted you to present the religious aspect of the characters in a deliberate way?

I think that the scene with the grandmother, she insists they don’t pray and in the next scene they are praying. It’s an idea that many people have — yes, they are born Jewish and remember the traditions, but while they saw themselves as being Jewish, they are not religious Jews. They are not practicing, observant Jews even if they respect the rituals or celebrate the holidays. Everyone has their own way of relating to their past, and where they came from. I relate to this in my own family; we do not practice on the micro-level of knowing all the holidays and traditions. Everyone develops their own way of observing the Sabbath. Then, there is the neighbor, who learns the rituals, and the cultural aspect of it. People are not ashamed of culture and origins, even if they are not practicing it. That is what I wanted to capture in the scene of Irène lighting Sabbath candle because it’s a ritual that is important to her. It is not important religion because requires her to do it, it is for herself personally. 

What informed your approach, visually and tonally, to telling this story? 

I wanted to highlight each situation and what was happening in them. I wanted the love scenes to be very active — so there is the business with the glasses and drawing. She has this energy, and I wanted this action to be a reflection of that. The scene that takes place in the light and darkness, in the light, they speak things the audience can hear, but they are banalities, but when in the dark, they are intimate private moments, so we can’t see them. That contrast was a way of doing it cinematographically. 


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Why do you think stories about the Occupation, the Holocaust, and antisemitism still resonate today? 

One of the best compliments I get is when people Irène’s age say how much they identified with her and felt her experience — they have that same sense something is happening but not being able to put a name on it or understand it or knowing what the future will hold. What we experience from being with her is something that touches them too, on that very intimate level. I wanted to have a very strong point of view of this year. She is like many other girls. Seeing her getting up to dance and there is the yellow star on her jacket, we are seeing that she is just like all these other girls, but now she’s been forced to become different by the yellow star, and that is something that resonates today. The supreme injustice is that that because people are different, that makes them bad, or they are wrong. That was an aspect of the timelessness I wanted to represent. We are all different, but at the same time, we shouldn’t be identified by and called out for being different by this type of injustice. This is true for everyone in every place and in every country in the world. 

“A Radiant Girl” opens in select cities (New York, Santa Monica, and Montreal) on  Feb. 17 and will expand to additional cities in the coming weeks.

“A fraud like George Santos”: New investigation blows major holes in MAGA Republican’s resume

Freshman Rep. Andy Ogles, R-Tenn., drew comparisons to admitted fabricator Rep. George Santos, R-N.Y., after a new investigation into his resume revealed he has exaggerated several aspects of his life, including being a trained police officer and an expert in international sex crimes. 

An investigation from local news outlet NewsChannel 5 revealed several holes in Ogles’ personal life story after he claimed to be an economist during the House speaker vote last month. 

“Yeah, you know, I’m an economist,” Ogles said in a C-SPAN interview. When he was asked later which committees he wanted to be assigned to, Ogles started by saying, “So, I’m an economist.”

He then told the TV show Washington Watch later in January, once again, “I’m an economist. I worked in economics. I worked in health care.”

Ogles’s claims of economic expertise began during his campaign for Congress. During a Wilson County GOP debate, he began one of his answers by saying, “You know, as an economist…” He then used the exact same phrase in his first meeting on the House Financial Services Committee.

However, there is little evidence that Ogles ever received formal training in economics. His congressional bio states that he has a degree from Middle Tennessee State University, “where he studied policy and economics,” but the university refused to confirm whether this was true. They cited a portion of a federal law that allows students to block the release of their educational credentials. 

“I would think that if he has a block that there must be something wrong,” state Sen. Heidi Campbell, D-Tenn., who lost the House race to Ogles, told NewsChannel 5.

However, Ogles’ website in 2002 claimed that the congressman “studied foreign policy and the constitution” at Western Kentucky University and Middle Tennessee State. The outlet found no mention of economics on the site. 

When they checked with Western Kentucky, they confirmed that he attended from 1990 to 1993, but that he actually majored in English and Allied Language Arts.

When asked about the discrepancy, Ogles shared an image with NewsChannel 5 of a diploma for a bachelor of science degree from Middle Tennessee State in 2007, when he was 36.

However, a résumé from 2009, two years after the congressman graduated from MTSU, stated his degree was in international relations, with minors in psychology and English.

“I mean, that looks to me like somebody who doesn’t have any background in economics,” Campbell told the outlet. 

When Campbell was asked what this says about his claims, she said she wasn’t surprised.

“If you really dig into him and what he’s done, you’re probably going to find there’s a lot more where this came from,” she said.


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Ogles frequently mentions his connection to economist Arthur Laffer and his LinkedIn résumé shows that he was once the “executive director” for the Laffer Center. However, the job appears to be an administrative position, not an economic role. He also has no economic reports to his name.

“While working at the Laffer Center, Andy became a nationally recognized expert on tax policy and healthcare, having been featured in numerous publications, including The Wall Street Journal and Investor’s Business Daily,” his website reads. But when looking into these features, the outlet found that he only wrote three columns — two co-authored with another person — when he was a lobbyist for the conservative group Americans for Prosperity. He was never independently cited as an expert for anything. 

“It might be a bit more credible if a news organization had called him and quoted him on the basis that he was a national expert,” MTSU political science professor John Vile told NewsChannel 5.

The exaggerations don’t stop there — Ogles also claims to be a trained police officer with expertise in international sex crimes. 

When trying to assert his credibility in a GOP debate, the then-candidate said, “as a former member of law enforcement, worked in international sex crimes, specifically child trafficking….”

He also claimed to have a midlife crisis in which he “went into law enforcement.”

“I worked in human trafficking,” he stated.

Before taking office in Congress, Ogles told C-SPAN that he has knowledge of human trafficking over the Southern border, claiming to have “first-hand experience of someone who worked in that space. I turned gray because of it.”

Last month, he once again told C-SPAN, “You know, part of my career, I worked in human trafficking.”

When NewsChannel 5 looked into the claims, they found that the congressman was sworn in as a volunteer reserve deputy with the Williamson County Sheriff’s Office in July 2009, but that he lost the position after just two years because he could not meet the minimum standards. He made no progress in field training and failed to attend the required meetings. 

“There is nothing in Mr. Ogles training or personnel file that indicates he had any involvement in ‘international sex trafficking’ in his capacity as a reserve deputy,” Williamson County sheriff’s spokesperson Sharon Puckett told NewsChannel 5.

Then there are Ogles’ claims that he is a human trafficking expert. 

He worked for the non-profit Abolition International in 2011, and his website claims that he was responsible for “overseeing operations and investments in 12 countries,” during his role as chief operating officer.

“I began working, volunteering my time,” Ogles told Washington Watch. “Then I ended up becoming chief operating officer. It was just one of those I didn’t really intend to set out to be so heavily involved in the fight against human trafficking. It just kinda occurred.”

However, people within the group privately disputed Ogles’ characterization of his role. Tax returns from the group show that he only held a part-time position with a final paycheck of $4,000.

“Wow, that does not sound to me like somebody who was the COO,” Campbell told NewsChannel 5.

The outlet also found an archived version of the nonprofit’s website that shows they made grants to “holistic ministries” in a few countries, not 12, that they never stopped international sex rings nor did they rescue human trafficking victims.

When Campbell was asked if this information would have impacted voters’ decisions, she told the outlet that she believes “it might have.”

Ogles avoided the media during his campaign and he is still dodging questions about his past. The outlet did not receive any comment from his press secretary, nor Laffer, who has previously criticized others for lying about having degrees in economics. 

“My election is over, and I’ve moved on with that — that’s fine,” Campbell told the outlet. “But I do think going forward people need to know who they are electing.”

Former Rep. Mondaire Jones, D-N.Y., tweeted that it looks like “George Santos may not be the only member of the House GOP who lied, and continues to lie, extensively about his academic and professional experiences.” 

“Ogles – Tennessee’s very own George Santos,” wrote state Rep. John Ray Clemmons, D-Tenn., “Because our other GOP folks in DC weren’t questionable enough. Several of Santos’ GOP colleagues in NY have called for his resignation. Let’s see if Ogles’ TN GOP colleagues follow suit.”

Former New York Times labor reporter Steven Greenhouse added, “Republican Congressman Andy Ogles of Tennessee is a fraud like George Santos (but not quite as bad).”

“We basically nuked a town with chemicals”: East Palestine volunteers risk mass toxic exposure

While the abused residents of East Palestine, Ohio packed their local high school gym on Wednesday night to sort through the contradictory messaging from officials, freight trains with vast quantities of toxic chemicals rumbled through equally vulnerable and unprepared corridor communities across America. 

Invariably, these are communities that have some history of betrayal and abandonment by predatory capitalism and rely on selfless community volunteers to staff their fire apparatus and ambulances. They were the frontline infantry for COVID. They are the arms and legs of mutual aid 24-7 responding to any and all natural and man-made disasters in America’s heartland.

Of the total 29,452 fire departments in the country, 18,873 are all volunteer; 5,335 are mostly volunteer; 2,459 are mostly career; and 2,785 are all career-professionals, according to the National Volunteer Fire Council. More than half of Ohio’s departments are staffed by volunteers.

In the case of the Norfolk Southern derailment, the impact was felt not just in Ohio.  Communities in neighboring Pennsylvania were also caught up in the need to quickly evacuate, while first responders tried to cool the massive rail pileup — all to buy the railroad time to figure out how to handle five cars of vinyl chloride that were vulnerable to catastrophic explosion.

The risk that lingers a lifetime

What’s generally ignored — unless you are a veteran of the 9/11 World Trade Center EPA-enabled mass toxic exposure — is anytime there’s a catastrophic toxic chemical release like there was in Ohio, a lifelong shadow is cast over the health of every railroad worker, first responder (paid or volunteer), and contractor that responds.

In the case of the 9/11 World Trade Center attack, the EPA offered reassuring statements that the air was “safe” to breathe — even though it did not have sufficient data “to make such a blanket statement” when their “air monitoring data was lacking for several pollutants of concern, including particulate matter and polychlorinated biphenyls (PCBs),” according to the EPA’s Inspector General. 

“Furthermore, The White House Council on Environmental Quality influenced, through the collaboration process, the information that EPA communicated to the public through its early press releases when it convinced EPA to add reassuring statements and delete cautionary ones,” the EPA Inspector General wrote, adding that “over 25-percent of the bulk dust samples that EPA had collected…showed the presence of asbestos above the 1-percent threshold used by EPA to indicate significant risk.”

On 9/11, 343 members of the FDNY died responding to the WTC attack and collapse of the towers. By last year, the department had surpassed 300 firefighters who have died as a consequence of their occupational exposure. In the case of the NYPD, 23 officers died during the attack. In the years since, well over ten times that number have died from their occupational exposure to WTC contamination.  

Today, well over 80,000 first responders are enrolled in the WTC Health Program with several thousand suffering with some form of cancer or other life altering chronic condition.

This kind of lifelong cloud, and perhaps even premature death from an occupational exposure, is just not factored into the cost-benefit analysis into how we regulate and transport the myriad of toxic chemicals our mass market consumer economy requires.

This is what happens in a political economy where close to fifty Class I railroads are permitted to shrink to seven behemoths who, through their campaign cash, dictate what the rules of the road — or the rails — will be. Their profits are maximized, while the risks of workplace exposure and community environmental degradation the corporations take, are ours too often shoulder alone, unless we can afford a lawyer.

The view from Ohio

John Harvey is president of Ohio’s Association of Professional Firefighters. He is also a captain in the Middletown Fire Department and leads that city’s HazMat response team. In a phone interview with Work-Bites, Harvey said that whether the responders to the East Palestine fire were professional or volunteer — he is concerned about their occupational health exposures that can often take decades to manifest in the form of coronary or respiratory diseases.

“We have to make sure they are taken care of immediately and that they are getting check-ups so that we have a baseline of where they are at and then looking further out, as the years go by-that the care is followed up on to make sure that if there are illnesses that are linked to this, that they are taken care of,” he told Work-Bites.

Vinnie Variale is the president of DC 37 Local 3621, which represents the FDNY’s EMS officers. He says that across the country there’s a patchwork of EMS organizations that include everything from voluntary ambulance corps to civil service agencies with a wide range in equipment, training, and protective gear.

“With something like this, I am concerned about the protection that these first responders are getting from their region,” Variale said. “If they don’t have the right protections, they could see the same kind of problems we had with our members dying years later from diseases they contracted after their World Trade Center response.”  

In Ohio, we are still in the performative theater phase of the government’s response with the public health officials in white coats telling residents the air is safe to breathe but they advise residents to drink bottled water, just to be on the safe side. Local TV is awash with images of dead fish, belly-up in stream beds while in the distance residents are shown trying to return to the rhythm of their lives before it was all upended on Friday, Feb 3.

Not surprisingly, Norfolk Southern opted out of attending the East Palestine forum with a Trumpian twist playing of the victim card, saying in a statement they were “increasingly concerned about the growing physical threat to our employees and members of the community around this event stemming from the increasing likelihood of the participation of outside parties.”

They have good reason to avoid large public gatherings.

On the case

Thanks to the essential reporting of the Lever and the Railroad Workers United News Service, we know how Norfolk Southern lobbied government officials to weaken the regulations for hauling the kind of toxic chemicals that have now cast a shadow over the lives of the traincrew, the army of mostly volunteer first-responders and the wider community.

With each passing day, rail workers are getting their story out about their trepidations about the length, weight and make-up of the toxic train that originated in Illinois and was headed east to Pennsylvania.  

The Norfolk Southern railroad’s failure to accurately characterize the highly hazardous nature of the train’s cargo prompted a bi-partisan blast from Ohio’s Republican Gov. Mike DeWine and Pennsylvania’s recently-elected Democratic Governor Josh Shapiro.

On Feb. 14, DeWine told reporters that he had been told by Public Utilities Commission of Ohio that the train had not been flagged as “a high hazardous materials train”, meaning that the railroad was under no obligation to notify Ohio about the hazardous materials it was hauling through the state.

“Frankly, if this is true, and I’m told it’s true, this is absurd, and we need to look at this, and Congress needs to take a look at how these things are handled,” DeWine said. “We should know when we have trains carrying hazardous material that are going through the state of Ohio.”

The Feb. 3 derailment and response played out over four days. On Feb. 6, concerned about the increasingly unstable tanker cars containing vinyl chloride, Norfolk Southern opted to release hazardous chemicals from five cars and then execute a “controlled explosion” which generated a loud boom and menacing cloud of black smoke.

But it wasn’t until  Governor Shapiro’s Feb. 14 letter to Alan Shaw, the president and CEO of Norfolk Southern, that we got a behind the scenes of what appears to have been a seriously flawed response which played out from Feb. 3 through Feb. 8 when the evacuation order was lifted. Shapiro was particularly critical of the railroad’s Feb. 6 decision to intentionally vent the five tanker cars containing the vinyl chloride.

“Norfolk Southern failed to explore all potential courses of action, including some that may have kept the rail line closed longer but could have resulted in a safer overall approach for first responders, residents and the environment,” Shapiro wrote. 

The railroad, according to Pennsylvania’s governor, kept first responders in the dark throughout the incident by failing to “implement a unified command” because Southern Norfolk opted to separate themselves “from the rest of the incident management structure.”  

As a consequence, Shapiro wrote state and local agencies had “to react to tactics that were developed unilaterally [by the railroad] and without the combined input of key state agencies” which at the same time, Norfolk Southern was giving out “inaccurate information and conflicting modelling about the impact of the controlled release that made protective action decision making more difficult in the immediate aftermath of the derailment.”

Thanks to a Feb. 13 dispatch from State Impact Pennsylvania, an NPR local reporting project, residents learned ten days later, that in addition to butyl acrylate and vinyl chloride, the derailed train contained: “ethylhexyl acrylate, which can cause burning on the skin and in the eyes, coughing and shortness of breath; “isobutylene, which can make people dizzy and drowsy; and ethylene glycol monobutyl ether which can cause coughing, dizziness, drowsiness, headaches, nausea, and weakness if inhaled.”

“We basically nuked a town with chemicals so we could get a railroad open — I was kind of surprised when they said so quickly the people could go back home,” Sil Caggiano, a hazardous material expert and retired Youngstown Fire Battalion Chief, told WKBN CBS-TV “There’s a lot of what ifs, and we’re going to be looking at this thing five, ten, fifteen, twenty years down the line and wondering, ‘Gee, cancer clusters could pop up, you know? Well water could go bad.”

On the same page

Charles Jennings is an associate professor of security, fire, and emergency management at City University’s John Jay College of Criminal Justice. He told Work-Bites that the kind of fractured response that Governor Shapiro describes is “absolutely not” the way to execute an effective response.

“With the unified command all the key decision makers and all the key people with responsibilities are jointly setting high level goals based on the best information from ALL sources informing those decision makers,” Jennings said. “Major decisions like we are going to attempt to fight it or let it burn out — all of those should all be made in the context of a joint unified command.”

Jennings continued, “This issue came up with the debate over oil trains and the transport of fracked oil and the hazards that came along with it, and the fact that you have trains that are running through communities that vary in the level of resources and capabilities. You need to impose some minimum capabilities along the entire route of the train, and that is a job, unfortunately, left to the locals. But there should be coordination structures that would enable you to get the right capabilities up at the state level to manage one of these incidents.”

Jennings says “transparency” from the railroad company “is critical.”

“There’s a vast amount of hazardous material on the rails and the roads 24-7 all through the country, so this is not a novel situation,” he added. “There should have been a playbook for this. It’s not like it was a Chinese balloon that suddenly appeared over Main Street — this is something that happens every day of the year.”

Ironically, the same day, but before the derailment, Ohio’s State Fire Marshal Kevin Reardon announced a task force to help address the state’s volunteer firefighter shortage and the waiving of all training fees for volunteers at the Ohio Fire Academy.

According to the US Fire Service 2021 National Needs Assessment, volunteer firefighters in towns the size of East Palestine are in short supply with an average of 6.7 firefighters available on weekdays, compared to 11.4 on the weekend.

And as it turns out, they are not that well-equipped.

When it comes to providing a Self-Contained Breathing Apparatus [SCBA] for firefighters, the US Fire Service reports, “more than half (53 percent) of all fire departments cannot equip everyone with SCBA. Departments protecting under 9,999 people have the highest rates of unmet need for SCBA equipment.”

TrumpWorld election conspiracy theory stemmed from email by “internally decapitated ghost”: filing

Trump-allied lawyer Sidney Powell in 2020 sent Fox News an email filled with strange claims from a woman who claimed to be a decapitated time traveler as evidence of her claims that voting machines “flipped” votes from former President Donald Trump, according to a recent court filing from Dominion Voting Systems in its defamation case against the network.

Powell forwarded the email — with the subject line “Election Fraud Info” — to Fox host Maria Bartiromo in November 2020, telling her that she had received “evidence” of voter fraud, Dominion’s filing states. The lawyer then appeared on Bartiromo’s Fox Business show, “Sunday Morning Futures” on November 8, 2020 to push baseless allegations against the voting machine company.

The writer of the email is unknown but the source claimed that Dominion caused election irregularities and claimed she was “internally decapitated.” She also claimed to have gotten her information from dreams and “the wind.”

“Who am I? And how do I know all of this?” the email read. “I’ve had the strangest dreams since I was a little girl….I was internally decapitated, and yet, I live….The Wind tells me I’m a ghost, but I don’t believe it.”

She later described herself as being able to “time-travel in a semi-conscious state.”

In another part of her email, the sender claimed that late Supreme Court Justice Antonin Scalia “was purposefully killed at the annual Bohemian Grove camp… during a weeklong human hunting expedition,” and that former Fox News CEO Roger Ailes, who died in 2017, and Murdoch “secretly huddle most days to determine how best to portray Mr. Trump as badly as possible.” 

Dominion included the messages in a court filing to support its allegation that Fox News and its executives knew the election fraud claims were false but allowed their hosts to spread misinformation anyway. The company is seeking $1.6 billion from Fox in damages. 

In her deposition in the case, Bartiromo said she knew of the email, and claimed it was “nonsense,” according to Dominion’s filing. 

Bartiromo never disclosed the origins of Powell’s claims nor the existence of the email to her viewers, the filing said.

Powell baselessly claimed that there was “a massive and coordinated effort” to “steal” the 2020 election, but did not mention any sources as supporting evidence. She then alleged that “computers” were used to “manufacture votes for Joe Biden.” 

“We need an audit of all the computer systems that played any role in this fraud whatsoever,” Powell said on air. Bartiromo did not correct Powell, nor did she request any proof.

Dominion is now suing Powell, in addition to other Trump allies Rudy Giuliani, and MyPillow CEO Mike Lindell, for defamation and seeking $1.3 billion in damages.

A spokesperson for Fox dismissed Dominion’s filing, arguing that it “mischaracterized the record, cherry-picked quotes stripped of key context, and spilled considerable ink on facts that are irrelevant under black-letter principles of defamation law.”

Trump attorney lawyers up after attempt to invoke attorney-client privilege backfires: report

Former President Donald Trump’s lawyer hired an attorney to represent himself after prosecutors intensified their inquiry into whether Trump mishandled sensitive records at his Mar-a-Lago resort, according to Reuters

Attorney Evan Corcoran, who has been at the center of Trump’s discussions with the government over its requests that he return all classified materials, has retained a prominent white-collar lawyer in Washington named Michael Levy, according to the report.

His law firm, Silverman Thompson Slutkin & White, hired Levy to represent Corcoran in the probe, according to one of the people familiar with the matter, Reuters reported.

Corcoran appeared before a grand jury in January in connection with special counsel Jack Smith’s investigation into classified documents taken to Mar-a-Lago, but is believed to have asserted attorney-client privilege.

Smith’s team is now seeking to compel Corcoran to testify under the crime-fraud exception, which allows the prosecutors to pierce attorney-client privilege by arguing that they’ve uncovered evidence of a crime.

Corcoran communicated with both the National Archives and Justice Department last year as the government issued a subpoena for any of classified materials at Mar-a-Lago.

Corcoran drafted a statement signed by another Trump lawyer, Christina Bobb, that “a diligent search” for classified documents had been made, and all documents had been turned over. 

But a few months later, when the FBI searched Mar-a-Lago again, they found more than 100 classified documents and another 42 empty folders marked “Return to Staff Secretary/Miliary [sic] Aide,”  according to a filing by the Department of Justice.

Trump has denied any wrongdoing in the matter and claimed that all documents at his residence had been “declassified,” though his attorneys have produced no evidence. He has repeatedly referred to the probe as a politically motivated “witch hunt.”


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Smith’s team has also interviewed Trump attorney Alina Habba, who is not representing Trump in the Mar-a-Lago case, but said in an affidavit in another case that she searched the former president’s office and residence in May.

Prosecutors are also seeking to question Alex Cannon, a former Trump attorney, who reportedly advised Trump to cooperate with the government’s requests to return the documents.

A third lawyer close to Trump, Jesse Binnall, also spoke with prosecutors about Boris Epshteyn, a longtime Trump adviser who has coordinated lawyers in multiple investigations targeting the former president, The New York Times reported.

Investigators have asked witnesses about discussions between Ephsteyn and others about establishing a “possible common-interest privilege” in the case, according to the Times. 

Investigators are interested in whether Ephsteyn was “trying to improperly influence witness testimony.”

Conservative attorney and Trump critic George Conway, who has described Trump as a  “walking, talking crime-fraud exception,” wrote in an October tweet that “His lawyers are going to be the witnesses who put him in jail.”

His tweet recently resurfaced after the new developments in Smith’s investigation into Trump. Conway added “this tweet seems to be aging well.”

My preschooler’s first police stop: I’m embarrassed — but not for us

My three-year-old daughter recently experienced her first police stop, a milestone that left me embarrassed, but not for myself or for her.

Dance class begins at 9:30 a.m. Saturday mornings. My wife normally runs the show, leaving me with the pedestrian responsibility of loading the car, but last week she had to accompany one of her clients for a news hit, which made me the boss. 

Baby girl’s bags were packed with snacks, toilet seat covers, a change of clothes and the tiniest ballerina slippers anyone has ever seen. She had a banana, some yogurt, and her shiny chrome water bottle with “CROSS WATKINS” across the front was full to the tip. We pulled off 25 minutes early for the 11-minute ride and I felt like Daddy of the Day. Anyone who spends time with toddlers knows that getting them out of the house on time is MIT graduate school-level difficult. She kicks, screams for Mommy, twirls until she falls, twirls again to prove she can twirl without falling, demands to wear the paper-thin raincoat in 10-degree weather, screams for Mommy again, smashes banana on my everything, looks around for mommy, twirls, and settles for Daddy. Then I get her into the car seat.  

Secretly, I had been extra excited about this dance class. My daughter had missed a few due to sickness. During her downtime, she discovered the 2016 kids’ movie “Ballerina,” titled “Leap” in the U.S. It’s about a talented orphan girl who fakes her identity to gain admission to a prestigious dance school in Paris. Initially, she can’t keep up with the other students, but her hard work, perseverance and grit accelerate her to the top of the class. The film includes some messages on classism, loyalty and unfairly judging people with disabilities, too. I’m sure my baby doesn’t fully grasp all of the concepts yet; however, she was mesmerized by their beautiful uniforms, leaps and, most importantly, their twirls. She has been twirling nonstop since she discovered the film. I had imagined how excited her dance teacher would be seeing the twirls and dips she had picked up since her last class. That day, I thought, my daughter would be the star, and I would have a front-row seat.

This is what I was thinking about as I drove down Charles Street, before screaming sirens snapped me out of my trance.

I want to say that I’m not a speeder. If the speed limit is 30 mph, then I drive around 30. I don’t rush. I don’t like driving fast. I always leave early because I don’t like rushing or driving fast. So I thought there was no way those cops were pulling me over. I signaled and moved out of their way so they could pass and catch up to the people they were looking for. 

The cop car slammed to a stop behind me like we were filming an action movie. Two uniformed officers — one Black, one white — slowly approached my vehicle, one on each side. The Black cop approached my window as the white one cartoonishly waved from the passenger side. Which one should I talk to? 

I rolled my window down. “Is this your car?” the Black cop said. The white cop held his hand over his brow, peering in through the window’s tint.

My normal response would be something like What do you want? or I am driving the car; of course, it’s mine. But I glanced in the rearview mirror, saw my daughter mouthing the words to one of her favorite songs, and focused my energy back on the cop.

“Yeah man, it’s mine.” 

“OK, I need your license and registration,” he said. 

“Why?” I asked calmly. I glanced back at Cross and saw she was completely unbothered by their presence. It was as if they didn’t exist. I took my cues from her. If a three-year-old could chill, so can I. 

“We couldn’t see your tag,” said the cop. “I see it now, but I didn’t see it at first.”

My last car had been hit while parked, crushed, and left in the shop for six months awaiting repairs. When I finally got it back, the body was fixed but nothing else worked right, so I traded it in for another car, which came with one of those flimsy temporary tags. The cop could see the tag. Anyone looking could see the tag. But I chose to remain as calm as my daughter as I passed the officer my paperwork. 


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“Look man,” I said as the white cop made his way around to the front of the car to peek over his partner’s shoulder. “I really don’t want to be late for her dance class. I don’t want any trouble, and I’m not trying to stop you from doing your job, but all of this paperwork is clean.” 

The cops said nothing. The Black one shrugged. They walked back to the squad car and proceeded to run my paperwork. I was so happy the baby didn’t cry or scream or peek her little head forward to wave hello because she is known for speaking to any and everyone she sees. Not to sound like that guy who wears sea shell necklaces and carries quartz crystals, but maybe — just maybe — she felt their energy. Maybe she felt mine. We were good. 

I have been fortunate; I’ve never been a part of a traffic stop that ended with me dying or going to prison. But I know how quickly these things can go from zero to 100. The whole nation saw how bad a traffic stop can go back in January with the killing of Tyre Nichols in Memphis.

As I sat in the car waiting, I prided myself on my ability to keep cool despite the situation. Cross was OK, so I was OK, and that’s all that mattered. Traffic stops happen all the time. But with so much crime in Baltimore, with so many shootings happening, with the hundreds of millions of dollars being thrown at our police department to solve these issues, which never works, why were they wasting time bothering me and my child over a legal temp tag they admitted they saw? My daughter should have been twirling. 

The whole nation saw how bad a traffic stop can go back in January with the killing of Tyre Nichols in Memphis.

I saw the cops chuckling in my rearview mirror. I was polite, but I told them I was in a rush, and he said he saw my tags but chose to hold me up anyway. It felt like they were making me wait just because they could. And this is the part where the anger seeps in, the part where I feel like screaming something profane or maybe exiting the car in an ego-driven attempt to prove I’m the dominant person. This is the part where traffic stops can go left. Mix those emotions into a cocktail — what’s happening in this country, their laughter, how I knew they would never do this to a white man, how the Black cop probably feels white because he’s uniting with a white man to ruin my day — and any situation could turn a thousand times worse.

“It’s OK, baby,” I said to my daughter. “We’ll be at class soon.” 

“Daddy, I’m a ballerina.” 

“Yes, baby,” I said, spinning around to tickle her feet. “You are the best ballerina ever.” 

I restarted her song, opened my phone and saw an article about a shooting that happened in the suburbs of Baltimore. David Linthicum, a 24-year-old white man, shot a Baltimore County police officer in his home, then shot another county police officer before stealing his unmarked car. The craziest part of the story is that Linthicum was taken in alive and well. It’s like officers see white skin and develop a superhero level of restraint. There’s no way these guys would have held Linthicum up in traffic over a visible temporary tag.

How can we tell Black kids that if they move the wrong way in front of the police they could be shot and killed, while white kids can actually shoot multiple police officers, steal their cars, and be arrested without harm? That level of racism is embarrassing. 

“Everything checked out. You’re good to go,” the white cop said to me. “I’m going to give you this card that explains why we stopped you.” 

I looked back at the Black cop, who chose not to come back to my window, and took the card from the white cop, who then walked away quickly.

I continued down Charles Street with a strong sense of gratitude. We were still going to be on time. I didn’t lose my cool. My daughter who hates sitting still didn’t lose her cool. The only people who were embarrassing in this whole ordeal were the cops — adults who work in public service with less impulse control than my child.